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Sorrow of War: Poems

Chapter 71: THE SHEPHERD
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About This Book

A collection of lyric and occasional longer poems composed during wartime that examines the grief and disruption of conflict through vivid battlefield and home-front imagery. The pieces juxtapose trench and battlefield scenes, wounded and dying soldiers, and urban streets with moments of nature, shifting between elegy, irony, and reflective lyric. Recurring concerns include mortality, the poet's vocation in wartime, memory and mourning, and the transformative forces of change. Short dramatic vignettes and meditative lyrics combine to chronicle loss, endurance, and altered identity, moving from immediate wartime experience toward broader reflections on beauty, faith, and renewal.

FIRES OF CHANGE

Think you that Athens and Jerusalem
Rot in the places where they builded them?
This is the Temple, this the Parthenon
The priests of old days laid their hands upon?
No more a stream sends the same waters twice
Along its channels to sea-sacrifice.
Not God Himself shall bid Time stand to lock
The midmost atom in the mightiest rock.
Still the most secret atom shall be hurled
Into the riotous wind-ways of the world.
Still, the most ancient town, up wrenched, shall float
Freer than flame and light as a bird's note.
Still shall the crumbling globe itself be spun
Into fresh ethers conquered by the sun.

So, even so, my soul shall wear no more
The countless shapes my soul endued of yore.
Yea, the stout granite of my soul shall range
Molten across the blasting fires of change.
Not this am I you saw an hour ago.
Me fluid as thought your science shall not know.
Hourly my conquering spirit digs and delves
A grave to hold a hundred slaughtered selves.
Hourly through cowering moons and stellar dins,
I stride across buried virtues and slain sins.




POETRY

A star that was mute
    Was heard to sing.
    A flower took wing,
A bird took root.

The Right is a Wrong,
    The Wrong is a Right.
    I fought with the Night,
I sang you a song.

I slaughtered Time,
    For the path I trod
    To the feet of God
Was the road of a rhyme.

A flower took wing,
    A bird took root.
    A star that was mute
Was heard to sing.




THE PRISONER

If you have not a bird inside you,
    You have no reason to sing.
But if a pent bird chide you,
    A beak and a bleeding wing,
    Then you have reason to sing.

If merely you are clever
    With thoughts and rhymes and words,
Then always your poems sever
    The veins of our singing-birds,
    With blades of glinting words.

Yet if a Song, without ending,
    Inside you choke for breath,
And a beak, devouring, rending,
    Tear through your lungs for breath,
    Sing—or you bleed to death.




NERVES

You are like an ebony sea with derelict ships,
    Cold as my lover is cold;
Until Beauty rises like the moon and whips
    You into shivering gold.

You are like a tree-top at the bleak last hour
    When birds to the tombs belong;
Until Beauty blows like the dawn, and you flower
    Into buds of innumerable song.

You are like a virginal and a most pale
    Girl in a secret mead;
Until Beauty, like the indomitable Male,
    Enflames you with innermost seed.

You are like a corpse with worms in the holes of the head,
    Between a board and a board;
Until Beauty shouts like the Trump that convulses the dead,
    And you enter the House of the Lord.




A POET

He has a voice so exquisite
    You can hardly hear it at all:
Tragedy's there and there is wit,
    Both faint as a leaf's fall.

His feet pass hardly like human feet,
    Five-toed and leathern-shod,
But more with the sound of bended wheat,
    Swayed by the skirts of God.

His eyes are a wistful and grey sea,
    Till a song stir his blood.
Then are they flowers that suddenly
    Open from the pent bud.

But when at the shutting of the day,
    He sings faint songs for me,
Then is it very hard to say
    If the wind sings or he.




FOR MY FRIEND

(F. V. B.)

Go forth and conquer with the wind for a sword,
            O scorching might;
Go forth and blaze through the jungles of night,
Lead in the tameless stars with a cord;
            Go forth, Lover of Right!

Make moons thy pebbles and suns thy coins,
            And thy language light.
Fill highest space with thy depth and height;
Gather the nebulæ round thy loins;
            Go forth and fight!

Go forth and conquer—return, return,
            When the hawthorn's white.
Encompass the void; then turn and learn
The veins of the grass and the bee's delight;
            Return, Lover of Right!




"I SHALL BE SPLENDIDLY AND TENSELY YOUNG"

I shall be splendidly and tensely young,
        While yet my limbs are mine.
        Each of them shall be strung
        As a bowstring by an archer
        With fingers strict and fine.

I shall be splendidly and tensely young,
        My heart being whole, my brain
        Keen as a hawk's flight flung
        Against my victim seen securely
        From my austere Inane.

        But when my limbs no more are mine,
        My feet to walk, my hands to hold,
I shall be most supremely young.
        Then shall my flawless songs be sung,
        My brow be sealed with a proud sign:
        When I am deaf and blind and fleshless,
I shall be most supremely young,
                        When I am old.




"I"

I shall slough my self as a snake its skin,
My white spots of virtue, my black spots of sin.
I shall abandon my sex, my brain,
My scheming for pleasure, escaping from pain.
I shall dig roots deep down and be
A weed or a reed, a flower, a tree.
I shall lose body and miry feet,
Float with the clouds and sway with the wheat.
I am a fool and foolisher than
Anything else that is not a man.
For of all the things that I see or feel,
The I-that-is-I is far the least real.
And only when I shall learn at the last
That a stream-bed pebble is far more vast
In the scale of Mind and its secret schemes
Than all my passion and blunders and dreams;
Then only that I that shall not be I
Shall play due part beneath sun and sky,
Ranked below sparrow, just above sod,
I shall take my place in the Self of God.




I KNOW NOT WHENCE MY POEMS COME

I know not why nor whence you come,
    My poems. Only this I know.
You fall like petals failing down
Upon the dustbins of a town.
    You fall like flakes of doubtful snow.
    Like fairy flutes your musics flow.
You thunder like a madman's drum.

You falter on my worthless lips.
    You give me grapes to press for wine.
Unasked, you bring me balm and spice,
    You lead me into fields of kine,
    With tinted dreams and anodyne.
You freeze my flesh with flames of ice.
You scorch my shrieking soul with whips.




LYRRIA

Lyrria is an old country.
    Lost travellers tremble and call.
A very white, wan, weird country
    Where never came traveller at all.

I am an old, old poet.
    Lost poems tremble and call.
A very white, wan, weird poet
    Who never wrote poems at all.




FARINGDON FROM SALONICA

There's a far road off to Faringdon,
    Under the downs it goes;
Into the fine wood, the beech, the pine wood
    The dim road shadows and glows.

My cycle hums to Faringdon,
    Hums like a joyful bee,
Through dropping shy light of green tree twilight,
    Music of wind and tree.

Springtime, bluebells, Faringdon,
    And a cycle through all three;
Great shadow reaches of English beeches,
    Downs far down to the sea.

There's a far road down to Faringdon.
    There no more I ride.
The boys hear mostly a rider ghostly,
    The girls they run and hide.

But that's my ghost in Faringdon,
    All year cycling it goes.
Into the fine wood, the beech, the pine wood,
    The dim ghost shadows and glows.

Salonica, 1916




CALL OF THE PLOVER

(To Harry Owen)

The crying of the lonely plover
    From the morning cloud!
Do the wings and clouds still hover
    Where my heart sang loud?

O the valley and the stream there.
    Where we shouted, being young!
Are there boys still dream a dream there,
    Are the boys' songs sung?

O the winds that once blew round us,
    O the sun! the rain!
Shall the ancient spells that bound us,
    Bind us ever again?

O a great Word then was spoken,
    Then was a boy's will clean and strong!
Is the boy's will broken
    That went straight along?

O our ageing ears are ringing
    With many sad things!
Shall we come again with singing
    Where the plover sings?

CLOUD END




THE GALLANT ROAD

(For my School—without permission)

Grant us, O Lord, to do the thing
    Clean men and boys have always done;
These works to do, these songs to sing,
    The gallant road to run.

Grant us, O Lord, that we go straight
    Along the path where shines the sun;
These things to love, these things to hate,
    The gallant road to run.

Grant us, O Lord, to win the fight
    That all the cleanly hearts have won,
Having sure feet, even at night
    The gallant road to run.

Grant us, O Lord, when Death enfold,
    That we take Death as half in fun;
Like men and boys that knew of old
    The gallant road to run.

1915




THE QUEST

"I have sought you," I said; "I have
        found you," I said, "in the pitch of your
        intimate midnight lair."
He drew back with a sob like the swish of a
        stick thro' the smarting air.

"I have moved like Death on deliberate
        feet thro' a thousand towns and a hundred lands.
Thinking you found, I have squeezed men's
        throats with pulsing, twitching, inquisitive hands.

"But the fire that waned in their blood-starred
        eyes was not the flame of the fire I sought,
And I went my way with the sword in my
        heart and the sword in my hand of passion
        and thought.

"My blood spurted over the boulders of far
        intolerant mountains of iron and ice,
But never in crevice or cave or chasm I found
        the flesh of my sacrifice.

"I burned with the wrath of a wind from hell
        thro' molten deserts panting and pent;
But ever my foeman fled me afar, the sinister
        goal of my intent.

"I have sought you," I said, "I have found
        you," I said; "we shall die together, for
        I am you."
The foam and fever oozed out of my forehead,
        with a dew like blood, with a blood like dew.

He wailed like a child that recoils from a
        shadow that moves with menace over his bed;
But I pierced my heart with the sword in my
        hand, and his body at last lay stretched
        and dead.




HAVING FINISHED "JUDE THE OBSCURE"

Such purposeless and iron wings
    Obscure our mortal music quite?
Such gloom to monstrous gloom outflings
    The stenches of a churchyard night?

We are no more for God or Sin
    Than parasites in rotting hair,
No different but only in
    The boundlessness of our despair?

Glories have sprung before our gaze
    From the wet wood the grey tide warps!
We have heard peals of music blaze
    Sheer from the cold heart of a corpse!




GHOST AND BODY

        I that am wiser than most,
        Have yielded the tract of my ghost
To a panting and flat-eyed ghost who gathers these useless things.
        In a country of seventeen moons,
        He sits in the sound of bassoons
Playing terrible stupid tunes to the first of the ghostial kings.

        He has gathered my ghost with the rest
        To plough it, or do what is best,
And doubtless he does it with zest in the country whereover
                he reigns.
        I am glad—for the thing was a pest;
        It lay at the roots of my chest,
And it darkened the East and the West and it plastered
                my eyes with stains.

        But heigh-ho! my arms and my feet
        Now are mine as I swing down the street,
And my heart for to storm and to beat whenever my body desires.
        My eyes will look when they please
        Down the drains or high to the trees.
My body is mine to freeze or shrivel with whitest fires!




GALLOP

My drunken head is a whirl of song,
    My heart is a drumstick beating time.
My pen goes swiftly galloping along
    The echoing roads of rhythm and rhyme.

The stars are dizzy, for they circle in a ring.
    Round about the Pole Star all hold hands.
The moon lifts her skirts up to do a giddy fling,
    The trees in the forest dance in big black bands.

The river is bounding from place to place,
    The fishes in the cold air rise and shine.
The parallel hedgerows are running in a race,
    For each of them and all of them are drunk with wine.

The grand old buildings, alas and woe is me!
    Sway about unsteadily from side to side.
The streets are moreover crooked things to see;
    There is no object anywhere will stand and bide.

The goblins are assembled in a mad-moon crowd
    Upon the hazy summit of the palpitating hill.
Let the things that have no voice shout out loud!
    Let them dance, the fickle things, and have their fill!

And if again they will not sub-subside,
    (For round-around-around ho! and dance shall we!)
The road of the rebel stars is cool and wide,
    The mad waves dance on the sea!

Then beat like thunder heart, then! round go head!
    The red stars swing in time.
For soon enough, the Lord knows, shall I be dead,
    And dead my rhythm and rhyme!

OXFORD




WE LADS WHO BARTER RHYMES

There's some be red of face, they be,
    Like jolly suns in harvest times,
And some be haggard men to see,
    Because of certain hidden crimes.
        But let us sing with one accord
        That we're the chosen of the Lord,
    We lads who barter rhymes.

There's some so tall and fair and free,
    Like policemen in their leisure times,
And some are like a wizened pea,
    Some worth no more than twenty dimes.
        But here's our sober view expressed,
        We're three times better than the best,
    We lads who barter rhymes.




WHO KNOWS ME?

Who knows me? None knows me.
I hobble on two blistered feet
Round the corner, down the street.
Now and then a child will cry,
Seeing a strange thing in my eye,
A Bogey Man, a Thing of Dread,
Stand from each eye in my head.
Now and then a baby 'll smile,
—But that's only once a while.
Boys of thirteen all throw stones
At my stiff and creaky bones.
Middle-aged people, fat and bright,
Shrug and sniff "It serves him right."
Round the corner, out of sight,
Down the Street, across the Night.

Who knows me? None knows me.
I am young and I am proud,
Strong as sun and pure as cloud.
All the five seas wash my veins
With stinging foam and swinging rains.
With the white stars I commune
In a silent spheric tune.
Who knows me? None knows me.
Only but a brown Bird,
Only but a little Child,
A little Child, a little Bird,
Only they know me.




JUDÆUS ERRANS

He hath no place to rest his head.
    O happy nations, weep indeed.
He is forlorn till he be dead.
    O pity him his wretched meed,
        His wounds that bleed.

There is no resting in his eyes,
    And he hath scars upon his feet.
He is a stranger to all skies.
    He walks sad-eyed along the street,
        And shadow-wise.

For with the dawn must he depart,
    And with the sunset make his way.
All day he bears an aching heart,
    All night his aching sorrows stay,
        Yea, night and day.

Then look a moment as he goes,
    A little sadly, in his eyes.
For there are written all the woes,
    And a surprise.
        For he is sadder than God knows.




COLD STARS

Cold night, cold with pointed stars
That swing like instant scimitars,
How you reproach with acid fire
The smoky lamps of our desire.

Cold stars, inexorably aloof,
That freeze from Vision's dizziest roof,
On these our human sins you brood
In pride of glacial rectitude.

Cold stars, come down and walk along
Our avenues of Sense and Song;
Take human shape one night and vex
Your bowels with the scourge of sex.

When you return at last to those
Cold skies from whence your travel rose,
Will you still stare with such disdain,
When you, cold stars, are stars again?




REACTIONARY

My heart's blood leaps high, O my Lady, in a
            fountain of restless aspiring.
That you should dangle within it the dissolute
            gold of your hair.
I have shattered the doors of my spirit that
            you might thereinto retiring
Reposefully lie on my pain and reflect that
            the morning is fair.

You may go to the devil, my Lady, yourself
            and the rest of your species!
I mean it, O desperate damsel, O Lady most
            anxious and coy!
I shall retire to my chamber to see that my
            clothes are in creases,
For I see by the tilt of your brow the minuteness
            of brain you enjoy.

You have set the clear bells of my spirit to
            crack in a dissonant jangle.
You are fair in your way, O my Lady, but rather
            oppressively sexed.
There is no such fatal mistake as a primitive
            facial angle.
Good-bye, O my dispossessed Lady, remember
            my name to the next.




LATE

I am very desolate.
I am afraid.
I am alone.
The shadows wait
Till I am laid
Beneath a stone.

I am very desolate.
I can hear feet.
I can see ghosts.
Fear's by the gate,
Death's in the street
By the dark posts.

I am very desolate.
What have I made
Of the dead time?
The night is late.
I am afraid
Of my own rhyme.




WIND OF BLACK NIGHT

I would go where you go,
You sole monarch that I know.
    Wind, wind of black night,
    I would go with your delight.
Take me by my streaming hair,
Take me where in the air
        Planets meet, stars fight.

I have need of the speed
Of your thunder-shattering steed.
    Wind, wind of black night,
    I would battle with your might.
Take me by my soaring mind.
No more blind, I shall find
        Hell's depth and sky's height.

I would follow where you lead,
Freed, freed of sense and creed.
    Wind, wind of black night,
    I would see with your sight.
Take me by my burning soul,
Stark, whole, to God my goal,
        Clean darkness, sheer light.




YELLOW SATINS

(To Janey Golding)

When I am rich, mother,
    You will sit in satins,
Yellow satins, looking out upon the street.
You will smile out on the neighbours,
    Who will have no yellow satins;
And there'll be a great big hassock to rest your tired feet.

You'll have a gold-clasped family album,
    And a grand piano in the corner;
But yellow satins, yellow satins, I have chiefly dreamed of them.
And the most wonderful silk-lined work-box,
    With the clothes of my first baby,
For your dear pale fingers to hem.

And the neighbours will come to see you,
    And pretend not to be looking
At the wonderful yellow satins, till I take you away to bed.
But in dreaming of the yellow satins,
    I have forgotten, I have forgotten....
Isn't it seven years, little mother, since you've been dead?




MY MOTHER'S PORTRAIT

Dost thou turn thine eyes away from me,
        thy stern and gentle eyes,
From the error of my living days, O thou in
        Death most wise?
                O thou in Death most wise,
                With thy stern and gentle eyes,
Then is thy sleep disturbed by doubt, thy
        coffin by surprise?

Have I not trodden then the ways which thou
        wouldst have me tread?
Then was it but a wind of words, the passioned
        vows I said?
                The passioned vows I said,
                The ways which I should tread,
So have I quite forgotten these now thou art
        safely dead?

Unless I take thy buried lips my final word to say,
Unless I take thy crumbled eyes to light my tangled way,
                To light my tangled way,
                My final word to say,
Suddenly, Death, come down in flame and
        shrive me from the day!




TO A. L. O.

My soul is a white flame that has burned longer
    Than Mars or Aldebaran or all the stars,
And gentler than a snowdrop, and far stronger
    Than all the steel of its containing bars.
In cosmic triumphs upon timeless cars
    My lordly soul hath lain. My soul is younger
Than the new-fallen dews in flowery jars:
    My soul, my godly food, my godly hunger.

Where shall I place my soul for most safe keeping
    From boisterous intention and omnivorous wave?
And sow it in what field for goodliest reaping,
    From night to shield it and from sins to save?
Thou art my treasure-house, awake or sleeping,
    Or wind-free in meadows or in the obscure grave.




THE DARK KNIGHT OF THE ROAD

Three tall poplars are his plumes,
    The Dark Knight of the Road.
And he is cuirassed round with glooms,
    And all his stern abode
Is loud with seas and dooms.

A rock he takes to be his shield.
    Loud winds his clarions are.
Should banded warriors take the field,
    Though strong troops come from far,
Naught know they but to yield.

But if a sparrow taunt his helm,
    Froth-like his power is blown.
Him shall the mating thrush o'erwhelm.
    Yea, I have even known
Tom-tit usurp his realm.




TO THE SWIFT

Swift, feathered lightning, swift,
    Flesh of flame, wind-fleet,
God who gave you your good gift
    Gave me only two slow feet.

Countries merge within the span
    Of your single hour's essay.
I being but a wingless man
    Plod my score of miles a day.

Fading into blankness now,
    Song that flies and flight that sings,
I am chained to clay, but thou,
    Winds are leashed around thy wings.

Art thou faded, swift? then see,
    Poet where the swift shall halt,
Poet see the sun assault
    The stone towers of Finity.

Swift, dreamless atom, clod,
    Swift, thou art slower than
Any eyeless, limbless man.
    Him his soul shall drive to God.

FRESHWATER




GREEN WIND

The wind of course is Green.
    There is no other word
For what no man has seen
    And every man has heard.

It's neither man nor fowl,
    And neither fish nor beast.
But it comes out of the West
    And goes into the East.

It never was defined
    By instrument or mouth.
But it comes out of the North
    And goes into the South.

The wind it is a Green Thing
    That swishes thro' the corn,
And shouts you to praise loudly
    The day that you were born.

The wind it is a Wise Thing
    That rumbles thro' the beech,
And bids you to learn there
    A wisdom it can teach.

The wind's as Green as Greenness
    Possibly can be,
And lashes to a foam of Green
    The deepest bluest sea.

And even in the grassless towns,
    The murky streets and mean,
Along the greys, behind the browns,
    It sings a Song of Green.

And whither does it go then,
    And whence does it come forth?
It comes out of the South,
    And goes into the North.

It comes out of the East,
    And goes into the West,
And why the wind is Green as Green,
    God alone knows best.




THE MIDMOST FIELD IN KENT

There is a time of charm and chime,
And this is Sabbath evening time.
There is a place of dear content,
This is the midmost field in Kent.
This is the time and this the place
Where boughs droop down with dews of grace;
Where under hedges hung with sleep,
Through atmospheres of music creep
Sheep like ghosts and ghosts like sheep.
Here a great Lord of Magic comes
Fanfarronading with far drums,
And deep athwart the night he throws
His banners of white fire and rose.
From the great town unto the sea,
He thunders through his empiry.
But when his drums are heard no more,
The quiet is quiet as before.
And there's a drowsy dreamy scent
Drenches the midmost field in Kent.
Neither more quickly nor more slow,
Shadows come, shadows go.
Shadows that reap while others sow,
Shadows that sow while others reap,
Shadows whose windy singings keep,
Sheep like ghosts and ghosts like sheep.




MURMURYNGEHAM

In Murmuryngeham, in Murmuryngeham,
    The bees is always singing,
    The flowers is always chiming,
        The sheep stands on their head.
    There's lads and lasses clinging,
    And minor poets rhyming,
In Murmuryngeham, in Murmuryngeham,
        When they should be in bed.
    So now my feet is winging,
    When other men's are climbing,
            To Murmuryngeham, which I shall find
            If my good Patron be inclined,
Murmuryngeham, Murmuryngeham,
        Some day before I'm dead.




WINCHESTER DOWNS

In Winchester on the white downs
    This is not mist at all,
But the thin silk of fairy gowns
Which is not woven in the towns
    And all behind a wall.

In Winchester, be taught of me,
    The fairies seize your wrist.
Their gowns are caught in every tree;
—But if you have no eyes to see,
    Then sure, it's only mist.




CYCLING IN OCTOBER

O the wind blowing round me, the wind
        blowing round me, the same wind that
        blew when the grey world was green!
The high hills before me, the brown hills before
        me, that stand in their places where Death
        has not been.
The blue sky over my head is singing, is singing,
        is singing, as loudly as I.
For Death was only a seeming, a dreaming,
        and Life is as clouds that fade and fly.
The strong hills vanish, as thin clouds vanish,
        as I shall vanish, my dream, my pain;
But all my dreams and I the dreamer, clouds
        and hills shall sing again.
Then birds of October, hills of October, winds
        of October, wrap me round.
Carry me forward, road of October, sped on
        the wheels of light and sound.
For the birds are on wings now and I am on
        wings now over the white road the dead
        men trod.
And there are no dead men, there are no dead
        men, but living men only and dead men
        are God!




THE SHEPHERD

"Ah me," the shepherd said
Who dwelt beside a fold
Upon the Northern hills.
"Ah me, 'tis bitter cold,
My oldest friends be dead.
And O a humming fills
My nid-nod-nodding head."

The guns lie in the beams.
The shepherd feeds the fire
With fingers old and numb.
The lamplight flickers higher.
A double winter seems
Surely to have come.
The old friends hover nigher
In simple shepherd dreams.

The frost lies on the fells.
The moon's a great white flower.
The stars have cruel hearts.
And loud and very clear,
With sudden silly starts,
The old clock ticks and tells
The changing of the hour.
But the shepherd hears the bells
No other man may hear.

A look's within his eyes
I have not seen before
In shepherd North or South.
The old head sinketh lower.
The shadows fall and rise
Along the earthen floor.
—God wot, he'll go no more
Beneath the windy skies.

No more the shepherd will
Lead down the misty scars
The small sheep frail and lost,
Nor thread the bracken hill
Singing a shepherd's rune.
The moorland wind is still,
Beneath the ancient moon.
The fells are white with frost.
The white peaks touch the stars.




DERWENTWATER

(To J. L. Paton)

God give me Derwentwater when I die.
Let no one else be by
To say prayers over me or close my eye.

On Friar's Crag my body will lie down.
On green grass and earth brown.
I will forget the fever and the town.

Over the tops of ancient Borrowdale,
Slowly the clouds will sail
Through great sky spaces, exquisite and frail.

And grandly will the flames of heather climb
Up Skiddaw-Hill sublime,
With head unbowed before the knees of time.

Thro' the still dusk a little bird will sing
Sweetly a holy thing,
And fade in silence on a drowsy wing.

The winds will pass along the quiet lake,
And God will gently take
My own breath with them for His Godhead's sake.




"I VOWED THAT I WOULD BE A TREE"

I vowed that I would be a tree.
    I went up to an oak and said,
"What shall I do that I might be
A beech, an oak, or any tree,
    With branches leafing from my head?"

There was a sound of sap that ran,
    There was a wind of leaves that spoke.
"So you would cease to be a man,
And be a green tree, if you can,
    A pine, a beech, an oak?"

I answered, "I am tired of men,
    As tired as they of me.
I fain would not return again
To the perplexity of men,
    But straightway be a tree."

There was a sound of winds that went
    To summon every oldest tree,
To hold their austere Parliament
About the thing had craved to be
    Elect of their calm company.

There was a sound of bursting tide,
    There was a wash of clanging foam,
A crumbling shore, a bursting tide.
There came a thunder that outcried,
    "Go, wretched mortal, get thee home!

"Who art thou that would be a tree,
    Least of the weeds that shoot and pass?
Bide till a Wisdom come, and see
Before a mortal be a tree,
    He first must be a blade of grass!"




WOUNDED SOLDIERS

Have you no arms, soldier?
    See, I have two.
Whatever deeds for arms there be,
    These still I can do.
Out of clay I still can make
    Living things like me and you.
I still can cleave the lake
    With strong arms true.

Have you no feet, soldier,
    No feet at all?
I still have feet to climb
    Oak-tree and tall.
Still as in our boyhood,
    I leap the hedge and climb the wall.
Still my feet will chase the Spring
    When birds call.

Have you no eyes, soldier,
    Keen eyes like me?
My eyes still have light that draw
    Strength from the great sea.
O soldier, is it hard to lose
    The first Spring-whisper on the tree,
Sun foaming round the love you choose,
    Whosoever she?

Ah! but you have something, soldier,
    Never we shall know.
You shall hear the holy winds
    We can not hear blow.
From your garden-soul shall start
    Flowers of flaming snow.
There's the secret at your heart
    Never we shall know.




STILL LIFE IN FRANCE

Sweet peas drooping in a vase
    Like the tears of Niobe,
Poppies like the cheeks of Mars
    Kissing the Aphrodite.

Pansies like a dryad's eyes,
    Open-wide and half-afraid,
Like unfolded butterflies
    In a little Tempe glade.

* * * * *

Flowers and words might be my toys
    Half a drowsy summer day,
But at night I hear the noise
    Of bombardment far away.

Very quiet I am then,
    Like a moon-enchanted boy,
As I see the khaki men
    Storm the granite walls of Troy.

HARFLEUR, 1917




I DREAM'D I DIED

I dream'd I died.
The green of Spring was not yet manifest
Upon the cold hillside.
They bore me slowly to my place of rest,
And let me bide.
Far from the pale I lay of space and light,
Of dusk and dawn.
I knew the sharp stars of the winter night
Were far withdrawn.
Silent I lay upon my bed,
In sooth at rest.
The earth pressed heavily on my head,
My lean hands cross'd my breast.
I saw not through my eyes.
When I had faded from the room of sighs,
Someone had sealed them down with clay,
Had whispered, "He hath seen the whole
Of summer earth and starlit skies,
Or yellow hills of tumbled hay
That he shall see.
Here till the time of Judgment let him be.
God soothe his soul."

Under the moon
I lay remote from the dear nightingale.
Late and soon,
Faintly I heard the wan wind drone and wail.
I dream'd,
Thro' many years it seemed:
Until I wearied me of dreaming
And closed the windows of my soul,
Where no sun streaming
Show'd how God's far far days did westward roll.
All blind, blind,
A sea of sleep did drown me unconfin'd,
Wide and deep,
A sea of utter sleep,
Its levels no time stirred by any wind.
And so I slept,
My hands across my breast.
My clamped spirit kept
A total rest.

* * * * *

Earth of the Earth I slumber'd long,
I slumber'd in the untrod glooms,
And then Dawn came.
I felt the world was glad with song,
I felt the hillsides were a flame
Of king-cup blooms.
And when Dawn came,
Three times I knocked upon the door
Which was my seal, my world and sky,
Three times with might.
There came a burst of sound and light,
A knowledge broad and deep and high,
The long breath of a sloping moor.
I looked into the daylight wide,
A bird sang thro' the singing blue,
And then, O heart, and then I knew
I dream'd I died.




FLOWERS IN WAR

        Still, still, with all your ancient bloom,
            You glow athwart our gloom.
            Still, O too callous flowers,
        You load with gems these swooning hours.
    Still, still, the lilac foams and falls
    Against our hollow silenced walls.
    Against the cinders of our homes,
            Wistaria falls and foams.

When all the Spring is all a loaded grave,
    How can your banners wave?
How when the wind goes round your way,
    How can your trumpets play?

        For whom your splendours chiefly shone,
            All those, all those, are gone.
            Now Spring is nipped and hoar,
        Too callous flowers, why bloom ye more?
    Still, still, the scarlet sorrel gleams
    All noon along the noon-gold streams.
    Still, still, the meadow-pippet's feet
            Are dewed on meadow-sweet.

Be curst, O callous flowers that come so fair
    With taunts at our despair.
Or if next Spring shall lead you back,
    Be all your petals black!




EVENING—KENT

Sheep, like woolly clouds dropt from the sky,
    Drift through the quiet meads.
From over the seas, a little cry,
    —Europe bleeds!

Clouds, like woolly sheep, hardly stir'd,
    Drift through the quiet skies.
From over the seas, a little word,
    —Europe dies!




BLACK MAGIC

Hands on the window-sill
    I hear but cannot see.
Ghosts riding down the hill
        I see but cannot hear.
        My heart is cold with fear
    Of every trembling tree.

The day has never been,
    And day will never be.
And Night is very lean,
        And Death is very swift.
        And green eyes blink and shift
    Through every monstrous tree.

Black arms across the night,
    And hands I may not flee,
And fingers grasping tight
        That choke my little cries,
        And I shall have green eyes
    Within a phantom tree.




A SOLDIER DYING

"Lad, why are your fingers twitching,
    What is the thing they strain to hold?
Why does your blood flow thick, enriching
            A bleak strange place?"

"Dying, dying—then do not task me!"
    "Tell me before your lips are cold."
"I am afraid of the thing you ask me."
            "—Before the dark is in your face."

"This is why my blood is oozing.
Because my masters did the choosing.
            Blood is cheap and bought for gold."

"Are they masters of your knowing?"
    "I know not who my masters be.
I only know my blood is flowing,
            Because my secret masters said,
            'We shall live and he be dead.'"

"This is why your fingers straining
    Clutch the thing they shall not hold?"
"This is why the blood is waning,
            Waning from my face.
            They gathered in the market-place,
            They gathered to buy merchandise.
            My blood was bought for little price,
            My masters bought and I was sold.
            This is why my blood is oozing,
            Blood is cheap and bought for gold."




AT LAST WAR ENDS

And still the War went on: till only ten
Were left to win the War; they fought; and then,
            Then there were no more men.

There was a gloom of apprehension lest
For lack of flesh the first and last and best
            Of wars might be suppressed.

But Mars was far too sage to be surprised.
Now that the race of men were quite demised,
            The women mobilized.

So now for gassier gas and flamier flame!
Compared with what the present War became,
            The old War was a game.

The old had fifty years in which to thrive;
When this had lasted only twenty-five,
            Two dames remained alive.

With flammen-werfer strictly up-to-date,
They stalked each other, singing Hymns of Hate:
            —But one was just too late!

The Victress trying vainly to decide
For whom her late opponent had just died,
            Committed suicide.

So now the world consisted but of trees
And dogs and beetles livid with disease,
            And babies blue with fleas.

Trees, dogs, and beetles perished from the day.
Like flies brought crawling earthwards by a spray,
            The babies dropped away.

Now truly War seemed ended. Mars was pained
Beyond expression till he ascertained,
            Two babes, thank God! remained.

He fired them with the fury of all wars.
A bloody hunger stung their toothless jaws.
            They squealed—"The Cause! The Cause!"

Black to the blinding noon they foamed and swore.
Each from his brother's breast the red heart tore.
            Then there was War no more.




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