LI. The Monastery of Megaspeleum.—The ancient Buraicus is the stream now called the Kalavryta river because it descends from the town of that name. The valley, which is broad and open at Kalavryta, contracts to the north of the town into a narrow defile flanked by huge rocks. In this narrow valley is the great monastery of Megaspeleum, the largest and wealthiest monastery in Greece, and indeed one of the largest and richest monasteries of the Eastern Church. Formerly it had dependencies even in Russia. The building and its situation are in the highest degree picturesque. It is a huge whitewashed pile, with wooden balconies on the outside, eight stories high, perched at a great height above the right bank of the river, on the steep slope of a mountain and immediately overhung by an enormous beetling crag which runs sheer up for some hundreds of feet above the roof of the monastery. It is this overhanging cliff which gives to the monastery its name of Megaspeleum (‘great cave’). So completely does it overarch the lofty building that when in the War of Independence the Egyptian soldiers of Ibrahim Pacha attempted to destroy the monastery by letting fall masses of rock upon it from the cliff above, the rocks fell clear of the monastery, leaving it unharmed. The steep slope of the mountain below is occupied by the terraced gardens of the monks, which with their rich vegetation, and the cypresses rising here and there above them, add greatly to the charm of the scene. A single zigzag path leads up this steep terraced slope to the monastery. The bare precipices above, crowned with forests, the deep wooded valley below, and the mountains rising steeply on the farther side, make up a landscape of varied delight and grandeur, on which a painter would love to dwell.
Studies in Greek Scenery, Legend and History / Selected from His Commentary on Pausanias' 'Description of Greece,'
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About This Book
This collection of concise sketches, drawn from the author's commentary on the ancient traveler Pausanias, offers on-the-spot descriptions of Greek landscape, ruins, sanctuaries, and local legends. Each chapter focuses on a particular site or region, combining topographical observation, architectural and artistic description, and summaries of associated myths and historical tradition. The author interweaves antiquarian detail with personal travel impressions, discussing temples, cult practices, notable monuments, and the surviving traces of classical antiquity, and provides contextual notes that guide readers through how landscape, legend, and history intersect across the Greek world.