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That Marvel—The Movie / A Glance at Its Past, Its Promising Present and Its Significant Future cover

That Marvel—The Movie / A Glance at Its Past, Its Promising Present and Its Significant Future

Chapter 25: APPENDIX D SIGNIFICANT DATES IN THE EVOLUTION OF THE MOTION PICTURE
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About This Book

The author traces the motion picture's evolution from crude experimental beginnings to an influential art and industry, surveying technical, artistic, and commercial advances while assessing moral and social responsibilities. He examines censorship and public-relations efforts, the emergence of continuity writing and plot adaptation from literature, and the screen's pedagogical uses and potential as an international language. Chapters consider historical interpretation on film, ethical improvement within the industry, and practical data on scope and impact, offering reflections on future possibilities and civic significance.

APPENDIX D
 
SIGNIFICANT DATES IN THE EVOLUTION OF THE MOTION PICTURE

Daguerre, Louis Jacques Mandé, of France, inventor of photography, born 1789, died 1851.

Desvignes, of France, devised apparatus for animated photography, 1860.

Du Mont, of France, formulated scheme of chronophotography, 1861.

Muybridge, an Englishman, photographs a trotting horse in motion, California, 1872.

Jansen’s photographic revolver for recording the transit of Venus, 1874.

Dr. E. J. Marey’s photographic gun for studying the flight of birds, 1882.

Stern filed patent in Great Britain for chronophotographic apparatus, 1889.

Roller photography invented by Eastman and Walker, 1885.

Eastman, an American, invents celluloid film, 1889.

Edison, an American, exhibits his Kinetoscope at Chicago World’s Fair, 1893.

Robert W. Paul, an Englishman, throws first movie picture on screen at his studio in Hatton Garden, London, early in 1895.

Paul shows movies at the Royal Institution, London, Feb. 28, 1896.

Paul and Sir Augustus Harris win success at the Olympia Theatre, London, with the “Theatograph,” 1896.

Richard G. Hollaman, an American, exhibits the cinematograph at his New York Eden Musée, 1896.

Charles Urban installs his new projector at the Eden Musée, 1897.

First topical film—the English Derby of 1896—was shown by Paul at the Alhambra, London, 1896.