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Songs of the Ridings

Chapter 13: Lile Doad
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About This Book

The collection contains twenty-five dialect poems, mainly dramatic monologues and character sketches that portray Yorkshire peasants, artisans, and farmers. Using local speech and rural scenes—farm work, hearthside gatherings, lamplighters, and seasonal customs—the verses evoke community life, regional pride, and anxieties about education and social change. The poems aim to make poetry accessible to working people by preserving local voice and rendering individual psychology through plain, dramatic address, showing both affectionate observation and critical reflection.

Lile Doad

The Lord’s bin hard on me, Sir,
    He’s stown my barn away.
O dowly, dowly was that neet
    He stole lile Doad away!

’Twas Whissuntide we wedded,
    Next Easter he was born,
Just as t’ last star i’ t’ April sky
    Had faded into t’ morn.
Throstles were singin, canty,
[1]
    For they’d their young i’ t’ nest;
But birds don’t know a mother’s love
    That howds her barn to t’ breast.

When wark was ower i’ summer,
    I nussed him on my knees;
An’ Mike browt home at lowsin’-time
    Wild rasps an’ strawberries.
We used to sit on t’ door-sill
    I’ t’ leet o’ t’ harvist-moon,
While our lile Doad would clench his fists
    An’ suck his toes an’ croon.

But when t’ mell-sheaf[2] was gotten,
    An’ back-end days set in,
Wi’ frost at neet an’ roke[3] by day,
    His face gate pinched an’ thin.
We niver knew what ailed him,
    He faded like a floor,
He faded same as skies’ll fade
    When t’ sun dips into t’ moor.

Church bells on Kersmas mornin’
    Rang out so merrily,
But cowd an’ dreesome were our hearts:
    We knew lile Doad must dee.
He lay so still in his creddle,
    An’ slowly he dwined away,
While[4] I laid two pennies on his een
    On Holy Innocents’ Day.

The Lord’s bin hard on me, Sir,
    He’s stown my barn away.
O, dowly, dowly was that neet
    He stole lile Doad away!

[1] Briskly.

[2] The last sheaf of the harvest.

[3] Mist.

[4] Until.