"Dear Mother, it is all over now," Evelyn said to Mother Hilda in the passage, and the last of the ecclesiastics disappeared through a doorway, going to his lunch.
"Yes, dear Teresa, it is all over so far as this world is concerned.
We must think of her now in heaven."
"And to-morrow we shall begin to think for whom we shall vote—at least, you will be thinking. I am not a choir sister, and am leaving you."
"Is that decided, Teresa?"
"Yes, I think so. Perhaps now would be the time for me to take off this habit; I only retained it at the Prioress's wish. But, Mother, though I have not discovered a vocation, and feel that you have wasted much time upon me, still, I wouldn't have you think I am ungrateful."
"My dear, it never occurred to me to think so." And the two women walked to the end of the cloister together, Evelyn telling Mother Hilda about the Prioress and the Prioress's papers.
And from that day onward, for many weeks, Evelyn worked in the library, collecting her papers, and writing the memoir of the late Prioress, which, apparently, the nun had wished her to do, though why she should have wished it Evelyn often wondered, for if she were a soul in heaven it could matter to her very little what anybody thought of her on earth. How a soul in heaven must smile at the importance attached to this rule and to these exercises! How trivial it all must seem to the soul!… And yet it could not seem trivial to the soul, if it be true that by following certain rules we get to heaven. If it be true! Evelyn's thoughts paused, for a doubt had entered into her mind—the old familiar doubt, from which no one can separate herself or himself, from which even the saints could not escape. Are they not always telling of the suffering doubt caused them? And following this doubt, which prayers can never wholly stifle, the old original pain enters the heart. We are only here for a little while, and the words lose nothing of their original freshness by repetition; and, in order to drink the anguish to its dregs, Evelyn elaborated the words, reminding herself that time is growing shorter every year, even the years are growing shorter.
"The space is very little between me and the grave."
Some celebrated words from a celebrated poet, calling attention to the brevity of life, came into her mind, and she repeated them again and again, enjoying their bitterness. We like to meditate on death; even the libertine derives satisfaction from such meditation, and poets are remembered by their powers of expressing our great sorrow in stinging terms. "Our lives are not more intense than our dreams," Evelyn thought; "and yet our only reason for believing life to be reality is its intensity. Looked at from the outside, what is it but a little vanishing dust? Millions have preceded that old woman into the earth, millions shall follow her. I shall be in the earth too—in how many years? In a few months perhaps, in a few weeks perhaps. Possibly within the next few days I may hear how long I may expect to live, for what is more common than to wake with a pain, and on consulting a doctor to see a grave look come into his face, and to hear him tell of some mortal disease beyond his knife's reach? Words come reluctantly to one's tongue. "How long have I to live?" "About a year, about six months; I cannot say for certain."
Doctors are answering men and women in these terms every day, and Evelyn thought of some celebrated sayings that life's mutability has inspired. She remembered some from the Bible, and some from Shakespeare; and those she remembered from Fitzgerald, from his "Omar Khayyam," took her back to the afternoon she spent with Owen by the Serpentine, to the very day when he gave her the poem to read, thinking to overcome her scruples with literature.
"There were no scruples in me then. My own business, 'The Ring,' is full of the pagan story of life and death. We have babbled about it ever since, trying to forget or explain it, without, however, doing either; I tried to forget it on the stage, and did not succeed, but it was not fear of death that brought me here. The nuns do not succeed better than I; all screens are unavailing, for the wind is about everywhere—a cold, searching wind, which prayers cannot keep out; our doorways are not staunch—the wind comes under the door of the actress's dressing-room and under the door of the nun's cell in draughts chilling us to the bone, and then leaving us to pursue our avocations for a time in peace. The Prioress thought that in coming here she had discovered a way to heaven, yet she was anxious to defend herself from her detractors upon earth. If she had believed in her celestial inheritance she would have troubled very little, and I should be free to go away now. Perhaps it is better as it is," she reflected. And it seemed to her that no effort on her part was called for or necessary. She was certain she was drifting, and that the current would carry her to the opposite bank in good time; she was content to wait, for had she not promised the Prioress to perform a certain task? And it was part of her temperament to leave nothing undone; she also liked a landmark, and the finishing of her book would be a landmark.
She was even a little curious to see what turn the convent affairs would take, and as she sat biting the end of her pen, thinking, the sound of an axe awoke her from her reverie. Trees were being felled in the garden; "and an ugly, red-brick building will be run up, in which children of city merchants will be taught singing and the piano." Was it contempt for the world's ignorance in matters of art that filled her heart? or was she animated with a sublime pity for those parents who would come to her (if she remained in the convent, a thing she had no intention of doing) to ask her, Evelyn Innes, if she thought that Julia would come to something if she were to persevere, or if Kitty would succeed if she continued to practice "The Moonlight Sonata," a work of the beauty of which no one in the convent had any faintest comprehension? She herself had some gifts, and, after much labour, had brought her gifts to fruition, not to any splendid, but to some fruition. It was not probable that any one who came to the convent would do more than she had done; far better to learn knitting or cooking—anything in the world except music. Her gift of singing had brought her to this convent. Was it really so? Was her gift connected in some obscure way with the moral crisis which had drawn her into this convent? There seemed to be a connection, only she did not seem to be able to work it out. But there must be one surely, otherwise her poor people, whom she loved so dearly, would not have been abandoned. A very cruel abandonment it was, and she pondered a long while on this subject without arriving at any other conclusion except that for her to remain in the convent to teach music to the children of rich merchants, who had villas in Wimbledon, was out of the question. Her poor people were calling to her, and the convent had no further concern in her life. Of that she was sure. It was no longer the same convent. The original aspiration had declined; the declension had been from the late Prioress to Sister Winifred, who, knowing that her own election to Prioress was impossible, had striven to get Mother Philippa elected Prioress and herself sub-Prioress—a very clever move on her part, for with Mother Philippa as Prioress the management of the school would be left to her, and the school was what interested her. Of course, the money they made would be devoted to building a chapel, or something of that kind; but it was the making of money which would henceforth be the pleasure of the convent. Evelyn took a certain pleasure in listening negligently to Mother Winifred, who seemed unable to resist the desire to talk to her about vocations whenever they met. From whatever point they started, the conversation would soon turn upon a vocation, and Evelyn found herself in the end listening to a story of some novice who thought she had no vocation and had left the convent, but had returned.
"And very often," Mother Winifred would say sententiously, "those who think themselves most sure of their vocation find themselves without one."
And Evelyn would answer, "Those who would take the last place are put up first—isn't that it, Mother Winifred?"
Very often as they walked round the great, red-brick building, with rows of windows on either side facing each other, so that the sky could be seen through the building, Evelyn said:
"But do you not regret the trees?" She took pleasure in reminding every nun that they sacrificed the beauty of the garden in the hope of making a little money; and these remarks, though they annoyed Mother Winifred, did not prevent her from speaking with pride of the school, now rapidly advancing towards completion, nor did Evelyn's criticism check her admiration of Evelyn herself. It seemed to Evelyn that Mother Winifred was always paying her compliments, or if she were not doing that, she would seek opportunities to take Evelyn into her confidence, telling her of the many pupils they had been promised, and of the conversions that would follow their teaching. The girls would be impressed by the quiet beauty of the nun's life; some of them would discover in themselves vocations for the religious life, and a great many would certainly go away anxious for conversion; and, even if their conversions did not happen at once, though they might be delayed for years, sooner or later many conversions would be the result of this school. And the result of all this flummery was:
"Now, why should you not stay with us, dear, only a little while longer? It would be such a sad thing if you were to go away, and find that, after all, you had a vocation for the religious life, for if you return to us you will have to go through the novitiate again."
"But, Mother Winifred, you always begin upon the supposition that I have a vocation. Now, supposing you begin upon the other supposition —that I have not one."
Mother Winifred hesitated, and looked sharply at Evelyn; but, unable to take her advice, on the very next opportunity she spoke to Evelyn of the vocation which she might discover in herself when it was too late.
"You have forgotten what I said, Mother Winifred."
Mother Winifred laughed, but, undaunted, she soon returned with some new argument, which had occurred to her in the interval, as she prayed in church, or in her cell at night, and the temptation to try the effect of the new argument on Evelyn was irresistible.
"Dear Sister Teresa—you see the familiar name comes to my tongue though you have put off the habit—we shall be a long time in straitened circumstances. A new mortgage has had, as you know, to be placed on the property in order to get money to build the school; the school will pay, but not at once."
Evelyn protested she was not responsible for this new debt. She had advised the Prioress and Mother Winifred against it, warning them that she did not intend to remain in the convent.
"But we always expected that you would remain."
And in this way Evelyn was made to feel her responsibility so much that in the end she consented to give up part of her money to the nuns. So long as she had just enough to live upon it did not matter, and she owed these nuns a great deal. True that she had paid them ten times over what she owed them, but still, it was difficult to measure one's debts in pounds, shillings, and pence. However, that was the way the nuns wanted her to measure them, and if she could leave them fifteen hundred pounds—. And as soon as this sum was agreed upon, Sister Winifred never lost an opportunity of regretting that the convent was obliged to accept this magnificent donation, hinting that the Prioress and herself would be willing (and there would be no difficulty in obtaining the consent of the choir sisters) to accept Evelyn's services for three years in the school instead of the money.
"Five hundred a year we shall be paying you, but the value of your teaching will be very great; mothers will be especially anxious to send their daughters to our school, so that they may get good singing lessons from you."
"And when I leave?"
"Well, the school will have obtained a reputation by that time. Of course, you will be a loss, but we must try to do without you."
"Three years in this convent!"
"But you are quite free here; you come and go as you please. After all, your intention in leaving the convent is to teach music. Why not teach music here?"
The argument was an ingenious one, but Evelyn did not feel that it would appeal to her in the least, either to continue living in the convent after she had finished her book, or to go back to the convent to give singing lessons three or four times a week.
It would be preferable for her to give fifteen hundred pounds to the convent, and so finish with the whole thing; and this she intended to do, though she put Mother Winifred off with evasion, leaving her thinking that perhaps after all she would teach for some little while in the convent. It was necessary to do this, for Mother Winifred could persuade Mother Philippa as she pleased; and it had occurred to Evelyn that perhaps Mother Winfred might arrange for her expulsion. Nothing could be easier than to tell her that somebody's friend was going to stay with them in the convent, that the guest-room would be wanted. To leave now would not suit Evelyn at all. The late Prioress's papers belonged to the convent; and to deceive Mother Winifred completely Evelyn agreed to give some singing lessons, for they had already begun to receive pupils, though the school was not yet finished.
This teaching proved very irksome to her, for it delayed the completion of her book, and she often meditated an escape, thinking how this might be accomplished while the nuns played at ball in the autumn afternoon. Very often they were all in the garden, all except Sister Agnes, the portress, and she often left her keys on the nail. So it would be easy for Evelyn to run down the covered way and take the keys from the nail and open the door. And the day came when she could not resist the temptation of opening the door, not with a view to escape; but just to know what the sensation of the open door was like. And she stood for some time looking into the landscape, remembering vaguely, somewhere at the back of her mind, that she could not take the Prioress's papers with her, they did not belong to her; the convent could institute an action for theft against her, the Prioress not having made any formal will, only a memorandum saying she would like Evelyn to collect her papers.
So it was necessary for her to lock the gate again, to restore the keys to the nail, and return to the library. But in a few weeks more her task would be done, and it would be pleasanter to go away when it was done; and, as it has already been said, Evelyn liked landmarks. "To pass out is easy, but the Evelyn that goes out will not be the same as the Evelyn who came in." And a terror gathered in her mind, remembering that she was forty, and to begin life again after forty, and after such an experience as hers, might prove beyond her strength. Doubts enter into every mind, doubt entered into hers; perhaps the convent was the natural end of her life, not as a nun, but as an oblate. The guest-room was a pleasant room, and she could live more cheaply in the convent than elsewhere. There are cowardly hours in every life, and there were hours when this compromise appealed to Evelyn Innes. But if she remained she would have to continue teaching under Mother Winifred's direction. A little revolt awoke in her. She could not do that; and she began to think what would happen to her when she left the convent. There would not be money enough left her to sit down in a small flat and do nothing; she would have to work. Well, she would have to do that in any case, for idleness was not natural to her, and she would have to work for somebody besides herself—for her poor people—and this she could do by giving singing lessons. Where? In Dulwich? But to go back to the house in which she lived her life, to the room which used to be hung with the old instruments, and to revive her mother's singing classes? No, she could not begin her life from exactly the same point at which she left off. And gradually the project formed in her mind of a new life, a life which would be at once new and old. And the project seemed to take shape as she wrote the last pages of her memoir of the late Prioress.
"It is done, and I have got a right to my own manuscript; they cannot take that from me." And she went into the sacristy, her manuscript in her hand.
The cool, sweet room seemed empty, and Veronica emerged from the shadow, almost a shadow. There were two windows, lattice panes, and these let the light fall upon the counter, along which the vestments were laid for the priest. The oak press was open, and it exhaled an odour of orris root and lavender, and Veronica, standing beside it, a bunch of keys at her girdle, once more reminded Evelyn of the mediæval virgin she had seen in the Rhenish churches.
"I have finished collecting your aunt's papers."
"And now you are going to leave us?"
There was a sob in the girl's voice, and all Evelyn's thoughts about her seemed to converge and to concentrate. There was the girl before her who passed through life without knowing it, interested in putting out the vestments for an old priest, hiding his amice so that no other hands but hers should touch it; this and the dream of an angel who visited her in sleep and whose flesh was filled with luminous tints constituted all she knew of life, all she would ever know. There were tears in her eyes now, there was a sob in her voice; she would regret her friend for a day, for a week, and then the convent life would draw about her like great heavy curtains. Evelyn remembered how she had told her of a certain restlessness which kept her from her prayers; she remembered how she had said to her, "It will pass, everything will pass away." She would become an old nun, and would be carried to the graveyard just as her aunt had been. When would that happen? Perhaps not for fifty years. Sooner or later it would happen. And Evelyn listened to Veronica saying the convent would never be the same without her, saying:
"Once you leave us you will never come back."
"Yes, I shall, Veronica; I shall come once or twice to see you."
"Perhaps it would be better for you not to come at all," the girl cried, and turned away; and then going forward suddenly as Evelyn was about to leave the sacristy, she said:
"But when are you leaving? When are you leaving?"
"To-morrow; there is no reason why I should wait any longer."
"We cannot part like this." And she put down the chalice, and the women went into a chill wind; the pear-trees were tossing, and there were crocuses in the bed and a few snowdrops.
"You had better remain until the weather gets warmer; to leave in this bleak season! Oh, Sister, how we shall miss you! But you were never like a nun."
They walked many times to and fro, forgetful of the bleak wind blowing.
"It must be so, you were never like a nun. Of course we all knew, I at least knew… only we are sorry to lose you."
The next day a carriage came for Evelyn. The nuns assembled to bid her goodbye; they were as kind as their ideas allowed them to be, but, of course, they disapproved of Evelyn going, and the fifteen hundred pounds she left them did not seem to reconcile them to her departure. It certainly did not reconcile Mother Winifred, who refused to come down to wish her goodbye, saying that Evelyn had deceived them by promising to remain, or at all events led them to think she would stay with them until the school was firmly established. Mother Philippa apologised for her, but Evelyn said it was not necessary.
"After all, what Mother Winifred says is the truth, only I could not do otherwise. Now, goodbye, I'll come to see you again, may I not?"
They did not seem very anxious on this point, and Evelyn thought it quite possible she might never see the convent again, which had meant so much to her and which was now behind her. Her thoughts were already engaged in the world towards which she was going, and thinking of the etiolated hands of the nuns she remembered the brown hands of her poor people; it was these hands that had drawn her out of the convent, so she liked to think; and it was nearly the truth, not the whole truth, for that we may never know.
XXXV
The blinds of 27, Berkeley Square were always down, and when Sir Owen's friends called the answer was invariably the same: "No news of Sir Owen yet; his letters aren't forwarded; business matters are attended to by Mr. Watts, the secretary." And Sir Owen's friends went away wondering when the wandering spirit would die in him.
It was these last travels, extending over two years, in the Far East, that killed it; Owen felt sure of that when he entered his house, glad of its comfort, glad to be home again; and sinking into his armchair he began to read his letters, wondering how he should answer the different invitations, for every one was now more than six months old, some going back as far as eighteen months. It seemed absurd to write to Lady So-and-so, thanking her for an invitation so long gone by. All the same, he would like to see her, and all his friends, the most tedious would be welcome now. He tore open the envelopes, reading the letters greedily, unsuspicious of one amongst them which would make him forget the others—a letter from Evelyn. It came at last under his hand, and having glanced through it he sank back in his chair, overcome, not so much by surprise that she had left her convent as at finding that the news had put no great gladness into his heart, rather, a feeling of disappointment.
"How little one knows about oneself!" But he wasn't sorry she had left the convent. A terrible result of time and travel it would be if his first feeling on opening her letter were one of disappointment. He was sorry she had been disappointed, and thought for a long time of that long waste of life, five years spent with nuns. "We are strange beings, indeed," he said. And getting up, he looked out the place she wrote from, discovering it to be a Surrey village, probably about thirty miles from London, with a bad train service; and having sent a telegram asking if it would suit her for him to go down to see her next day, he fell back in his chair to think more easily how his own life had been affected by Evelyn's retreat from the convent; and again he experienced a feeling of disappointment. "A long waste of life, not only of her life, but of mine," for he had travelled thousands of miles… to forget her? Good heavens, no! What would his life be without remembrance of Evelyn? He had come home believing himself reconciled to the loss of Evelyn, and willing to live in memories of her—the management of his estate a sufficient interest for his life, and his thoughts were already engaged in the building of a new gatehouse; after all, Riversdale was his business, and he had come home to work for his successor while cherishing a dream— wasn't it strange? But this letter had torn down his dream and his life was again in pieces. Would he ever be at rest while she was abroad? Would it not have been better for them both if she had remained in her convent? The thought seemed odiously selfish. If she were to read his disappointment on hearing that she was no longer in the convent? … Telepathy! There were instances! And his thoughts drifted away, and he seemed to lose consciousness of everything, until he was awakened by the butler bringing back her reply.
Now he would see her in twenty-four hours, and hear from her lips a story of adventure, for it is an adventure to renounce the world, the greatest, unless a return to the world be a greater. She had known both; and it would be interesting to hear her tell both stories—if she could tell her stories; she might only be half aware of their interest and importance.
"God only knows what she is like now! A wreck, a poor derelict woman, with no life to call her own. The life of an actress which I gave her, and which was so beautiful, wrecked; and the life of a nun, which she insisted on striving after, wrecked." A cold, blighting sorrow like a mist came up, it seemed to penetrate to his very bones, and he asked why she had left the convent—of what use could she be out of it?… only to torment him again. Twenty times during the course of the evening and the next morning he resolved not to go to see her, and as many times a sudden desire to see her ripped up his resolution; and he ordered the brougham. "Five years' indulgence in vigils and abstinences, superstitions must have made a great change in her; utterly unlike the Evelyn Innes whom I discovered years ago in Dulwich, the beautiful pagan girl whom I took away to Paris." He was convinced. But anxious to impugn his conviction, he took her letter from his pocket, and in it discovered traces, which cheered him, of the old Evelyn.
"She must have suffered terribly on finding herself obliged after five years to retreat, and something of the original spirit was required for her to fight her way out, for, of course, she was opposed at every moment."
The little stations went by one by one: the train stopped nine or ten times before it reached the penultimate.
"In the next few minutes I shall see her. She is sure to come to the station to meet me. If she doesn't I'll go back—what an end that would be! A strange neighbourhood to choose. Why did she come here? With whom is she living? In a few minutes I shall know."
The train began to slacken speed. "Why, there she is on the platform." The train rushed by her, the first-class carriages stopping at the other end; and, calling to the porter to take his bag out of the carriage, he sprang out, tall and thin. "Like one who had never had the gout," she said, as she hurried to meet him, smiling, so intimately did his appearance bring back old times. "He is so like himself, and better dressed than I am; the embroidered waistcoat still goes in at the waist; and he still wears shirts with mauve stripes. But he is a good deal greyer… and more wrinkled than I am."
"So it is you, Evelyn. Let me look at you." And, holding both her hands, he stood looking into the face which he had expected to find so much changed that he hardly found it changed at all, his eyes passing over, almost without notice, the white hairs among the red, and the wrinkles about the eyes and forehead, which, however, became more apparent when she smiled. His touch was more conclusive of disappointment than his eyes; her hands seemed harder than they used to be, the knuckles had thickened, and, not altogether liking his scrutiny, she laughed, withdrawing her hands.
"Where is your valet, Owen?"
It was then that he saw that her teeth had aged a little, yellowed a little; a dark spot menaced the loss of one of the eye-teeth if not attended to at once. But her figure seemed the same, and to get a back view he dropped his stick. No, the convent had not bent her; a tall, erect figure was set off to advantage by a dark blue linen dress, and the small, well-reared head and its roll of thick hair by the blue straw hat trimmed with cornflowers.
"Her appearance is all right; the vent must be in her mind," he said, preparing himself for a great disillusionment as soon as their talk passed out of the ordinary ruts.
"My valet? I didn't bring him. You might not be able to put him up."
"I shouldn't."
"But is there any one to carry my bag? I'll carry it myself if you don't live too far from here."
"About a mile. We can call at the inn and tell them to send a fly for your bag—if you don't mind the walk."
"Mind the walk—and you for companionship? Evelyn, dear, it is delightful to find myself walking with you, and in the country," he added, looking round.
"The country is prettier farther on."
Owen looked round without, however, being able to give his attention to the landscape.
"Prettier farther on? But how long have you been here?"
"Nearly two years now. And you—when did you return?"
"How did you know I was away?"
"You didn't write."
"I returned yesterday."
"Yesterday? You only read yesterday my letter written six months ago."
"We have so much to talk about, Evelyn, so much to learn from each other."
"The facts will appear one by one quite naturally. Tell me, weren't you surprised to hear I had left the convent? And tell me, weren't you a little disappointed?"
"Disappointed, my dear Evelyn? Should I have wired to you, and come down here if—. It seemed as if the time would never pass."
"I don't mean that you aren't glad to see me. I can see you are. But admit that you were disappointed that I hadn't succeeded—"
"I see what you mean. Well, I was disappointed that you were disappointed; I admit so much." And, walking up the sunny road, he wondered how it was that she had been able to guess what his thoughts were on reading her letter. After all, he was not such a brute as he had fancied himself, and her divination relieved his mind of the fear that he lacked natural feeling, since she had guessed that a certain feeling of disappointment was inevitable on hearing that she had not been able to follow the chosen path. But how clever of her! What insight!
"I hope you don't misunderstand. I cannot put into words the pleasure—."
"I quite understand. Even if we turn out of our path sometimes, we don't like others to vacillate… conversions, divagations, are not sympathetic."
"Quite true. The man who knows, or thinks he knows, whither he is going commands our respect, and we are willing to follow—"
"Even though he is the stupider?"
"Which is nearly always." And they ceased talking, each agreeably surprised by the other's sympathy.
It was on his lips to say, "We are both elderly people now, and must cling to each other." But no one cares to admit he is elderly, and he did not speak the words for his sake and for hers, and he refrained from asking her further questions about the convent; for he had come to see a woman, loved for so many years, and who would always be loved by him, and not to gratify his curiosity; he asked why she had chosen this distant country to live in.
"Distant country? You call this country distant? You, who have only just come back—"
"Returned yesterday from the Amur."
"From the Amur? I thought I was the amour."
"So you are. I am speaking now of a river in Manchuria."
'Manchuria? But why did you go there?"
"Oh, my dear Evelyn, we have so much to tell each other that it seems hopeless. Can you tell me why you—no, don't answer, don't try to tell why you went to the convent; but tell me why you came to live in this neighbourhood?"
"Well, the land is very cheap here, and I wanted a large piece of ground."
"Oh, so you've settled here?"
"Yes; I've built a cottage… But I haven't been able to lay the garden out yet."
"Built a cottage?"
"What is there surprising in that?"
"Only this, that I returned home resolved to do some building at Riversdale—a gate lodge," and he talked to her of the gate lodge he had in mind, until he became aware of the incongruity. "But I didn't come here to talk to you of gate lodges. Tell me, Evelyn, how do you spend your time?"
"I go to town every morning to teach singing; I have singing-classes."
"So you are a singing-mistress now. Well, everything comes round at last. Your mother—"
"Yes, everything comes round again," she said, sighing; "and the neighbourhood isn't inconvenient. There is a good train in the morning and a good train in the evening; the one you came by is a wretched one, but if you had come by the later train you would have seen less of me. You're not sorry?"
"My dear Evelyn, don't be affected. I'm trying to take it all in. You have retreated from the convent, and are now a singing-mistress. Have you lost your voice?"
"I'm afraid a good deal of it." And, pointing with her parasol, she said, "There is the inn; I will tell them to fetch your bag."
As she went towards the "Stag and Hounds" he congratulated himself that the earlier woman still subsisted in the later, there could be no doubt of that, and in sufficient proportion for her to create a new life, and out of nothing but her own wits, for if she had escaped from the convent with her intelligence, or part of it, she hadn't escaped with her money; the nuns had got her money safe enough. She would be loth to admit it, but it could not be otherwise. So out of her own wits she had negotiated the purchase of a large piece of ground (she had said a large piece), and built a cottage, and a very pretty cottage too, he was sure of that; and his face assumed a blank expression, for he was away with her in some past time, in the midst of an architectural discussion. But returning gradually from this happy past, her intelligence seemed to him like some strong twine or wire! "How clever of her to have discovered this country where land was cheap!" And he looked round, seeing its beauty because she lived in it. Above all, to have found work to do, no easy matter when one has torn oneself and one's past to shreds, as she had done. No doubt she was making quite a nice little income by teaching; and, in increasing admiration, he walked round the dusty inn and the triangular piece of grass in front of it. A game of bat-and-trap was in progress, and he conceived a love for that old English game, though till now he thought it stupid and vulgar. The horse-pond appealed to him as a picturesque piece of water, and, standing back from it, he admired the rows of trees on the further bank—pollards of some kind—and, still more, the reflections of these trees in the dark green water; and his eyes followed the swallows, dipping and gliding through the moveless air. A spire showed between the trees, a girl and some children were gathering wild flowers in the hedgerows. How like England! But here was Evelyn!
"Did you ever see a more beautiful evening? And aren't you glad that the evening in which I see you again is—one would like to call it beatific, only I don't like the word; it reminds me of the convent you have left."
"One goes away in order that one may return home, Owen."
"Quite true; and all my travels were necessary for me to admire your long, red road winding gracefully up the hillside between tall hedges, full of roses, convolvulus, and ivy, under trees throwing a pleasant shade." And coming suddenly upon an extraordinary fragrance, he threw up his head, and, with dilated nostrils, cried out, "Honeysuckle!"
"Yes, isn't it sweet?" she said. And, standing under a cottage porch, he thought of the days gone by; and their memory was as overpowering as the vine.
"I have brought you no present."
"Owen, you only returned yesterday."
"All the same, I should have brought you something. A bunch of wild flowers I can give you, and I will begin my nosegay with a branch of this honeysuckle. There are dog-roses in the hedges. I used to send you expensive flowers, but times have changed." And he insisted on returning to the brook, having seen, so he said, some forget-me-nots among the sedges. And with these and some sprays of a little pink flower, which he told her was the cuckoo-flower, they walked, telling and asking each other the names of different wayside weeds till they arrived at the cottage.
"There is my cottage."
And Owen saw, some twenty or thirty yards from the roadside, the white gables of a cottage thrusting over against a space of blue sky. Flights of swallows flew shrieking past, and the large elms on the right threw out branches so invitingly that Owen thought of long hours passed in the shade with books and music; but, despite these shady elms, the cottage wore a severe air—a severe cottage it was, if a cottage can be severe. Owen was glad Evelyn hadn't forgotten a verandah.
"A verandah always suggests a Creole. But there is no Creole in you."
"You wouldn't have thought my cottage severe if you hadn't known that
I had come from a convent, Owen. You like it, all the same."
Owen fell to praising the cottage which he didn't like.
"On one thing I did insist—that the hall was to be the principal room. What do you think of it? And tell me if you like the chimney-piece. There are going to be seats in the windows. Of course, I haven't half finished furnishing." And she took him round the room, telling how lucky she had been picking up that old oak dresser with handles, everything complete for five pounds ten, and the oak settle standing in the window for seven.
"I can't consider the furniture till I have put these flowers in water." So he fetched a vase and filled it, and when his nosegay had been sufficiently admired, he said "But, Evelyn, I must give you some flower-vases…. And you have no writing-table."
"Not a very good one. You see, I have had to buy so many things."
"You must let me give you one. The first time you come up to London we will go round the shops."
"You'll want to buy me an expensive piece, unsuitable to my cottage, won't you, Owen?" She led him through the dining-room past the kitchen, into which they peeped.
"Eliza's cooking an excellent dinner!" he said. And they went through the kitchen into the garden.
"You see what a piece of ground I have. We are enclosing it." And Owen saw two little boys painting a paling. "Now, do you like the green? It was too green, but this morning I put a little yellow into it; it is better now." They walked round the acre of rough ground overlooking the valley, Owen saying that Evelyn was quite a landed proprietor.
"But who are these boys? You have quite a number," he said, coming upon three more digging, or trying to dig.
"They are digging the celery-bed."
"But one is a hunchback, he can't do much work; and that one has a short leg; the third boy seems all right, but he isn't more than seven or eight. I am afraid you won't have very much celery this year." They passed through the wicket into the farther end of Evelyn's domain, which part projected on the valley, and there they came upon two more children, one of whom was blind.
"This poor child—what work can he do?"
"You'd be surprised; and his ear is excellent. We're thinking of putting him to piano-tuning."
"We are thinking?"
"Yes, Owen; these little boys live here with me in the new wing. I'm afraid they are not very comfortable there, but they don't complain."
"Seven little crippled boys, whom you look after!"
"Six—the seventh is my servant's son; he is delicate, but he isn't a cripple. We don't call him her son here, she is nominally his aunt."
"You look after these boys, and go up to London to earn their living?"
"I earn sufficient to run my little establishment."
As they returned to the cottage, one of the boys thrust his spade into the ground.
"Please, miss, may we stay up a little longer this evening? It won't be dark till nine or half-past, miss."
"Yes, you can stay up." And Owen and Evelyn went into the house. "I do hope, Owen, that Eliza's cooking will not seem to you too utterly undistinguished."
"You have forgotten, Evelyn, that I have been living on hunter's fare for the last two years."
At that moment Eliza put the soup-tureen on the table.
"Why, the soup is excellent! An excellent soup, Eliza!"
"There is a chicken coming, Sir Owen, and Miss Innes told me to be sure to put plenty of butter on it before putting it into the oven, that that was the way you liked it cooked."
"I am glad you did, Eliza; the buttering of the chicken is what we always overlook in England. We never seem to understand the part that good butter plays in cooking; only in England does any one talk of such a thing as cooking-butter." And he detained Eliza, who fidgeted before him, thinking of the vegetables waiting in the kitchen, of what a strange man he was, while he told her that his cook, a Frenchman, always insisted on having his butter from France, costing him, Owen, nearly three shillings a pound.
"Law, Sir Owen!" And Eliza went back to the kitchen to fetch her vegetables, and Evelyn laughed, saying:
"You have succeeded in impressing her."
"You have cooked the chicken excellently well, Eliza, and the butter you used must have been particularly good," he said, when the servant returned with the potatoes and brussels sprouts. But he was anxious for her to leave the room so that he might ask Evelyn if she remembered the chickens they used to eat in France.
"Evelyn, dear, shall we ever be in France again?"
"My poor little boys, what would happen to them while I was away? For you, who care about sweets, Owen, I'm afraid Eliza will seem a little behind the times; afraid of a failure, we decided on a rice pudding."
"Excellent; I should like nothing better."
Owen was in good humour, and she asked him if he had brought something to smoke—a cigar.
"Some cigarettes. I have given up smoking cigars, stinking things!"
"But you used to be so fond of cigars, Owen?"
"Oh, a long time ago. Didn't you notice that man in the trap in front of us as we came from the station? That vile cigar, the whole evening smelt of it."
"My dear Owen!"
Then he got up from the table and went to the piano and waited there for Evelyn, who was talking to Eliza about the purchase of another bed and where it should be placed in the dormitory, a matter so trivial that a dozen words should suffice to settle it, so he thought; but they kept on talking, and when Eliza left the room she took up some coarse sewing. To bring her to the piano he struck a few notes, saying:
"The Muses are awake, Evelyn."
"No, Owen, no; I am in no mood for singing."
When he asked her if she never sang, the answer was, "Sometimes I go to the piano when I am restless; I sing a little, yes, a little into my muff; you know what I mean. But this evening I would sooner talk. You said we had so much to talk about." He admitted she knew what his feelings were better than he knew them himself. It would be a pity to waste this evening in music (this evening was consecrate to themselves), and from talking of Elizabeth and Isolde they drifted into remembrances of the old days so dear to him. But he had always reproached Evelyn with a fault, a certain restlessness; it was rare for her to settle herself down to a nice quiet chat, and this was a serious fault in a woman, a fault in everybody, for a nice quiet chat is one of the best things in life. He was prone to admit, however, that when the mood for a chat was upon her nobody could talk or listen as she could by a fireside. Yielding to her humour, like a bird she would talk on and on with an enthusiasm and an interest in what she was saying which made her a wonder and a delight; and seeing that by some good fortune he had come upon her in one of these rare humours, he did not regret her refusal to sing, and watched her at his feet listening to him with an avidity which was enchanting, making him feel that there was nothing in the world but he and she. She had once said, enchanting him with the admission, for it was so true, that if she were alone with a man for an evening he must hate her very much if he was not to fall in love with her. On reminding her of her saying she admitted that she had forgotten it. It seemed to him that his dead mistress had come to life again. Her eyes shone with something of their old light, and he said to himself, "The convent has faded out of her mind and out of her face." Interpenetrated with her sweet atmosphere, which had for ever haunted him, he breathed like one who hears music going by. Every moment was a surprise. The next great surprise being the discovery that the convent had not quelled the daring of her thought—it came and went swallow-like, as before.
"Because there were no men in the convent. Though I am virtuous, Owen, and must remain so, I can't live without men. If I am deprived of men's society for a few days I wilt."
The picture of herself painted in these few words, Evelyn wilting amid the treble of the nuns like a plant in an uncongenial soil, delighted Owen, enabling him to forget the sad fact that she was virtuous and would have to remain so. For she was still his Evelyn, a hero worshipper, with man for her hero always, even though it were a priest. A moment of the thought caused him a sigh, but he was in the seventh heaven when she told him the first letter she had written when she left the convent was for him. He had maligned her in thinking the past had no meaning for her. For who was so faithful to her friends? Again he forgot everything but himself sitting by her, seeing her bright eyes, listening to her voice, absorbed by her atmosphere; and talking and listening by turns he was carried away in a delicious oblivion of everything except the sensation of the moment. It seemed to him like floating down the current of some enchanted river; but even in enchanted rivers there are eddies, otherwise the enchantment of the current and the flowery banks under which it flows would become monotonous, and presently Owen was caught in an eddy. The stream flowed gaily while he told her of his experience in the desert; she was interested in the gazelles and in the eagles, though qualifying the sport as cruel, and in his synthesis of the desert—a desire for a drink of clean water. Nor did she resent his allusion to his meeting with Ulick at Dowlands, interrupting him, however, to tell him that Ulick had married Louise.
"Married Louise!"
Louise! What an evocation of past times was in this name! And their talk passed into a number of little sallies.
"Well, he'll spend a great deal of her money for her."
"No, he is doing pretty well for himself."
It seemed like listening to a fairy tale to hear that Ulick was doing very well for himself; and travelling back to the convent, by those mysterious roads which conversation follows, Owen learned that it was at the end of the first year of her postulancy that Evelyn had heard of her father's illness. Up to that moment he had not noticed a change in her humour, not until he began to question her as to her reason for suddenly returning from Rome to the convent. It was then that a strange look came into her face; she got up from her chair and walked about the room, gloomy and agitated, sitting down in a corner like one overcome, whelmed in some extraordinary trouble. When he went to her she crossed the room, settling herself in another corner, tucking herself away into it. His question had awakened some terrific memory; and perforce he did not dare to ask her what her trouble was, none that she could confide to him, that was clear, and he began to think that it would be better to leave her for a while. He could go out and speak with the little boys, for a memory like the one which had laid hold of her must pass away suddenly, and his absence would help to pass it. If she were not better when he returned it would be well for him to seek some excuse to sleep at the inn, for her appearance in the corner frightened him; and standing by the window, looking into the quiet evening, he railed against his folly. Any one but himself would have guessed that there was some grave reason for her life in the convent. Such an end as this to the evening that had begun so well! "My God, what am I to do!" And, turning impulsively, he was about to fling himself at her feet, beseeching of her to confide her trouble, but something in her appearance prevented him, and in dismay he wondered what he had said to provoke such a change. What had been said could not be unsaid, the essential was that the ugly thought upon her like some nightmare should be forgotten. Now what could he say to win her out of this dreadful gloom? If he were to play something!
A very few bars convinced him that music would prove no healer to her trouble. To lead her thoughts out of this trouble—was there no way? What had they been talking about? The bullfinches which she had taught to whistle the motives of "The Ring"; but such a laborious occupation could only have been undertaken for some definite purpose, to preserve her sanity, perhaps, and it would be natural for a woman to resent any mention of mental trouble such as she had suffered from on her return from Rome. Something had happened to her in Rome—what? And he sat for a long time, or what seemed to him a long time, perplexed, fearing to speak lest he might say something to irritate her, prolonging her present humour.
"If I had only known, Evelyn, if I had only known!" he said, unable to resist the temptation of speech any longer. As she did not answer, he added, after a moment's pause, "I think I shall go out and talk to those boys." But on his way to the door he stopped. "I wish that brig had gone down."
"That brig? What do you mean?"
"The boat which took me round the world and brought me back, and which I am going to sell, my travelling days being over." Seeing she was interested, he continued to tell her how the Medusa had been declared no longer seaworthy, and of his purchase of another yacht.
"But you said you wished the brig had gone down."
And, seizing the pretext, he began to tell her of the first thing that came into his head; how he had sailed some thousands of miles from the Cape to the Mauritius, explaining the mysteries of great circle sailing, and why they had sailed due south, though the Mauritius was in the north-west, in order that they might catch the trade winds. Before reaching these there were days when the sailors did little else but shift the sails, trying to catch every breeze that fluttered about them, tacking all the while, with nothing to distract them but the monotonous albatross. The birds would come up the seas, venturing within a few yards of the vessel, and float away again, becoming mere specks on the horizon. Again the specks would begin to grow larger, and the birds would return easily on moveless wings.
"When one hears the albatross flies for thousands of miles one wonders how it could do this without fatigue; but one wonders no longer when one has seen them fly, for they do not weary themselves by moving their wings, their wings never move, they float month after month until the mating instinct begins to stir in them, and then in couples they float down the seas to the pole. There is nothing so wonderful as the flight of a bird; and it seemed to me that I never could weary of watching it. But I did weary of the albatross, and one night, after praying that I might never see one again, I was awakened by the pitching of the vessel, by the rattling of ropes, and the clashing of the blocks against swaying spars. I had been awakened before by storms at sea. You remember, Evelyn, when I returned to Dulwich—I had been nearly wrecked off the coast of Marseilles?" Evelyn nodded. "But the sensation was not like anything I had ever experienced at sea before, and interested and alarmed I climbed, catching a rope, steadying myself, reaching the poop somehow."
"'We're in the trades, Sir Owen!' the man at the helm shouted to me.
'We're making twelve or fourteen knots an hour; a splendid wind!'
"The sails were set and the vessel leaned to starboard, and then the rattle of ropes began again and the crashing of the blocks as she leaned over to port. Such surges, you have no idea, Evelyn, threatening the brig, but slipping under the keel, lifting her to the crest of the wave. Caught by the wind for a moment she seemed to be driven into the depths, her starboard grazing the sea or very nearly. The spectacle was terrific; the lone stars and the great cloud of canvas, the whole seeming such a little thing beneath it, and no one on deck but the helmsman bound to the helm, and well for him—a slip would have cost him his life, he would have been carried into the sea. An excellent sailor, yet even he was alarmed at the canvas we carried, so he confided to me; but my skipper knew his business, a first-rate man that skipper, the best sailor I have ever met. There are few like him left, for the art of sailing is nearly a lost art, and the difficulty of getting men who can handle square sails is extraordinary. But this one, the last of an old line, came up, crying out quite cheerfully, "Sir Owen, we're in luck indeed to have caught the trades so soon."
"Day after day, night after night, we flew like a seagull. 'Record sailing,' my skipper often cried to me, telling me the number of knots we had made in the last four-and-twenty hours."
"And the albatrosses, I hope you didn't catch one?"
"One day the skipper suggested that we should, the breast feathers being very beautiful; and, the wind having slackened a little, a hook was baited with a piece of salt pork, which the hungry bird seized. As soon as he was drawn on board he flapped about more helpless than anything I have ever seen, falling into everything he could fall into, biting several of the crew. You know the sonnet in which Baudelaire compares the bird on the wing to the poet with the Muse beside him, and the albatross on deck to the poet in the drawing-room. You remember the sonnet, how the sailors teased the bird with their short black pipes."
"But the breast feathers?"
"We didn't kill the bird; I wouldn't allow him to be killed. We threw him overboard, and down into the sea he went like a log."
Evelyn asked if he were drowned.
"Albatrosses don't drown. He swam for a time and fluttered, and at last succeeded in getting on the wing. I was very glad to see him float away, and was still more glad a few minutes afterwards, for before the bird was out of sight a sign appeared in the heavens, and I began to think of the story of 'The Ancient Mariner.' You know—"
"Yes, I know the story, how all his misfortunes arose from the killing of an albatross. But what was the sign?"
"A dull yellow like a rainbow, only more pointed, and my skipper said to me, 'Sir Owen, that is one of them hurricanes; if I knew which way she was going I'd try to get out of the way as fast as I could, for we shall be torn to pieces in a very few minutes.' I assure you it was an anxious moment watching that red, yellow light in the sky; it grew fainter, and eventually disappeared, and the skipper said, 'We have just missed it.' A few days afterwards we came into the Mauritius, and the first thing we saw was a great vessel in the ports, her iron masts twisted and torn just like hairpins, Evelyn. She had been caught in the tornado, a great three-masted vessel…. We should have gone down like an open boat."
"And after you left the Mauritius your destination was—"
"Borneo, Sumatra, the Malay Archipelago."
"But what were you seeking in the Malay Archipelago?"
"What does one ever seek? One seeks, no matter what; and, not being able to see you, Evelyn, I thought I would try to see everything in the world."
"But there is nothing to see in Borneo?"
"Well, you will laugh when I tell you, but it seemed to me that I'd like to see the orang-outang in his native forests. I had been to Greece, and I knew the Italian Renaissance—"
"And after so much art to see an orang-outang in a tree would be a new experience, Owen."
"Soon there will be no more higher apes, if medical science continues to progress; no more gorillas or chimpanzees."
"In a world without gorillas life will not be worth living. I quite understand."
Owen laughed.
"I should be sorry for anything to disappear. The poor mother is speared, for she will fight for her little one; ugly as he may be in our eyes he is beautiful in hers."
"But you didn't do this, Owen?"
"No; after two or three days in a forest one wearies of it; and after all it wasn't very likely that I should have got a snapshot. The camera is my weapon."
"And after the orang-outang which you failed to meet?"
"I spent some time in Japan."
"And then?"
"Well, then, I went to Manchuria, to the Amur, a country almost forgotten." And he told her how the eagles drove the wild sheep over the precipices, and of a wolf hunt with eagles."
"You have seen now everything the world has to show?"
"Very nearly, and after seeing it all I come back to the one thing that interests me."
Tears rose to Evelyn's eyes; such an avowal of love a woman hardly ever hears.
The voices of the children playing in the garden reached their ears, and Evelyn said:
"They should have been in bed long ago, but, Owen, your being here makes everything so exceptional."
"Really? I'm glad of that," he answered shyly, fearing to say anything which would carry her thoughts back among unpleasant memories. But it was quite safe to speak of her love of the poor, and of poor children. "What inspired you to start this home, Evelyn?"
"Well, you see, I had to have something to work for, some interest; and not having any children of my own… They really must go to bed."
"But, Evelyn, why will you interrupt our talk? Let us go on talking; tell me about the convent. Your adventures are so much more wonderful than mine. You haven't half told me what there is to tell—the Prioress and the sub-Prioress, you never liked her?"
A smile gathered about her lips, and he asked her what she was smiling at; and it was with some difficulty he persuaded her to tell him about Sister Winifred and Father Daly."
"Counterparts! counterparts!" he said. "And Cecilia giving the whole show away because her counterpart was a dwarf! How could you live among such babies?"
"After all, Owen, are they any more babies than we are? Our interests are just as unreal."
"Your interest here is not as unreal; their hope is to build a wall of prayer between a sinful world and the wrath of God. Such silliness passes out of perception."
"Your perception? We come into the world with different perceptions; but do not let us drift into argument, not this evening, Owen."
"Quite so, let us not drift into argument…. I am sorry you charged me with being disappointed that you didn't remain in the convent; you see I didn't know of the wonderful work you were doing here. Your kindness is more than a nun's kindness." But he feared his casual words might provoke her, and hastened to ask her about Sister Winifred, at length persuading her into the admission that Sister Winifred used to whip the children.
"I'm sure she liked whipping them. Women who shut themselves out from life develop cruelty. I can quite understand how she would like to hear them cry."
"Tell me more about the nuns."
"No, Owen, I wouldn't speak ill of the nuns. Don't press me to speak ill of them. You don't know, Owen, what might have become of me had it not been for the convent. I don't know what might have become of me. I might have drifted away and nothing have ever been heard of me again." A dark look gathered in her face, "vanishing like the shadow of a black wing over a sunny surface," Owen said to himself, "Now what has frightened her? Not her love of me, for that love she always looked on as legitimate." He remembered how she used to cling to that view, while admitting it to be contrary to the teaching of the Church. Did she still cling to this belief? "Probably, for we do hot change our instinctive beliefs," he said, and longed to question her; but not daring, and, thinking a lighter topic of conversation desirable, he told her he would like to teach Eliza how to make coffee.
"There is only one way of making coffee" he said, and he had learned the secret from a friend, who had always the best coffee. He had known him as a bachelor, he had known him as a married man, and afterwards as a divorced man, but in these different circumstances the coffee remained the same. So he said, "My good friend how is it that your cooks make equally good coffee?" And the friend answered that it was himself who had taught every cook how to make coffee; it was only a question of boiling water. And, still talking of the making of coffee, they wandered into the garden and stood watching the little boys all arow, their heads tucked in for Eliza's son to jump over them, and they were laughing, enjoying their play, inspired, no doubt, by the dusk and the mystery of yon great moon rising out of the end of the grey valley.
"I'm afraid Jack will hurt the others, or tire them; they really must go to bed. You'll excuse me, Owen, I shall be back with you in about half an hour?"
He strolled through the wicket about the piece of waste ground, thinking of the change that had come over her when he spoke of her return from Rome. Possibly she had met Ulick in Rome and had fled from him, or some other man. But he was not in the least curious to inquire out her secret, sufficient it was for him to know that her mood had passed. How suddenly it had passed! And how fortunate his mention of the yacht! Her attention had suddenly been distracted, now she was as charming as before… gone to look after those little boys, to see that their beds were comfortable, and that their night-shirts had buttons on them. Every day in London their living was earned in tiresome lessons to pupils who had no gift for singing, but had to be encouraged for the sake of their money, which was spent on this hillside.
"Such is the mysterious way of life. Our rewards are never those we anticipate, but we are rewarded."
The money he had spent on her had brought her to this hillside to attend on six cripples, destitute little boys. After all what better reward could he have hoped for? But a great part of his love of her had been lost. Never again would he take her hand or kiss her again. So his heart filled with a natural sadness and a great tenderness, and he stood watching the smoke rising from the cottagers' chimneys straight into the evening air. She had told him that one of her little boys had come from that village, and to hear how the child had been adopted he must scramble down this rough path. The moment was propitious for a chat with the cottagers, whom he would find sitting at their doors, the men smoking their pipes, the women knitting or gossiping, "the characteristic end of every day since the beginning of the world," he said, "and it will be pleasant to read her portrait in these humble minds."
"A fine evening, my man?"
"Fine enough, sir; the wheat rick will be up before the Goodwood races, the first time for the last thirty years." And the talk turned on the price of corn and on the coming harvest, and then on Miss Innes, who sometimes came down to see them and sang songs for the children.
"So she sings for the children? She used to do that in Italy."
"Has she been in Italy, sir?"
To interest them he told how Evelyn had sung in all the opera houses of Europe; and then, fearing his confessions were indiscreet, he asked the woman nearest him if she was the mother of the little boy Evelyn had taken to live with her.
"No, sir, 'e is Mrs. Watney's son in the next cottage." And Owen moved away to interrogate Mrs. Watney, who told him that her son was not a cripple.
"'Is limbs be sound enough, only the poor little chap 'ad the small-pox badly when he was four, and 'as been blind ever since. A extraordinary 'appy child; and Miss Innes has promised to 'ave him taught the pianna."
"A piano-tuner must have a good ear, and Miss Innes says his ear is perfect. He'll whistle anything he hears."
Owen bade the cottagers good-night and climbed up the hillside again. The lights were burning in the boy's dormitory, so Evelyn must still be there, and finding a large stone among the rough ground where he could sit he waited for her, interested in the round moon, looking like the engraved dial of some great clock, and in the grey valley and the sullen sky passing overhead into a dim blueness, in which he could detect a star here and there. The evening hummed a little still, and the sounds of voices, the last sounds to die out of a landscape, became rare and faint. One by one the gossiping folk under the hill crept within doors, and Owen was so absorbed by the silence that he did not hear Evelyn approaching; and when she spoke he hardly answered her, and she, as if participating already in his emotion, stood by him, not asking for words from him, looking with him into the solitude of the valley, seeking to see beyond the veils of blue mist gathering and blotting out all detail, creeping up intimately tender. What could he say to her worth saying at such a moment? he began to ask himself; and just then a song came from a hawthorn growing by the edge of the hill, a solitary song, mysterious and strange, a passionate strain which freed their souls, till, walking about this dusky hillside, the lovers seemed to lose their bodies and to become all spirit; and they walked on in silence, speech seeming a sacrilege.
"So now you are going to settle down at Riversdale; your travels are over?"
"Yes, they are over. I shall travel no more. I didn't find what I sought."
"And what was that?"
And her words as she spoke them sounded to Owen passionate, tender, and melancholy as the nightingale; and his words, too, seemed to partake of the same passionate melancholy.
"Forgetfulness of you."
"So you wished to forget me? I am sorry."
"Sorry that I haven't forgotten you? That, Evelyn, is impossible for me to believe; it isn't human to wish ourselves forgotten."
"No, Owen, I don't wish you to forget me, I am glad you have not; but
I am sorry there was any need for you to seek forgetfulness."
"And is there any need?"
"Yes, for the Evelyn you loved died years ago."
"Oh, Evelyn, don't say that; she is not dead?"
"Perhaps not altogether, a trace here and there, a slight flavour, but not a woman who could bring you happiness as you understand happiness, Owen."
"All the happiness I ever had I owe to you. How can I thank you for those ten years?"
"But you paid for them with a great deal of sorrow."
"Had it not been for you, Evelyn, I shouldn't have lived at all. How often have I told you that? I have seen all the world, and yet I have only seen one thing in the world—you."
"Owen, you mustn't speak to me like that."
"While that bird is singing you are afraid to listen to me! How passionately it sings, but how little it feels compared with what I am feeling. Why did you say that the Evelyn of old is dead?"
"Well, Owen, don't you know that we are always dying, always changing. You are in love, not with me, but with your memory of me."
"A great deal of my love is memory, of course, still—"
Words again seemed vain, foolish, even sacrilegious, so little could he convey to her of what he believed to be the truth, and they walked in silence through the fragrance of the soft night, thinking of the colour of the sky, in which the sunset was not yet quite dead. His memory of his love of this woman long ago in Dulwich, in Paris, and in all the cities and scenes they had visited together, raised him above himself; and he felt that her soul mingled with his in an ecstatic sadness beyond words, but which the nightingale sang clearly; the stars, too, sang it clearly; and they stood mute in the midst of the immortal symphony about them. "Evelyn, I love you. How wonderful our lives have been!" But what use to break the music, audible and inaudible, with such weak words? The villagers under the hill could speak as well; the bird in the bush and the stars above it were speaking for him; and he was content to listen.