WeRead Powered by ReaderPub
Sonnets from a prison camp cover

Sonnets from a prison camp

Chapter 36: II
Open in WeRead

About This Book

A sequence of sonnets composed by a soldier in enemy captivity during the First World War, recording frontline violence, the suddenness of bombardment, marches and captures, the strain of waiting and the loss of comrades, and the solace found in memory and poetic labour. Many poems juxtapose immediate scenes—exploding shrapnel, crowded billets, marches, and internment camps—with reveries of homeland landscapes and classical or moral reflections. Sections move between field incidents, the nadir of imprisonment, thoughts of home and influences, and short epigrams or maxims, showing how verse acted as a mental bulwark against despair while exploring themes of fate, endurance, and the persistence of inner freedom.

II

Two silent influences mainly move
The captive’s mind, not wholly sunk in sloth,
Nor lost in carnal craving—dangers both
That to the core the sterling manhood prove.
One is the sense of shrinkage, of the groove
In which the soul enshuttled—O how loth!—
Feels stoppage of life’s pulse, arrested growth,
Heart-sickness which no medicine can remove.
The other wakens when departing night
Throws up the windows of the spacious morn
Upon a new day pulsing with new light;
And from the hill the hunter with his horn
Sends down imagined valleys strains that smite
The spirit with the sense of something born.

Rastatt, 7th May