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Sonnets and Verse

Chapter 31: XXIX
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About This Book

This collection gathers sonnets and shorter poems that move between meditative lyric and satiric commentary, exploring mortality, sleep, season and landscape, religious and moral questions, and social injustice. Many pieces use tightly controlled sonnet form to reflect on death, memory, and the passage of time, while other lyrics adopt a more direct or grotesque tone to mock social pretensions and public life. Classical and biblical allusions appear alongside vivid rural and urban scenes, producing a varied sequence that balances philosophical reflection, moral urgency, and occasional biting humor.

We will not whisper, we have found the place
Of silence and the endless halls of sleep.
And that which breathes alone throughout the deep
The end and the beginning: and the face
Between the level brows of whose blind eyes
Lie plenary contentment, full surcease
Of violence, and the passionless long peace
Wherein we lose our human lullabies.
Look up and tell the immeasurable height
Between the vault of the world and your dear head;
That’s death, my little sister, and the night
Which was our Mother beckons us to bed,
Where large oblivion in her house is laid
For us tired children, now our games are played.

XX

I went to sleep at Dawn in Tuscany
Beneath a Rock and dreamt a morning dream.
I thought I stood by that baptismal stream
Whereon the bounds of our redemption lie.
And there, beyond, a radiance rose to take
My soul at passing, in which light your eyes
So filled me I was drunk with Paradise.
Then the day broadened, but I did not wake.
Here’s the last edge of my long parchment furled
And all was writ that you might read it so.
This sleep I swear shall last the length of day;
Not noise, not chance, shall drive this dream away:
Not time, not treachery, not good fortune—no,
Not all the weight of all the wears of the world.

XXI

Almighty God, whose justice like a sun
Shall coruscate along the floors of Heaven,
Raising what’s low, perfecting what’s undone,
Breaking the proud and making odd things even.
The poor of Jesus Christ along the street
In your rain sodden, in your snows unshod,
They have nor hearth, nor sword, nor human meat,
Nor even the bread of men: Almighty God.
The poor of Jesus Christ whom no man hears
Have waited on your vengeance much too long.
Wipe out not tears but blood: our eyes bleed tears.
Come smite our damnéd sophistries so strong
That thy rude hammer battering this rude wrong
Ring down the abyss of twice ten thousand years.

XXII

Mother of all my cities once there lay
About your weedy wharves an orient shower
Of spice and languorous silk and all the dower
That Ocean gave you on his bridal day.
And now the youth and age have passed away
And all the sail superb and all the power;
Your time’s a time of memory like that hour
Just after sunset, wonderful and grey.
Too tired to rise and much too sad to weep,
With strong arm nerveless on a nerveless knee,
Still to your slumbering ears the spousal deep
Murmurs his thoughts of eld eternally;
But your soul wakes not from its holy sleep
Dreaming of dead delights beside a tideless sea.

XXIII

November is that historied Emperor
Conquered in age but foot to foot with fate
Who from his refuge high has heard the roar
Of squadrons in pursuit, and now, too late,
Stirrups the storm and calls the winds to war,
And arms the garrison of his last heirloom,
And shakes the sky to its extremest shore
With battle against irrevocable doom.
Till, driven and hurled from his strong citadels,
He flies in hurrying cloud and spurs him on,
Empty of lingerings, empty of farewells
And final benedictions and is gone.
But in my garden all the trees have shed
Their legacies of the light and all the flowers are dead.

XXIV

Hoar Time about the House betakes him slow
Seeking an entry for his weariness.
And in that dreadful company distress
And the sad night with silent footsteps go.
On my poor fire the brands are scarce aglow
And in the woods without what memories press
Where, waning in the trees from less to less
Mysterious hangs the hornéd moon and low.
For now December, full of agéd care
Comes in upon the year and weakly grieves;
Mumbling his lost desires and his despair
And with mad trembling hand still interweaves
The dank sear flower-stalks tangled in his hair,
While round about him whirl the rotten leaves.

XXV

It freezes: all across a soundless sky
The birds go home. The governing dark’s begun.
The steadfast dark that waits not for a sun;
The ultimate dark wherein the race shall die.
Death with his evil finger to his lip
Leers in at human windows, turning spy
To learn the country where his rule shall lie
When he assumes perpetual generalship.
The undefeated enemy, the chill
That shall benumb the voiceful earth at last,
Is master of our moment, and has bound
The viewless wind itself. There is no sound.
It freezes. Every friendly stream is fast.
It freezes, and the graven twigs are still.

XXVI

O my companion, O my sister Sleep,
The valley is all before us, bear me on.
High through the heaven of evening, hardly gone,
Beyond the harbour lights, beyond the steep,
Beyond the land and its lost benison
To where, majestic on the darkening deep,
The night comes forward from Mount Aurion.
O my companion, O my sister Sleep.
Above the surf-line, into the night-breeze;
Eastward above the ever-whispering seas;
Through the warm airs with no more watch to keep.
My day’s run out and all its dooms are graven.
O dear forerunner of Death and promise of Haven.
O my companion, O my sister Sleep.

XXVII

Are you the end, Despair, or the poor least
Of them that cast great shadows and are lies?
That dread the simple and destroy the wise,
Fail at the tomb and triumph at the feast?
You were not found on Olivet, dull beast,
Nor in Thebaid, when the night’s agonies
Dissolved to glory on the effulgent east
And Jesus Christ was in the morning skies.
You did not curb the indomitable crest
Of Tzerna-Gora, when the Falcon-bred
Screamed over the Adriatic, and their Lord
Went riding out, much angrier than the rest,
To summon at ban the living and the dead
And break the Mahommedan with the repeated sword.

XXVIII

But oh! not Lovely Helen, nor the pride
Of that most ancient Ilium matched with doom.
Men murdered Priam in his royal room
And Troy was burned with fire and Hector died.
For even Hector’s dreadful day was more
Than all his breathing courage dared defend
The armouréd light and bulwark of the war
Trailed his great story to the accustomed end.
He was the city’s buttress, Priam’s Son,
The Soldier born in bivouac praises great
And horns in double front of battle won.
Yet down he went: when unremembering fate
Felled him at last with all his armour on.
Hector: the horseman: in the Scæan Gate.

XXIX

The world’s a stage. The light is in one’s eyes.
The Auditorium is extremely dark.
The more dishonest get the larger rise;
The more offensive make the greater mark.
The women on it prosper by their shape,
Some few by their vivacity. The men,
By tailoring in breeches and in cape.
The world’s a stage—I say it once again.
The scenery is very much the best
Of what the wretched drama has to show,
Also the prompter happens to be dumb.
We drink behind the scenes and pass a jest
On all our folly; then, before we go
Loud cries for “Author” ... but he doesn’t come.

XXX

The world’s a stage—and I’m the Super man,
And no one seems responsible for salary.
I roar my part as loudly as I can
And all I mouth I mouth it to the gallery.
I haven’t got another rhyme in “alery”
It would have made a better job, no doubt
If I had left attempt at Rhyming out,
Like Alfred Tennyson adapting Malory.
The world’s a stage, the company of which
Has very little talent and less reading:
But many a waddling heathen painted bitch
And many a standing cad of gutter breeding.
We sweat to learn our book: for all our pains
We pass. The Chucker-out alone remains.

XXXI

The world’s a stage. The trifling entrance fee
Is paid (by proxy) to the registrar.
The Orchestra is very loud and free
But plays no music in particular.
They do not print a programme, that I know.
The caste is large. There isn’t any plot.
The acting of the piece is far below
The very worst of modernistic rot.
The only part about it I enjoy
Is what was called in English the Foyay.
There will I stand apart awhile and toy
With thought, and set my cigarette alight;
And then—without returning to the play—
On with my coat and out into the night.

II

LYRICAL, DIDACTIC AND GROTESQUE

TO DIVES

Dives, when you and I go down to Hell,
Where scribblers end and millionaires as well,
We shall be carrying on our separate backs
Two very large but very different packs;
And as you stagger under yours, my friend,
Down the dull shore where all our journeys end,
And go before me (as your rank demands)
Towards the infinite flat underlands,
And that dear river of forgetfulness—
Charon, a man of exquisite address
(For, as your wife’s progenitors could tell,
They’re very strict on etiquette in Hell),
Will, since you are a lord, observe, “My lord,
We cannot take these weighty things aboard!”
Then down they go, my wretched Dives, down—
The fifteen sorts of boots you kept for town,
The hat to meet the Devil in; the plain
But costly ties; the cases of champagne;
The solid watch, and seal, and chain, and charm;
The working model of a Burning Farm
(To give the little Belials); all the three
Biscuits for Cerberus; the guarantee
From Lambeth that the Rich can never burn,

And even promising a safe return;
The admirable overcoat, designed
To cross Cocytus—very warmly lined:
Sweet Dives, you will leave them all behind
And enter Hell as tattered and as bare
As was your father when he took the air
Behind a barrow-load in Leicester Square.
Then turned to me, and noting one that brings
With careless step a mist of shadowy things:
Laughter and memories, and a few regrets,
Some honour, and a quantity of debts,
A doubt or two of sorts, a trust in God,
And (what will seem to you extremely odd)
His father’s granfer’s father’s father’s name,
Unspoilt, untitled, even spelt the same;
Charon, who twenty thousand times before
Has ferried Poets to the ulterior shore,
Will estimate the weight I bear, and cry—
“Comrade!” (He has himself been known to try
His hand at Latin and Italian verse,
Much in the style of Virgil—only worse)
“We let such vain imaginaries pass!”
Then tell me, Dives, which will look the ass—
You, or myself? Or Charon? Who can tell?
They order things so damnably in Hell.

STANZAS WRITTEN ON BATTERSEA BRIDGE DURING A SOUTH-WESTERLY GALE

The woods and downs have caught the mid-December,
The noisy woods and high sea-downs of home;
The wind has found me and I do remember
The strong scent of the foam.
Woods, darlings of my wandering feet, another
Possesses you, another treads the Down;
The South West Wind that was my elder brother
Has come to me in town.
The wind is shouting from the hills of morning,
I do remember and I will not stay.
I’ll take the Hampton road without a warning
And get me clean away.
The Channel is up, the little seas are leaping,
The tide is making over Arun Bar;
And there’s my boat, where all the rest are sleeping
And my companions are.
I’ll board her, and apparel her, and I’ll mount her,
My boat, that was the strongest friend to me

That brought my boyhood to its first encounter
And taught me the wide sea.
Now shall I drive her, roaring hard a’ weather,
Right for the salt and leave them all behind;
We’ll quite forget the treacherous streets together
And find—or shall we find?
There is no Pilotry my soul relies on
Whereby to catch beneath my bended hand,
Faint and beloved along the extreme horizon
That unforgotten land.
We shall not round the granite piers and paven
To lie to wharves we know with canvas furled.
My little Boat, we shall not make the haven—
It is not of the world.
Somewhere of English forelands grandly guarded
It stands, but not for exiles, marked and clean;
Oh! not for us. A mist has risen and marred it:—
My youth lies in between.
So in this snare that holds me and appals me,
Where honour hardly lives nor loves remain,
The Sea compels me and my County calls me,
But stronger things restrain.
. . . . . .

England, to me that never have malingered,
Nor spoken falsely, nor your flattery used,
Nor even in my rightful garden lingered:—
What have you not refused?

THE SOUTH COUNTRY

When I am living in the Midlands
That are sodden and unkind,
I light my lamp in the evening:
My work is left behind;
And the great hills of the South Country
Come back into my mind.
The great hills of the South Country
They stand along the sea;
And it’s there walking in the high woods
That I could wish to be,
And the men that were boys when I was a boy
Walking along with me.
The men that live in North England
I saw them for a day:
Their hearts are set upon the waste fells,
Their skies are fast and grey;
From their castle-walls a man may see
The mountains far away.
The men that live in West England
They see the Severn strong,

A-rolling on rough water brown
Light aspen leaves along.
They have the secret of the Rocks,
And the oldest kind of song.
But the men that live in the South Country
Are the kindest and most wise,
They get their laughter from the loud surf,
And the faith in their happy eyes
Comes surely from our Sister the Spring
When over the sea she flies;
The violets suddenly bloom at her feet,
She blesses us with surprise.
I never get between the pines
But I smell the Sussex air;
Nor I never come on a belt of sand
But my home is there.
And along the sky the line of the Downs
So noble and so bare.
A lost thing could I never find,
Nor a broken thing mend:
And I fear I shall be all alone
When I get towards the end.
Who will there be to comfort me
Or who will be my friend?
I will gather and carefully make my friends
Of the men of the Sussex Weald,
They watch the stars from silent folds,
They stiffly plough the field.
By them and the God of the South Country
My poor soul shall be healed.
If I ever become a rich man,
Or if ever I grow to be old,
I will build a house with deep thatch
To shelter me from the cold,
And there shall the Sussex songs be sung
And the story of Sussex told.
I will hold my house in the high wood
Within a walk of the sea,
And the men that were boys when I was a boy
Shall sit and drink with me.

THE FANATIC

Last night in Compton Street, Soho,
A man whom many of you know
Gave up the ghost at half past nine.
That evening he had been to dine
At Gressington’s—an act unwise,
But not the cause of his demise.
The doctors all agree that he
Was touched with cardiac atrophy
Accelerated (more or less)
By lack of proper food, distress,
Uncleanliness, and loss of sleep.
He was a man that could not keep
His money (when he had the same)
Because of creditors who came
And took it from him; and he gave
So freely that he could not save.
But all the while a sort of whim
Persistently remained with him,
Half admirable, half absurd:
To keep his word, to keep his word....
By which he did not mean what you
And I would mean (of payments due
Or punctual rental of the Flat

He was a deal too mad for that)
But—as he put it with a fine
Abandon, foolish or divine—
But “That great word which every man
Gave God before his life began.”
It was a sacred word, he said,
Which comforted the pathless dead
And made God smile when it was shown
Unforfeited, before the Throne.
And this (he said) he meant to hold
In spite of debt, and hate, and cold;
And this (he said) he meant to show
As passport to the Wards below.
He boasted of it and gave praise
To his own self through all his days.
He wrote a record to preserve
How steadfastly he did not swerve
From keeping it; how stiff he stood
Its guardian, and maintained it good.
He had two witnesses to swear
He kept it once in Berkeley Square.
(Where hardly anything survives)
And, through the loneliest of lives
He kept it clean, he kept it still,
Down to the last extremes of ill.
So when he died, of many friends
Who came in crowds from all the ends
Of London, that it might be known
They knew the man who died alone,
Some, who had thought his mood sublime
And sent him soup from time to time,
Said, “Well, you cannot make them fit
The world, and there’s an end of it!”
But others, wondering at him, said:
“The man that kept his word is dead!”
Then angrily, a certain third
Cried, “Gentlemen, he kept his word.
And as a man whom beasts surround
Tumultuous, on a little mound
Stands Archer, for one dreadful hour,
Because a Man is born to Power—
And still, to daunt the pack below,
Twangs the clear purpose of his bow,
Till overwhelmed he dares to fall:
So stood this bulwark of us all.
He kept his word as none but he
Could keep it, and as did not we.
And round him as he kept his word
To-day’s diseased and faithless herd,
A moment loud, a moment strong,
But foul forever, rolled along.”

THE EARLY MORNING

OUR LORD AND OUR LADY

COURTESY

THE NIGHT

THE LEADER

The sword fell down: I heard a knell;
I thought that ease was best,
And sullen men that buy and sell
Were host: and I was guest.
All unashamed I sat with swine,
We shook the dice for war,
The night was drunk with an evil wine—
But she went on before.
She rode a steed of the sea-foam breed,
All faery was her blade,
And the armour on her tender limbs
Was of the moonshine made.
By God that sends the master-maids,
I know not whence she came,
But the sword she bore to save the soul
Went up like an altar flame
Where a broken race in a desert place
Call on the Holy Name.
We strained our eyes in the dim day-rise,
We could not see them plain;

But two dead men from Valmy fen
Rode at her bridle-rein.
I hear them all, my fathers call,
I see them how they ride,
And where had been that rout obscene
Was an army straight with pride.
A hundred thousand marching men,
Of squadrons twenty score,
And after them all the guns, the guns,
But she went on before.
Her face was like a king’s command
When all the swords are drawn.
She stretched her arms and smiled at us,
Her head was higher than the hills.
She led us to the endless plains.
We lost her in the dawn.

A BIVOUAC

I

You came without a human sound,
You came and brought my soul to me;
I only woke, and all around
They slumbered on the firelit ground,
Beside the guns in Burgundy.

II

I felt the gesture of your hands,
You signed my forehead with the Cross;
The gesture of your holy hands
Was bounteous—like the misty lands
Along the Hills in Calvados.

III

TO THE BALLIOL MEN STILL IN AFRICA

Years ago when I was at Balliol,
Balliol men—and I was one—
Swam together in winter rivers,
Wrestled together under the sun.
And still in the heart of us, Balliol, Balliol,
Loved already, but hardly known,
Welded us each of us into the others:
Called a levy and chose her own.
Here is a House that armours a man
With the eyes of a boy and the heart of a ranger,
And a laughing way in the teeth of the world
And a holy hunger and thirst for danger:
Balliol made me, Balliol fed me,
Whatever I had she gave me again:
And the best of Balliol loved and led me.
God be with you, Balliol men.
I have said it before, and I say it again,
There was treason done, and a false word spoken,
And England under the dregs of men,
And bribes about, and a treaty broken:

But angry, lonely, hating it still,
I wished to be there in spite of the wrong.
My heart was heavy for Cumnor Hill
And the hammer of galloping all day long.
Galloping outward into the weather,
Hands a-ready and battle in all:
Words together and wine together
And song together in Balliol Hall.
Rare and single! Noble and few!...
Oh! they have wasted you over the sea!
The only brothers ever I knew,
The men that laughed and quarrelled with me.
. . . . . .
Balliol made me, Balliol fed me,
Whatever I had she gave me again;
And the best of Balliol loved and led me,
God be with you, Balliol men.

VERSES TO A LORD WHO, IN THE HOUSE OF LORDS, SAID THAT THOSE WHO OPPOSED THE SOUTH AFRICAN ADVENTURE CONFUSED SOLDIERS WITH MONEY-GRUBBERS

You thought because we held, my lord,
An ancient cause and strong,
That therefore we maligned the sword:
My lord, you did us wrong.
We also know the sacred height
Up on Tugela side,
Where those three hundred fought with Beit
And fair young Wernher died.
The daybreak on the failing force,
The final sabres drawn:
Tall Goltman, silent on his horse,
Superb against the dawn.
The little mound where Eckstein stood
And gallant Albu fell,
And Oppenheim, half blind with blood
Went fording through the rising flood—
My Lord, we know them well.
The little empty homes forlorn,
The ruined synagogues that mourn,
In Frankfort and Berlin;
We knew them when the peace was torn—
We of a nobler lineage born—
And now by all the gods of scorn
We mean to rub them in.

THE REBEL