Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts
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About This Book
The author explores how the advent of printing and wood-block ornament renewed book decoration, concentrating on the schools of Ulm and Augsburg and the printers associated with them, including Gunther Zainer, John Zainer, Ludwig Hohenwang, John Bämler, Pflanzmann, Anthony Sorg, Schoensperger, Conrad Dinckmut, and John Reger. The discussion evaluates characteristic woodcut designs, borders, initials, alphabets, and full-page cuts, contrasts early vigorous work with later Renaissance-influenced tendencies while singling out Albert Dürer as an exception, and concludes with a chapter surveying illuminated manuscripts and their decorative practices.
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