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Sonnets from a prison camp

Chapter 88: II
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About This Book

A sequence of sonnets composed by a soldier in enemy captivity during the First World War, recording frontline violence, the suddenness of bombardment, marches and captures, the strain of waiting and the loss of comrades, and the solace found in memory and poetic labour. Many poems juxtapose immediate scenes—exploding shrapnel, crowded billets, marches, and internment camps—with reveries of homeland landscapes and classical or moral reflections. Sections move between field incidents, the nadir of imprisonment, thoughts of home and influences, and short epigrams or maxims, showing how verse acted as a mental bulwark against despair while exploring themes of fate, endurance, and the persistence of inner freedom.

II

There comes to me a memorable thought
Borne on that voice, which like some wandering gleam
Brings freshness into Hegel’s well-worn theme
From Naples lately, Croce, he who taught
That Art’s true nature is not to be sought
In what is fitted only to redeem
By strict initiation souls who dream
Of beauty in some crafty pattern wrought,
But in the apt Expression, wheresoe’er
Expression apt is found, the Inward still
Externalizing till the soul declare
The thing within it, and divinely fill
With sound or sign the habitable air—
A language universal as man’s will.

Hesepe, 18th June