TAMING OF THE SHREW
THE PRESENTERS ABOVE SPEAK.
The presenter in former times was one who took part in a play, an actor. The word is now obsolete. Even in Shakespeare’s day it is rarely met with. The Presenters in this scene were represented by Sly, the Page and the First Serving man, all being seated in the balcony above the stage.
ENTER A MESSENGER.
SLY.
Marry, I will let them play it. Is not a Christmas gambol or a tumbling trick?
PAGE.
No, my good lord; it is more pleasing stuff.
SLY.
What, household stuff?
PAGE.
It is a kind of history.
SLY.
Well, we’ll see it. Come, madam, wife, sit by my side. And let the world slip; we shall ne’er be younger.
COMEDY. PLAY. PLAYERS.
Ind. Sc. 2, 1, 136.
Ind. Sc. 2, line 136.
Marry, I will let them play it. Is not a Christmas gambol or a tumbling trick?
Ind. Sc. II, line 140.
Every actor in the time of Elizabeth was forced to serve in some company of actors, who were under the protection of a nobleman, otherwise the poor actor was classed as a rogue and a vagabond, and liable to be sent to prison. “Your honour’s players” does not necessarily infer that they owed entire allegiance to their patron, but most likely they were prepared at all times to offer their services to their Lord protector. During the last two decades of the sixteenth century this patronage became merely formality, but owing to the strictures of the law this regulation was almost compulsory, so that in all England every play actor was under the patronage of some nobleman. As every one knows, Shakespeare belonged for many years to the servants of the Lord Chamberlain, and Edward Alleyn, the Founder of Dulwich College, and the greatest actor of his time, was a member of the Lord Admiral’s company. Even to-day there is a well known case of a gentleman owning his own orchestra a band of musicians, so that it is not at all unlikely that some wealthy or powerful nobleman retained a company of actors who only performed at his pleasure.
PART. PLAY.
My Lord, I warrant you we will play our part.
Ind. Sc. I, line 69.
PLAY’D. PLAY. PLAYERS.
There is a lord will hear you play to-night.
Ind. Sc. I, line 93.
For yet his honour never heard a play.
Ind. Sc. I, line 86.
Ind. Sc. II, line 139.
My lord, you nod; you do not mind the play.
I, 1, 2.
Players that offer service to your lordship.
Ind. Sc. 1, line 77.
PART. ENTER PLAYERS. PERFORMED.
LORD.
PLAYERS.
LORD.
PLAYERS.
LORD.
PLAYERS.
LORD.
After having copied out the above passage, which was quite a bonne bouche for my theory, that Shakespeare on all occasions that offered themselves, introduced theatrical affairs into his plays, it came as rather a disappointment to find, on consulting the old drama of “The Taming of a Shrew,” the same scene slightly differently treated.
This old play was the one on which Shakespeare founded his own comedy of “The Taming of the Shrew.” The scene in which the players are introduced is called The Induction, and is founded on an episode in the life of Philip the Good, Duke of Burgundy, which is related in a Latin work by Heuterus, 1584, called De Rebus Burgundias. The story relates how the Duke, suddenly stumbling upon a drunken fellow lying in the road, has him conveyed to his palace, attires him like a lord, and when he wakes, the Duke and his followers keep the game up. The players present a comedy before him, and when he falls asleep he is again placed outside the ale house, and, on waking again, tells the host that he has had the grandest dream of his life, and if his wife vexes him he knows how to tame her. Strange to say, plays are mentioned in this Latin chronicle in which, to amuse the mock lord, the same incident is used in both English plays to entertain the so-called lord. I possess a late English book called Admirable Events. The fifth event relates the same adventures under the heading of “The Waking Man’s Dream.” It is believed that an early edition of this book was in circulation before Shakespeare’s time, but is now lost.
I have printed the players scene on account of its theatrical interest. It will be noted that the unusual word properties is used, also that the Duke is patron of a company of actors. The entire scene has an air of being taken straight from life. It was quite a common custom for actors to travel in the country or, as we should say, to go on tour. The company must have been a fairly large one, as several characters are introduced in the real play.
PLAYERS SCENE FROM THE OLD. PLAY.
MESSENGER.
LORD.
(Enter two of the players with packs at their backs and a boy.)
SAN. (SANDER.)
Marry, my Lord, you may have a tragical or comodity or what you will.
THE OTHER.
LORD.
SAN.
LORD.
SAN.
LORD.
LORD.
SLY.
LORD.
SLY.
LORD.
SLY.
LORD.
BOY.
SLY.
BOY.
SLY.
Come, Sim, where be the players? Sim, stand by me and we’ll flout the players out of their coats.
LORD.
I’ll call them, my lord. Ho, where are you there?