About This Book
The study traces the musical and theatrical roots of Italian lyric drama from early liturgical ceremonies and processions through medieval religious plays. It explores how secular entertainments and evolving polyphonic song forms, including the frottola and madrigal, combined with a growing taste for spectacle and comedy to transform performance practice. A focused analysis of an early secular lyric drama examines its music, solo writing, orchestration and staged presentation. The account concludes by charting how these strands led to the adoption of accompanied recitative as a new expressive medium that prepared the ground for later operatic forms.
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