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The Alfred Jewel: An Historical Essay

Chapter 17: APPENDIX A THE FIRST PUBLISHED NOTICE OF THE ALFRED JEWEL (pp. 25 and 144)
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About This Book

The essay investigates a celebrated medieval gold-and-enamel ornament held in a museum, offering a close physical description, analysis of its inscription, and arguments about its purpose and association with King Alfred. It combines art-historical examination of technique and lettering with comparisons to contemporary metalwork and illuminated sources, and reports on local topography, documentary and genealogical evidence, and the circumstances of the object's discovery. Illustrated plates, maps, and scholarly correspondence support a case for a strong probability that the object relates intimately to Alfred’s time and intent, while the author frames conclusions as provisional and invites further scrutiny.

APPENDIX A
THE FIRST PUBLISHED NOTICE OF THE ALFRED JEWEL
(pp. 25 and 144)

The following is an Article in the Philosophical Transactions of the Royal Society of London, vol. xx, No. 247, page 441:—

Part of a Letter from Dr. Musgrave, Fellow of the College of Physicians and R. S., to Dr. Sloane; concerning a Piece of Antiquity lately found in Somersetshire.

I enclose, to you, the Figure (see Fig. 4) of a curious piece of Antiquity, lately found near Ashelney in Somersetshire; the Place where King Alfred built, as Milton affirms, a Fortress: But according to William of Malmsbury, a Monastery; in Memory (as some have thought) of his Deliverance, obscure Retreat to that Place, and Concealment in it, from the Danes.

The Substance is in the Possession of Col. P. of Fairfield in the same County; by whose Permission, I had the Sight of it. ’Tis of the same Length and Breadth with the Figure: the Work very fine; so as to make some Men question its true Age: But in all probability, it did belong to that great King, it is so well represented in the Figure, that a short Description will suffice.

The Edge is thin, as far as the Letters. The Letters are on a Plane rising obliquely. All within the inner Pyramidal Line is on a Plane equi-distant from the Reverse. The Representation (in that upper Plane) seems to be of some Person in a Chair. It is in Enamel, cover’d over with a Crystal; which is secured in its place by the little Leaves coming over its Edges. In the Reverse are Flowers engraved. The whole piece may be of the Weight of Three Guineas. The Chrystal and Enamel excepted, it is all of pure Gold.

This, perhaps, was an Amulet of King Alfred’s.

Exon, Dec. 10, 1698.