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Sonnets and Verse

Chapter 98: III
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About This Book

This collection gathers sonnets and shorter poems that move between meditative lyric and satiric commentary, exploring mortality, sleep, season and landscape, religious and moral questions, and social injustice. Many pieces use tightly controlled sonnet form to reflect on death, memory, and the passage of time, while other lyrics adopt a more direct or grotesque tone to mock social pretensions and public life. Classical and biblical allusions appear alongside vivid rural and urban scenes, producing a varied sequence that balances philosophical reflection, moral urgency, and occasional biting humor.

Steep are the seas and savaging and cold
In broken waters terrible to try;
And vast against the winter night the wold,
And harbourless for any sail to lie.
But you shall lead me to the lights, and I
Shall hymn you in a harbour story told.
This is the faith that I have held and hold,
And this is that in which I mean to die.

III

Help of the half-defeated, House of gold,
Shrine of the Sword, and Tower of Ivory;
Splendour apart, supreme and aureoled,
The Battler’s vision and the World’s reply.
You shall restore me, O my last Ally,
To vengeance and the glories of the bold.
This is the faith that I have held and hold,
And this is that in which I mean to die.

Envoi

Prince of the degradations, bought and sold,
These verses, written in your crumbling sty,
Proclaim the faith that I have held and hold
And publish that in which I mean to die.

BALLADE OF HELL AND OF MRS ROEBECK

I

I’m going out to dine at Gray’s
With Bertie Morden, Charles and Kit,
And Manderly who never pays,
And Jane who wins in spite of it,
And Algernon who won’t admit
The truth about his curious hair
And teeth that very nearly fit:—
And Mrs Roebeck will be there.

II

III

And so through each declining phase
Of emptied effort, jaded wit,
And day by day of London days
Obscurely, more obscurely, lit;
Until the uncertain shadows flit
Announcing to the shuddering air
A Darkening, and the end of it:—
And Mrs Roebeck will be there.

Envoi

Prince, on their iron thrones they sit,
Impassible to our despair,
The dreadful Guardians of the Pit:—
And Mrs Roebeck will be there.

BALLADE OF UNSUCCESSFUL MEN

I

The cause of all the poor in ’93:
The cause of all the world at Waterloo:
The shouts of what was terrible and free
Behind the guns of Vengeance and her crew:
The Maid that rode so straightly and so true
And broke the line to pieces in her pride—
They had to chuck it up; it wouldn’t do;
The Devil didn’t like them, and they died.

II

III

You, the strong sons of anger and the sea,
What darkness on the wings of battle flew?
Then the great dead made answer: “Also we
With Nelson found oblivion: Nelson, who
When cheering out of port in spirit grew
To be one purpose with the wind and tide—
Our nameless hulks are sunk and rotted through:
The Devil didn’t like us and we died.”

Envoi

Prince, may I venture (since it’s only you)
To speak discreetly of The Crucified?
He was extremely unsuccessful too:
The Devil didn’t like Him, and He died.

BALLADE OF THE HERESIARCHS

I

John Calvin whose peculiar fad
It was to call God murderous,
Which further led that feverish cad
To burn alive the Servetus.
The horrible Bohemian Huss,
The tedious Wycliffe, where are they?
But where is old Nestorius?
The wind has blown them all away.

II

III

Of Smith the gallant Mormon lad
That took of wives an over-plus:
Johanna Southcott who was mad
And nasty Nietzsche, who was worse.
Of Tolstoy, the Eccentric Russ,
Our strong Posterity shall say:
“Lord Jesus! What are these to us?
The wind has blown them all away!”

Envoi

Prince, should you meet upon a bus
A man who makes a great display
Of Dr Haeckel, argue thus:—
The wind has blown them all away.

V

EPIGRAMS

I

On His Books

When I am dead, I hope it may be said:
“His sins were scarlet, but his books were read.”

II

On Noman, a Guest

Dear Mr Noman, does it ever strike you,
The more we see of you, the less we like you?

III

A Trinity

Of three in One and One in three
My narrow mind would doubting be
Till Beauty, Grace and Kindness met
And all at once were Juliet

IV

On Torture, a Public Singer

Torture will give a dozen pence or more
To keep a drab from bawling at his door.
The public taste is quite a different thing—
Torture is positively paid to sing.

V

On Paunch, a Parasite

Paunch talks against good liquor to excess,
And then about his raving Patroness;
And then he talks about himself. And then
We turn the conversation on to men.

VI

On Hygiene

Of old when folk lay sick and sorely tried
The doctors gave them physic, and they died.
But here’s a happier age: for now we know
Both how to make men sick and keep them so.

VII

On Lady Poltagrue, a Public Peril

The Devil, having nothing else to do,
Went off to tempt My Lady Poltagrue.
My Lady, tempted by a private whim,
To his extreme annoyance, tempted him.

VIII

The Mirror

The mirror held your fair, my Fair,
A fickle moment’s space.
You looked into mine eyes, and there
For ever fixed your face.
Keep rather to your looking-glass
Than my more faithful eyes:
It told the truth—Alas! my lass,
My constant memory lies.

IX

The Elm

This is the place where Dorothea smiled.
I did not know the reason, nor did she.
But there she stood, and turned, and smiled at me:
A sudden glory had bewitched the child.
The corn at harvest, and a single tree.
This is the place where Dorothea smiled.

X

The Telephone

To-night in million-voicèd London I
Was lonely as the million-pointed sky
Until your single voice. Ah! So the Sun
Peoples all heaven, although he be but one.

XI

The Statue

When we are dead, some Hunting-boy will pass
And find a stone half-hidden in tall grass
And grey with age: but having seen that stone
(Which was your image), ride more slowly on.

XII

Epitaph on the Favourite Dog of a Politician

Here lies a Dog: may every Dog that dies
Lie in security—as this Dog lies.

XIII

Epitaph on the Politician Himself

Here richly, with ridiculous display,
The Politician’s corpse was laid away.
While all of his acquaintance sneered and slanged
I wept: for I had longed to see him hanged.

XIV

Another on the Same

This, the last ornament among the peers,
Bribed, bullied, swindled and blackmailed for years:
But Death’s what even Politicians fail
To bribe or swindle, bully or blackmail.

XV

On Mundane Acquaintances

Good morning, Algernon: Good morning, Percy.
Good morning, Mrs Roebeck. Christ have mercy!

XVI

On a Rose for Her Bosom

Go, lovely rose, and tell the lovelier fair
That he which loved her most was never there.

XVII

On the Little God

Of all the gods that gave me all their glories
To-day there deigns to walk with me but one.
I lead him by the hand and tell him stories.
It is the Queen of Cyprus’ little son.

XVIII

On a Prophet

Of old ’twas Samuel sought the Lord: to-day
The Lord runs after Samuel—so they say.

XIX

On a Dead Hostess

Of this bad world the loveliest and the best
Has smiled and said “Good Night,” and gone to rest.

XX

On a Great Election

The accursèd power which stands on Privilege
(And goes with Women, and Champagne and Bridge)
Broke—and Democracy resumed her reign:
(Which goes with Bridge, and Women and Champagne).

XXI

On a Mistaken Mariner

He whistled thrice to pass the Morning Star,
Thinking that near which was so very far.
So I, whenas I meet my Dearest Dear,
Still think that far which is so very near.

XXII

On a Sleeping Friend

Lady, when your lovely head
Droops to sink among the Dead,
And the quiet places keep
You that so divinely sleep;
Then the dead shall blessèd be
With a new solemnity,
For such Beauty, so descending,
Pledges them that Death is ending.
Sleep your fill—but when you wake
Dawn shall over Lethe break.

XXIII

Fatigued

I’m tired of Love: I’m still more tired of Rhyme.
But Money gives me pleasure all the time.

XXIV

On Benicia, who Wished Him Well

Benicia wished me well; I wished her well.
And what I wished her more I may not tell.

XXV

The False Heart

I said to Heart, “How goes it?” Heart replied:
“Right as a Ribstone Pippin!” But it lied.

XXVI

Partly from the Greek

She would be as the stars in your sight
That turn in the endless hollow;
That tremble, and always follow
The quiet wheels of the Night.

VI

THE BALLAD OF VAL-ÈS-DUNES

THE VICTORY OF WILLIAM THE CONQUEROR IN HIS YOUTH OVER THE REBELS AT VAL-ÈS-DUNES IN THE YEAR 1047

[This piece of verse is grossly unhistorical. Val-ès-Dunes is not on the sea but inland. No Norman blazoned a shield or a church window in the middle eleventh century, still less would he frame one in silver, and I doubt gilt spurs. It was not the young Bastard of Falaise, but the men of the King in Paris that really won the battle. There was nothing Scandinavian left in Normandy, and whatever there had been five generations before was slight. The Colentin had no more Scandinavian blood than the rest. There is no such place as Longuevaile. There is a Hauteville, but it has no bay and had nothing to do with the Harcourts, and the Harcourts were not of Bloodroyal—and so forth.]

I

The men that lived in Longuevaile
Came out to fight by bands.
They jangled all in welded mail,
Their shields were rimmed of silver pale
And blazoned like a church-vitrail:
Their swords were in their hands.
But the harsh raven of the Old Gods
Was on the rank sea-sands.
There rose a wind on heath and den:
The sky went racing grey.
The Bastard and his wall of men
Were a charger’s course away.

II

The Old Gods of the Northern Hall
Are in their narrow room.
Their thrones are flanked of spearmen tall,
The three that have them in their thrall,
Sit silently before them all,
They weave upon their loom;
And round about them as they weave
The Scalds sing doom.

III

The Bastard out of Normandy
Was angry for his wrong.
His eyes were virginal to see,
For nothing in his heart had he
But a hunger for his great degree;
And his back was broad and strong
As are the oxen of the field,
That pull the ploughs along.

IV

He saw that column of cavalry wheel,
Split outward, and deploy.
He heard, he heard the Oliphant peal.
He crooked an angry knee to feel
The scabbard against his gilded heel.
He had great joy:
And he stood upright in the stirrup steel.
Because he was a boy.
. . . . . .
We faced their ordering, all the force,
And there was little sound;
But Haribert-Le-Marshall’s horse
Pawed heavily the ground.

V

As the broad ships out of Barbary
Come driving from the large,
With yards a-bend and courses free,
And tumbling down their decks a-lee,
The hurrahing of the exultant sea,
So drave they to the charge.
But the harsh raven of the Old Gods
Was on the rank sea-marge.

VI

The Old Gods of the Northern Hall
Are crownéd for the tomb.
Their biers are flanked of torches tall,
And through the flames that leap and fall
There comes a droning and a call
To the night’s womb,
As the tide beneath a castle wall
Goes drumming through the gloom.

VII

They tonsured me but Easter year,
I swore to Christ and Rome.
My name is not mine older name....
But ah! to see them as they came,
With thundering and with points aflame,
I smelt foam.
And my heart was like a wandering man’s,
Who piles his boat on Moorna sands
And serves a slave in alien lands,
And then beneath a harper’s hands
Hears suddenly of home.
. . . . . .
For their cavalry came in a curling leaf,
They shouted as they drave,
And the Bastard’s line was like a reef
But theirs was like a wave.

VIII

As the broad ships out of Barbary
Strike rock.
And the stem shatters, and the sail flaps;
Streaming seaward; and the taut shroud snaps,
And the block
Clatters to the deck of the wreck.
So did the men of Longuevaile
Take the shock.

IX

Our long line quivered but it did not break,
It countered and was strong.
The first bolt went through the wind with a wail,
And another and a-many with a thudding on the mail;
Pattered all the arrows in an April hail;
Whistled the ball and thong:
And I, the priest, with that began
The singing of my song.

X

Press inward, inward, Normandy;
Press inward, Cleres and Vaux;
Press inward, Mons and Valery;
Press inward, Yvetot.
Stand hard the men of the Beechen Ford
(Oh! William of Falaise, my lord!)
Battle is a net and a struggle in a cord.
Battle is a wrestler’s throw.
The middle holding as the wings made good,
The far wings closing as the centre stood.
Battle is a mist and battle is a wood,
And battle is won so.

XI

The fishermen fish in the River of Seine,
They haul the long nets in.
They haul them in and they haul again,
(The fishermen fish in the River of Seine)
They haul them in and they haul again,
A million glittering fin:
With the hauling in of our straining ends
That Victory did begin.

XII

The tall son of the Seven Winds
Galloped hot-foot from the Hither Hithe.
So strongly went he down the press,
Almost he did that day redress
With his holping and his hardiness,
For his sword was like a scythe
In Arques when the grass is high,
And all the swaithes in order lie,
And there’s the bailiff standing by—
A gathering of the tithe.

XIII

And now, go forward, Normandy,
Go forward all in one.
The press was caught and trampled and it broke
From the sword and its swinger and the axe’s stroke,
Pouring through the gap in a whirl of smoke
As a blinded herd will run.
And so fled many and a very few
With mounts all spent would staggering pursue,
But the race fell scattered as the evening grew:
The battle was over and done.
. . . . . .
Like birds against the reddening day
They dwindled one by one,
And I heard a trumpet far away
At the setting of the sun.
. . . . . .

XIV

The stars were in the Eternal Sky,
It was calm in Massared;
Richard, Abbot of Leclair, and I
And a Picard Priest that held on high
A Torch above his head;
We stumbled through the darkening land
Assoiling with anointed hand
The dying and the dead.

XV

How many in the tufted grass,
How many dead there lay.
For there was found the Fortenbras
And young Garain of Hault, alas!
And the Wardens of the Breton pass
Who were lords of his array,
And Hugh that trusted in his glass
But came not home the day.

XVI

I saw the miller of Martindall,
I saw that archer die.
The blunt quarrel caught him at the low white wall,
And he tossed up his arrow to the Lord God of all,
But long before the first could fall
His soul was in the sky.

XVII

The last of all the lords that sprang
From Harcourt of the Crown,
He parried with the shield and the silver rang,
But the axe fell heavy on the helm with a clang
And the girths parted and the saddle swang,
And he went down:
He never more sang winter songs
In his high town.

XVIII

In his high town that Faëry is,
And stands on Harcourt bay,
The fisher surging through the night
Takes bearing by that castle height,
And moors him harboured in the bight,
And watches for the day.
But with the broadening of the light,
It vanishes away.

XIX

In his high town that Faëry is,
And stands on Harcourt Lea.
To summon him up his arrier-ban,
His writ beyond the mountains ran;
My father was his serving man,
Although the farm was free.
Before the angry wars began
He was a friend to me.

XX

The night before the boy was born
There came a Priest who said
That he had seen red Aldeborn,
The star of hate in Taurus’ horn,
Which glared above a field of corn,
And covered him with dread.
I wish to God I had not held
The cloth in which he bled.
. . . . . .

XXI

The Horse from Cleres and Valery,
The foot from Yvetot,
And all the men of the Harbour Towns
That live by fall and flow.
And all the men of the Beechen Ford
—Oh! William of Falaise, my lord!—
And all the sails in Michael’s ward,
And all the shields of Caux,
Shall follow you out across the world,
With sword and lance and bow,
To Beachy and to Pevensey Bar,
To Chester through the snow,
With sack and pack and camping tent,
A-grumbling as they go:
My lord is William of Falaise.
Haro!

FOOTNOTES:

[A]

But do not think I shall explain
To any great extent. Believe me,
I partly write to give you pain,
And if you do not like me, leave me.

[B]

And least of all can you complain,
Reviewers, whose unholy trade is,
To puff with all your might and main
Biographers of single ladies.

[C] Never mind.

[D]

The plan forgot (I know not how,
Perhaps the Refectory filled it),
To put a chapel in; and now
We’re mortgaging the rest to build it.

[E] To be pronounced as a monosyllable in the Imperial fashion.

[F] Mr Punt, Mr Howl, and Mr Grewcock (now, alas, deceased).

[G] A neat rendering of “Sublimi feriam sidera vertice.”

[H] To the Examiners: These facts (of which I guarantee the accuracy) were given me by a Director.

[I] A reminiscence of Milton: “Fas est et ab hoste docere.”

[J] Lambkin told me he regretted this line, which was for the sake of Rhyme. He would willingly have replaced it, but to his last day could construct no substitute.