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Shakespeare's Sonnets

Chapter 9: VIII
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About This Book

A sequence of lyric sonnets presents a speaker who examines love, beauty, time, and mortality through intimate, shifting addresses. Many poems urge a beloved to preserve beauty through progeny, while others meditate on aging and the ravages of time; a contrasting strand records erotic passion, jealousy, and betrayal. The pieces vary tone from pleading to defiance and experiment with sonnet form and rhetorical argument, often asserting poetry’s power to memorialize. Recurring images and contrapuntal voices probe desire, artistic rivalry, and the tension between physical love and spiritual admiration.

VIII

Music to hear, why hear’st thou music sadly?
Sweets with sweets war not, joy delights in joy:
Why lov’st thou that which thou receiv’st not gladly,
Or else receiv’st with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing:
    Whose speechless song being many, seeming one,
    Sings this to thee: ‘Thou single wilt prove none.’