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Stories from The Arabian Nights

Chapter 3: ILLUSTRATIONS
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A curated retelling frames a sequence of celebrated folktales within Scheherazadè's storytelling, compressing and at times recombining variant versions for clearer, brisker narratives. The collection ranges from the fisherman who frees a powerful spirit to the treasure-hidden intrigue of Ali Baba, alongside episodes of enchanted travel, miraculous transformation, sibling rivalry, and a princess's trials in distant isles. Vivid descriptive detail and moral reversals mingle with scenes of everyday life and fantasy, while the editor explicitly trims prolixity and reshapes episodes to emphasize coherence, pictorial color, and dramatic momentum.

The Project Gutenberg eBook of Stories from The Arabian Nights

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Stories from The Arabian Nights

Author: Laurence Housman

Illustrator: Edmund Dulac

Release date: March 13, 2016 [eBook #51432]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Madeleine Fournier. Images are from The Internet
Archive. Plates are kindly provided by the National Library
of New Zealand.

*** START OF THE PROJECT GUTENBERG EBOOK STORIES FROM THE ARABIAN NIGHTS ***

Stories from

The Arabian Nights

Retold by Laurence Housman

With Drawings by Edmund Dulac

Hodder and Stoughton
Publishers, London


Transcriber's Note: In the html file, you can click on the plates to display a larger image.


Scheherazadè, the heroine of the Thousand and One Nights.


PREFACE

Scheherazadè, the heroine of the Thousand and one Nights, ranks among the great story-tellers of the world much as does Penelope among the weavers. Procrastination was the basis of her art; for though the task she accomplished was splendid and memorable, it is rather in the quantity than the quality of her invention—in the long spun-out performance of what could have been done far more shortly—that she becomes a figure of dramatic interest. The idea which binds the stories together is greater and more romantic than the stories themselves; and though, both in the original and in translation, the diurnal interruption of their flow is more and more taken for granted, we are never quite robbed of the sense that it is Scheherazadè who is speaking—Scheherazadè, loquacious and self-possessed, sitting up in bed at the renewed call of dawn to save her neck for the round of another day. Here is a figure of romance worth a dozen of the prolix stories to which it has been made sponsor; and often we may have followed the fortunes of some shoddy hero and heroine chiefly to determine at what possible point of interest the narrator could have left hanging that frail thread on which for another twenty-four hours her life was to depend.

Yes, the idea is delightful; and, with the fiction of Scheherazadè to colour them, the tales acquire a rank which they would not otherwise deserve; their prolixity is then the crowning point of their art, their sententious truisms have a flavour of ironic wit, their repetitions become humorous, their trivialities a mark of light-hearted courage; even those deeper indiscretions, which Burton has so faithfully recorded, seem then but a wise adaptation of vile means to a noble end. And yet we know that it is not so; for, as a matter of fact, the "Arabian Nights Entertainment" is but a miscellany gathered from various sources, of various dates, and passing down to us, even in its collocated form, under widely differing versions. None but scholars can know how little of the unadulterated originals has come into our possession; and only those whose pious opinions shut their eyes to obvious facts can object in principle to the simplification of a form which, from the point of view of mere story-telling, can so easily be bettered. Even the more accurate of the versions ordinarily available are full of abridgement, alteration, and suppression; and if you have to eliminate Scheherazadè and select your stories mainly with a view to illustration, then you have very largely done away with the reasons for treating tenderly that prolixity which in an impatient age tends to debar readers from an old classic.

And so, in the present version, whoever shall care to make comparison will find that the original material has been treated with considerable freedom in the direction of brevity, and with an almost uniform departure from the exact text, save where essentials of plot or character or local colour required a closer, accuracy. In the case also of conflicting versions, there has been no reluctance to choose and combine in order to secure a livelier result; and a further freedom has sometimes been taken of giving to an incident more meaning and connexion than has been allowed to it in the original. That is, perhaps, the greatest licence of all, but it is the one that does least harm in formal result; for no one can read the majority of the tales in their accepted versions without perceiving that, as regards construction and the piecing of event with event, they are either incredibly careless or discreditably perfunctory. We have to reckon with them as the product of a race keenly alive to the value of colour and pictorial description, but a race whose constructive imagination was feeble and diffuse, lacking almost entirely that great essential for the development of art in its finer forms—the economy of means toward ends.

But because they contain, though at a low pressure, the expression of so much life, habit and custom, so many coloured and secluded interiors, so quaint a commingling of crowds, so brilliant and moving a pageantry of Eastern mediævalism, because of all these things the "Arabian Nights" will still retain their perennial charm. Those of us who read are all travellers; and never is our travelling sense so awakened perhaps, as when we dip into a book such as this where the incredible and the common-place are so curiously blended, and where Jinn and Efreet and Magician have far less interest for us now than the silly staring crowds, and the bobbing camels in the narrow streets, and Scheherazadè spinning her poor thin yarn of wonders that she may share for another night the pillow of a homicidal maniac.


CONTENTS

 Page
The Fisherman and the Genie1
The Story of the King of the Ebony Isles17
Ali Baba and the Forty Thieves31
The Story of the Magic Horse66
The Story of the Wicked Half-Brothers100
The Story of the Princess of Deryabar111

 

ILLUSTRATIONS

1.Scheherazadè, the heroine of the Thousand and One Nights.
2.And there in its midst stood a mighty Genie.
3.When having brought into submission all the rest of my race.
4.No sooner had the monarch seen them, so strange of form and so brilliant and diverse in hue.
5.Thereupon the damsel upset the pan into the fire.
6.Recalling the fisherman by a swift messenger.
7.He arrived within sight of a palace of shining marble.
8.The Queen of the Ebony Isles.
9.Supposing me asleep, they began to talk.
10.The cup of wine which she gives him each night contains a sleeping-draught.
11.She went on to vent her malice upon the city and islands.
12.Began to heap upon me terms of the most violent and shameful abuse.
13.Thus by her wicked machinations the city became a lake.
14.Great was the astonishment of the Vizier and the Sultan's escort.
15.Their chief in a low but distinct voice uttered the two words "Open Sesame!"
16.Ali Baba departed for the town a well satisfied man.
17.As soon as he came in she began to jeer at him.
18.Greater still was the exultation of a greedy nature like that of Cassim's.
19.Mustapha doubted much of his ability to refrain from question.
20.This way and that she led him blindfold.
21.Having transformed himself by disguise.
22."Sir," said he, "I have brought my oil a great distance to sell to-morrow".
23.She poured into each jar in turn a sufficient quantity of the boiling oil to scald its occupant to death.
24.When Morgiana, who had remained all this time on the watch.
25.Then for the last figure of all she drew out the dagger.
26.At so arrogant a claim all the courtiers burst into loud laughter.
27.As he descended, the daylight in which hitherto he had been travelling faded from view.
28.He saw black eunuchs lying asleep.
29.She gave orders for a rich banquet to be prepared.
30.Till the tale of her mirror contented her.
31.She cried: "O miserable man, what sorry watch is this that thou hast kept".
32.All this time the Princess had been watching the combat from the roof of the palace.
33.In the garden of the summer palace all was silence and solitude.
34.Sat by the lake and solaced themselves sweetly with love.
35.It was in vain that all the wisest physicians in the country were summoned into consultation.
36.For many months he travelled without clue.
37.And ever with the tears falling down from her eyes she sighed and sang.
38.There appeared before him an old man of venerable appearance.
39.Pirouzè, the fairest and most honourably born.
40.Reaching his farthest wounded the giant in the knee.
41.The lady advanced to meet him.
42.A city among the Isles named Deryabar.
43.Presently in the distance he perceived a light.
44.The ship struck upon a rock.
45.And presently, feeling myself lifted by men's hands.
46.The Princess of Deryabar.
47.She found to her grief the place where Codadad had lain left vacant.
48.She and her companion arrived at the city of Harran.
49.And taking her hand he led her to the apartments of the Queen Pirouzè.
50.After these, maidens on white horses, with heads unveiled, bearing in their hands baskets of precious stones.

THE FISHERMAN AND THE GENIE

There was once an old fisherman who lived in great poverty with a wife and three children. But though poorer than others he ever toiled in humble submission to the decrees of Providence, and so, at the same hour each day, he would cast his net four times into the sea, and whatever it brought up to him therewith he rested content.

One day, having cast for the first time, he found his net so heavy that he could scarcely draw it in; yet when at last he got it to shore all that it contained was the carcase of an ass.

He cast a second time, and found the draught of the net even heavier than before. But again he was doomed to disappointment, for this time it contained nothing but a large earthenware jar full of mud and sand. His third attempt brought him only a heap of broken old bottles and potsherds: fortune seemed to be against him. Then, committing his hope to Providence, he cast for the fourth and last time; and once more the weight of the net was so great that he was unable to haul it. When at last he got it to land, he found that it contained a brazen vessel, its mouth closed with a leaden stopper, bearing upon it the seal of King Solomon.

The sight cheered him. "This," thought he, "I can sell in the market, where I may get for it enough to buy a measure of corn; and, if one is to judge by weight, what lies within may prove yet more valuable."


And there in its midst stood a mighty Genie.


Thus reckoning, he prised out the stopper with his knife, and turning the vessel upside down looked for the contents to follow. Great was his astonishment when nothing but smoke came out of it. The smoke rose in a thick black column and spread like a mist between earth and sky, till presently, drawing together, it took form; and there in its midst stood a mighty Genie, whose brows touched heaven while his feet rested upon ground. His head was like a dome, his hands were like flails, and his legs like pine trees; his mouth was black as a cavern, his nostrils were like trumpets, his eyes blazed like torches, and his wings whirled round and over him like the simoom of the desert.

At so fearful a sight all the fisherman's courage oozed out of him; but the Genie, perceiving him, cried with a loud voice, "O, Solomon, Prophet of God, slay me not, for never again will I withstand thee in word or deed!"

"Alas!" said the fisherman, "I am no prophet; and as for Solomon, he has been dead for nearly two thousand years. I am but a poor fisherman whom chance has knocked by accident against thy door."

"In that case," answered the Genie, "know that presently thou wilt have to die."

"Heaven forbid!" cried the fisherman; "or, at least, tell me why! Surely it might seem that I had done thee some service in releasing thee."

"Hear first my story," said the Genie, "then shalt thou understand."

"Well, if I must!" said the fisherman, resigning himself to the inevitable; "but make it short, for truly I have small stomach left in me now for the hearing of tales."

"Know, then," said the Genie, "that I am one of those spirits which resisted the power and dominion of Solomon; and when, having brought into submission all the rest of my race, he could not make me yield to him either reverence or service, he caused me to be shut up in this bottle, and sealing it with his own seal cast it down into the depths of the sea.


When having brought into submission all the rest of my race.


"Now when I had lain there prisoner for a hundred years, I swore in my heart that I would give to the man that should release me all the treasures attainable in heaven or earth. But when none came to earn so great a reward in all the hundred years that followed, then I swore that I would give to my liberator earthly riches only; and when this gift also had lain despised for yet another hundred years, then would I promise no more than the fulfilment of three wishes. But thereafter finding that all promises and vows were vain, my heart became consumed with rage, and I swore by Allah that I would only grant to the fool that should release me his own choice of the most cruel form of death by which he should die. Now therefore accept that mercy which I still offer and choose thy penalty!"

When the fisherman heard this he gave himself up for lost, yet he did not the less continue by prayer and supplication to entreat the Genie from his purpose. But when he found that there was no heart left in him to be moved, then for the first time he bestirred his wits, and remembering how that which is evil contains far less wisdom than that which is good, and so falls ever the more readily into the trap prepared for it, he spoke thus: "O Genie, since thou art determined on my death, there is yet a certain thing touching thine honour that I would first know. So, by the Ineffable Name, which is the seal of Solomon, I will ask thee one question, and do thou swear to answer it truly."

The Genie was ready enough to give the oath as desired. Then said the fisherman, "How is it that one so great as thou art, whose feet o'er-step the hills and whose head out-tops the heaven—how can such an one enter into so small a vessel to dwell in it? Truly, though mine eyes tell me I have seen it, I cannot any longer believe so great a marvel."

"What?" cried the Genie, "dost thou not believe what I have already told thee?"

"Not till I have seen it done can I believe it," said the fisherman.

Thereupon, without more waste of words, the Genie, drawing his limbs together and folding himself once more in a thick veil of smoke, descended from his vast altitude into the narrow neck of the brazen vessel till not one shred or film of him remained to view. Then the fisherman with a quick hand replaced the leaden stopper, and laughing, cried to the Genie, "Choose now, thou in thy turn, by what manner of death thou wilt die."

The Genie, hearing himself thus mocked, made violent efforts to escape; but the power of the seal of Solomon held him fast, and the fisherman, ceasing not all the while to revile him for the treachery and baseness which were now to receive their due reward, began to carry the vessel back to the sea's brink. "Now," said he, "thou shalt return to the place whence I drew thee! And here on the shore I will build myself a hut, and to every fisherman that comes near I will say, 'Look that you fish not in these waters, for herein lies bound a wicked genie that has sworn to put to a cruel death whoever dares to release him.'"

"Nay, nay," cried the Genie, "I did not mean what I said! Ask of me now, and I will give you all the treasures that the world contains, or that your heart can find in it to desire, if only you will set me free!"

The fisherman, being of a mild spirit and with no heart for revenge, sat down to consider what he should do, and all the while the imprisoned Genie continued to appeal to him for compassion with loud promise and lamentation. So at last, the fisherman, having the fear of God before his eyes, after he had extracted from the Genie a most solemn vow to leave him unharmed, drew out the stopper of lead and released him.

No sooner was he out and restored to his true form than the Genie, turning himself about, lifted his foot and with his full strength smote the brazen vessel far out to sea; and the fisherman, beholding that act, began to repent him of his mercy and to tremble again for dear life.

But the Genie, seeing his fear, broke into huge laughter, and striding on ahead of him cried, "Come, fisherman, and follow me, for now I will lead you to fortune!"

Meekly at his heels went the old fisherman, and leaving behind them the habitations of men they ascended a mountain and entered upon a desert tract guarded by four hills, in the centre of which lay a broad lake. Here the Genie stopped, and pointing to a place where fish were swimming in abundance bade the fisherman cast in his net. The fisherman did as he was told, and when he drew in his net he found that it contained four fish each of a different colour, a red, a white, a blue, and a yellow: never in his life had he seen the like of them. The Genie bade him take and offer them to the Sultan, assuring him that if he did so they should bring him both fortune and honours. Then he struck the ground with his foot, and immediately the earth opened its mouth and swallowed him as the dry desert swallows the rain.

The fisherman, wondering no less at his safe deliverance than at the marvel of these occurrences, made his way in haste to the city; and there presenting himself at the palace he begged that the four fish might be laid at the Sultan's feet, as a humble offering from the poorest of his subjects.

No sooner had the monarch seen them, so strange of form and so brilliant and diverse in hue, than his longing to taste of them became strongly awakened; so, by the hand of his Vizier, he sent them to the cook to be prepared forthwith for the royal table. As for the poor fisherman, he received no fewer than four hundred pieces of gold from the Sultan's bounty, and returned to his family rejoicing in an affluence which surpassed his utmost expectations.


No sooner had the monarch seen them, so strange of form and so brilliant and diverse in hue.


The cook meanwhile, proud of an opportunity to exhibit her culinary skill on dainties so rare, scaled and cleaned the fish and laid them in a frying-pan over the fire. But scarcely had she done so when the wall of the kitchen divided, and there issued forth from it a damsel of moon-like beauty richly apparelled, holding a rod of myrtle in her hand. With this she struck the fish that lay in the frying-pan, and cried—

"O fish of my pond,
Are ye true to your bond?"

And immediately the four fishes lifted their heads from the frying fat and answered—

"Even so, the bond holds yet;
Paid by thee, we pay the debt.
With give and take is the reckoning met."

Thereupon the damsel upset the pan into the fire and retired through the wall in the same way that she had come, leaving the four fish all charred to a cinder.


Whereupon one upset the pan into the fire.


The cook, beholding her labour thus brought to naught, began to weep and bewail herself, expecting no less than instant dismissal, and was still loud in her lamentations when the Vizier arrived to see if the fish were ready.


Recalling the fisherman by a swift messenger.


On hearing her account of what had occurred, the Vizier was greatly astonished, but feared to bring so strange a report to the Sultan's ears while the cravings of the royal appetite were still unsatisfied; so recalling the fisherman by a swift messenger, he bade him procure in all haste four more fish of the same kind, promising to reward him according to the speed with which he accomplished the task. So spurred, and by the additional favour of fortune, the fisherman fulfilled his mission in an astonishingly short space of time; but no sooner was the second lot of fish placed upon the fire in the Vizier's presence than once again the wall opened, and the damsel, appearing as before, struck the frying-pan with her rod, and cried—

"O fish of my pond,
Are ye true to your bond?"

And immediately the fish stood up on their tails in the frying fat and replied—

"Even so, the bond holds yet;
Paid by thee, we pay the debt.
With give and take is the reckoning met."

Whereupon she upset the pan into the fire and departed as she had come.

The Vizier, perceiving that so strange an event might no longer be kept from the royal knowledge, went and informed the Sultan of all that had occurred; and the monarch, as soon as he had heard the tale, now rendered more eager for the satisfaction of his eyes than he had previously been for the indulgence of his appetite, sent for the fisherman, and promised him yet another four hundred pieces of gold if he could within a given time procure four more fishes similar to those he had already brought on the previous occasions.

If the fisherman had been prompt at the Vizier's bidding, he made even greater speed to fulfil the royal command, and before the day was over—this time in the presence of the Sultan himself—four fish, of four diverse colours like to the first, were cleaned and laid into the pan ready for frying. But scarcely had they touched the fat when the wall opened in a clap like thunder, and there came forth with a face of rage a monstrous negro the size of a bull, holding in his hand the rod of myrtle. With this he struck the frying-pan, and cried in a terrible voice—

"O fish from the pond,
Are ye true to your bond?"

And when the fish had returned the same answer that the others had made before them, without more ado the negro overturned the pan upon the fire and departed as he had come.

When the Sultan's eyes had seen that marvel, he said to his Vizier, "Here is mystery set before us! Surely these fish that talk have a past and a history. Never shall I rest satisfied until I have learned it." So causing the fisherman to be brought before him, he inquired whence the fish came. The fisherman answered, "From a lake between four hills upon the mountain overlooking the city." The Sultan inquired how many days' journey it might be, and the fisherman replied that it was but a matter of a few hours going and returning. Then to the Sultan and his court it seemed that the old man was mocking them, for none had heard tell of any lake lying among the hills so near to that city; and the fisherman, seeing his word doubted, began to fear that the Genie was playing him a trick; for if the lake were now suddenly to vanish away, he might find his fortunes more undone at the end than at the beginning.

Yet the Sultan, though his Vizier and all his court sought to dissuade him, was firmly resolved on putting the matter to the proof; so he gave orders that an escort and camping tents should be immediately got ready, and, with the fisherman to guide, set forth to find the place that was told of.

And, sure enough, when they had ascended the mountain which all knew, they came upon a desert tract on which no man had previously set eyes; and there in its midst lay the lake filled with four kinds of fish, and beyond it stretched a vast and unknown country.


He arrived within sight of a palace of shining marble.


At this sight, so mysterious and unaccountable, of a strange region lying unbeknownst at the gates of his own capital, the monarch was seized with an overwhelming desire to press forward in solitary adventure to the discovery of its secret. To the cautious counsels of his Vizier he turned a deaf ear; but since it would not be safe for his subjects to know of his departure on an errand so perilous, it was given out that he had been stricken by sudden sickness. The door of the royal tent was closed, and at the dead of night the Sultan, admitting none but the Vizier into his confidence, set out secretly on his adventure.

Journeying by night and resting by day, he arrived on the third morning within sight of a palace of shining marble which, with its crowd of domes and minarets, stood solitary among the hills. No sign of life was about it, and when he drew near and knocked at the gates none came to answer him. Then, finding the doors unfastened, he took courage and entered; and advancing through chambers where gold lay as dust, and by fountains wherein pearls lay poured out like water, he found only solitude to greet him.

Wandering without aim among innumerable treasures unguarded and left to waste, the Sultan grew weary, and sat down in an embrasure to rest. Then it seemed to him that not far off he could hear a sorrowful voice chant verses of lamentation. Following the sounds with wonder he came to a curtained doorway, and passing through found himself in the presence of a fair youth richly dressed, seated upon a couch and bearing upon his countenance tokens of extreme grief and despondency. To the Sultan's proffered greeting the youth returned salutation, but did not stir from his seat. "Pardon me," he said, "for not rising; but my miserable condition makes it impossible." Having said this he again broke into doleful lamentation; and when the Sultan inquired as to the cause of so many tears, "See for yourself," he cried, "what I am now made into!" And lifting the skirt of his robe he revealed himself all stone from his waist to the soles of his feet, while from the waist upwards he was as other men. Then as he observed upon his visitor's countenance the expression of a lively curiosity and astonishment, "Doubtless," he went on, "as you now know the secret of my miserable condition you will wish also to hear my story." And he related it as follows:—


THE STORY OF THE KING OF THE EBONY ISLES


The Queen of the Ebony Isles.


"My father was king of the city which once stood about this palace. He was lord also of the Ebony Isles that are now the four hills which you passed on your way hither. When I succeeded to the throne upon his death, I took to wife my own cousin, the daughter of my uncle, with whom I lived for five years in the utmost confidence and felicity, continually entertained by the charm of her conversation and the beauty of her person, and happy in the persuasion that she found in me an equal satisfaction.


Supposing me asleep they began to talk.


"One day, however, it chanced, in the hour before dinner when the queen was gone to bathe and adorn herself, that I lay upon a couch beside which two female slaves sat fanning me; and they, supposing me to be asleep, began to talk concerning me and their mistress. 'Ah!' said one, 'how little our lord knows where our mistress goes to amuse herself every night while he lies dreaming!' 'How should he know?' returned the other, 'seeing that the cup of wine which she gives him each night contains a sleeping-draught, that causes him to sleep sound however long she is absent. Then at daybreak when she returns she burns perfumes under his nostrils, and he waking and finding her there guesses nothing. Pity it is that he cannot know of her treacherous ways, for surely it is a shame that a king's wife should go abroad and mix with base people.'


The cup of wine which she gives him each night contains a sleeping-draught.


"Now when I heard this the light of day grew dark before my eyes; but I lay on and made no sign, awaiting my wife's return. And she coming in presently, we sat down and ate and drank together according to custom; and afterwards, when I had retired and lain down, she brought me with her own hands the cup of spiced wine, inviting me to drink. Then I, averting myself, raised it to my lips, but instead of drinking, poured it by stealth into my bosom, and immediately sank down as though overcome by its potency, feigning slumber. Straightway the queen rose up from my side, and having clothed herself in gorgeous apparel and anointed herself with perfumes, she made her way secretly from the palace, and I with equal secrecy followed her.

"Soon, passing by way of the narrower streets, we arrived before the city gates; and immediately at a word from her the chains fell and the gates opened of their own accord, closing again behind us as soon as we had passed. At last she came to a ruined hut, and there entering I saw her presently with her veil laid aside, seated in familiar converse with a monstrous negro, the meanest and most vile of slaves, offering to him in abject servility dainties which she had carried from the royal table, and bestowing upon him every imaginable token of affection and regard.

"At this discovery I fell into a blind rage, and drawing my sword I rushed in and struck the slave from behind a blow upon the neck that should have killed him. Then believing that I had verily slain him, and before the queen found eyes to realize what had befallen, I departed under cover of night as quickly as I had come, and returned to the palace and my own chamber.

"On awaking the next morning I found the queen lying beside me as though nothing had happened, and at first I was ready to believe it had all been an evil dream; but presently I perceived her eyes red with weeping, her hair dishevelled, and her face torn by the passion of a grief which she strove to conceal. Having thus every reason to believe that my act of vengeance had not fallen short of its purpose, I held my tongue and made no sign.

"But the same day at noon, while I sat in council, the queen appeared before me clad in deep mourning, and with many tears informed me how she had received sudden news of the death of her father and mother and two brothers, giving full and harrowing details of each event. Without any show of incredulity I heard her tale; and when she besought my permission to go into retirement and mourn in a manner befitting so great a calamity, I bade her do as she desired.

"So for a whole year she continued to mourn in a privacy which I left undisturbed; and during that time she caused to be built a mausoleum or Temple of Lamentation—the same whose dome you see yonder—into which she withdrew herself from all society; while I, believing the cause of my anger removed and willing to humour the grief which my act had caused her, waited patiently for her return to a sane and reasonable state of mind.

"But, as I learned too late, matters had not so fallen: for though in truth the negro was grievously wounded, being cut through the gullet and speechless, it was not the will of Heaven that he should die; and the queen having by her enchantments kept him in a sort of life, no sooner was the mausoleum finished than she caused him to be secretly conveyed thither, and there night and day tended him, awaiting his full recovery.

"At length, when two years were over and her mourning in no wise abated, my curiosity became aroused; so going one day to the Temple of Lamentation I entered unannounced, and placing myself where I might see and not be seen, there I discovered her in an abandonment of fond weeping over her miserable treasure whose very life was a dishonour to us both. But no sooner in my just resentment had I started to upbraid her, than she—as now for the first time realizing the cause of her companion's misfortune—began to heap upon me terms of the most violent and shameful abuse; and when, carried beyond myself, I threatened her with my sword, she stood up before me, and having first uttered words of unknown meaning she cried,—