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Title: Songs of the Prairie
Author: Robert J. C. Stead
Illustrator: Elizabeth Colborne
Release date: March 3, 2011 [eBook #35475]
Most recently updated: January 7, 2021
Language: English
Credits: Produced by Barbara Watson and the Online Distributed
Proofreading Canada Team at http://www.pgdpcanada.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
*** START OF THE PROJECT GUTENBERG EBOOK SONGS OF THE PRAIRIE ***
SONGS OF THE
PRAIRIE
BY
ROBERT J. C. STEAD
Author of "PRAIRIE BORN."
New York
THE PLATT & PECK CO.
Copyright 1912, By
The Platt & Peck Co.
CONTENTS
| PAGE | |
| THE PRAIRIE | 1 |
| THE GRAMOPHONE | 4 |
| THE PLOW | 8 |
| THE MOTHERING | 12 |
| HUSTLIN' IN MY JEANS | 15 |
| THE HOMESTEADER | 20 |
| VAIN SUITORS | 24 |
| GOD'S SIGNALMAN | 26 |
| GOING HOME | 32 |
| JUST BE GLAD | 38 |
| THE CANADIAN ROCKIES | 40 |
| A PRAIRIE HEROINE | 42 |
| THE SEER | 51 |
| THE SON OF MARQUIS NODDLE | 56 |
| THE PRODIGALS | 62 |
| THE SQUAD OF ONE | 64 |
| ALKALI HALL | 70 |
| PRAIRIE BORN | 76 |
| "A COLONIAL" | 81 |
| LITTLE TIM TROTTER | 84 |
| THE VORTEX | 86 |
| THE OLD GUARD | 91 |
| KID McCANN | 93 |
| WHO OWNS THE LAND? | 99 |
| A RACE FOR LIFE | 103 |
The City? Oh, yes, the City
Is a good enough place for a while,
It fawns on the clever and witty,
And welcomes the rich with a smile;
It lavishes money as water,
It boasts of its palace and hall,
But the City is only the daughter—
The Prairie is mother of all!
Is a good enough place for a while,
It fawns on the clever and witty,
And welcomes the rich with a smile;
It lavishes money as water,
It boasts of its palace and hall,
But the City is only the daughter—
The Prairie is mother of all!
The City is all artificial,
Its life is a fashion-made fraud,
Its wisdom, though learned and judicial,
Is far from the wisdom of God;
Its hope is the hope of ambition,
Its lust is the lust to acquire,
And the larger it grows, its condition
Sinks lower in pestilent mire.
Its life is a fashion-made fraud,
Its wisdom, though learned and judicial,
Is far from the wisdom of God;
Its hope is the hope of ambition,
Its lust is the lust to acquire,
And the larger it grows, its condition
Sinks lower in pestilent mire.
The City is cramped and congested,
The haunt and the covert of crime;
The Prairie is broad, unmolested,
It points to the high and sublime;
Where only the sky is above you
And only the distance in view,
With no one to jostle or shove you—
It's there a man learns to be true!
The haunt and the covert of crime;
The Prairie is broad, unmolested,
It points to the high and sublime;
Where only the sky is above you
And only the distance in view,
With no one to jostle or shove you—
It's there a man learns to be true!
Where the breeze whispers over the willows
Or sighs in the dew laden grass,
And the rain clouds, like big, stormy billows,
Besprinkle the land as they pass;
With the smudge-fire alight in the distance,
The wild duck alert on the stream,
Where life is a psalm of existence
And opulence only a dream.
Or sighs in the dew laden grass,
And the rain clouds, like big, stormy billows,
Besprinkle the land as they pass;
With the smudge-fire alight in the distance,
The wild duck alert on the stream,
Where life is a psalm of existence
And opulence only a dream.
Where wide as the plan of creation
The Prairies stretch ever away,
And beckon a broad invitation
To fly to their bosom, and stay;
The prairie fire smell in the gloaming—
The water-wet wind in the spring—
An empire untrod for the roaming—
Ah, this is a life for a king!
The Prairies stretch ever away,
And beckon a broad invitation
To fly to their bosom, and stay;
The prairie fire smell in the gloaming—
The water-wet wind in the spring—
An empire untrod for the roaming—
Ah, this is a life for a king!
When peaceful and pure as a river
They lie in the light of the moon,
You know that the Infinite Giver
Is stringing your spirit a-tune;
That life is not told in the telling,
That death does not whisper adieu,
And deep in your bosom up-welling,
You know that the Promise is true!
They lie in the light of the moon,
You know that the Infinite Giver
Is stringing your spirit a-tune;
That life is not told in the telling,
That death does not whisper adieu,
And deep in your bosom up-welling,
You know that the Promise is true!
To those who have seen it and smelt it,
To those who have loved it alone
To those who have known it and felt it—
The Prairie is ever their own;
And far though they wander, unwary,
Far, far from the breath of the plain,
A thought of the wind on the Prairie
Will set their blood rushing again.
To those who have loved it alone
To those who have known it and felt it—
The Prairie is ever their own;
And far though they wander, unwary,
Far, far from the breath of the plain,
A thought of the wind on the Prairie
Will set their blood rushing again.
Then you to the City who want it,
Go, grovel its gain-glutted streets,
Be one of the ciphers that haunt it,
Or sit in its opulent seats;
But for me, where the Prairies are reaching
As far as the vision can scan—
Ah, that is the prayer and the preaching
That goes to the heart of a man!
Go, grovel its gain-glutted streets,
Be one of the ciphers that haunt it,
Or sit in its opulent seats;
But for me, where the Prairies are reaching
As far as the vision can scan—
Ah, that is the prayer and the preaching
That goes to the heart of a man!
Where the lonely settler's shanty dots the plain,
And he sighs for friends and comradeship in vain,
Through the silences intense
Comes a sound of eloquence
Shrilling forth in steely, brazen, waxen strain—
The deep, resonant voice of Gladstone calling from the tomb,
Or Ingersoll's deliverance before his brother's bier;
Then a saucy someone singing, "When the daisies are in bloom,"
And the fife and drummers rendering "The British Grenadier."
And he sighs for friends and comradeship in vain,
Through the silences intense
Comes a sound of eloquence
Shrilling forth in steely, brazen, waxen strain—
The deep, resonant voice of Gladstone calling from the tomb,
Or Ingersoll's deliverance before his brother's bier;
Then a saucy someone singing, "When the daisies are in bloom,"
And the fife and drummers rendering "The British Grenadier."
Back as far into the hills as they could get,
They've a roof that turns the winter and the wet,
They are grizzled but they're gay,
They've a daily matinee,
They are happy though they're head and ears in debt—
"I wish I had my old girl back again,"
"If the wind had only blown the other way,"
Uncertain voices join an old refrain
And repeat the same performance every day.
They've a roof that turns the winter and the wet,
They are grizzled but they're gay,
They've a daily matinee,
They are happy though they're head and ears in debt—
"I wish I had my old girl back again,"
"If the wind had only blown the other way,"
Uncertain voices join an old refrain
And repeat the same performance every day.
There's a Scotchman holding down a mining claim
All unknown to Fortune, Influence or Fame,
But a few of Harry's songs
Are a solace for his wrongs
And he sings them ev'ry evening in his "hame"—
"I'm courtin' Bonnie Leezy Lindsay noo,"
"When I get back again"—you know the lilt—
"We parted on the shore," "I'm fou', I'm fou',"
"And that's the reason noo I wear the kilt."
All unknown to Fortune, Influence or Fame,
But a few of Harry's songs
Are a solace for his wrongs
And he sings them ev'ry evening in his "hame"—
"I'm courtin' Bonnie Leezy Lindsay noo,"
"When I get back again"—you know the lilt—
"We parted on the shore," "I'm fou', I'm fou',"
"And that's the reason noo I wear the kilt."
There's a son of Erin in Saskatchewan,
He's at work a half an hour before the dawn,
But before he goes to bunk
He makes a table of his trunk
And he sets his clock-work concert thereupon—
"The harp that once through Tara's halls,"
"St Patrick's day in the mornin',"
"The last rose of summer," and Fancy recalls
A glimpse of his "Kathleen Mavourneen."
He's at work a half an hour before the dawn,
But before he goes to bunk
He makes a table of his trunk
And he sets his clock-work concert thereupon—
"The harp that once through Tara's halls,"
"St Patrick's day in the mornin',"
"The last rose of summer," and Fancy recalls
A glimpse of his "Kathleen Mavourneen."
There's an Englishman who's living in a shack,
He's a victim of the gramophone attack,
With a half-a-dozen kids
(He has half that many "quids")
But he dances with the youngest on his back—
Though he's living in the country of the Cree
The horn that hangs a fathom from his head
Stretches out a thousand leagues across the sea
And sings in dear old London town instead.
He's a victim of the gramophone attack,
With a half-a-dozen kids
(He has half that many "quids")
But he dances with the youngest on his back—
Though he's living in the country of the Cree
The horn that hangs a fathom from his head
Stretches out a thousand leagues across the sea
And sings in dear old London town instead.
They are far from auditorium or hall,
But their minds are still atune to Music's call,
They can hear Caruso sing,
Or the bells of Shandon ring,
As they smoke and count the cracks along the wall.
But their minds are still atune to Music's call,
They can hear Caruso sing,
Or the bells of Shandon ring,
As they smoke and count the cracks along the wall.
*
* * *
* *
*
I'm a miracle of eloquence imprisoned in the wax,
I'm a mental inspiration operated by a spring,
I'm a nightly consolation from Yukon to Halifax,
And the ends of all creation sit and listen while I sing:
I'm the Voice of all that man has sought and gained;
I'm the throb of ev'ry heart that ever pained;
I'm the Genesis of Fate,
I'm the Soul of Love and Hate,
I'm the humanly impossible attained!
I'm a mental inspiration operated by a spring,
I'm a nightly consolation from Yukon to Halifax,
And the ends of all creation sit and listen while I sing:
I'm the Voice of all that man has sought and gained;
I'm the throb of ev'ry heart that ever pained;
I'm the Genesis of Fate,
I'm the Soul of Love and Hate,
I'm the humanly impossible attained!
What power is this that stands behind the steel?—
A homely implement of blade and wheel—
Neglected by the margin of the way,
And flashing back the blaze of dying day;
Or dragging slow across the yellow field
In silent prophecy of lavish yield,
It marks the pace of innocence and toil,
And taps the boundless treasure of the soil.
A homely implement of blade and wheel—
Neglected by the margin of the way,
And flashing back the blaze of dying day;
Or dragging slow across the yellow field
In silent prophecy of lavish yield,
It marks the pace of innocence and toil,
And taps the boundless treasure of the soil.
Before you came the red man rode the plain.
Untitled lord of Nature's great domain;
The shaggy herds, knee deep in mellow grass;
The lazy summer hours were wont to pass;
The wild goose nested by the water side;
The red deer roamed upon the prairie wide;
The black bear trod the woods in solemn might;
The lynx stole through the bushes in the night.
Untitled lord of Nature's great domain;
The shaggy herds, knee deep in mellow grass;
The lazy summer hours were wont to pass;
The wild goose nested by the water side;
The red deer roamed upon the prairie wide;
The black bear trod the woods in solemn might;
The lynx stole through the bushes in the night.
No sound of toil was heard in all the land;
No joyous laugh of voice or sharp command,
No cloud of smoke from iron funnels thrown
Was through the autumn hazes gently blown;
No edge of steel tore up the virgin sod;
No church its shining finger turned to God;
No tradesman labored over bench and tool;
No children chattered on their way to school.
No joyous laugh of voice or sharp command,
No cloud of smoke from iron funnels thrown
Was through the autumn hazes gently blown;
No edge of steel tore up the virgin sod;
No church its shining finger turned to God;
No tradesman labored over bench and tool;
No children chattered on their way to school.
But all the land lay desolate and bare,
Its wealth of plain its forest riches rare
Unguessed by those who saw it through their tears,
And Nature—miser of a thousand years—
Was adding still to her immense reserve
That shall supply the world with brawn and nerve:
But all lay silent, useless, and unused,
And useless 'twas because it was unused.
Its wealth of plain its forest riches rare
Unguessed by those who saw it through their tears,
And Nature—miser of a thousand years—
Was adding still to her immense reserve
That shall supply the world with brawn and nerve:
But all lay silent, useless, and unused,
And useless 'twas because it was unused.
You came. Straightway the silent plain
Grew mellow with the glow of golden grain;
The axes in the solitary wood
Rang out where stately oak and maple stood;
The land became alive with busy din,
And as the many settled, more came in;
The world looked on in wonder and dismay—
The building of a nation in a day!
Grew mellow with the glow of golden grain;
The axes in the solitary wood
Rang out where stately oak and maple stood;
The land became alive with busy din,
And as the many settled, more came in;
The world looked on in wonder and dismay—
The building of a nation in a day!
By lake and river, rock and barren waste,
A peaceful army toiled in eager haste;
Ten thousand workers sweating in the sun
Pressed on the task so recently begun;
Their outworks every day were forced ahead—
And every day they gave their toll of dead—
Until at length the double lines of steel
Received the steaming steed and whirling wheel!
A peaceful army toiled in eager haste;
Ten thousand workers sweating in the sun
Pressed on the task so recently begun;
Their outworks every day were forced ahead—
And every day they gave their toll of dead—
Until at length the double lines of steel
Received the steaming steed and whirling wheel!
Where yesterday the lazy bison lay
A city glitters in the sun to-day;
His paths are turned to streets of wood and stone,
And thousands tread the way he trod alone;
The mighty hum of industry and trade
Fills all the place where once he held parade,
And far away the unheard river's play
Makes joyous night still brighter than the day!
A city glitters in the sun to-day;
His paths are turned to streets of wood and stone,
And thousands tread the way he trod alone;
The mighty hum of industry and trade
Fills all the place where once he held parade,
And far away the unheard river's play
Makes joyous night still brighter than the day!
Upon the plains a thousand towns arise,
And quickly each to be a city tries;
The sound of trade is heard on every hand
And sturdy men rise to possess the land;
Awhile they lingered, thinking it a dream,
But now they flow in a resistless stream
That seems to fill the prairie far and near,
Yet in its vastness soon they disappear.
And quickly each to be a city tries;
The sound of trade is heard on every hand
And sturdy men rise to possess the land;
Awhile they lingered, thinking it a dream,
But now they flow in a resistless stream
That seems to fill the prairie far and near,
Yet in its vastness soon they disappear.
Where once the silent red man spurned the ground
A land of peace and plenty now is found,
A land by Nature destined to be great,
Where every man is lord of his estate;
Where men may dwell together in accord,
And honest toil receive its due reward;
Where loyal friends and happy homes are made,
And culture follows hard the feet of trade.
A land of peace and plenty now is found,
A land by Nature destined to be great,
Where every man is lord of his estate;
Where men may dwell together in accord,
And honest toil receive its due reward;
Where loyal friends and happy homes are made,
And culture follows hard the feet of trade.
This you have made it. Is it vain to hope
The sons of such a land will climb and grope
Along the undiscovered ways of life,
And neither seek nor be found shunning strife,
But ever, beckoned by a high ideal,
Press onward, upward, till they make it real;
With feet sure planted on their native sod,
And will and aspirations linked with God?
The sons of such a land will climb and grope
Along the undiscovered ways of life,
And neither seek nor be found shunning strife,
But ever, beckoned by a high ideal,
Press onward, upward, till they make it real;
With feet sure planted on their native sod,
And will and aspirations linked with God?
I had lain untrod for a million years from the line to the Arctic sea;
I had dreamed strange dreams of the vast unknown,
Of the lisping wind and the dancing zone
Where the Northland fairies' feet had flown,
And it all seemed good to me.
I had dreamed strange dreams of the vast unknown,
Of the lisping wind and the dancing zone
Where the Northland fairies' feet had flown,
And it all seemed good to me.
At the close of a thousand eons of sleep came a pang that was strange to me;
The pang of a new life in my breast,
The swell of a vast and a vague unrest,
And it thrilled my soul from East to West
As it fluttered to be free.
The pang of a new life in my breast,
The swell of a vast and a vague unrest,
And it thrilled my soul from East to West
As it fluttered to be free.
But I steeled my heart to the biped thing; of vast presumption he:
He would lure my lonely thoughts away,
He would sport himself on the sacred clay
Where the dust of the prehistoric lay;
But he scorned the soul of me.
He would lure my lonely thoughts away,
He would sport himself on the sacred clay
Where the dust of the prehistoric lay;
But he scorned the soul of me.
So I stretched my plains for a thousand leagues from the mountains to the sea;
But he rolled them back with a steel-laid line,
And he crumbled space by man's design
And he filled his life with the breath of mine;
But his love he gave not me.
But he rolled them back with a steel-laid line,
And he crumbled space by man's design
And he filled his life with the breath of mine;
But his love he gave not me.
Then I called him foes from the farthest north and the snowflake fluttered free;
But he took him trees I had given birth,
And he delved him coal from my bowels of earth,
And he laughed at me as he sat in mirth;
But he cursed the cold of me.
But he took him trees I had given birth,
And he delved him coal from my bowels of earth,
And he laughed at me as he sat in mirth;
But he cursed the cold of me.
Then I cut him off from his fellow-men that his thought might turn to me;
But he strung him a line of copper thread,
And his fire-shod words swung overhead,
By the fiend of air his thought was spread
O'er hill, and plain, and lea.
But he strung him a line of copper thread,
And his fire-shod words swung overhead,
By the fiend of air his thought was spread
O'er hill, and plain, and lea.
Then I gave him hopes he could not define and fears that he could not flee;
And he heard my cry in the long, still night,
In my spirit-thrall I held him tight
And his blind soul-eyes craved for the light;
But the light he could not see.
And he heard my cry in the long, still night,
In my spirit-thrall I held him tight
And his blind soul-eyes craved for the light;
But the light he could not see.
So I held my peace till I saw him sit with children at his knee;
And I sent them the sun, the wind and the rain,
And the ferny slope and the flowery plain,
And the wet night-smell of the growing grain;
And their love they gave to me.
And I sent them the sun, the wind and the rain,
And the ferny slope and the flowery plain,
And the wet night-smell of the growing grain;
And their love they gave to me.
In the last race-birth of the sons of men a travail holdeth me;
But out of the night of pain and tears
A new life comes with the rolling years;
And I fondle the child of my hope and fears,
And it seemeth good to me.
But out of the night of pain and tears
A new life comes with the rolling years;
And I fondle the child of my hope and fears,
And it seemeth good to me.
Yes, I'm holdin' down the homestead here an' roughin' it a bit,
It seems the only kind o' life that I was built to fit,
For it's thirty years last summer since I staked my first preserve,
An' I reckon on the whole I've prospered more than I deserve;
An' my friends kep' naggin' at me for to quit this toil an' strife
An' to settle in the city for the balance of my life,
An' I ain't compelled to labor—I've cached a wad of beans—
But I'm happier when I'm hustlin' on the homestead in my jeans.
It seems the only kind o' life that I was built to fit,
For it's thirty years last summer since I staked my first preserve,
An' I reckon on the whole I've prospered more than I deserve;
An' my friends kep' naggin' at me for to quit this toil an' strife
An' to settle in the city for the balance of my life,
An' I ain't compelled to labor—I've cached a wad of beans—
But I'm happier when I'm hustlin' on the homestead in my jeans.
I've tried to loaf an' like it an' I've tried to swell about
Where the boozey run to red-eye an' the greedy run to gout,
An' I've tried to wear a collar an' a fancy fly-net vest,
An' I've tried to think it pleasant just to sit around an' rest;
An' I've mingled with the nabobs an' hee-hawed with other guys
That were just as sick as I was of a life of livin' lies;
I've mingled in society an' peeked behind the scenes—
An' I'm happier when I'm hustlin' on the homestead in my jeans.
Where the boozey run to red-eye an' the greedy run to gout,
An' I've tried to wear a collar an' a fancy fly-net vest,
An' I've tried to think it pleasant just to sit around an' rest;
An' I've mingled with the nabobs an' hee-hawed with other guys
That were just as sick as I was of a life of livin' lies;
I've mingled in society an' peeked behind the scenes—
An' I'm happier when I'm hustlin' on the homestead in my jeans.
Then I got the lust for roamin' an' I rummaged round the earth,
An' I got a big experience an' correspondin' girth,
But the more I roved an' rambled the less I cared to live,
An' I only kep' on goin' cause I'd no alternative;
I learned through tips an' tickets an' the jostle of the cars
That I wouldn't trade a homestead for a continent in Mars;
An' I bid good-bye to Fashion an' her social kings an' queens,
An' I filed my second homestead an' I bought a pair of jeans.
An' I got a big experience an' correspondin' girth,
But the more I roved an' rambled the less I cared to live,
An' I only kep' on goin' cause I'd no alternative;
I learned through tips an' tickets an' the jostle of the cars
That I wouldn't trade a homestead for a continent in Mars;
An' I bid good-bye to Fashion an' her social kings an' queens,
An' I filed my second homestead an' I bought a pair of jeans.
'Course it's sometimes kind o' lonely on the prairie here alone,
When the night-time settles round you an' your thoughts are all your own,
An' old faces flit before you like a flock o' homin' birds
An' your heart swells with emotion that no man can put in words,
An' you ponder on the Why-for, the Beginnin', an' the End;
An' you know the only things worth while are Family an' Friend—
From the trifles of existence your better judgment weans,
An' you get the right perspective on the homestead—in your jeans.
When the night-time settles round you an' your thoughts are all your own,
An' old faces flit before you like a flock o' homin' birds
An' your heart swells with emotion that no man can put in words,
An' you ponder on the Why-for, the Beginnin', an' the End;
An' you know the only things worth while are Family an' Friend—
From the trifles of existence your better judgment weans,
An' you get the right perspective on the homestead—in your jeans.
There are days the sweat-drops glisten on this sun-burned hand of mine,
There are nights the joints go creakin' as I crawl to bed, at nine,
But I hear the horses' stampin' and the rap of Collie's tail
An' it minds me of the Eighties an' the Old Commission Trail—
Of the days we pledged our future to a land we hardly knew,
An' the men whose brave beginnings made prosperity for you;
There are men now worth their millions I remember in their teens,
An' they made their start by hustlin' on the homestead in their jeans.
There are nights the joints go creakin' as I crawl to bed, at nine,
But I hear the horses' stampin' and the rap of Collie's tail
An' it minds me of the Eighties an' the Old Commission Trail—
Of the days we pledged our future to a land we hardly knew,
An' the men whose brave beginnings made prosperity for you;
There are men now worth their millions I remember in their teens,
An' they made their start by hustlin' on the homestead in their jeans.
There are times when most folks figure that their life has been a blank;
You may be a homeless hobo or director of a bank,
But the thought will catch you nappin'—catch you sometime unawares—
That your life has been a failure, and that no one really cares;
That the world will roll without you till the Resurrection morn,
An' that no one would have missed you if you never had been born;
An' I give you my conclusion—all that livin' really means
Is revealed to those who hustle on the homestead in their jeans.
You may be a homeless hobo or director of a bank,
But the thought will catch you nappin'—catch you sometime unawares—
That your life has been a failure, and that no one really cares;
That the world will roll without you till the Resurrection morn,
An' that no one would have missed you if you never had been born;
An' I give you my conclusion—all that livin' really means
Is revealed to those who hustle on the homestead in their jeans.
Some day I reckon I'll cash in an' file another claim
Where the wicked cease from troublin' an' the good get in the game;
Where the pews are not allotted by the fashion of your dress,
An' the only thing that figures is inherent manliness—
Give me no silk-spangled horses an' no silver-plated hearse,
But let some student preacher read a bit of Scripture verse,
An' find a sunny hillside where the water-willow screens,
An' plant me on the homestead where I hustled—in my jeans.
Where the wicked cease from troublin' an' the good get in the game;
Where the pews are not allotted by the fashion of your dress,
An' the only thing that figures is inherent manliness—
Give me no silk-spangled horses an' no silver-plated hearse,
But let some student preacher read a bit of Scripture verse,
An' find a sunny hillside where the water-willow screens,
An' plant me on the homestead where I hustled—in my jeans.
Far away from the din of the city,
I dwell on the prairie alone,
With no one to praise or to pity,
And all the broad earth for my own;
The fields to allure me to labor,
The shanty to shelter my sleep,
A league and a half to a neighbor—
And Collie to watch if I weep.
I dwell on the prairie alone,
With no one to praise or to pity,
And all the broad earth for my own;
The fields to allure me to labor,
The shanty to shelter my sleep,
A league and a half to a neighbor—
And Collie to watch if I weep.
Yes, this is my place of probation,
Though woefully windy and bare;
I am lord of my own habitation,
I mock at the meaning of care;
For here, on the edge of creation,
Lies, far as the vision can fling,
A kingdom that's fit for a nation—
A kingdom—and I am the king!
Though woefully windy and bare;
I am lord of my own habitation,
I mock at the meaning of care;
For here, on the edge of creation,
Lies, far as the vision can fling,
A kingdom that's fit for a nation—
A kingdom—and I am the king!
The grasses aglare in the morning
With crystalline radiance shine;
The dew-drops are jewels adorning,
Are jewels—and the jewels are mine;
The heat of the sun when it shineth,
The wet of the wind when it rains,
Are balm to the heart that repineth—
The Medicine Men of the plains!
With crystalline radiance shine;
The dew-drops are jewels adorning,
Are jewels—and the jewels are mine;
The heat of the sun when it shineth,
The wet of the wind when it rains,
Are balm to the heart that repineth—
The Medicine Men of the plains!
I follow the plow in the breaking,
I tap the rich treasures of Time—
The treasure is here for the taking,
And taking it isn't a crime;
I ride on the rack or the reaper
To harvest the fruit of my hand,
And daily I know that the deeper
I'm rooting my soul in the land.
I tap the rich treasures of Time—
The treasure is here for the taking,
And taking it isn't a crime;
I ride on the rack or the reaper
To harvest the fruit of my hand,
And daily I know that the deeper
I'm rooting my soul in the land.
They say there is wealth in the doing,
That royal and rich are the gains,
But 'tisn't the wealth I am wooing
So much as the life of the plains;
For here in the latter-day morning,
Where Time to Eternity clings,
Midwife to a breed in the borning,
I behold the Beginnings of Things!
That royal and rich are the gains,
But 'tisn't the wealth I am wooing
So much as the life of the plains;
For here in the latter-day morning,
Where Time to Eternity clings,
Midwife to a breed in the borning,
I behold the Beginnings of Things!
When, reckless of time and of trouble,
I watch till the water fowl comes,
Or, picking my steps in the stubble,
I steal where the prairie hen drums;
When shooting the wolf in the brushes,
Or spearing the pike in the stream,
Or potting the crane in the rushes—
Ambition seems only a dream.
I watch till the water fowl comes,
Or, picking my steps in the stubble,
I steal where the prairie hen drums;
When shooting the wolf in the brushes,
Or spearing the pike in the stream,
Or potting the crane in the rushes—
Ambition seems only a dream.
When darkness envelops creation,
And shadows lie deep on the plain,
I sit in my rude habitation
And ponder my childhood again;
Then voices come out of the distance,
Far voices from over the sea,
They call from the depths of existence—
I know they are calling to me!
And shadows lie deep on the plain,
I sit in my rude habitation
And ponder my childhood again;
Then voices come out of the distance,
Far voices from over the sea,
They call from the depths of existence—
I know they are calling to me!
The voices of song and of motion,
The voices of laughter and light,
They're calling from over the ocean—
Oh, God! could I answer to-night!
The voices of friend and of lover,
The voices I knew in the past—
I turn to my pallet to smother
The thoughts that have found me at last!
The voices of laughter and light,
They're calling from over the ocean—
Oh, God! could I answer to-night!
The voices of friend and of lover,
The voices I knew in the past—
I turn to my pallet to smother
The thoughts that have found me at last!
You may tell in fondest phrases
How Venetian glory raises
Sunlit domes and basking marbles as her streets flow to the sea;
Sing of Florence or Geneva
Or the Bay of Naples; weave a
Web of sentiment—but leave a
Little sentiment for me.
How Venetian glory raises
Sunlit domes and basking marbles as her streets flow to the sea;
Sing of Florence or Geneva
Or the Bay of Naples; weave a
Web of sentiment—but leave a
Little sentiment for me.
Where the warm Atlantic waters
Lave your laughing sons and daughters
By a hundred sunny cities where her tides flow full and free,
Or on Caribbean beaches
While the water pulls and reaches
At your heart-strings—in your speeches
Save a sentiment for me.
Lave your laughing sons and daughters
By a hundred sunny cities where her tides flow full and free,
Or on Caribbean beaches
While the water pulls and reaches
At your heart-strings—in your speeches
Save a sentiment for me.
San Francisco's golden fulgor,
Catalina's horticulture,
Every symphony of gladness, every gaiety there be;
Every land and every nation
Somewhere claim your admiration:
From your meed of approbation
Save your fealty to me.
Catalina's horticulture,
Every symphony of gladness, every gaiety there be;
Every land and every nation
Somewhere claim your admiration:
From your meed of approbation
Save your fealty to me.
*
* * *
* *
*
Cloudless skies and peerless weather
Link my hearts and homes together
And the crisp, pure air of Winter vitalizes blood and brain;
Prairie breezes softly blowing,
Wheat fields' rustle—cattle lowing—
Broader visions coming—growing—
Woo, O lands, ye woo in vain!
Link my hearts and homes together
And the crisp, pure air of Winter vitalizes blood and brain;
Prairie breezes softly blowing,
Wheat fields' rustle—cattle lowing—
Broader visions coming—growing—
Woo, O lands, ye woo in vain!
Well, no, I'm not superstitious,—at least, I don't call it that,—
But when someone spins a creepy yarn I don't deny it flat,
For a man who spends a lifetime with the throttle in his hand
Is bound to have adventures that he cannot understand;
I sometimes think our knowledge here is but a sorry show,—
We're only on the borderland of what there is to know.
But when someone spins a creepy yarn I don't deny it flat,
For a man who spends a lifetime with the throttle in his hand
Is bound to have adventures that he cannot understand;
I sometimes think our knowledge here is but a sorry show,—
We're only on the borderland of what there is to know.
I used to think a man could know all things that could be known;
That he should not acknowledge any power above his own;
That, however strange the circumstance, there always is a cause
That is in complete obedience to some of Nature's laws;
But I couldn't shake conviction off, no matter how I tried,
And I've changed my way of thinking since the night that Willie died.
That he should not acknowledge any power above his own;
That, however strange the circumstance, there always is a cause
That is in complete obedience to some of Nature's laws;
But I couldn't shake conviction off, no matter how I tried,
And I've changed my way of thinking since the night that Willie died.
Yes, Willie was my little son—my greatest earthly joy—
And wife and I just kind o' seemed to dote upon the boy;
When I was out on duty she would hover round the lad,
And treasure up his sayings to repeat them to his dad;
And every night, at lighting time, I knew that, without fail,
His baby lips were praying for the man out on the rail. . . .
And wife and I just kind o' seemed to dote upon the boy;
When I was out on duty she would hover round the lad,
And treasure up his sayings to repeat them to his dad;
And every night, at lighting time, I knew that, without fail,
His baby lips were praying for the man out on the rail. . . .
Ah, well, for three short years we knew what such a treasure is,
And we grew ever more attached to those sweet ways of his;
When one day, swinging through the gate, I saw, with blanching face,
My wife as pale as ashes, and a doctor in the place. . . .
I tried to go in steady, but my knees were knocking hard,
And the light went out of heaven as I staggered up the yard.
And we grew ever more attached to those sweet ways of his;
When one day, swinging through the gate, I saw, with blanching face,
My wife as pale as ashes, and a doctor in the place. . . .
I tried to go in steady, but my knees were knocking hard,
And the light went out of heaven as I staggered up the yard.
The doctor was a friend of mine, with children of his own,
But he didn't need to tell me, for a blind man would have known
By the labored, quick-caught breathing, and the little burning brow,
That the Visitor was ready and was waiting for him now.
We sat about his bedside in silent, deep despair,
And the years rolled down upon us as we faced each other there.
But he didn't need to tell me, for a blind man would have known
By the labored, quick-caught breathing, and the little burning brow,
That the Visitor was ready and was waiting for him now.
We sat about his bedside in silent, deep despair,
And the years rolled down upon us as we faced each other there.
'Twas a little before midnight when a ring came at the bell,
And the call-boy said, "Excuse me, sir, but I was sent to tell
That Ninety-six is waiting, and there's no one else about;
They're expecting you to take her. If you don't she can't go out."
I left the answer to my wife. With lips as white as snow,
She whispered, "Do your duty," and I said, "All right, I'll go."
And the call-boy said, "Excuse me, sir, but I was sent to tell
That Ninety-six is waiting, and there's no one else about;
They're expecting you to take her. If you don't she can't go out."
I left the answer to my wife. With lips as white as snow,
She whispered, "Do your duty," and I said, "All right, I'll go."
My fireman knew my trouble, and in rough-and-ready way
He let me know his heart was feeling things he couldn't say;
The night was dark and moonless, but the bright stars overhead
Seemed to whisper to each other, "His little boy is dead."
The very locomotive seemed to read my thoughts aright,
And the monster sobbed in sympathy as we bulleted the night.
He let me know his heart was feeling things he couldn't say;
The night was dark and moonless, but the bright stars overhead
Seemed to whisper to each other, "His little boy is dead."
The very locomotive seemed to read my thoughts aright,
And the monster sobbed in sympathy as we bulleted the night.
We'd been running fast and steady till a little after two;
All the passengers were fast asleep, except, perhaps, a few
Who sat a-swapping stories in the smoker, when a sight
Met my eyes that fairly froze my blood in terror and affright—
For there, before me, standing in the halo of the light
Was a little child outlined against the blackness of the night!
All the passengers were fast asleep, except, perhaps, a few
Who sat a-swapping stories in the smoker, when a sight
Met my eyes that fairly froze my blood in terror and affright—
For there, before me, standing in the halo of the light
Was a little child outlined against the blackness of the night!
Oh, I could not be mistaken, I would know him anywhere,
With his father's mouth and forehead, and his mother's eyes and hair,
And little arms outstretched to me that seemed to coax and say,
"Come, Daddy, come and kiss me, for I'm going far away."
I flung the brake and throttle, and amid the hissing steam
The vision grew, and waned away, and vanished as a dream!
With his father's mouth and forehead, and his mother's eyes and hair,
And little arms outstretched to me that seemed to coax and say,
"Come, Daddy, come and kiss me, for I'm going far away."
I flung the brake and throttle, and amid the hissing steam
The vision grew, and waned away, and vanished as a dream!
My fireman was beside me: "Your nerve is going, Jack;
Let's leave the engine here and take a walk along the track.
The exercise will do you good." I followed as he led,
Until we reached the gorge about a hundred yards ahead:
The night wind cooled my temples as we walked the bridge upon,
Till we sudden stopped with a sudden gasp—
—THE CENTRE SPAN WAS GONE!
Let's leave the engine here and take a walk along the track.
The exercise will do you good." I followed as he led,
Until we reached the gorge about a hundred yards ahead:
The night wind cooled my temples as we walked the bridge upon,
Till we sudden stopped with a sudden gasp—
—THE CENTRE SPAN WAS GONE!
*
* * *
* *
* *
You may call it hallucination, as some of the others do,
But I know that the Master took my boy that night at half-past two;
And the prayers of a hundred passengers had been offered up in vain
Had his spirit, clad in his baby dress, not stood before my train. . . .
I know I cried in my window-seat, and was otherwise ill-behaved
But the life that I lost was more to me than all the lives he saved.
But I know that the Master took my boy that night at half-past two;
And the prayers of a hundred passengers had been offered up in vain
Had his spirit, clad in his baby dress, not stood before my train. . . .
I know I cried in my window-seat, and was otherwise ill-behaved
But the life that I lost was more to me than all the lives he saved.
The village lights grew dim behind, the snow lay vast and white
And silent as an icy shroud spread out upon the night;
A wan moon struggled with the clouds and through the misty haze
The trails that branched to left and right were tangled as a maze;
The settler's horses plodded in the soft, uncertain snow;
And, stealing cautiously behind, a Thing moved to and fro.
And silent as an icy shroud spread out upon the night;
A wan moon struggled with the clouds and through the misty haze
The trails that branched to left and right were tangled as a maze;
The settler's horses plodded in the soft, uncertain snow;
And, stealing cautiously behind, a Thing moved to and fro.
The trail was little travelled, and the pale, sad, sickly light
Was hindrance, rather than a help, to read the road aright;
A dozen miles lay stretched between the settler and his shack:
He thought of many things that night—not once of turning back.
Above the crunching of the snow he heard the rising wind,
But never looked—and never saw—the Thing that stole behind.
Was hindrance, rather than a help, to read the road aright;
A dozen miles lay stretched between the settler and his shack:
He thought of many things that night—not once of turning back.
Above the crunching of the snow he heard the rising wind,
But never looked—and never saw—the Thing that stole behind.
The trail was lost; the horses took their way across the plain;
The settler strove to hold the course, but strove, alas, in vain;
The fickle wind seemed scarce to stay a moment at a place—
Now howling in a real attack, now snapping at his face;
And nearing, leering, peering, in the ghastly, ghostly light,
The Thing came softly after as it followed in the night.
The settler strove to hold the course, but strove, alas, in vain;
The fickle wind seemed scarce to stay a moment at a place—
Now howling in a real attack, now snapping at his face;
And nearing, leering, peering, in the ghastly, ghostly light,
The Thing came softly after as it followed in the night.
A light! a light! a welcome light gleamed friendly from afar:
Oh, can it be—it cannot be—'tis surely not a star?
Nay, nay, it is more warm and near, a happy farmer's home
That beckons to the wanderer, "You need no longer roam."
With eager hope they hastened on, and plied across the plain;
As often as the horses fell they rose to plunge again.
Oh, can it be—it cannot be—'tis surely not a star?
Nay, nay, it is more warm and near, a happy farmer's home
That beckons to the wanderer, "You need no longer roam."
With eager hope they hastened on, and plied across the plain;
As often as the horses fell they rose to plunge again.
The hours moved on, the miles moved on, they followed as a dream
The waning light, the dying light, of that deceitful gleam,
And when at last it seemed the place must almost be in sight,
The light went out! Oh, perfidy! Oh, murderous, mocking light!
'Twas well the ears grew deaf before the howling of the wind,
Nor heard the ghoulish chuckle of the gloating Thing behind.
The waning light, the dying light, of that deceitful gleam,
And when at last it seemed the place must almost be in sight,
The light went out! Oh, perfidy! Oh, murderous, mocking light!
'Twas well the ears grew deaf before the howling of the wind,
Nor heard the ghoulish chuckle of the gloating Thing behind.
The snow lay deep; the horses floundered with the heavy sleigh,
Till, plunging in a sudden drift, they tore the tongue away;
The sleepy driver knew it not, as through his nerveless hands
His hold on life was slipping with the frozen leather bands.
The night was calm and beautiful, the frost had ceased to smart. . . .
The Thing had lept upon him and was tearing at his heart!
Till, plunging in a sudden drift, they tore the tongue away;
The sleepy driver knew it not, as through his nerveless hands
His hold on life was slipping with the frozen leather bands.
The night was calm and beautiful, the frost had ceased to smart. . . .
The Thing had lept upon him and was tearing at his heart!
*
* * *
* *
* *
The room was warm and cosy, and the light was soft and low,
Her presence seemed to radiate a tender, girlish glow,
And when she placed her hand in his, the soft, caressing palm
Was cure for every trouble, and for every pain a balm:
And she whispered, "Sweet, my sweetheart, I'll be faithful, I'll be true;
In the springtime, in the springtime, I will cross the sea to you." . . .
Her presence seemed to radiate a tender, girlish glow,
And when she placed her hand in his, the soft, caressing palm
Was cure for every trouble, and for every pain a balm:
And she whispered, "Sweet, my sweetheart, I'll be faithful, I'll be true;
In the springtime, in the springtime, I will cross the sea to you." . . .
A little bed was fashioned in the fitful firelight glow;
A little boy was murmuring a prayer of long ago;
And mother-hands upon his head, that fondled in his hair,
And sense of quiet comfort and respite from every care;
And a pillow white and downy, and a bed so soft and deep,
And tired lips were lisping, "Now I lay me down to sleep." . . .
A little boy was murmuring a prayer of long ago;
And mother-hands upon his head, that fondled in his hair,
And sense of quiet comfort and respite from every care;
And a pillow white and downy, and a bed so soft and deep,
And tired lips were lisping, "Now I lay me down to sleep." . . .
Again the scene was changed: A flood of mellow, amber light,
That filled the soul with ecstasy of infinite delight;
While crystal-cadenced music tinkled through the yellow glow,
The lullabies of childhood and the songs of long ago;
The sea of God on every hand in silent silver lay:
An atom fell: its circles spread through all eternity.
That filled the soul with ecstasy of infinite delight;
While crystal-cadenced music tinkled through the yellow glow,
The lullabies of childhood and the songs of long ago;
The sea of God on every hand in silent silver lay:
An atom fell: its circles spread through all eternity.
*
* * *
* *
* *
The Thing was gone; its work was done; a lump of lifeless clay
Sat crouching, crouching, crouching in the dawning of the day;
The frozen eyeballs stared upon a wilderness of snow,
And peered into the future, to the Place no man may know.
A she-wolf prowled about the spot, and sniffed below the sleigh,
And howled a melancholy howl, and slunk in fear away.
Sat crouching, crouching, crouching in the dawning of the day;
The frozen eyeballs stared upon a wilderness of snow,
And peered into the future, to the Place no man may know.
A she-wolf prowled about the spot, and sniffed below the sleigh,
And howled a melancholy howl, and slunk in fear away.
Feelin' kind of all run down?
Mighty bad:
Sick and tired o' life in town?
Don't be sad:
What you're needing isn't rest:
Square your shoulders, raise your chest;
Pack your turkey; go out West—
Just be glad!
Mighty bad:
Sick and tired o' life in town?
Don't be sad:
What you're needing isn't rest:
Square your shoulders, raise your chest;
Pack your turkey; go out West—
Just be glad!
Gone astray in No-Man's-Land?
Silly lad!
Ought to have your carcass tanned
With a gad:
Should ha' kept the narrow track:
Never mind, you can't go back;
Things may not be quite so black—
Just be glad!
Silly lad!
Ought to have your carcass tanned
With a gad:
Should ha' kept the narrow track:
Never mind, you can't go back;
Things may not be quite so black—
Just be glad!
Gone and blown in all your cash
On a fad?
Livin' now on soup and hash?
Writin' Dad?
Don't you do it. Here's a tip;
Keep a good stiff upper lip;
Needn't fall because you slip—
Just be glad!
On a fad?
Livin' now on soup and hash?
Writin' Dad?
Don't you do it. Here's a tip;
Keep a good stiff upper lip;
Needn't fall because you slip—
Just be glad!
Friends refuse to help you out?
Don't get mad!
You would be a lazy lout
If they had.
Do not envy place or pelf;
Praise the Lord, you've got your health;
Dig in! Be a man yourself—
Just be glad!
Don't get mad!
You would be a lazy lout
If they had.
Do not envy place or pelf;
Praise the Lord, you've got your health;
Dig in! Be a man yourself—
Just be glad!
All the world may say or do,
Good or bad,
Isn't anything to you—
Just be glad!
Though you work at book or trade,
Though you work with pen or spade,
Hump yourself—you'll make the grade—
Just be glad!
Good or bad,
Isn't anything to you—
Just be glad!
Though you work at book or trade,
Though you work with pen or spade,
Hump yourself—you'll make the grade—
Just be glad!
(Lines suggested in the camp of the Alpine Club of Canada,
Sherbrooke Lake, B. C., August, 1911.)
"I to the hills will lift mine eyes,"
Of old the Psalmist sung,
And we who clutch the worldly prize,
With Earth's distractions wrung,
Still turn our fevered fancy's gaze
Where snowy summits greet the day,
Where Nature guards her mysteries,
And Time becomes Eternity
Of old the Psalmist sung,
And we who clutch the worldly prize,
With Earth's distractions wrung,
Still turn our fevered fancy's gaze
Where snowy summits greet the day,
Where Nature guards her mysteries,
And Time becomes Eternity
Where, changeless in eternal change,
The Rockies clip the clouds,
And glacial lakes and granite range
Sleep, in their snowy shrouds;
Where silence hushes discontent,
And petty fears are lost in space,
The Builder of the firmament
Still meets His people, face to face!
The Rockies clip the clouds,
And glacial lakes and granite range
Sleep, in their snowy shrouds;
Where silence hushes discontent,
And petty fears are lost in space,
The Builder of the firmament
Still meets His people, face to face!
They were running out the try-lines, they were staking out the grade;
Through the hills they had to measure, through the sloughs they had to wade;
They were piercing unknown regions, they were crossing nameless streams,
With the prairie for a pillow and the sky above their dreams,
They were mapping unborn cities in the age-long pregnant clay:
When they came upon a little mound across the right-of-way.
Through the hills they had to measure, through the sloughs they had to wade;
They were piercing unknown regions, they were crossing nameless streams,
With the prairie for a pillow and the sky above their dreams,
They were mapping unborn cities in the age-long pregnant clay:
When they came upon a little mound across the right-of-way.
There were violets growing on it, and a buttercup or two,
That whispered of affection ever old and ever new,
And a little ring of whitewashed stones, bright in the summer sun,
But of marble slab or granite pile or pillar there was none;
And across the sleeping prairie lay a little, low-built shack,
With a garden patch before it and a wheat field at its back.
That whispered of affection ever old and ever new,
And a little ring of whitewashed stones, bright in the summer sun,
But of marble slab or granite pile or pillar there was none;
And across the sleeping prairie lay a little, low-built shack,
With a garden patch before it and a wheat field at its back.
"Well, boys, we'd better see him, and he hadn't ought to kick,
For we'll give him time to move it if he does it pretty quick."
But scarcely had the foreman spoke when straight across the farm
They saw the settler coming with a rifle on his arm;
Some would ha' hiked for cover but they had no place to run,
But most of them decided they would stay and see the fun.
For we'll give him time to move it if he does it pretty quick."
But scarcely had the foreman spoke when straight across the farm
They saw the settler coming with a rifle on his arm;
Some would ha' hiked for cover but they had no place to run,
But most of them decided they would stay and see the fun.
The farmer was the first to speak: "I hate to interfere,
And mighty glad I am to see the railway comin' near,
But before you drive your pickets across this piece of land
You ought to hear the story, or you will not understand:
It's the story of a girl who was as true as she was brave,
And all that now remains of her is in that little grave.
And mighty glad I am to see the railway comin' near,
But before you drive your pickets across this piece of land
You ought to hear the story, or you will not understand:
It's the story of a girl who was as true as she was brave,
And all that now remains of her is in that little grave.
"I didn't want to bring her when I hit the trail out West,
I knew I shouldn't do it, and I did my level best
To coax her not to come out for a year or two at least,
But to stay and take it easy with her friends down in the East;
But while I coaxed and argued I was feelin' mighty glum,
And right down in my heart I kep' a-hopin' she would come.
I knew I shouldn't do it, and I did my level best
To coax her not to come out for a year or two at least,
But to stay and take it easy with her friends down in the East;
But while I coaxed and argued I was feelin' mighty glum,
And right down in my heart I kep' a-hopin' she would come.
"Well, by rail and boat and saddle we got out here at last,
A-livin' in the future, and forgettin' of the past;
We built ourselves a little home, and in our work and care
It seemed to me she always took what was the lion's share;
God knows just what she suffered, but she hid it with a smile,
And made out that she thought I was the only thing worth while.
A-livin' in the future, and forgettin' of the past;
We built ourselves a little home, and in our work and care
It seemed to me she always took what was the lion's share;
God knows just what she suffered, but she hid it with a smile,
And made out that she thought I was the only thing worth while.
"She stood it through the summer and the warm, brown days of fall,
And of all the voices calling her she would not hear the call;
But when the winter settled with its cold, white pall of snow
She seemed to whiten with it, but she thought I didn't know;
She tried to keep her spirits up and laugh my fears away,
But I saw her growing thin and ever weaker day by day.
And of all the voices calling her she would not hear the call;
But when the winter settled with its cold, white pall of snow
She seemed to whiten with it, but she thought I didn't know;
She tried to keep her spirits up and laugh my fears away,
But I saw her growing thin and ever weaker day by day.
"At last I couldn't stand it any longer, so I said,
'I think you'd better try and spend a day or two in bed
While I go for a doctor. It's only sixty miles.'
She gave a little wistful look, half hidden in her smiles,
And said, 'Perhaps you'd better, though I think I'll be all right
When the spring comes.' . . . Well, I started out that night.
'I think you'd better try and spend a day or two in bed
While I go for a doctor. It's only sixty miles.'
She gave a little wistful look, half hidden in her smiles,
And said, 'Perhaps you'd better, though I think I'll be all right
When the spring comes.' . . . Well, I started out that night.
"I made the trip on horseback, by the guiding Polar star
And a dozen times the distance never seemed one half so far.
But the doctor had gone out of town,—just where, no one could say,
And a lump rose in my chest that fairly took my breath away.
But I daren't stay there thinking, and my search for him was vain,
So I bought some wine and brandy and I started home again.
And a dozen times the distance never seemed one half so far.
But the doctor had gone out of town,—just where, no one could say,
And a lump rose in my chest that fairly took my breath away.
But I daren't stay there thinking, and my search for him was vain,
So I bought some wine and brandy and I started home again.
"Forgetful of my horse, I spent the whole night on the road,
Till early in the morning he collapsed beneath his load;
I saw the brute was done for, and although it made me cry,
I hacked into his jug'lar vein and left him there to die;
And then I shouldered the supplies and staggered on alone,
And thinking of my wife's distress I quite forgot my own.
Till early in the morning he collapsed beneath his load;
I saw the brute was done for, and although it made me cry,
I hacked into his jug'lar vein and left him there to die;
And then I shouldered the supplies and staggered on alone,
And thinking of my wife's distress I quite forgot my own.
"She must ha' watched all night for me, for in the morning grey
She saw me stagger in the snow and fall beside the way
And God knows how she did it—she was only skin and bone—
But she came out here and found me and dragged me home alone,
And she took the precious liquor that had cost us all so dear,
And poured it down this worthless hulk that's standin' blatin' here. . . .
She saw me stagger in the snow and fall beside the way
And God knows how she did it—she was only skin and bone—
But she came out here and found me and dragged me home alone,
And she took the precious liquor that had cost us all so dear,
And poured it down this worthless hulk that's standin' blatin' here. . . .
"I guess you know what happened—I lived, she passed away;
I robed her in her wedding-dress and laid her in the clay;
And every spring I plant the flowers that grow upon her grave,
For I hold the spot as sacred as the Arimathæn's cave;
And when the winter snows have come, and all is white and still,
I spread a blanket on the mound to keep out frost and chill.
I robed her in her wedding-dress and laid her in the clay;
And every spring I plant the flowers that grow upon her grave,
For I hold the spot as sacred as the Arimathæn's cave;
And when the winter snows have come, and all is white and still,
I spread a blanket on the mound to keep out frost and chill.
"Folks say I've got a screw loose, that I've gone to acting queer,
But I sometimes hear her speaking, and I know she's always near;
And sometimes in the night I feel the pressure of her hand,
And for a blessed hour I share with her the Promised Land:—
Let man or devil undertake to desecrate my dead
And as sure as God's in heaven I will pump him full of lead."
But I sometimes hear her speaking, and I know she's always near;
And sometimes in the night I feel the pressure of her hand,
And for a blessed hour I share with her the Promised Land:—
Let man or devil undertake to desecrate my dead
And as sure as God's in heaven I will pump him full of lead."
They were rough-and-ready railway men who stood about the spot,
They were men that lied and gambled they were men that drank and fought,
But some of them were sneezing, and some were coughing bad,
And some were blowing noses on anything they had;
And some of them were swallowing at lumps that shouldn't come,
And some were swearing softly, and some were simply dumb.
They were men that lied and gambled they were men that drank and fought,
But some of them were sneezing, and some were coughing bad,
And some were blowing noses on anything they had;
And some of them were swallowing at lumps that shouldn't come,
And some were swearing softly, and some were simply dumb.
At last the foreman found his voice: "I guess your claim is sound;
I wouldn't care to run a track across that piece of ground. . . .
We'll have to change our lay-out . . . but I hope . . . we have the grace
To build a fitting monument to mark that holy place;
Put me down for a hundred; now, boys, how much for you?"
And they answered in a chorus, "We'll see the business through."
I wouldn't care to run a track across that piece of ground. . . .
We'll have to change our lay-out . . . but I hope . . . we have the grace
To build a fitting monument to mark that holy place;
Put me down for a hundred; now, boys, how much for you?"
And they answered in a chorus, "We'll see the business through."
*
* * *
* *
*
The passengers upon a certain railway o'er the plain
See a shining shaft of marble from the windows of the train,
But they do not know the story of the girl-wife in the snow
And the broken-hearted farmer with his lonely life of woe,
And none of them have guessed that the deflection in the line
Is the railway builders' tribute to a prairie heroine.
See a shining shaft of marble from the windows of the train,
But they do not know the story of the girl-wife in the snow
And the broken-hearted farmer with his lonely life of woe,
And none of them have guessed that the deflection in the line
Is the railway builders' tribute to a prairie heroine.