Shakespeare as a Dramatic Artist / A Popular Illustration of the Principles of Scientific Criticism
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About This Book
The author analyzes Shakespeare's technique through ten focused studies that examine how Shakespeare transforms source material, develops underplots, weaves nemesis and destiny into plot, and balances character contrast and grouping in plays such as The Merchant of Venice, Richard III, Macbeth, Julius Caesar, and King Lear. The second part advocates an inductive, scientific method for dramatic criticism, outlining topics and procedures for evaluating interest in character, passion, and plot. Aimed at readers and students, the work pairs concrete textual exemplars with pedagogical guidance to illustrate practical principles of dramatic workmanship and to propose a systematic approach to literary criticism.
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