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Stories of Symphonic Music / A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day cover

Stories of Symphonic Music / A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day

Chapter 108: "PHAËTON," SYMPHONIC POEM No. 2: Op. 39
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About This Book

The guide offers concise, non-technical explanations of symphonies, overtures, and tone-poems, arranged by composer, that orient concert-goers to the illustrative or poetic intentions behind each work. A preface argues for knowing a composition's programme when it is central to the music; individual entries summarize a work's descriptive basis, thematic outline, and salient orchestral effects without indulging in speculative interpretations. Coverage ranges from Beethoven through late-nineteenth and early-twentieth century composers and selects items likely to appear on contemporary orchestral programs, providing practical background to enhance informed listening.

"PHAËTON," SYMPHONIC POEM No. 2: Op. 39

Phaëton was produced in Paris, under Eduard Colonne, at a concert at the Théâtre du Châtelet, December 7, 1873. The score has this preface:

"Phaëton has obtained leave to drive his father's, the Sun's, chariot through the heavens. But his unskilful hands lead the steeds astray. The flaming chariot, thrown out of its course, approaches the terrestrial regions. The whole universe is about to perish in flames, when Jupiter strikes the rash Phaëton with his thunderbolt." [131]

The portentous drive is first pictured, the gallop of the horses being indicated by an imitative figure in the strings, wood-wind, and horns. A suave and noble theme for the horns has been said to suggest celestial visions glimpsed by the charioteer in the course of his daring flight.[132] The furious rhythm of the drive is heard again, increasing to a precipitate pace. It is cut short by the Jovian thunderbolt (kettle-drums, bass-drum, cymbals, tam-tam). Then, as its reverberations die away, we hear again the august harmonies of the second theme; there is a reminiscence of the opening motive (of the ride), and the music ends ppp.