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Slippy McGee, Sometimes Known as the Butterfly Man

Chapter 10: UNDERWINGS
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About This Book

The story traces a resourceful burglar, Slippy McGee, who drifts into a conservative Southern mill town and quietly becomes entangled with its parish priest, families, factory workers, and children. The structure is episodic, blending small-town portraiture with moments of suspense as his criminal past collides with acts of kindness, secrecy, and the community's moral expectations. Encounters with neighbors, legal jeopardy, and personal choices spur gradual shifts in reputation and selfhood. Themes of redemption, belonging, and the tug between old habits and new attachments shape a narrative that balances light social comedy with earnest moral conflict.


Slippy McGee
Makes Good His Name Once More.
Slips One Over On The Police.
Noted Burglar Escapes.

said the glaring headlines in the New York papers. The dispatches were dated from Atlanta, and when I turned to the Atlanta papers I found them, too, headlining the escape of "Slippy McGee."

I learned that "the slickest crook in America" finding himself somewhat hampered in his native haunts, the seething underworld of New York, because the police suspected him of certain daring and mysterious burglaries although they had no positive proof against him, had chosen to shift his base of operations South for awhile. But the Southern authorities had been urgently warned to look out for him; in consequence they had been so close upon his heels that he had been surrounded while "on a job." Half an hour later, and he would have gotten away with his plunder; but, although they were actually upon him, by what seemed a miracle of daring and of luck he slipped through their fingers, escaped under their very noses, leaving no clue to his whereabouts. He was supposed to be still in hiding in Atlanta, though as he had no known confederates and always worked alone and unaided, the police were at a loss for information. The man had simply vanished, after his wont, as if the earth had opened and swallowed him. The papers gave rather full accounts of some of his past exploits, from which one gathered that Slippy McGee was a very noted personage in his chosen field. I sat for a long time staring at those papers, and my thoughts were uneasy ones. What should I do?

I presently decided that I could and must question my guest. So far he had volunteered no information beyond the curt statement that his name was John Flint and he was a hobo because he liked the trade. He had been stealing a ride and he had slipped—and when he woke up we had him and he hadn't his leg. And if some people knew how to be obliging they'd make a noise like a hoop and roll away, so's other people could pound their ear in peace, like that big stiff of a doctor ordered them to do.

As I stood by the bed and studied his sullen, suspicious, unfriendly face, I came to the conclusion that if this were not McGee himself it could very well be some one quite as dangerous.

"Friend," said I, "we do not as a rule seek information about the guests in these rooms. We do not have to; they explain themselves. I should never question your assertion that your name is Flint, and I sincerely hope it is Flint; but—there are reasons why I must and do ask you for certain definite information about yourself."

The hand lying upon the coverlet balled into a fist.

"If John Flint's not fancy enough for you," he suggested truculently, "suppose you call me Percy? Some peach of a moniker, Percy, ain't it?"

"Percy?"

"Sure, Percy," he grinned impudently. "But if you got a grouch against Percy, can it, and make me Algy. I don't mind. It's not me beefing about monikers; it's you."

"I am also," said I, regarding him steadily and ignoring his flippancy, "I am also obliged to ask you what is your occupation—when you are not stealing rides?"

"Looks like it might be answering questions just now, don't it? What you want to know for? Whatever it is, I'm not able to do it now, am I? But as you're so naturally bellyaching to know, why, I've been in the ring."

"So I presumed. Thank you," said I, politely. "And your name is John Flint, or Percy, or Algy, just as I choose. Percy and Algy are rather unusual names for a gentleman who has been in the ring, don't you think?"

"I think," he snarled, turned suddenly ferocious, "that I'm named what I dam' please to be named, and no squeals from skypilots about it, neither. Say! what you driving at, anyhow? If what I tell you ain't satisfying, suppose you slip over a moniker to suit yourself—and go away!"

"Oh! Suppose then," said I, without taking my eyes from his, "suppose, then, that I chose to call you—Slippy McGee?"

I am sure that only his bodily weakness kept him from flying at my throat. As it was, his long arms with the hands upon them outstretched like a beast's claws, shot out ferociously. His face contracted horribly, and of a sudden the sweat burst out upon it so blindingly that he had to put up an arm and wipe it away. For a moment he lay still, glaring, panting, helpless; while I stood and watched him unmoved.

"Ain't you the real little Sherlock Holmes, though?" he jeered presently. "Got Old Sleuth skinned for fair and Nick Carter eating out of your hand! You damned skypilot!" His voice cracked. "You're all alike! Get a man on his back and then put the screws on him!"

I made no reply; only a great compassion for this mistaken and miserable creature surged like a wave over my heart.

"For God's sake don't stand there staring like a bughouse owl!" he gritted. "Well, what you going to do? Bawl for the bulls? What put you wise?"

"Help you to get well. No. I opened your bag—and looked up the newspapers," I answered succinctly.

"Huh! A fat lot of good it'll do me to get well now, won't it? You think I ought to thank you for butting in and keeping me from dying without knowing anything about it, don't you? Well, you got another think coming. I don't. Ever hear of a pegleg in the ring? Ever hear of a one-hoofed dip! A long time I'd be Slippy McGee playing cat-and-mouse with the bulls, if I had to leave some of my legs home when I needed them right there on the job, wouldn't I? Oh, sure!"

"And was it," I wondered, "such a fine thing to be Slippy McGee, flying from the police, that one should lament his—er—disappearance?"

His eyes widened. He regarded me with pity as well as astonishment.

"Didn't you read the papers?" he wondered in his turn. "There don't many travel in my class, skypilot! Why, I haven't got any equals—the best of them trail a mile behind. Ask the bulls, if you want to know about Slippy McGee! And I let the happy dust alone. Most dips are dopes, but I was too slick; I cut it out. I knew if the dope once gets you, then the bulls get next. Not for Slippy. I've kept my head clear, and that's how I've muddled theirs. They never get next to anything until I've cleaned up and dusted. Why, honest to God, I can open any box made, easy as easy, just like I can put it all over any bull alive! That is," a spasm twisted his face and into his voice crept the acute anguish of the artist deprived of all power to create, "that is, I could—until I made that last getaway on a freight, and this happened."

"I am sorry," said I soothingly, "that you have lost your leg, of course. But better to lose your leg than your soul, my son. Why, how do you know—"

He writhed. "Can it!" he implored. "Cut it out! Ain't I up against enough now, for God's sake? Down and out—and nothing to do but have my soul curry-combed and mashfed by a skypilot with both his legs and all his mouth on him! Ain't it hell, though? Say, you better send for the cops. I'd rather stand for the pen than the preaching. What'd you do with my bag, anyway?"

"But I really have no idea of preaching to you; and I would rather not send for the police—afterwards, when you are better, you may do so if you choose. You are a free agent. As for your bag, why—it is—it is—in the keeping of the Church."

"Huh!" said he, and twisted his mouth cynically. "Huh! Then it's good-bye tools, I suppose. I'm no churchmember, thank God, but I've heard that once the Church gets her clamps on anything worth while all hell can't pry her loose."

Now I don't know why, but at that, suddenly and inexplicably, as if I had glimpsed a ray of light, I felt cheered.

"Why, that's it exactly!" said I, smiling. "Once the Church gets real hold of a thing—or a man—worth while, she holds on so fast that all hell can't pry her loose. Won't you try to remember that, my son!"

"If it's a joke, suck the marrow out of it yourself," said he sourly. "It don't listen so horrible funny to me. And you haven't peeped yet about what you're going to do. I'm waiting to hear. I'm real interested."

"Why, I really don't know yet," said I, still cheerfully. "Suppose we wait and see? Here you are, safe and harmless enough for the present. And God is good; perhaps He knows that you and I may need each other more than you and the police need each other—who can tell? I should simply set myself strictly to the task of getting entirely well, if I were you—and let it go at that."

He appeared to reflect; his forehead wrinkled painfully.

"Devil-dodger," said he, after a pause, "are you just making a noise with your face, or is that on the level?"

"That's on the level."

His hard and suspicious eyes bored into me. And as I held his glance, a hint of wonder and amazement crept into his face.

"God A'mighty! I believe him!" he gasped. And then, as if ashamed of that real feeling, he scowled.

"Say, if you're really on the level, I guess you'd better not be flashing the name of Slippy McGee around promiscuous," he suggested presently. "It won't do either you or me any good, see? And say, parson,—forget Percy and Algy. How was I to know you'd be so white? And look here: I did know a gink named John Flint, once. Only he was called Reddy, because he'd got such a blazing red head and whiskers. He's croaked, so he wouldn't mind me using his moniker, seeing it's not doing him any good now."

"Let us agree upon John Flint," I decided.

"Help yourself," he agreed, equably.

Clélie, with wrath and disapproval written upon every stiffened line, brought him his broth, which he took with a better grace than I had yet witnessed. He even added a muttered word of thanks.

"It's funny," he reflected, when the yellow woman had left the room with the empty bowl, "it's sure funny, but d'ye know, I'm lots easier in my mind, knowing you know, and not having to think up a hard-luck gag to hand out to you? I hate like hell to have to lie, except of course when I need a smooth spiel for the cops. I guess I'll snooze a bit now," he added, as I rose to leave the room. And as I reached the door:

"Parson?"

"Well?"

"Why—er—come in a bit to-night, will you? That is, if you've got time. And look here: don't you get the notion in your bean I'm just some little old two-by-four guy of a yegg or some poor nut of a dip. I'm not. Why, I've been the whole show and manager besides. Yep, I'm Slippy McGee himself."

He paused, to let this sink into my consciousness. I must confess that I was more profoundly impressed than even he had any idea of. And then, magnanimously, he added: "You're sure some white man, parson."

"Thank you, John Flint," said I, with due modesty.

Heaven knows why I should have been pleased and hopeful, but I was. My guest was a criminal; he hadn't shown the slightest sign of compunction or of shame; instead, he had betrayed a brazen pride. And yet—I felt hopeful. Although I knew I was tacitly concealing a burglar, my conscience remained clear and unclouded, and I had a calm intuitive assurance of right. So deeply did I feel this that when I went over to the church I placed before St. Stanislaus a small lamp full of purest olive oil, which is expensive. I felt that he deserved some compensation for hiding that package under his sheaf of lilies.

The authorities of our small town knew, of course, that another forlorn wretch was being cared for at the Parish House. But had not the Parish House sheltered other such vagabonds? The sheriff saw no reason to give himself the least concern, beyond making the most casual inquiry. If I wanted the fellow, he was only too glad to let me keep him. And who, indeed, would look for a notorious criminal in a Parish House Guest Room? Who would connect that all too common occurrence, a tramp maimed by the railroad, with, the mysterious disappearance of the cracksman, Slippy McGee? So, for the present, I could feel sure that the man was safe.

And in the meantime, in the orderly proceeding of everyday life, while he gained strength under my mother's wise and careful nursing and Westmoreland's wise and careful overseeing, there came to him those who were instruments for good—my mother first, whom, like Clélie, he never called anything but "Madame" and whom, like Clélie, he presently obeyed with unquestioning and childlike readiness. Now, Madame is a truly wonderful person when she deals with people like him. Never for a moment lowering her own natural and beautiful dignity, but without a hint of condescension, Madame manages to find the just level upon which both can stand as on common ground; then, without noise, she helps, and she conveys the impression that thus noiselessly to help is the only just, natural and beautiful thing for any decent person to do, unless, perhaps, it might be to receive in the like spirit.

Judge Mayne's son, Laurence, full of a fresh and boyish enthusiasm, was such another instrument. He had a handsome, intelligent face, a straight and beautiful body, and the pleasantest voice in the world. His mother in her last years had been a fretful invalid, and to meet her constant demands the judge and his son had developed an angelic patience with weakness. They were both rather quiet and undemonstrative, this father and son; the older man, in fact had a stern visage at first glance, until one learned to know it as the face of a man trained to restraint and endurance. As for the boy, no one could long resist the shrewd, kind youngster, who could spend an hour with the most unlikely invalid and leave him all the better for it. I was unusually busy just then, Clélie frankly hated and feared the man upstairs, my mother had her hands full, and there were many heavy and lonesome hours which Laurence set himself the task of filling. I left this to the boy himself, offering no suggestions.

"Padre," said the boy to me, some time later, "that chap upstairs is the hardest nut I ever tried to crack. There've been times when I felt tempted to crack him with a sledge-hammer, if you want the truth. You know, he always seemed to like me to read to him, but I've never been able to discover whether or not he liked what I read. He never asked me a single question, he never seemed interested enough to make a comment. But I think that I've made a dent in him at last."

"A dent! In Flint? With what adamantine pick, oh hardiest of miners!"

"With a book. Guess!"

"I couldn't. I give up."

"The Bible!" said Laurence.

The Bible! Had I chosen to read it to him, he would have resented it, been impervious, suspicious, hostile. I looked at the boy's laughing face, and wondered, and wondered.

"And how," said I, curious, "did you happen to pitch on the Bible?"

"Why, I got to studying about this chap. I wanted something that'd reach him. I was puzzled. And then I remembered hearing my father say that the Bible is the most interesting book in the world because it's the most personal. There's something in it for everybody. So I thought there'd be something in it for John Flint, and I tried it on him, without telling him what I was giving him. I just plunged right in, head over heels. Lord, Padre, it is a wonderful old book, isn't it? Why, I got so lost in it myself that I forgot all about John Flint, until I happened to glance up and see that he was up to the eyes in it, just like I was! He likes the fights and he gloats over the spoils. He's asking for more. I think of turning Paul loose on him."

"Well, if after the manner of men Paul fought with wild beasts at Ephesus," I said hopefully. "I dare say he'll be able to hold his own even with John Flint."

"I like Paul best of all, myself," said Laurence. "You see, Padre, my father and I have needed a dose of Paul more than once—to stiffen our backbones. So I'm going to turn the fighting old saint loose on John Flint. 'By, Padre;—I'll look in to-morrow—I left poor old Elijah up in a cave with no water, and the ravens overdue!"

He went down our garden path whistling, his cap on the back of his head, and I looked after him with the warm and comforting sense that the world is just that much better for such as he.

The boy was now, in his last high school year, planning to study law—all the Maynes took to law as a duck to water. Brave, simple-hearted, direct, clear-thinking, scrupulously honorable,—this was one of the diamonds used to cut the rough hard surface of Slippy McGee.







CHAPTER IIIToC

NEIGHBORS


On a morning in late March, with a sweet and fresh wind blowing, a clear sun shining, and a sky so full of soft white woolly clouds that you might fancy the sky-people had turned their fleecy flock out to graze in the deep blue pastures, Laurence Mayne and I brought John Flint downstairs and rolled him out into the glad, green garden, in the comfortable wheel-chair that the mill-people had given us for a Christmas present; my mother and Clélie followed, and our little dog Pitache marched ahead, putting on ridiculous airs of responsibility; he being a dog with a great idea of his own importance and wholly given over to the notion that nothing could go right if he were not there to superintend and oversee it.

The wistaria was in her zenith, girdling the tree-tops with amethyst; the Cherokee rose had just begun to reign, all in snow-white velvet, with a gold crown and a green girdle for greater glory; the greedy brown grumbling bees came to her table in dusty cohorts, and over her green bowers floated her gayer lovers the early butterflies, clothed delicately as in kings' raiment. In the corners glowed the ruby-colored Japanese quince, and the long sprays of that flower I most dearly love, the spring-like spirea which the children call bridal wreath, brushed you gently as you passed the gate. I never see it deck itself in bridal white, I never inhale its shy, clean scent, without a tightening of the throat, a misting of the eyes, a melting of the heart.

Across our garden and across Miss Sally Ruth Dexter's you could see in Major Appleby Cartwright's yard the peach trees in pink party dresses, ruffled by the wind. Down the paths marched my mother's daffodils and hyacinths, with honey-breathing sweet alyssum in between. Robins and wrens, orioles and mocking-birds, blue jays and jackdaws, thrushes and blue-birds and cardinals, all were busy house-building; one heard calls and answers, saw flashes of painted wings, followed by outbursts of ecstasy. If one should lay one's ear to the ground on such a morning I think one might hear the heart of the world.

"Hallelujah! Risen! Risen!" breathed the glad, green things, pushing from the warm mother-mold.

"Living! Living! Loving! Loving!" flashed and fluted the flying things, joyously.

We wheeled our man out into this divine freshness of renewed life, stopping the chair under a glossy, stately magnolia. My mother and Clélie and Laurence and I bustled about to make him comfortable. Pitache stood stock still, his tail stuck up like a sternly admonishing forefinger, a-bossing everything and everybody. We spread a light shawl over the man's knees, for it is not easy to bear a cruel physical infirmity, to see oneself marred and crippled, in the growing spring. He looked about him, snuffed, and wrinkled his forehead; his eyes had something of the wistful, wondering satisfaction of an animal's. He had never sat in a garden before, in all his life! Think of it!

Whenever we bring one of our Guest Roomers downstairs, Miss Sally Ruth Dexter promptly comes to her side of the fence to look him over. She came this morning, looked at our man critically, and showed plain disapproval of him in every line of her face.

On principle Miss Sally Ruth disapproves of most men and many women. She does not believe in wasting too much sympathy upon people either; she says folks get no more than they deserve and generally not half as much.

Miss Sally Ruth Dexter is a rather important person in Appleboro. She is fifty-six years old, stout, brown-eyed, suffers from a congenital incapacity to refrain from telling the unwelcome truth when people are madly trying to save their faces,—she calls this being frank,—is tactless, independent, generous, and the possessor of what she herself complacently refers to as "a Figure."

For a woman so convinced we're all full of natural and total depravity, unoriginal sinners, worms of the dust, and the devil's natural fire-fodder, Miss Sally Ruth manages to retain a simple and unaffected goodness of practical charity toward the unelect, such as makes one marvel. You may be predestined to be lost, but while you're here you shall lack no jelly, wine, soup, chicken-with-cream, preserves, gumbo, neither such marvelous raised bread as Miss Sally Ruth knows how to make with a perfection beyond all praise.

She has a tiny house and a tiny income, which satisfies her; she has never married. She told my mother once, cheerfully, that she guessed she must be one of those born eunuchs of the spirit the Bible mentions—it was intended for her, and she was glad of it, for it had certainly saved her a sight of worry and trouble.

There is a cherished legend in our town that Major Appleby Cartwright once went over to Savannah on a festive occasion and was there joyously entertained by the honorable the Chatham Artillery. The Chatham Artillery brews a Punch; insidious, delectable, deceptive, but withal a pernicious strong drink that is raging, a wine that mocketh and maketh mad. And they gave it to Major Appleby Cartwright in copious draughts.

Coming home upon the heels of this, the major arose, put on his Prince Albert, donned his top hat, picked a huge bunch of zinnias, and at nine o'clock in the morning marched over to Miss Sally Ruth Dexter's.

We differ as to certain unimportant details of that historic call, but we are in the main agreed upon the conversation that ensued.

"Sally Ruth," said the major, depositing his bulky person in a rocking chair, his hat upon the floor, and wiping his forehead with a spotless handkerchief the size of a respectable sheet, "Sally Ruth, you like Old Maids?" Here he presented the zinnias.

"Why, I've got a yard full of 'em myself, Major. Whatever made you bother to pick 'em? But to whom much hath more shall be given, I suppose," said she, resignedly, and put them on the whatnot.

"Sally Ruth," said the major solemnly, ignoring this indifferent reception of his offering. "Sally Ruth, come to think of it, an Old Maid's a miserable, stiff, scentless sort of a flower. You might think, when you first glance at 'em, that they're just like any other flowers, but they're not; they're without one single, solitary redeemin' particle of sweetness! The Lord made 'em for a warnin' to women.

"What good under God's sky does it do you to be an old maid, Sally Ruth? You're flyin' in the face of Providence. No lady should fly in the face of Providence—she'd a sight better fly to the bosom of some man, where she belongs. This mawnin' I looked out of my window and my eye fell upon these unfortunate flowers. Right away I thought of you, livin' over here all alone and by yourself, with no man's bosom to lean on—you haven't really got anything but a few fowls and the Lord to love, have you? And, Sally Ruth, tears came to my eyes. Talk not of tears till you have seen the tears of warlike men! I believe it would almost scare you to death to see me cryin', Sally Ruth! I got to thinkin', and I said to myself: 'Appleby Cartwright, you have always done your duty like a man. You charged up to the very muzzle of Yankee guns once, and you weren't scared wu'th a damn! Are you goin' to be scared now? There's a plain duty ahead of you; Sally Ruth's a fine figure of a woman, and she ought to have a man's bosom to lean on. Go offer Sally Ruth yours!' So here I am, Sally Ruth!" said the major valiantly.

Miss Sally Ruth regarded him critically; then:

"You're drunk, Appleby Cartwright, that's what's the matter with you. You and your bosom! Why, it's not respectable to talk like that! At your age, too! I'm ashamed of you!"

"I was a little upset, over in Savannah," admitted the major. "Those fellows must have gotten me to swallow over a gallon of their infernal brew—and it goes down like silk, too. Listen at me: don't you ever let 'em make you drink a gallon of that punch, Sally Ruth."

"I've seen its effects before. Go home and sleep it off," said Miss Sally Ruth, not unkindly. "If you came over to warn me about filling up on Artillery Punch, your duty's done—I've never been entertained by the Chatham Artillery, and I don't ever expect to be. I suppose it was intended for you to be a born goose, Appleby, so it'd be a waste of time for me to fuss with you about it. Go on home, now, do, and let Cæsar put you to bed. Tell him to tie a wet rag about your head and to keep it wet. That'll help to cool you off."

"Sally Ruth," said the major, laying his hand upon his heart and trying desperately to focus her with an eye that would waver in spite of him, "Sally Ruth, somebody's got to do something for you, and it might as well be me. My God, Sally Ruth, you're settin' like clabber! It's a shame; it's a cryin' shame, for you're a fine woman. I don't mean to scare or flutter you, Sally Ruth,—no gentleman ought to scare or flutter a lady—but I'm offerin' you my hand and heart; here's my bosom for you to lean on."

"That Savannah brew is worse even than I thought—it's run the man stark crazy," said Miss Sally Ruth, viewing him with growing concern.

"Me crazy! Why, I'm askin' you," said the major with awful dignity, "I'm askin' you to marry me!"

"Marry you? Marry fiddlesticks! Shucks!" said the lady.

"You won't?" Amazement made him sag down in his chair. He stared at her owl-like. "Woman," said he solemnly, "when I see my duty I try to do it. But I warn you—it's your last chance."

"I hope," said Miss Sally Ruth tartly, "that it's my last chance to make a born fool of myself. Why, you old gasbag, if I had to stay in the same house with you I'd be tempted to stick a darning needle in you to hear you explode! Appleby, I'm like that woman that had a chimney that smoked, a dog that growled, a parrot that swore, and a cat that stayed out nights; she didn't need a man—and no more do I."

"Sally Ruth," said the major feelingly, "when I came here this mawnin' it wasn't for my own good—it was for yours. And to think this is all the thanks I get for bein' willin' to sacrifice myself! My God! The ingratitude of women!"

He looked at Miss Sally Ruth, and Miss Sally Ruth looked at him. And then suddenly, without a moment's warning, Miss Sally Ruth rose, and took Major Appleby Cartwright, who on a time had charged Yankee guns and hadn't been scared wu'th a damn, by the ear. She tugged, and the major rose, as one pulled upward by his bootstraps.

"Ouch! Turn loose! I take it back! The devil! It wasn't intended for any mortal man to marry you—Sally Ruth, I wouldn't marry you now for forty billion dollars and a mule! Turn loose, you hussy! Turn loose!" screeched the major.

Unheeding his anguished protests, which brought Judge Hammond Mayne on the run, thinking somebody was being murdered, Miss Sally Ruth marched her suitor out of her house and led him to her front gate. Here she paused, jaws firmly set, eyes glittering, and, as with hooks of steel, took firm hold upon the gallant major's other ear. Then she shook him; his big crimson countenance, resembling a huge overripe tomato, waggled deliriously to and fro.

"I was born"—shake—"an old maid,"—shake, shake, shake—"I have lived—by the grace of God"—shake, shake, shake—"an old maid, and I expect"—shake—"to die an old maid! I don't propose to have"—shake—"an old windbag offering me his blubbery old bosom"—shake, shake, SHAKE—"at this time of my life!—and don't you forget it, Appleby Cartwright! THERE! You go back home"—shake, shake, shake—"and sober up, you old gander, you!"

Major Appleby Cartwright stood not upon the order of his going, but went at once, galloping as if a company of those Yankees with whom he had once fought were upon his hindquarters with fixed bayonets.

However, they being next-door neighbors and friends of a lifetime's standing, peace was finally patched up. In Appleboro we do not mention this historic meeting when either of the participants can hear us, though it is one of our classics and no home is complete without it. The Major ever afterward eschewed Artillery Punch.

This morning, over the fence, Miss Sally Ruth addressed our invalid directly and without prelude, after her wont. She doesn't believe in beating about the bush:

"The wages of walking up and down the earth and going to and fro in it, tramping like Satan, is a lost leg. Not that it wasn't intended you should lose yours—and I hope and pray it will be a lesson to you."

"Well, take it from me," he said grimly, "there's nobody but me collecting my wages."

A quick approval of this plain truth showed in Miss Sally Ruth's snapping eyes.

"Come!" said she, briskly. "If you've got sense enough to see that, you're not so far away from the truth as you might be. Collecting your wages is the good and the bad thing about life, I reckon. But everything's intended, so you don't need to be too sorry for yourself, any way you look at it. And you could just as well have lost both legs while you were at it, you know." She paused reflectively. "Let's see: I've got chicken-broth and fresh rolls to-day—I'll send you over some, after awhile." She nodded, and went back to her housework.

Laurence went on to High School, Madame had her house to oversee, I had many overdue calls; so we left Pitache and John Flint together, out in the birdhaunted, sweet-scented, sun-dappled garden, in the golden morning hours. No one can be quite heartless in a green garden, quite hopeless in the spring, or quite desolate when there's a dog's friendly nose to be thrust into one's hand.

I am afraid that at first he missed all this; for he could think of nothing but himself and that which had befallen him, coming upon him as a bolt from the blue. He had had, heretofore, nothing but his body—and now his body had betrayed him! It had become, not the splendid engine which obeyed his slightest wish, but a drag upon him. Realizing this acutely, untrained, undisciplined, he was savagely sullen, impenetrably morose. He tired of Laurence's reading—I think the boy's free quickness of movement, his well-knit, handsome body, the fact that he could run and jump as pleased him, irked and chafed the man new and unused to his own physical infirmity.

He seemed to want none of us; I have seen him savagely repulse the dog, who, shocked and outraged at this exhibition of depravity, withdrew, casting backward glances of horrified and indignant reproach.

But as the lovely, peaceful, healing days passed, that bitter and contracted heart had to expand somewhat. Gradually the ferocity faded, leaving in its room an anxious and brooding wonder. God knows what thoughts passed through that somber mind in those long hours, when, concentrated upon himself, he must have faced the problem of his future and, like one before an impassable stone wall, had to fall back, baffled. He could be sure of only one thing: that never again could he be what he had been once—"the slickest cracksman in America." This in itself tortured him. Heretofore, life had been exactly what he chose to make it: he had put himself to the test, and he had proven himself the most daring, the coolest, shrewdest, most cunning, in that sinister world in which he had shone with so evil a light. He had been Slippy McGee. Sure of himself, his had been that curious inverted pride which is the stigmata of the criminal.

More than once I saw him writhe in his chair, tormented, shaken, spent with futile curses, impotently lamenting his lost kingdom. He still had the skill, the cold calculating brain, the wit, the will; and now, by a cruel chance and a stupid accident, he had lost out! The end had come for him, and he in his heyday! There were moments when, watching him, I had the sensation as of witnessing almost visibly, here in our calm sunny garden, the Dark Powers fighting openly for a soul.

"For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places."







CHAPTER IVToC

UNDERWINGS


If I have not heretofore spoken of Mary Virginia, it is because all that winter she and Mrs. Eustis had been away; and in consequence Appleboro was dull enough. For the Eustises are our wealthiest and most important family, just as the Eustis house, with its pillared, Greek-temple-effect front, is by far the handsomest house in town. When we have important folks to entertain, we look to the Eustises to save our faces for us by putting them up at their house.

One afternoon, shortly after we had gotten settled in Appleboro, I came home to find my mother entertaining no less a personage than Mrs. Eustis; she wasn't calling on the Catholic priest and his mother, you understand; far from it! She was recognizing Armand De Rancé and Adele de Marsignan!

Mrs. Eustis was a fair, plump little partridge of a woman, so perfectly satisfied with herself that brains, in her case, would have amounted to a positive calamity. She is an instance of the fascination a fool seems to have for men of undoubted powers of mind and heart, for Eustis, who had both to an unusual degree, loved her devotedly, even while he smiled at her. She had, after some years of childlessness, laid him under an everlasting obligation by presenting him with a daughter, an obligation deepened by the fact that the child was in every sense her father's child, not her mother's.

That afternoon she brought the little girl with her, to make our acquaintance. When the child, shyly friendly, looked up, it seemed to me for an anguished moment as if another little girl had walked out of the past, so astonishingly like was she to that little lost playmate of my youth. Right then and there Mary Virginia walked into my heart and took possession, as of a place swept and garnished and long waiting her coming.

When we knew her better my mother used to say that if she could have chosen a little girl instead of the little boy that had been I, she must have chosen Mary Virginia Eustis out of all the world.

Like Judge Mayne's Laurence, she chose to make the Parish House her second home—for indeed my mother ever seemed to draw children to her, as by some delightful magic. Here, then, the child learned to sew and to embroider, to acquire beautiful housewifely accomplishments, and to speak French with flawless perfection; she reaped the benefit of my mother's girlhood spent in a convent in France; and Mrs. Eustis was far too shrewd not to appreciate the value of this. And so we acquired Mary Virginia.

I watched the lovely miracle of her growth with an almost painful tenderness. Had I not become a priest, had I realized those spring hopes of mine; and had there been little children resembling their mother, then my own little girls had been like this one. Even thus had been their blue eyes, and theirs, too, such hair of such curling blackness.

The hours I spent with the little girl and Laurence helped me as well as them; these fresh souls and growing minds freshened and revived mine, and kept me young in heart.

"We are all made of dust," said my mother once. "But Mary Virginia's is star dust. Star dust, and dew, and morning gold," she added musingly.

"She simply cannot imagine evil, much less see it in anything or in anybody," I told Madame, for at times the child's sheer innocence troubled me for her. "One is puzzled how to bring home to this naïve soul the ugly truth that all is not good. Now, Laurence is better balanced. He takes people and events with a saving grain of skepticism. But Mary Virginia is divinely blind."

My mother regarded me with a tolerant smile. "Do not worry too much over that divinely blind one, my son," said she. "I assure you, she is quite capable of seeing a steeple in daylight! Observe this: yesterday Laurence angered her, and she seized him by the hair and bumped his head against the study wall—no mild thump, either! She has in her quite enough of the leaven of unrighteousness to save her, at a pinch—for Laurence was entirely right, she entirely wrong. Yet—she made him apologize before she consented to forgive him, and he did it gratefully. She allowed him to understand how magnanimous she was in thus pardoning him for her own naughtiness, and he was deeply impressed, as men-creatures should be under such circumstances. Such wisdom, and she but a child! I was enchanted!"

"Good heavens! Surely, Mother, I misunderstand you! Surely you reproved her!"

"Reprove her?" My mother's voice was full of astonishment. "Why should I reprove her? She was perfectly right!"

"Perfectly right? Why, you said—indeed, I assure you, you said that Laurence had been entirely right, she entirely wrong!"

"Oh, that! I see; well, as for that, she was."

"Then, surely—"

"My son, a woman who is in the wrong is entirely right when she makes the man apologize," said my mother firmly. "That is the Law, fixed as the Medes' and the Persians', and she who forgets or ignores it is ground between the upper and the nether millstones. Mary Virginia remembered and obeyed. When she grows up you will all of you adore her madly. Why, then, should she be reproved?"

I have never been able to reflect upon Laurence getting his head bumped and then gratefully apologizing to the darling shrew who did it, without a cold wind stirring my hair. And yet—Laurence, and I, too, love her all the more dearly for it! Miserere, Domine!

It was May when Mary Virginia came back to Appleboro. She had written us a bubbling letter, telling us just when we were to expect her, and how happy she was at the thought of being home once more. We, too, rejoiced, for we had missed her sadly. My mother was so happy that she planned a little intimate feast to celebrate the child's return.

I remember how calm and mild an evening it was. At noon there had been a refreshing shower, and the air was deliciously pure and clear, and full of wet woodsy scents. The raindrops fringing the bushes became prisms, a spiderweb was a fairy foot-bridge; and all our birds, leaving for a moment such household torments as squalling insatiable mouths that must be filled, became jubilant choristers. "The opulent dyepots of the angels" had been emptied lavishly across the sky, and the old Parish House lay steeped in a serene and heavenly glow, every window glittering diamond-bright to the west.

Next door Miss Sally Ruth was feeding and scolding her cooing pigeons, which fluttered about her, lighting upon her shoulder, surrounding her with a bright-colored living cloud; the judge's black cat Panch lay along the Mayne side of the fence and blinked at them regretfully with his slanting emerald eyes. From the Mayne kitchen-steps came, faintly, Daddy January's sweet quavering old voice:

"—Gwine tuh climb up higher 'n' higher,
Some uh dese days—"

John Flint, silent, depressed, with folded lips and somber eyes, hobbled about awkwardly, savagely training himself to use the crutches Westmoreland had lately brought him. Very unlovely he looked, dragging himself along like a wounded beast. The poor wretch struck a discordant note in the sweet peacefulness of the spring evening; nor could we say anything to comfort him, we who were not maimed.

Came a high, sweet, shrill call at the gate; a high yelp of delight from Pitache, hurtling himself forward like a woolly white cannonball; a sound of light and flying feet; and Mary Virginia ran into the garden, the little overjoyed dog leaping frantically about her. She wore a white frock, and over it a light scarlet jacket. Her blue eyes were dancing, lighting her sweet and fresh face, colored like a rose. The gay little breeze that came along with her stirred her skirts, and fluttered her scarlet ribbons, and the curls about her temples. You might think Spring herself had paused for a lovely moment in the Parish House garden and stood before you in this gracious and virginal shape, at once delicate and vital.

Miss Sally Ruth, scattering pigeons right and left, dashed to the fence to call greetings. My mother, seizing the child by the arms, held her off a moment, to look her over fondly; then, drawing her closer, kissed her as a daughter is kissed.

I laid my hand on the child's head, happy with that painful happiness her presence always occasioned me, when she came back after an absence—as if the Other Girl flashed into view for a quick moment, and then was gone. Laurence, who had followed, stood looking down at her with boyish condescension.

"Huh! I can eat hominy off her head!" said he, aggravatingly.

"Old Mister Biggity!" flashed Mary Virginia. And then she turned and met, face to face, the fixed stare of John Flint, hanging upon his crutches as one might upon a cross,—a stare long, still, intent, curious, speculative, almost incredulous.

"You are the Padre's last guest, aren't you?" her eyes were full of gravest sympathy. "I'm so sorry you met with such a misfortune—but I'm gladder you're alive. It's so good just to be alive in the spring, isn't it?" She smiled at him directly, taking him, as it were, into a pleasant confidence. She seemed perfectly unconscious of the evil unloveliness of him; Mary Virginia always seemed to miss the evil, passing it over as if it didn't exist. Instead, diving into the depths of other personalities, always she brought to the surface whatever pearl of good might lie concealed at the bottom. To her this sinister cripple was simply another human being, with whose misfortune one must sympathize humanly.

Clélie, in a speckless white apron and a brand-new red-and-white bandanna to do greater honor to the little girl whom she adored, set a table under the trees and spread it with the thin dainty sandwiches, the delectable little cakes, and the fine bonbons she and my mother had made to celebrate the child's return. And we had tea, making very merry, for she had a thousand amusing things to tell us, every airy trifle informed with something of her own brave bright mirthful spirit. John Flint sat nearby in the wheel chair, his crutches lying beside it, and looked on silently and ate his cake and drank his tea stolidly, as if it were no unusual thing for him to break bread in such company.

"Padre," said Mary Virginia with deep gravity. "My aunt Jenny says I'm growing up. She says I'll have to put up my hair and let down my frocks pretty soon, and that I'll probably be thinking of beaux in another year, though she hopes to goodness I won't, until I've got through with school at least."

The almost unconscious imitation of Miss Jenny's pecking, birdlike voice made me smile.

"Beaux! Long skirts! Put up hair! Great Scott, will you listen to the kid!" scoffed Laurence. "You everlasting little silly, you! P'tite Madame, these cakes are certainly all to the good. May I have another two or three, please!"

"I'm 'most thirteen years old, Laurence Mayne," said Mary Virginia, with dignity. "You're only seventeen, so you don't need to give yourself such hateful airs. You're not too old to be greedy, anyhow. Padre, am I growing up?"

"I fear so, my child," said I, gloomily.

"You're not glad, either, are you, Padre?"

"But you were such a delightful child," I temporized.

"Oh, lovely!" said Laurence, eying her with unflattering brotherliness. "And she had so much feeling, too, Mary Virginia! Why, when I was sick once, she wanted me to die, so she could ride to my funeral in the front carriage; she doted on funerals, the little ghoul! She was horribly disappointed when I got better—she thought it disobliging of me, and that I'd done it to spite her. Once, too, when I tried to reason with her—and Mary Virginia needed reason if ever a kid did—she bumped my head until I had knots on it. There's your delightful Mary Virginia for you!"

"Anyhow, you didn't die and become an angel—you stayed disagreeably alive and you're going to become a lawyer," said Mary Virginia, too gently. "And your head was bumpable, Laurence, though I'm sorry to say I don't ever expect to bump it again. Why, I'm going away to school and when I come back I'll be Miss Eustis, and you'll be Mr. Mayne! Won't it be funny, though?"

"I don't see anything funny in calling you Miss Eustis," said Laurence, with boyish impatience. "And I'm certainly not going to notice you if you're silly enough to call me Mister Mayne. I hope you won't be a fool, Mary Virginia. So many girls are fools." He ate another cake.

"Not half as big fools as boys are, though," said she, dispassionately. "My father says the man is always the bigger fool of the two."

Laurence snorted. "I wonder what we'll be like, though—both of us?" he mused.

"You? You're biggity now, but you'll be lots worse, then," said Mary Virginia, with unflattering frankness. "I think you'll probably strut like a turkey, and you'll be baldheaded, and wear double-lensed horn spectacles, and spats, and your wife will call you 'Mr. Mayne' to your face and 'Your Poppa' to the children, and she'll perfectly despise people like Madame and the Padre and me!"

"You never did have any reasoning power, Mary Virginia," said Laurence, with brotherly tact. "Our black cat Panch would put it all over you. Allow me to inform you I'm not biggity, miss! I'm logical—something a girl can't understand. And I'd like to know what you think you're going to grow up to be?"

"Oh, let's quit talking about it," she said petulantly. "I hate to think of growing up. Grown ups don't seem to be happy—and I want to be happy!" She turned her head, and met once more the absorbed and watchful stare of the man in the wheel-chair.

"Weren't you sorry when you had to stop being a little boy and grow up?" she asked him, wistfully.

"Me?" he laughed harshly. "I couldn't say, miss. I guess I was born grown up." His face darkened.

"That wasn't a bit fair," said she, with instant sympathy.

"There's a lot not fair," he told her, "when you're born and brought up like I was. The worst is not so much what happens to you, though that's pretty bad; it's that you don't know it's happening—and there's nobody to put you wise. Why," his forehead puckered as if a thought new to him had struck him, "why, your very looks get to be different!"

Mary Virginia started. "Oh, looks!" said she, thoughtfully. "Now, isn't it curious for you to say just that, right now, for it reminds me that I brought something to the Padre—something that set me to thinking about people's looks, too,—and how you never can tell. Wait a minute, and I'll show you." She reached for the pretty crocheted bag she had brought with her, and drew from it a small pasteboard box. None of us, idly watching her, dreamed that a moment big with fate was upon us. I have often wondered how things would have turned out if Mary Virginia had lost or forgotten that pasteboard box!

"I happened to put my hand on a tree—and this little fellow moved, and I caught him. I thought at first he was a part of the tree-trunk, he looked so much like it," said the child, opening the little box. Inside lay nothing more unusual than a dark-colored and rather ugly gray moth, with his wings folded down.

"One wouldn't think him pretty, would one?" said she, looking down at the creature.

"No," said Flint, who had wheeled nearer, and craned his neck over the box. "No, miss, I shouldn't think I'd call something like that pretty,"—he looked from the moth to Mary Virginia, a bit disappointedly.

Mary Virginia smiled, and picking up the little moth, held his body, very gently, between her finger-tips. He fluttered, spreading out his gray wings; and then one saw the beautiful pansy-like underwings, and the glorious lower pair of scarlet velvet barred and bordered with black.

"I brought him along, thinking the Padre might like him, and tell me something about him," said the little girl. "The Padre's crazy about moths and butterflies, you must understand, and we're always on the lookout to get them for him. I never found this particular one before, and you can't imagine how I felt when he showed me what he had hidden under that gray cloak of his!"

"He's a member of a large and most respectable family, the Catocalæ," I told her. "I'll take him, my dear, and thank you—there's always a demand for the Catocalæ. And you may call him an Underwing, if you prefer—that's his common name."

"I got to thinking," said the little girl, thoughtfully, lifting her clear and candid eyes to John Flint's. "I got to thinking, when he threw aside his plain gray cloak and showed me his lovely underwings, that he's like some people—people you'd think were very common, you know. You couldn't be expected to know what was underneath, could you? So you pass them by, thinking how ordinary, and matter of fact, and uninteresting and even ugly they are, and you feel rather sorry for them—because you don't know. But if you can once get close enough to touch them—why, then you find out!" Her eyes grew deeper, and brighter, as they do when she is moved; and the color came more vividly to her cheek. "Don't you reckon," said she naïvely, "that plenty of folks are like him? They're the sad color of the street-dust, of course, for things do borrow from their surroundings, didn't you know that? That's called protective mimicry, the Padre says. So you only think of the dust-colored outside—and all the while the underwings are right there, waiting for you to find them! Isn't it wonderful and beautiful? And the best of all is, it's true!"

The cripple in the chair put out his hand with a hint of timidity in his manner; he was staring at Mary Virginia as if some of the light within her had dimly penetrated his grosser substance.

"Could I hold it—for a minute—in my own hand?" he asked, turning brick-red.

"Of course you may," said Mary Virginia pleasantly. "I see by the Padre's face this isn't a rare moth—he's been here all along, only my eyes have just been opened to him. I don't want him to go in any collection. I don't want him to go anywhere, except back into the air—I owe him that for what he taught me. So I'm sure the Padre won't mind, if you'd like to set him free, yourself."

She put the moth on the man's finger, delicately, for a Catocala is a swift-winged little chap; it spread out its wings splendidly, as if to show him its loveliness; then, darting upward, vanished into the cool green depth of the shrubbery.

"I remember running after a butterfly once, when I was a kid," said he. "He came flying down our street, Lord knows where from, or why, and I caught him after a chase. I thought he was the prettiest thing ever my eyes had seen, and I wanted the worst way in the world to keep him with me. A brown fellow he was, all sprinkled over with little splotches of silver, as if there'd been plenty of the stuff on hand, and it'd been laid on him thick. But after awhile I got to thinking he'd feel like he was in jail, shut up in my hot fist. I couldn't bear that, so I ran to the end of the street, to save him from the other kids, and then I turned him loose and watched him beat it for the sky. They're pretty things, butterflies. Somehow I always liked them better than any other living creatures." He was staring after the moth, his forehead wrinkled. He spoke almost unconsciously, and he certainly had no idea that he had given us cause for a hopeful astonishment.

Now, Mary Virginia's eyes had fallen, idly enough, upon John Flint's hands lying loosely upon his knees. Her face brightened.

"Padre," she suggested suddenly, "why don't you let him help you with your butterflies? Look at his hands! Why, they're just exactly the right sort to handle setting needles and mounting blocks, and to stretch wings without loosening a scale. He could be taught in a few lessons, and just think what a splendid help he could be! And you do so need help with those insects of yours, Padre—I've heard you say so, over and over."

The child was right—John Flint did have good hands—large enough, well-shaped, steel-muscled, powerful, with flexible, smooth-skinned, sensitive fingers, the fingers of an expert lapidary rather than a prize-fighter.

"If you think there's any way I could help the parson for awhile, I'd be proud to try, miss. It's true," he added casually, with a sphinx-like immobility of countenance, "that I'm what might be called handy with my fingers."

"We'll call it settled, then," said Mary Virginia happily.

Laurence took her home at dusk; it was a part of his daily life to look after Mary Virginia, as one looks after a cherished little sister. When they were younger the boy had often complained that she might as well be his sister, she quarreled with him so much; and the little girl said, bitterly, he was as disagreeable as if he'd been a brother. In spite of which the little girl, for all her delicious impertinences, looked up to the boy; and the boy had adored her, from the time she gurgled at him from her cradle.

My mother left us, and John Flint and I sat outdoors in the pleasant twilight, he smoking the pipe Laurence had given him.

"Parson," said he, abruptly, "Parson, you folks are swells, ain't you? The real thing, I mean, you and Madame? Even the yellow nigger's a lady nigger, ain't she?"

"I am a poor priest, such as you see, my son, Madame is—Madame. And Clélie is a good servant."

"But you were born a swell, weren't you?" he persisted. "Old family, swell diggings, trained flunkies, and all that?"

"I was born a gentleman, if that is what you mean. Of an old family, yes. And there was an old house—once."

"How'd you ever hit the trail for the Church? I wonder! But say, you never asked me any more questions than you had to, so you can tell me to shut up, if you want to. Not that I wouldn't like to know how the Sam Hill the like of you ever got nabbed by the skypilots."

"God called me through affliction, my son."

"Oh," said my son, blankly. "Huh! But I bet you the best crib ever cracked you were some peach of a boy before you got that 'S.O.S.'"

"I was, like the young, the thoughtless young, a sinner."

"I suppose," said he tentatively, after a pause, "that I'm one hell of a sinner myself, according to Hoyle, ain't I?"

"I do not think it would injure you to change your—course of life, nor yet your way of mentioning it," I said, feeling my way cautiously. "But—we are bidden to remember there is more joy in heaven over one sinner saved than over the ninety-and-nine just men."

"Is that so? Well, it listens like good horse-sense to me," said Mr. Flint, promptly. "Because, look here: you can rake in ninety-and-nine boobs any old time—there's one born every time the clock ticks, parson—but they don't land something like me every day, believe me! And I bet you a stack of dollar chips a mile high there was some song-and-dance in the sky-joint when they put one over on you for fair. Sure!" He puffed away at his pipe, and I, having nothing to say to this fine reasoning, held my peace.

"Parson, that kid's a swell, too, ain't she? And the boy?"

"Laurence is the son of Judge Hammond Mayne."

"And the little girl?" Insensibly his voice softened.

"I suppose," I agreed, "that the little girl is what you might call a swell, too."

"I never," said he, reflectively, "came what you might call talking close to real swells before. I've seen 'em, of course—at a distance. Some of 'em, taking 'em by and large, looked pretty punk, to me; some of 'em was middling, and a few looked as if they might have the goods. But none of 'em struck me as being real live breathing people, same as other folks. Why, parson, some of those dames'd throw a fit, fancying they was poisoned, if they had to breathe the same air with folks like me—me being what I am and they being—what they think they are. Yet here's you and Madame, the real thing—and the boy—and the little girl—the little girl—" he stopped, staring at me dumbly, as the vision of Mary Virginia rose before him.

"She is, indeed, a dear, dear child," said I. His words stung me somewhat, for once upon a time, I myself would have resented that such as he should have breathed the same air with Mary Virginia.

"I'd almost think I'd dreamed her," said he, thoughtfully, "that is, if I was good enough to have dreams like that," he added hastily, with his first touch of shame. "I've seen 'em from the Battery up, and some of 'em was sure-enough queens, but I didn't know they came like this one. She's bran-new to me, parson. Say, you just show me what she wants me to help you with, and I'll do it. She seems to think I can, and it oughtn't to be any harder than opening a time-vault, ought it?"

"No," said I gravely, "I shouldn't think it would be. Though I never opened a time-vault, you understand, and I hope and pray you'll never touch one again, either. I'd rather you wouldn't even refer to it, please. It makes me feel, rather—well, let's say particeps criminis."

"I suppose that's the polite for punching you in the wind," said he, just as gravely. "And I didn't think you'd ever monkeyed with a vault; why, you couldn't, not if you was to try till Gabriel did his little turn in the morning—not unless you'd been caught when you were softer and put wise. Man, it's a bigger job than you think, and you've got to have the know-how and the nerve before you can put it over. But there—I'll keep it dark, seeing you want me to." He stretched out his hands, regarding them speculatively. "They are classy mitts," he remarked impersonally. "Yep, seemed like they were just naturally made to—do what they did. They were built for fine work." At that his jaw snapped; a spasm twitched his face; it darkened.

"The work little Miss Eustis suggested for you," I insinuated hastily, "is what very many people consider very fine work indeed. About one in a thousand can do it properly."

"Lead me to it," said he wearily, and without enthusiasm, "and turn me loose. I'll do what I can, to please her. At least, until I can make a getaway for keeps."