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Shakespeare's Sonnets

Chapter 25: XXIV
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About This Book

A sequence of lyric sonnets presents a speaker who examines love, beauty, time, and mortality through intimate, shifting addresses. Many poems urge a beloved to preserve beauty through progeny, while others meditate on aging and the ravages of time; a contrasting strand records erotic passion, jealousy, and betrayal. The pieces vary tone from pleading to defiance and experiment with sonnet form and rhetorical argument, often asserting poetry’s power to memorialize. Recurring images and contrapuntal voices probe desire, artistic rivalry, and the tension between physical love and spiritual admiration.

XXIV

Mine eye hath play’d the painter and hath stell’d,
Thy beauty’s form in table of my heart;
My body is the frame wherein ’tis held,
And perspective it is best painter’s art.
For through the painter must you see his skill,
To find where your true image pictur’d lies,
Which in my bosom’s shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, where-through the sun
Delights to peep, to gaze therein on thee;
    Yet eyes this cunning want to grace their art,
    They draw but what they see, know not the heart.