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Stories of Symphonic Music / A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day cover

Stories of Symphonic Music / A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day

Chapter 50: "THE WILD HUNTSMAN," SYMPHONIC POEM [57]
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About This Book

The guide offers concise, non-technical explanations of symphonies, overtures, and tone-poems, arranged by composer, that orient concert-goers to the illustrative or poetic intentions behind each work. A preface argues for knowing a composition's programme when it is central to the music; individual entries summarize a work's descriptive basis, thematic outline, and salient orchestral effects without indulging in speculative interpretations. Coverage ranges from Beethoven through late-nineteenth and early-twentieth century composers and selects items likely to appear on contemporary orchestral programs, providing practical background to enhance informed listening.

"THE WILD HUNTSMAN," SYMPHONIC POEM [57]

Le Chasseur Maudit, composed in 1883, tells the story of Bürger's ballad, Der Wilde Jäger. This argument, in prose, is prefaced to the score:

"'Twas a Sunday morning; far away resounded the joyous sound of bells and the joyous chants of the crowd.... Sacrilege! The savage Count of the Rhine has winded his horn.

"Halloo! Halloo! The chase rushes over corn-fields, moors, and meadows.—'Stop, Count, I entreat you; hear the pious chants!'—No! Halloo! Halloo!—'Stop, Count, I implore you; take care!'—No! and the riders rush on like a whirlwind.

"Suddenly the Count is alone; his horse refuses to go on; the Count would wind his horn, but the horn no longer sounds.... A dismal, implacable voice curses him: 'Sacrilegious man,' it cries, 'be forever hunted by Hell!'

"Then flames flash all around him.... The Count, terror-stricken, flees faster and ever faster, pursued by a pack of demons, ... by day across abysses, by night through the air." [58]

In the music there is first a portrayal of the serene Sabbath landscape, the chanting chorus; there is pealing of bells, and the sacred song rises to a climax.

Then follows the entry of the ribald huntsmen, led by the Count; the chase is pictured, and we hear the complaints of the protesting peasants.

The Count, suddenly left alone, attempts in vain to wind his horn; then, in uncanny and terrifying tones, the curse is pronounced.

The Infernal Chase begins, there are wild horn calls; the pace grows more and more precipitous until the close.