Before us, nor in judgment frail and rathe,
Less constant or less loving or less just,
But fruitful-ripe and full of tender faith,
Holding all high and gentle names in trust
Of time for honour; so his quickening breath
Called from the darkness of their martyred dust
Our sweet Saints Alice and Elizabeth,
Revived and reinspired
With speech from heavenward fired
By love to say what Love the Archangel saith
Only, nor may such word
Save by such ears be heard
As hear the tongues of angels after death
Descending on them like a dove
Has taken all earthly sense of thought away but love.
34.
All generous names and loyal, and all wise,
With all his heart in all its wayfarings
He sought, and worshipped, seeing them with his eyes
In very present glory, clothed with wings
Of words and deeds and dreams immortal, rise
Visible more than living slaves and kings,
Audible more than actual vows and lies:
These, with scorn's fieriest rod,
These and the Lord their God,
The Lord their likeness, tyrant of the skies
As they Lord Gods of earth,
These with a rage of mirth
He mocked and scourged and spat on, in such wise
That none might stand before his rod,
And these being slain the Spirit alone be lord or God.
35.
Loved Freedom better, of all who have loved her best,
Than he who wrote that scripture of the sun
Writ as with fire and light on heaven's own crest,
Of all words heard on earth the noblest one
That ever spake for souls and left them blest:
Gladly we should rest ever, had we won
Freedom: we have lost, and very gladly rest.
O poet hero, lord
And father, we record
Deep in the burning tablets of the breast
Thankfully those divine
And living words of thine
For faith and comfort in our hearts imprest
With strokes engraven past hurt of years
And lines inured with fire of immemorial tears.
36.
Words worthy of more than pity or less than scorn?
Who sing the golden garland woven of three,
Thy daughters, Graces mightier than the morn,
More godlike than the graven gods men see
Made all but all immortal, human born
And heavenly natured? With the first came He,
Led by the living hand, who left forlorn
Life by his death, and time
More by his life sublime
Than by the lives of all whom all men mourn,
And even for mourning praise
Heaven, as for all those days
These dead men's lives clothed round with glories worn
By memory till all time lie dead,
And higher than all behold the bay round Shakespeare's head.
37.
Came girt with Grecian gold the second Grace,
And verier daughter of his most perfect hours
Than any of latter time or alien place
Named, or with hair inwoven of English flowers
Only, nor wearing on her statelier face
The lordlier light of Athens. All the Powers
That graced and guarded round that holiest race,
That heavenliest and most high
Time hath seen live and die,
Poured all their power upon him to retrace
The erased immortal roll
Of Love's most sovereign scroll
And Wisdom's warm from Freedom's wide embrace,
The scroll that on Aspasia's knees
Laid once made manifest the Olympian Pericles.
38.
Came laughing like Etrurian spring the third,
With green Valdelsa's hill-flowers in her hair
Deep-drenched with May-dews, in her voice the bird
Whose voice hath night and morning in it; fair
As the ambient gold of wall-flowers that engird
The walls engirdling with a circling stair
My sweet San Gimignano: nor a word
Fell from her flowerlike mouth
Not sweet with all the south;
As though the dust shrined in Certaldo stirred
And spake, as o'er it shone
That bright Pentameron,
And his own vines again and chestnuts heard
Boccaccio: nor swift Elsa's chime
Mixed not her golden babble with Petrarca's rhyme.
39.
Yet, and yet hides not from our following eyes
With soft rose-laurels and low strawberry-leaves,
Ternissa, sweet as April-coloured skies,
Bowed like a flowering reed when May's wind heaves
The reed-bed that the stream kisses and sighs,
In love that shrinks and murmurs and believes
What yet the wisest of the starriest wise
Whom Greece might ever hear
Speaks in the gentlest ear
That ever heard love's lips philosophize
With such deep-reasoning words
As blossoms use and birds,
Nor heeds Leontion lingering till they rise
Far off, in no wise over far,
Beneath a heaven all amorous of its first-born star.
40.
Darkening the light of heaven, lightening the night,
Rings, rages, flashes round what ravening pyre
That makes time's face pale with its reflex light
And leaves on earth, who seeing might scarce respire,
A shadow of red remembrance? Right nor might
Alternating wore ever shapes more dire
Nor manifest in all men's awful sight
In form and face that wore
Heaven's light and likeness more
Than these, or held suspense men's hearts at height
More fearful, since man first
Slaked with man's blood his thirst,
Than when Rome clashed with Hannibal in fight,
Till tower on ruining tower was hurled
Where Scipio stood, and Carthage was not in the world.
41.
Who carved their several praise in words of gold
To bare the brows of conquerors and to brand,
Made shelterless of laurels bought and sold
For price of blood or incense, dust or sand,
Triumph or terror. He that sought of old
His father Ammon in a stranger's land,
And shrank before the serpentining fold,
Stood in our seer's wide eye
No higher than man most high,
And lowest in heart when highest in hope to hold
Fast as a scripture furled
The scroll of all the world
Sealed with his signet: nor the blind and bold
First thief of empire, round whose head
Swarmed carrion flies for bees, on flesh for violets fed.[1]
42.
He saw the light of death, riotous and red,
Flame round the bent brows of Semiramis
Re-risen, and mightier, from the Assyrian dead,
Kindling, as dawn a frost-bound precipice,
The steely snows of Russia, for the tread
Of feet that felt before them crawl and hiss
The snaky lines of blood violently shed.
Like living creeping things
That writhe but have no stings
To scare adulterers from the imperial bed
Bowed with its load of lust,
Or chill the ravenous gusts
That made her body a fire from heel to head;
Or change her high bright spirit and clear,
For all its mortal stains, from taint of fraud or fear.
43.
He saw the godhead in Vittoria's face
Shine soft on Buonarroti's, till he took,
Albeit himself God, a more godlike grace,
A strength more heavenly to confront and brook
All ill things coiled about his worldly race,
From the bright scripture of that present book
Wherein his tired grand eyes got power to trace
Comfort more sweet than youth,
And hope whose child was truth,
And love that brought forth sorrow for a space,
Only that she might bear
Joy: these things, written there,
Made even his soul's high heaven a heavenlier place,
Perused with eyes whose glory and glow
Had in their fires the spirit of Michael Angelo.
44.
The fair fame wounded by the black priest's fang,
Giovanna's, and washed off her blithe and bold
Boy-bridegroom's blood, that seemed so long to hang
On her fair hand, even till the stain of old
Was cleansed with healing song, that after sang
Sharp truth by sweetest singers' lips untold
Of pale Beatrice, though her death-note rang
From other strings divine
Ere his rekindling line
With yet more piteous and intolerant pang
Pierced all men's hearts anew
That heard her passion through
Till fierce from throes of fiery pity sprang
Wrath, armed for chase of monstrous beasts,
Strong to lay waste the kingdom of the seed of priests.
45.
And majesty of meanest men born free,
That made with Luther's or with Hofer's birth
The whole world worthier of the sun to see:
The wealth of spirit among the snows, the dearth
Wherein souls festered by the servile sea
That saw the lowest of even crowned heads on earth
Thronged round with worship in Parthenope.
His hand bade Justice guide
Her child Tyrannicide,
Light winged by fire that brings the dawn to be;
And pierced with Tyrrel's dart
Again the riotous heart
That mocked at mercy's tongue and manhood's knee:
And oped the cell where kinglike death
Hung o'er her brows discrowned who bare Elizabeth.
46.
He bared the heart of Essex, twain and one,
For the base heart that soiled the starry mind
Stern, for the father in his child undone
Soft as his own toward children, stamped and signed
With their sweet image visibly set on
As by God's hand, clear as his own designed
The likeness radiant out of ages gone
That none may now destroy
Of that high Roman boy
Whom Julius and Cleopatra saw their son
True-born of sovereign seed,
Foredoomed even thence to bleed,
The stately grace of bright Cæsarion,
The head unbent, the heart unbowed,
That not the shadow of death could make less clear and proud.
47.
At once by service and similitude,
Service devout and worship emulous
Of the same golden Muses once they wooed,
The names and shades adored of all of us,
The nurslings of the brave world's earlier brood,
Grown gods for us themselves: Theocritus
First, and more dear Catullus, names bedewed
With blessings bright like tears
From the old memorial years,
And loves and lovely laughters, every mood
Sweet as the drops that fell
Of their own œnomel
From living lips to cheer the multitude
That feeds on words divine, and grows
More worthy, seeing their world reblossom like a rose.
48.
The silent music that no strange note jars,
Crowned not with gentler hand the years that glory
Crowned, but could hide not all the spiritual scars
Time writes on the inward strengths of warriors hoary
With much long warfare, and with gradual bars
Blindly pent in: but these, being transitory,
Broke, and the power came back that passion mars:
And at the lovely last
Above all anguish past
Before his own the sightless eyes like stars
Arose that watched arise
Like stars in other skies
Above the strife of ships and hurtling cars
The Dioscurian songs divine
That lighten all the world with lightning of their line.
49.
The last of his Ulysses. Bright and wide
For him time's dark strait ways, like clouds that clung
About the day-star, doubtful to divide,
Waxed in his spiritual eyeshot, and his tongue
Spake as his soul bore witness, that descried,
Like those twin towering lights in darkness hung,
Homer, and grey Laertes at his side
Kingly as kings are none
Beneath a later sun,
And the sweet maiden ministering in pride
To sovereign and to sage
In their more sweet old age:
These things he sang, himself as old, and died.
And if death be not, if life be,
As Homer and as Milton are in heaven is he.
50.
Was pure toward all high poets, all their kind
And all bright words and all sweet works thereof;
Strong like the sun, and like the sunlight kind;
Heart that no fear but every grief might move
Wherewith men's hearts were bound of powers that bind;
The purest soul that ever proof could prove
From taint of tortuous or of envious mind;
Whose eyes elate and clear
Nor shame nor ever fear
But only pity or glorious wrath could blind;
Name set for love apart,
Held lifelong in my heart,
Face like a father's toward my face inclined;
No gilts like thine are mine to give,
Who by thine own words only bid thee hail, and live.
Time, in his children's blood who takes delight.
NOTES.
| Stanza | ||
| 6. | See note to the Imaginary Conversation of Leofric and Godiva for the exquisite first verses extant from the hand of Landor. | |
| 10. | The Poems of Walter Savage Landor: 1795. Moral Epistle, respectfully dedicated to Earl Stanhope: 1795. Gebir. | |
| 13. | Count Julian: Ines de Castro: Ippolito di Este. | |
| 14, 15. | Poems 'on the Dead.' | |
| 16. | Imaginary Conversations: Lord Brooke and Sir Philip Sidney. | |
| 17, 18. | Idyllia Nova Quinque Heroum atque Heroidum (1815): Corythus; Dryope; Pan et Pitys; Coresus et Callirrhoe; Helena ad Pudoris Aram. | |
| 19, 20. | Imaginary Conversations: Oliver Cromwell and Walter Noble; Æschines and Phocion; Kosciusko and Poniatowski; Milton and Marvell; Roger Ascham and Lady Jane Grey; Tiberius and Vipsania. | |
| 21, 22, 23. | Hellenics: To Corinth. | |
| 24. | Hellenics: Regeneration. | |
| 25. | The Hamadryad; Acon and Rhodope. | |
| 26. | The Shades of Agamemnon and Iphigeneia. | |
| 27. | Enallos and Cymodameia. | |
| 28. | The Children of Venus. | |
| 29. | Cupid and Pan. | |
| 30. | The Death of Clytemnestra; The Madness of Orestes; The Prayer of Orestes. | |
| 32. | The Last of Ulysses. | |
| 33. | Imaginary Conversations. Lady Lisle and Elizabeth Gaunt. | |
| 35. | Pro monumento super milites regio jussu interemptos. | |
| 36. | The Citation and Examination of William Shakespeare. | |
| 37. | Pericles and Aspasia. | |
| 38. | The Pentameron. | |
| 39. | Imaginary Conversations: Epicurus, Leontion, and Ternissa. | |
| 40. | Marcellus and Hannibal: P. Scipio Æmilianus, Polybius, and Panætius. | |
| 41. | Alexander and Priest of Ammon: Bonaparte and the President of the Senate. | |
| 42. | The Empress Catherine and Princess Dashkoff. | |
| 43. | Vittoria Colonna and Michel-Angelo Buonarroti. | |
| 44. | Andrea of Hungary, Giovanna of Naples, Fra Rupert; a Trilogy: Five Scenes (Beatrice Cenci). | |
| 45. | Luther's Parents: The Death of Hofer: (Imaginary Conversations) Andrew Hofer, Count Metternich, and the Emperor Francis; Judge Wolfgang and Henry of Melchthal: The Coronation. Tyrannicide (The Last Fruit off an Old Tree): Walter Tyrrel and William Rufus: Henry VIII. and Anne Boleyn. | |
| 46. | Essex and Spenser (Imaginary Conversations): Essex and Bacon: Antony and Octavius (Scenes for the Study). | |
| 47. | Critical Essays on Theocritus and Catullus. | |
| 48, 49. | Heroic Idyls; Homer, Laertes, and Agatha. | |
'J'en passe, et des meilleurs.' But who can enumerate all or half our obligations to the illimitable and inexhaustible genius of the great man whose life and whose labour lasted even from the generation of our fathers' fathers to our own? Hardly any reader can feel, I think, so deeply as I feel the inadequacy of my poor praise and too imperfect gratitude to the majestic subject of their attempted expression; but 'such as I had have I given him.'
GRAND CHORUS OF BIRDS
FROM
ARISTOPHANES
Attempted in English verse after the original metre.
I was allured into the audacity of this experiment by consideration of a fact which hitherto does not seem to have been taken into consideration by any translator of the half divine humourist in whose incomparable genius the highest qualities of Rabelais were fused and harmonized with the supremest gifts of Shelley: namely, that his marvellous metrical invention of the anapæstic heptameter was almost exactly reproducible in a language to which all variations and combinations of anapæstic, iambic, or trochaic metre are as natural and pliable as all dactylic and spondaic forms of verse are unnatural and abhorrent. As it happens, this highest central interlude of a most adorable masterpiece is as easy to detach from its dramatic setting, and even from its lyrical context, as it was easy to give line for line of it in English. In two metrical points only does my version vary from the verbal pattern of the original. I have of course added rhymes, and double rhymes, as necessary makeweights for the imperfection of an otherwise inadequate language; and equally of course I have not attempted the impossible and undesirable task of reproducing the rare exceptional effect of a line overcharged on purpose with a preponderance of heavy-footed spondees: and this for the obvious reason that even if such a line—which I doubt—could be exactly represented, foot by foot and pause for pause, in English, this English line would no more be a verse in any proper sense of the word than is the line I am writing at this moment. And my main intention, or at least my main desire, in the undertaking of this brief adventure, was to renew as far as possible for English ears the music of this resonant and triumphant metre, which goes ringing at full gallop as of horses who
Their own hoofs make.'
I would not seem over curious in search of an apt or inapt quotation: but nothing can be fitter than a verse of Shakespeare's to praise at once and to describe the most typical verse of Aristophanes.
THE BIRDS.
(685-723.)
That are little of might, that are moulded of mire, unenduring and shadowlike nations,
Poor plumeless ephemerals, comfortless mortals, as visions of creatures fast fleeing,
Lift up your mind unto us that are deathless, and dateless the date of our being:
Us, children of heaven, us, ageless for aye, us, all of whose thoughts are eternal;
That ye may from henceforth, having heard of us all things aright as to matters supernal,
Of the being of birds and beginning of gods, and of streams, and the dark beyond reaching,
Truthfully knowing aright, in my name bid Prodicus pack with his preaching.
Earth was not, nor air, neither heaven; when in depths of the womb of the dark without order
First thing first-born of the black-plumed Night was a wind-egg hatched in her bosom,
Whence timely with seasons revolving again sweet Love burst out as a blossom,
Gold wings glittering forth of his back, like whirlwinds gustily turning.
He, after his wedlock with Chaos, whose wings are of darkness, in hell broad-burning,
For his nestlings begat him the race of us first, and upraised us to light new-lighted.
And before this was not the race of the gods, until all things by Love were united;
And of kind united with kind in communion of nature the sky and the sea are
Brought forth, and the earth, and the race of the gods everlasting and blest. So that we are
Far away the most ancient of all things blest. And that we are of Love's generation
There are manifest manifold signs. We have wings, and with us have the Loves habitation;
And manifold fair young folk that forswore love once, ere the bloom of them ended,
Have the men that pursued and desired them subdued, by the help of us only befriended,
With such baits as a quail, a flamingo, a goose, or a cock's comb staring and splendid.
For first we proclaim and make known to them spring, and the winter and autumn in season;
Bid sow, when the crane starts clanging for Afric, in shrill-voiced emigrant number,
And calls to the pilot to hang up his rudder again for the season, and slumber;
And then weave a cloak for Orestes the thief, lest he strip men of theirs if it freezes.
And again thereafter the kite reappearing announces a change in the breezes,
And that here is the season for shearing your sheep of their spring wool. Then does the swallow
Give you notice to sell your greatcoat, and provide something light for the heat that's to follow.
Thus are we as Ammon or Delphi unto you, Dodona, nay, Phœbus Apollo.
For, as first ye come all to get auguries of birds, even such is in all things your carriage,
Be the matter a matter of trade, or of earning your bread, or of any one's marriage.
And all things ye lay to the charge of a bird that belong to discerning prediction:
Winged fame is a bird, as you reckon: you sneeze, and the sign's as a bird for conviction:
All tokens are 'birds' with you—sounds too, and lackeys, and donkeys. Then must it not follow
That we ARE to you all as the manifest godhead that speaks in prophetic Apollo?
OFF SHORE.
Is most on the sea;
When the days overcome her
With joy but to be,
With rapture of royal enchantment, and sorcery that sets her not free,
As a thrall she remains
Spell-bound as with flowers
And content in their chains,
And her loud steeds fret not, and lift not a lock of their deep white manes;
In the depths of her hold,
Some gleam of its wonder
Man's eye may behold,
Its wild-weed forests of crimson and russet and olive and gold.
And goodlier they glow
For the eyes of the swimmer
Who scans them below
As he crosses the zone of their flowerage that knows not of sunshine and snow.
And foliage that gleams
As to prisoners in bondage
The light of their dreams,
The desire of a dawn unbeholden, with hope on the wings of its beams.
Waxen haggard and wizen,
But consoled and illumed
In the depths of their prison
With delight of the light everlasting and vision of dawn on them risen,
Of the waters divine
They lift up their heads
And the flowers of them shine
Through the splendour of darkness that clothes them of water that glimmers like wine.
Making glorious the gloom,
Soft rank upon rank,
Strange bloom after bloom,
They kindle the liquid low twilight, the dusk of the dim sea's womb.
Gloom without form,
Their branches, infrangible
Ever of storm
Spread softer their sprays than the shoots of the woodland when April is warm.
Charged with its word,
Dividing the wonderful
Depths like a bird,
Speaks wrath and delight to the heart of the night that exults to have heard,
In silence's ear,
Light, winged from the boundless
Blue depths full of cheer,
Speaks joy to the heart of the waters that part not before him, but hear.
Godhead of God,
God indivisible,
Lifts but his rod,
And the shadows are scattered in sunder, and darkness is light at his nod.
At the nod of his head
From the spaces beyond
Where the dawn hath her bed,
Earth, water, and air are transfigured, and rise as one risen from the dead.
And the mountains are thrilled
To the heart as they stand
In his presence, fulfilled
With his glory that utters his grace upon earth, and her sorrows are stilled.
That groans for the light
Till dayspring unravel
The weft of the night,
At the sound of the strings of the music of morning, falls dumb with delight.
And the word that he saith,
Ere well it be heard,
Strikes darkness to death;
For the thought of his heart is the sunrise, and dawn as the sound of his breath.
That passion makes proud
Confounds and convulses
The depths of the cloud
Of the darkness that heaven was engirt with, divided and rent as a shroud,
Of the temple of old
When darkness divine
Over noonday was rolled;
So the heart of the night by the pulse of the light is convulsed and controlled.
For glories withdrawn,
And the waves' mouths, moaning
All night for the dawn,
Are uplift as the hearts and the mouths of the singers on leaside and lawn.
Of all these as one,
Desired and desiring
Till dawn's will be done,
Fills full with delight of them heaven till it burns as the heart of the sun.
And waters take part
In the sense of the spirit
That breathes from his heart,
And are kindled with music as fire when the lips of the morning part,
In the light of her lips,
In the life-giving word
Of the dewfall that drips
On the grasses of earth, and the wind that enkindles the wings of the ships.
As of seafaring birds
That flock from the springs
Of the sunrise in herds
With the wind for a herdsman, and hasten or halt at the change of his words.
When the wind's note shifts,
And the skies grow strange,
And the white squall drifts
Up sharp from the sea-line, vexing the sea till the low cloud lifts.
Bidding pause, bidding haste,
When the ranks are stirred
And the lines displaced,
They scatter as wild swans parting adrift on the wan green waste.
In a pause of his breath
When the waters have heard
His will that he saith,
They stand as a flock penned close in its fold for division of death.
Of death to be thinned,
As the shades in a vision
Of spirits that sinned;
So glimmer their shrouds and their sheetings as clouds on the stream of the wind.
And the sea burns bright,
And the flight of them past
Is no more than the flight
Of the snow-soft swarm of serene wings poised and afloat in the light.
In a festival way
When hours after hours
Shed grace on the day,
White blossomlike butterflies hover and gleam through the snows of the spray.
Of blossoms that flee
From storm that unsettles
The flower as the tree
They flutter, a legion of flowers on the wing, through the field of the sea.
Where the foam-blossoms blow
And the secrets are sealed
Of their harvest below
They float in the path of the sunbeams, as flakes or as blossoms of snow.
And the God, withdrawn,
Give ear not or hearken
If prayer on him fawn,
And the sun's self seem but a shadow, the noon as a ghost of the dawn.
God, father of song,
Shew grace to me, Father
God, loved of me long,
That I lose not the light of thy face, that my trust in thee work me not wrong.
With face toward thee
Not turned yet in shoreward,
Be thine upon me;
Be thy light on my forehead or ever I turn it again from the sea.
Be the light of thy grace,
Be thy glance on me now
From the pride of thy place:
As the sign of a sire to a son be the light on my face of thy face.
Times hailed and adored,
And the sense of thy golden
Great harp's monochord
Was the joy in the soul of the singers that hailed thee for master and lord.
In thy ways that have trod,
That have risen at thy call,
That have thrilled at thy nod,
Arise, shine, lighten upon me, O sun that we see to be God.
Only to thee,
O God most beautiful,
Lighten thou me,
As I swim through the dim long rollers, with eyelids uplift from the sea.
All in accord,
Father and lord of us
Alway adored,
The slayer and the stayer and the harper, the light of us all and our lord.
AFTER NINE YEARS.
TO JOSEPH MAZZINI.
Primâ dicte mihi, summâ dicende Camenâ.