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Survey of London, Volume 05 (of 14), the parish of St. Giles-in-the-Fields, part 2 cover

Survey of London, Volume 05 (of 14), the parish of St. Giles-in-the-Fields, part 2

Chapter 84: General description and date of structure.
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About This Book

The volume presents a detailed architectural and historical survey of a central London parish, documenting boundaries, streets and individual buildings. It pairs descriptive history with measured drawings, elevations, photographs and maps to record houses, churches, public and institutional sites, and their notable features. Arranged street by street, entries trace development, alterations and former uses, and the work includes plate descriptions, plans and an index. The combined illustrations and text enable readers to follow the parish’s changing built fabric and to identify architectural details and surviving monuments.

XLVII.–XLVIII.—Nos. 24 and 32, BETTERTON STREET.

General description and date of structure.

No. 24, Betterton Street, dating from the 18th century, must at one time have been a fine residence, but there is now nothing in it to record. The doorcase is illustrated on Plate 35.

No. 32 also dates from the 18th century. Attached to these premises is a boldly recessed carved wooden doorcase of interesting design, illustrated on Plate 36. The interior of the house contains a wood and compo chimney piece of some interest in the front room of the ground floor, and one of white marble, relieved with a little carving and red stone inlay, in the corresponding room on the floor above.

Condition of repair.

The houses are in fair repair.

Biographical notes.

The sewer ratebook for 1718 shows “John Bannister” in occupation of No. 32. This was probably John Bannister, the younger, “who came from an old St. Giles’s family, his father having been a musician, composer and violinist, and his grandfather one of the parish waits. He himself was in the royal band during the reigns of Charles II., James II., William and Mary, and Anne, and played first violin at Drury Lane theatre, when Italian operas were first introduced into England.”[508]

In the Council’s collection are:—

No. 24, Betterton Street—General exterior (photograph).

[509]No. 24, Betterton Street—Entrance doorway (measured drawing).

[509]No. 32, Betterton Street—Entrance doorway (photograph).

No. 32, Betterton Street—Marble chimneypiece, front room, first floor (photograph).