DEUXIÈME PARTIE
LES ROSES DU CHEMIN
Qui diligit me, diligetur a Patre meo : et ego diligam eum et manifestabo ei meipsum.
Év. selon Saint-Jean : XIV, 21.
The narrative opens in a provincial village where shabby cottages and immaculate villas reveal social contrasts and a general spiritual indifference. A barefoot stranger in a brown robe arrives, moving with calm dignity and leaving bloody footprints; his presence elicits awe and a compelling attraction in the narrator, who follows him. Through vivid scenes of daily routine and villagers' dismissive reactions, the text traces tensions between material comfort and inner hunger, and contemplates religious longing, authenticity of holiness, and communal unbelief. The work proceeds as a contemplative sequence of encounters and impressions that explore faith, conversion, and moral unease.
Qui diligit me, diligetur a Patre meo : et ego diligam eum et manifestabo ei meipsum.
Év. selon Saint-Jean : XIV, 21.