WeRead Powered by ReaderPub
Shakespeare and the Stage / With a Complete List of Theatrical Terms Used by Shakespeare in His Plays and Poems, Arranged in Alphabetical Order, & Explanatory Notes cover

Shakespeare and the Stage / With a Complete List of Theatrical Terms Used by Shakespeare in His Plays and Poems, Arranged in Alphabetical Order, & Explanatory Notes

Chapter 21: THE QUEEN’S SERVANTS
Open in WeRead

About This Book

A historical and practical study of dramatic performance and stagecraft that traces how medieval religious spectacles gave way to secular comedy and tragedy, examines inn-yard presentations and purpose-built playhouses, and surveys company organization, acting practice, court performances, and theatrical allusions. The work describes theatre architecture, audience arrangements, production practices, and contemporary documents and illustrations, and concludes with an alphabetically arranged glossary of stage terms associated with Shakespeare, each entry supplied with explanatory notes to clarify period usage and theatrical meaning.

THE QUEEN’S SERVANTS

This company was formed in the year 1583. The chief actors from other companies were pressed into this new troupe of regal comedians: most of their names are known. Howe, in his edition of Stow’s Annals, published in 1615, mentions Wilson and Richard Tarlton, the former for a quiet, delicate and refined extemporal wit, and the latter for a wondrous, plentiful pleasant, extemporal wit; he was the wonder of his time.

James Burbage, the founder of the first theatre in this country, was one of the first members. The Queen’s Company frequently acted in various parts of the country, likewise at the Court, and continually in London. In the Metropolis they made The Theatre their headquarters; sometimes they acted under the management of Henslowe at the Rose. A few of the plays in their repertoire found their way into the Press, the title page stating, “As was played by the Queen Majesty’s players.” One of their playbooks was the drama called “The True Tragedy of Richard III,” a play that Shakespeare must have read or seen on the stage. Some half-dozen plays are known as belonging to this company, including the famous victories of “Henry V,” the foundation play of Shakespeare’s “Henry V.”

After the Queen’s death, in 1603, they ceased being called the Queen’s players, and those actors who formed the company at this time sought other patronage, or were transferred wholly to some distinguished nobleman. There are no grounds for believing that some of the Queen’s players found a new patron in Ludwic Stuart, Earl of Lennox, who was already patron of a company of players.