CHAPTER XXVIII
IMPROVEMENTS
Out in a field bordered by the roadway a man toiled behind a disk-plough. He trudged with seven-league strides along the furrows, disdaining to ride on the seat of the plough. To effect a comfortable following of his operations he had lengthened the reins with clothes-line. He drove a team of old and gentle white horses as wheelers. His lead animals were mules, neither old nor gentle. It is possible that this fact accounted for his being afoot. He was arrayed in cowboy boots and chaps, a faded flannel shirt, and a Stetson. Despite the fact that a year had passed since he had practically "Lochinvared" the most willing Anita,—though with the full and joyous consent of her parents,—he still clung to the habiliments of the cowboy, feeling that they offset the more or less menial requirements of tilling the soil. Behind him trailed a lean, shaggy wolf-dog who nosed the furrows occasionally and dug for prairie-dogs with intermittent zest.
The toiler, too preoccupied with his ploughing to see more than his horses' heads and the immediate unbroken territory before them, did not realize that a team had stopped out on the road and that a man had leaped from the buckboard and was standing at the fence. Chance, however, saw the man, and, running to Sundown, whined. Sundown pulled up his team and wiped his brow. "Hurt your foot ag'in?" he queried. "Nope? Then what's wrong?"
The man in the road called.
Sundown wheeled and stood with mouth open. "It's—Gee Gosh! It's Billy!"
He observed that a young and fashionably attired woman sat in the buckboard holding the team. He fumbled at his shirt and buttoned it at the neck. Then he swung his team around and started toward the fence.
Will Corliss, attired in a quiet-hued business suit, his cheeks healthfully pink and his eye clear, smiled as the lean one tied the team and stalked toward him.
Corliss held out his hand. Sundown shook his head. "Excuse me, Billy, but I ain't shakin' hands with you across no fence."
And Sundown wormed his length between the wires and straightened up, extending a tanned and hairy paw. "Shake, pardner! Say, you're lookin' gorjus!"
"My wife," said Corliss.
Sundown doffed his sombrero sweepingly. "Welcome to Arizona, ma'am."
"This is my friend, Washington Hicks, Margery."
"Yes, ma'am," said Sundown. "It ain't my fault, neither. I had nothin' to say about it when they hitched that name onto me. I reckon I hollered, but it didn't do no good. Me pals"—and Sundown shrugged his shoulder—"mostly gents travelin' for their health—got to callin' me Sundown, which is more poetical. 'Course, when I got married—"
"Married!" exclaimed Corliss, grinning.
"You needn't to grin, Billy. Gettin' married's mighty responsible-like."
Corliss made a gesture of apology. "So you're homesteading the water-hole? Jack wrote to me about it. He didn't say anything about your getting married."
"Kind of like his not sayin' anything about your gettin' hitched up, eh? He said he was hearin' from you, but nothin' about Misses Corliss. Please to expect my congratulations, ma'am—and you, too, Billy."
"Thank you!" said Mrs. Corliss, smiling. "Will has told me a great deal about you."
"He has, eh? Well, I'm right glad to be acquainted by heresy. It kind of puts you on to what to expect. But say, it's hot here. If you'll drive back to me house, I'd sure like to show you the improvements."
"All right, Sun! We'll drive right in and wait for you."
They did not have to wait, however. Sundown, leaving his team at the fence, took a short cut to the house. He entered the back door and called to Anita.
"Neeter," he said, as she hastened to answer him, "they's some friends of mine just drivin' up. If you could kind of make a quick change and put on that white dress with the leetle roses sprinkled on it—quick; and is—is he sleepin'?"
"Si! He is having the good sleep."
"Fine! I'll hold 'em off till you get fixed up. It's me ole pal, Billy Corliss,—and he's brung along a wife. We got to make a good front, seein' it's kind of unexpected. Wrastle into that purty dress and don't wake him up."
"Si! I go queek."
"Why, this is fine!" said Corliss, entering, hat in hand, and gazing about the room. "It's as snug and picturesque as a lodge."
"Beautiful!" exclaimed the enthusiastic Margery, gazing at the Navajo rugs, the clean, white-washed walls against which the red ollas, filled with wild flowers, made a pretty picture, and the great grizzly-bear rug thrown across a home-made couch. "It's actually romantic!"
"Me long suit, lady. We ain't got much, but what we got goes with this kind of country."
Margery smiled. "Oh, Will, I'd like a home like this. Just simple and clean—and comfortable. It's a real home."
"Me wife's comin' in a minute. While she's—er—combin' her hair, mebby you'd like to see some of the improvements." And Sundown marched proudly to the new dining-room—an extension that he had built himself—and waved an invitation for his guests to behold and marvel.
The dining-room was, in its way, also picturesque. The exceedingly plain table was covered with a clean white cloth. The furniture, owing to some fortunate accident of choice, was not ornate but of plain straight lines, redeemed by painted ollas filled with flowers. The white walls were decorated with two pictures, a lithograph of the Madonna,—which seemed entirely in keeping with the general tone of the room, but which would have looked glaringly out of place anywhere else,—and an enlarged full-length photograph, framed, of an exceedingly tall and gorgeous cowboy, hat in hand, quirt on wrist, and looking extremely impressive. Beside the cowboy stood a great, shaggy dog—Chance. And, by chance, the picture was a success.
"Why, it's you, Sun!" exclaimed Corliss, striding to the picture. "And it's a dandy! I'd hang it in the front room."'
"That's what Neeter was sayin'. But I kind of like it in here. You see, Neeter sets there and I set here where I can see me picture while I'm eatin'. It kind of gives me a good appetite. 'Course, lookin' out the window is fine. See them there mesas dancin' in the sun, and the grass wavin' and me cows grazing and 'way off like in a dream them blue hills! It's sure a millionaire picture! And it don't cost nothin'."
"That's the best of it!" said Corliss heartily. "We're going to build—over on the mesa near the fork. You remember?"
Sundown's flush was inexplicable to Margery, but Corliss understood. He had ridden the trail toward the fork one night.… But that was past, atoned for.… He would live that down.
"It's a purty view, over there," said Sundown gently.
And the two men felt that that which was not forgotten was at least forgiven—would never again be mentioned.
"And me kitchen," said Sundown, leading the way, "is Neeter's. She runs it. There's more good eats comes out of it than they is fancy crockery in it, which just suits me. And out here"—and the party progressed to the back yard—"is me new corral and stable and chicken-coop. I made all them improvements meself, durin' the winter. Reckon you saw the gasoline-engine what does the pumpin' for the tanks. I wanted to have a windmill, but the engine works faster. It's kind of hot, ma'am, and if you'll come in and set down I reckon me wife's got her hair—"
"Wah! Wah! Wah!" came in a crescendo from the bedroom.
Sundown straightened his shoulders. "Gee Gosh, he's gone and give it away, already!"
Corliss and his wife glanced at their host inquisitively.
"Me latest improvement," said Sundown, bowing, as Anita, a plump brown baby on her arm, opened the bedroom door and stood bashfully looking at the strangers.
"And me wife," he added.
Corliss bowed, but Margery rushed to Anita and held out her arms. "Oh, let me take him!" she cried. "What big brown eyes! Let me hold him! I'll be awfully careful! Isn't he sweet!"
They moved to the living-room where Anita and Margery sat side by side on the couch with the baby absorbing all their attention.
Sundown stalked about the room, his hands in his pockets, vainly endeavoring to appear very mannish and unconcerned, but his eye roved unceasingly to the baby. He was the longest and most upstanding six-feet-four of proud father that Margery or her husband had ever had the pleasure of meeting.
"He's got Neeter's eyes—and—and her—complexion, but he's sure got me style. He measures up two-feet-six by the yardstick what we got with buyin' a case of bakin'-soda, and he ain't a yearlin' yet. I don't just recollec' the day but I reckon Neeter knows."
"He's great!" exclaimed Corliss. "Isn't he, Margery?"
"He's just the cutest little brown baby!" said Margery, hugging the plump little body.
"He—he ain't so turruble brown," asserted Sundown. "'Course, he's tanned up some, seein' we keep him outside lots. I'm kind o' tanned up meself, and I reckon he takes after me."
"He has a head shaped just like yours," said Margery, anxious to please the proud father.
"Then," said Sundown solemnly, "he's goin' to be a pole."
Anita, proud of her offspring, her husband, her neat and clean home, laughed softly, and held out her arms for the baby. With a kick and a struggle the young Sundown wriggled to her arms and snuggled against her, gravely inspecting the pink roses on his mother's white dress. They were new to him. He was more used to blue gingham. The roses were interesting.
"Yes, Billy's me latest improvement," said Sundown, anxious to assert himself in view of the presence of so much femininity and a correspondingly seeming lack of vital interest in anything save the baby.
"Billy!" said Corliss, turning from where he had stood gazing out of the window.
"Uhuh! We named him Billy after you."
Corliss turned again to the window.
Sundown stepped to him, misinterpreting his silence. He put his hand on Corliss's shoulder. "You ain't mad 'cause we called him that, be you?"
"Mad! Say, Sun,"—and Corliss laughed, choked, and brushed his eyes. "Sun, I don't deserve it."
"Well, seein' what I been through since I was his size, I reckon I don't either. But he's here, and you're here and your wife—and things is fine! The sun is shinin' and the jiggers out on the mesa is chirkin' and to-morrow's goin' to be a fine day. There's nothin' like bankin' on to-morrow, 'specially if you are doin' the best you kin today." And with this bit of philosophy, Sundown, motioning to Corliss, excused himself and his companion as they strode to the doorway and out to the open. There they talked about many things having to do with themselves and others until Margery, hailing them from the door, told them that dinner was waiting.
After dinner the men foregathered in the shade of an acacia and smoked, saying little, but each thinking of the future. Sundown in his peculiarly optimistic and half-melancholy way, and Corliss with mingled feelings of hope and regret. He had endeavored to live down his past away from home. He had succeeded in a measure: had sought and found work, had become acquainted with his employer's daughter, told her frankly of his previous manner of life, and found, not a little to his astonishment, that she had faith in him. Then he wrote to his brother, asking to come back. John Corliss was more than glad to realize that Will had straightened up. If the younger man was willing to reclaim himself among folk who knew him at his worst, there must be something to him. So Corliss had asked his brother to give him his employer's address; had written to the employer, explaining certain facts regarding Will's share in the Concho, and also asking that he urge Will to come home. Just here Miss Margery had something to say, the ultimate result of which was a more definite understanding all around. If Will was going back to Arizona, Margery was also going. And as Margery was a young woman quietly determined to have her way when she knew that it was right to do so, they were married the day before Will Corliss was to leave for Arizona. This was to be their honeymoon.
All of which was in Will Corliss's mind as he lay smoking and gazing at the cloudless sky. It may be added to his credit that he had not returned because of the money that was his when he chose to claim it. Rather, he had realized—and Margery had a great deal to do with his newer outlook—that so long as he stayed away from home he was confessing to cowardice. Incidentally Margery, being utterly feminine, wanted to see Arizona and the free life of the range, of which Corliss had told her. As for Nell Loring… Corliss sighed.
"It sure is hot," muttered Sundown. "'Course, you'll stay over and light out in the mornin' cool. You and me can sleep in the front room. 'T ain't the fust time we rustled for a roost. And the wimmen-folks can bunk in the bedroom. Billy he's right comf'table in his big clothes-basket. He's a sure good sleeper, if I do say it."
"We could have gone on through," said Corliss, smiling. "Of course we'd have been late, but Margery likes driving."
"Well, if you had 'a' gone through—and I'd 'a' ketched you at it—I—I—I'd 'a' changed Billy's name to—to somethin' else." And Sundown frowned ferociously.
Corliss laughed. "But we didn't. We're here—and it's mighty good to breathe Arizona air again. You never really begin to love Arizona till you've been somewhere else for a while."
"And bein' married helps some, too," suggested Sundown.
"Yes, a whole lot. Margery's enthusiasm makes me see beautiful things that I'd passed a hundred times before I knew her."
"That's correc'," concurred Sundown. "Now, take Gentle Annie, for instance—"
"You mean Mrs.—er—Sundown?"
"Nope! Me tame cow. 'Annie' is American for 'Anita,' so I called her that. Now, that there Gentle Annie's just a regular cow. She ain't purty—but she sure gives plenty milk. Neeter got me to seein' that Gentle Annie's eyes was purty and mournful-like and that she was a right handsome cow. If your wife's pettin' and feedin' somethin', and callin' it them there smooth Spanish names, a fella's wise to do the same. It helps things along."
"Little Billy, for instance," suggested Corliss.
"Leetle Billy is right! But he couldn't help bein' good-lookin', I guess. He's different. Fust thing your wife said wuz he took after his pa."
"You haven't changed much," said Corliss, smiling.
"Me? Mebby not—outside; but say, inside things is different. I got feelin's now what I never knowed I had before. Why, sometimes, when Neeter is rockin' leetle Bill, and singing and me settin' in the door, towards evenin', and everything fed up and happy, why, do you know, I feel jest like cryin'. Plumb foolish, ain't it?"
"I don't know about that, Sun."
"Well, you will some day," asserted Sundown, taking him literally. "'T ain't gettin' married what makes a man, but it's a dum' poor one what don't make the best of things if he is hitched up to a good girl. Only one thing—it sure don't give a fella time to write much po'try."
Corliss did not smile. "You're living the poetry," he said with simple sincerity.
"Which is correc', Billy. And speakin' of po'try, I reckon I got to go feed them pigs. They's gruntin' somethin' scand'lous for havin' comp'ny to our house—and anyhow, they's like to wake up leetle Bill."
And Sundown departed to feed his pigs.
CHAPTER XXIX
A MAN'S COUNTRY
"As for that," said John Corliss, gazing out across the mesa, "Loring and I shook hands—over the line fence. That's settled."
Sundown had just dismounted. He stood holding the reins of his old saddle-horse "Pill." He had ridden to the Concho to get his monthly pay. "And pore leetle ole Fernando—he's gone," said Sundown. "That's jest the difference between one fella doin' what he thinks is right and a bunch of fellas shootin' up themselves. The one fella gets it every time. The bunch, bein' so many of 'em, gets off. Mebby that's law, but it ain't fair."
"There's a difference, Sun. A fight in the open and downing a man from ambush—two mighty different things."
"Well, mebby. But I'm feelin' sad for that leetle Fernando jest the same.—That Billy's new house?"
"Yes. They expect to get settled this month."
"Gee Gosh! I been so busy I missed a bunch of days. Reckon I got to rustle up somethin' for a weddin' present. I know, be Gosh! I'll send 'em me picture. Billy was kind of stuck on it."
"Good idea, Sun. But I guess you'll miss it yourself."
"I dunno. Neeter ain't lookin' at it as much as she used to. She's busy lookin' after leetle Bill—and me. 'Course I can get another one took most any time."
"Make it two and give me one," said Corliss.
"You ain't joshin'?"
"No. I'll hang it in the office."
"Then she gets took—immediate."
Chance, who stood watching the two men, rose and wagged his tail.
Chance never failed to recognize that note in his master's voice. It meant that his master was pleased, enthusiastic, happy, and Chance, loyal companion, found his happiness in that of his friends.
"Well," said Sundown, "I reckon I got to be joggin'. Thanks for the check."
Corliss waved his hand. "I'll step over to the gate with you. Thought perhaps you'd stay and see Billy."
"Nope. I ain't feelin' like meetin' folks today. Don' know why. Sky's clear and fine, but inside I feel like it was goin' to rain. When you comin' down to see leetle Bill and Neeter?"
"Pretty soon. Is Billy well?"
"Well! Gee Gosh! If you could hear the langwidge he uses when Neeter puts him to bed and he don't want to go! Why, yesterday he was on the floor playin' with Chance and Chance got tired of it and lays down to snooze. Billy hitches along up to Chance, and Bim! he punches Chance on the nose. Made him sneeze, too! Why, that kid ain't afraid of nothin'—jest like his pa. I reckon Billy told you that his wife said that leetle Billy took after me, eh? Leave it to a woman to see them things!"
"Well, I'm mighty glad you're settled, and making a go of it, Sun."
"So be I. I was recollectin' when I fust come into this country and landed at that water-hole. It was kind of a joke then, but it ain't no joke now. Funny thing—that bunch of punchers what started me lookin' for that there hotel that time—they come jinglin' up last week. Didn't know I was the boss till one of 'em grins after sizin' me up and says—er—well, two three words what kids hadn't ought to hear, and then, 'It's him, boys!' Then I steps out and says, 'It is, gents. Come right in and have dinner and it won't cost you fellas a cent. I told you I'd feed you up good when I got me hotel to runnin'.' And sure enough, in they come and we fed 'em. They was goin' to the Blue. They bunked in me hay that night. Next mornin' they acted kind of queer, sayin' nothin' except, 'So-long,' when they lit out. And what do you think! They went and left four dollars and twenty-eight cents in the sugar-bowl—and a piece of paper with it sayin', 'For the kid.' We never found it out till I was drinkin' me coffee that night and liked to choked to death on a nickel. Guess them punchers ain't so bad."
"No. They stopped here next day. Said they'd never had a finer feed than you gave 'em."
"Neeter is sure some cook. Pretty nigh's good as me. Well, so-long, Jack. I—I—kind of wish you was buildin' a new house yourself."
Corliss, standing with his hand on the neck of Sundown's horse, smiled. "Arizona's a man's country, Sun."
"She sure is!" said Sundown, throwing out his chest. "And lemme tell you, Jack, it's a man's business to get married and settle down—and—raise more of 'em. 'Specially like me and you and Bud and Hi—only Hi's gettin' kind of old. She's a fine country, but she needs improvin'. Sometimes them improvements keeps you awake nights, but they're worth it!"
"Yes, I believe they're worth it," said Corliss, "So-long, Sun."
"So-long, Jack. I got to get back and milk Gentle Annie. We're switchin' Billy onto the bottle, and he don't like to be kep' waitin'."
Chance, following Sundown, trotted behind the horse a few steps, then turned and ran back to Corliss. He nuzzled the rancher's hand, whined, and leapt away to follow his master.
THE END