CHAPTER III
The marriage took place at the beginning of the year 1795. Husband and wife came to Douai that the first days of their union might be spent in the patriarchal house of the Claes,—the treasures of which were increased by those of Mademoiselle de Temninck, who brought with her several fine pictures of Murillo and Velasquez, the diamonds of her mother, and the magnificent wedding-gifts, made to her by her brother, the Duke of Casa-Real.
Few women were ever happier than Madame Claes. Her happiness lasted for fifteen years without a cloud, diffusing itself like a vivid light into every nook and detail of her life. Most men have inequalities of character which produce discord, and deprive their households of the harmony which is the ideal of a home; the majority are blemished with some littleness or meanness, and meanness of any kind begets bickering. One man is honorable and diligent, but hard and crabbed; another kindly, but obstinate; this one loves his wife, yet his will is arbitrary and uncertain; that other, preoccupied by ambition, pays off his affections as he would a debt, bestows the luxuries of wealth but deprives the daily life of happiness,—in short, the average man of social life is essentially incomplete, without being signally to blame. Men of talent are as variable as barometers; genius alone is intrinsically good.
For this reason unalloyed happiness is found at the two extremes of the moral scale. The good-natured fool and the man of genius alone are capable—the one through weakness, the other by strength—of that equanimity of temper, that unvarying gentleness, which soften the asperities of daily life. In the one, it is indifference or stolidity; in the other, indulgence and a portion of the divine thought of which he is the interpreter, and which needs to be consistent alike in principle and application. Both natures are equally simple; but in one there is vacancy, in the other depth. This is why clever women are disposed to take dull men as the small change for great ones.
Balthazar Claes carried his greatness into the lesser things of life. He delighted in considering conjugal love as a magnificent work; and like all men of lofty aims who can bear nothing imperfect, he wished to develop all its beauties. His powers of mind enlivened the calm of happiness, his noble nature marked his attentions with the charm of grace. Though he shared the philosophical tenets of the eighteenth century, he installed a chaplain in his home until 1801 (in spite of the risk he ran from the revolutionary decrees), so that he might not thwart the Spanish fanaticism which his wife had sucked in with her mother’s milk: later, when public worship was restored in France, he accompanied her to mass every Sunday. His passion never ceased to be that of a lover. The protecting power, which women like so much, was never exercised by this husband, lest to that wife it might seem pity. He treated her with exquisite flattery as an equal, and sometimes mutinied against her, as men will, as though to brave the supremacy of a pretty woman. His lips wore a smile of happiness, his speech was ever tender; he loved his Josephine for herself and for himself, with an ardor that crowned with perpetual praise the qualities and the loveliness of a wife.
Fidelity, often the result of social principle, religious duty, or self-interest on the part of a husband, was in this case involuntary, and not without the sweet flatteries of the spring-time of love. Duty was the only marriage obligation unknown to these lovers, whose love was equal; for Balthazar Claes found the complete and lasting realization of his hopes in Mademoiselle de Temninck; his heart was satisfied but not wearied, the man within him was ever happy.
Not only did the daughter of Casa-Real derive from her Spanish blood the intuition of that science which varies pleasure and makes it infinite, but she possessed the spirit of unbounded self-devotion, which is the genius of her sex as grace is that of beauty. Her love was a blind fanaticism which, at a nod, would have sent her joyously to her death. Balthazar’s own delicacy had exalted the generous emotions of his wife, and inspired her with an imperious need of giving more than she received. This mutual exchange of happiness which each lavished upon the other, put the mainspring of her life visibly outside of her personality, and filled her words, her looks, her actions, with an ever-growing love. Gratitude fertilized and varied the life of each heart; and the certainty of being all in all to one another excluded the paltry things of existence, while it magnified the smallest accessories.
The deformed woman whom her husband thinks straight, the lame woman whom he would not have otherwise, the old woman who seems ever young—are they not the happiest creatures of the feminine world? Can human passion go beyond it? The glory of a woman is to be adored for a defect. To forget that a lame woman does not walk straight may be the glamour of a moment, but to love her because she is lame is the deification of her defects. In the gospel of womanhood it is written: “Blessed are the imperfect, for theirs is the kingdom of Love.” If this be so, surely beauty is a misfortune; that fugitive flower counts for too much in the feeling that a woman inspires; often she is loved for her beauty as another is married for her money. But the love inspired or bestowed by a woman disinherited of the frail advantages pursued by the sons of Adam, is true love, the mysterious passion, the ardent embrace of souls, a sentiment for which the day of disenchantment never comes. That woman has charms unknown to the world, from whose jurisdiction she withdraws herself: she is beautiful with a meaning; her glory lies in making her imperfections forgotten, and thus she constantly succeeds in doing so.
The celebrated attachments of history were nearly all inspired by women in whom the vulgar mind would have found defects,—Cleopatra, Jeanne de Naples, Diane de Poitiers, Mademoiselle de la Valliere, Madame de Pompadour; in fact, the majority of the women whom love has rendered famous were not without infirmities and imperfections, while the greater number of those whose beauty is cited as perfect came to some tragic end of love.
This apparent singularity must have a cause. It may be that man lives more by sentiment than by sense; perhaps the physical charm of beauty is limited, while the moral charm of a woman without beauty is infinite. Is not this the moral of the fable on which the Arabian Nights are based? An ugly wife of Henry VIII. might have defied the axe, and subdued to herself the inconstancy of her master.
By a strange chance, not inexplicable, however, in a girl of Spanish origin, Madame Claes was uneducated. She knew how to read and write, but up to the age of twenty, at which time her parents withdrew her from a convent, she had read none but ascetic books. On her first entrance into the world, she was eager for pleasure and learned only the flimsy art of dress; she was, moreover, so deeply conscious of her ignorance that she dared not join in conversation; for which reason she was supposed to have little mind. Yet, the mystical education of a convent had one good result; it left her feelings in full force and her natural powers of mind uninjured. Stupid and plain as an heiress in the eyes of the world, she became intellectual and beautiful to her husband. During the first years of their married life, Balthazar endeavored to give her at least the knowledge that she needed to appear to advantage in good society: but he was doubtless too late, she had no memory but that of the heart. Josephine never forgot anything that Claes told her relating to themselves; she remembered the most trifling circumstances of their happy life; but of her evening studies nothing remained to her on the morrow.
This ignorance might have caused much discord between husband and wife, but Madame Claes’s understanding of the passion of love was so simple and ingenuous, she loved her husband so religiously, so sacredly, and the thought of preserving her happiness made her so adroit, that she managed always to seem to understand him, and it was seldom indeed that her ignorance was evident. Moreover, when two persons love one another so well that each day seems for them the beginning of their passion, phenomena arise out of this teeming happiness which change all the conditions of life. It resembles childhood, careless of all that is not laughter, joy, and merriment. Then, when life is in full activity, when its hearths glow, man lets the fire burn without thought or discussion, without considering either the means or the end.
No daughter of Eve ever more truly understood the calling of a wife than Madame Claes. She had all the submission of a Flemish woman, but her Spanish pride gave it a higher flavor. Her bearing was imposing; she knew how to command respect by a look which expressed her sense of birth and dignity: but she trembled before Claes; she held him so high, so near to God, carrying to him every act of her life, every thought of her heart, that her love was not without a certain respectful fear which made it keener. She proudly assumed all the habits of a Flemish bourgeoisie, and put her self-love into making the home life liberally happy,—preserving every detail of the house in scrupulous cleanliness, possessing nothing that did not serve the purposes of true comfort, supplying her table with the choicest food, and putting everything within those walls into harmony with the life of her heart.
The pair had two sons and two daughters. The eldest, Marguerite, was born in 1796. The last child was a boy, now three years old, named Jean-Balthazar. The maternal sentiment in Madame Claes was almost equal to her love for her husband; and there rose in her soul, especially during the last days of her life, a terrible struggle between those nearly balanced feelings, of which the one became, as it were, an enemy of the other. The tears and the terror that marked her face at the moment when this tale of a domestic drama then lowering over the quiet house begins, were caused by the fear of having sacrificed her children to her husband.
In 1805, Madame Claes’s brother died without children. The Spanish law does not allow a sister to succeed to territorial possessions, which follow the title; but the duke had left her in his will about sixty thousand ducats, and this sum the heirs of the collateral branch did not seek to retain. Though the feeling which united her to Balthazar Claes was such that no thought of personal interest could ever sully it, Josephine felt a certain pleasure in possessing a fortune equal to that of her husband, and was happy in giving something to one who had so nobly given everything to her. Thus, a mere chance turned a marriage which worldly minds had declared foolish, into an excellent alliance, seen from the standpoint of material interests. The use to which this sum of money should be put became, however, somewhat difficult to determine.
The House of Claes was so richly supplied with furniture, pictures, and objects of art of priceless value, that it was difficult to add anything worthy of what was already there. The tastes of the family through long periods of time had accumulated these treasures. One generation followed the quest of noble pictures, leaving behind it the necessity of completing a collection still unfinished; and thus the taste became hereditary in the family. The hundred pictures which adorned the gallery leading from the family building to the reception-rooms on the first floor of the front house, as well as some fifty others placed about the salons, were the product of the patient researches of three centuries. Among them were choice specimens of Rubens, Ruysdael, Vandyke, Terburg, Gerard Dow, Teniers, Mieris, Paul Potter, Wouvermans, Rembrandt, Hobbema, Cranach, and Holbein. French and Italian pictures were in a minority, but all were authentic and masterly.
Another generation had fancied Chinese and Japanese porcelains: this Claes was eager after rare furniture, that one for silver-ware; in fact, each and all had their mania, their passion,—a trait which belongs in a striking degree to the Flemish character. The father of Balthazar, a last relic of the once famous Dutch society, left behind him the finest known collection of tulips.
Besides these hereditary riches, which represented an enormous capital, and were the choice ornament of the venerable house,—a house that was simple as a shell outside but, like a shell, adorned within by pearls of price and glowing with rich color,—Balthazar Claes possessed a country-house on the plain of Orchies, not far from Douai. Instead of basing his expenses, as Frenchmen do, upon his revenues, he followed the old Dutch custom of spending only a fourth of his income. Twelve hundred ducats a year put his costs of living at a level with those of the richest men of the place. The promulgation of the Civil Code proved the wisdom of this course. Compelling, as it did, the equal division of property, the Title of Succession would some day leave each child with limited means, and disperse the treasures of the Claes collection. Balthazar, therefore, in concert with Madame Claes, invested his wife’s property so as to secure to each child a fortune eventually equal to his own. The house of Claes still maintained its moderate scale of living, and bought woodlands somewhat the worse for wars that had laid waste the country, but which in ten years’ time, if well-preserved, would return an enormous value.
The upper ranks of society in Douai, which Monsieur Claes frequented, appreciated so justly the noble character and qualities of his wife that, by tacit consent she was released from those social duties to which the provinces cling so tenaciously. During the winter season, when she lived in town, she seldom went into society; society came to her. She received every Wednesday, and gave three grand dinners every month. Her friends felt that she was more at ease in her own house; where, indeed, her passion for her husband and the care she bestowed on the education of her children tended to keep her.
Such had been, up to the year 1809, the general course of this household, which had nothing in common with the ordinary run of conventional ideas, though the outward life of these two persons, secretly full of love and joy, was like that of other people. Balthazar Claes’s passion for his wife, which she had known how to perpetuate, seemed, to use his own expression, to spend its inborn vigor and fidelity on the cultivation of happiness, which was far better than the cultivation of tulips (though to that he had always had a leaning), and dispensed him from the duty of following a mania like his ancestors.
At the close of this year, the mind and the manners of Balthazar Claes underwent a fatal change,—a change which began so gradually that at first Madame Claes did not think it necessary to inquire the cause. One night her husband went to bed with a mind so preoccupied that she felt it incumbent on her to respect his mood. Her womanly delicacy and her submissive habits always led her to wait for Balthazar’s confidence; which, indeed, was assured to her by so constant an affection that she had never had the slightest opening for jealousy. Though certain of obtaining an answer whenever she should make the inquiry, she still retained enough of the earlier impressions of her life to dread a refusal. Besides, the moral malady of her husband had its phases, and only came by slow degrees to the intolerable point at which it destroyed the happiness of the family.
However occupied Balthazar Claes might be, he continued for several months cheerful, affectionate, and ready to talk; the change in his character showed itself only by frequent periods of absent-mindedness. Madame Claes long hoped to hear from her husband himself the nature of the secret employment in which he was engaged; perhaps, she thought, he would reveal it when it developed some useful result; many men are led by pride to conceal the nature of their efforts, and only make them known at the moment of success. When the day of triumph came, surely domestic happiness would return, more vivid than ever when Balthazar became aware of this chasm in the life of love, which his heart would surely disavow. Josephine knew her husband well enough to be certain that he would never forgive himself for having made his Pepita less than happy during several months.
She kept silence therefore, and felt a sort of joy in thus suffering by him for him: her passion had a tinge of that Spanish piety which allows no separation between religion and love, and believes in no sentiment without suffering. She waited for the return of her husband’s affection, saying daily to herself, “To-morrow it may come,”—treating her happiness as though it were an absent friend.
During this stage of her secret distress, she conceived her last child. Horrible crisis, which revealed a future of anguish! In the midst of her husband’s abstractions love showed itself on this occasion an abstraction even greater than the rest. Her woman’s pride, hurt for the first time, made her sound the depths of the unknown abyss which separated her from the Claes of earlier days. From that time Balthazar’s condition grew rapidly worse. The man formerly so wrapped up in his domestic happiness, who played for hours with his children on the parlor carpet or round the garden paths, who seemed able to exist only in the light of his Pepita’s dark eyes, did not even perceive her pregnancy, seldom shared the family life, and even forgot his own.
The longer Madame Claes postponed inquiring into the cause of his preoccupation the less she dared to do so. At the very idea, her blood ran cold and her voice grew faint. At last the thought occurred to her that she had ceased to please her husband, and then indeed she was seriously alarmed. That fear now filled her mind, drove her to despair, then to feverish excitement, and became the text of many an hour of melancholy reverie. She defended Balthazar at her own expense, calling herself old and ugly; then she imagined a generous though humiliating consideration for her in this secret occupation by which he secured to her a negative fidelity; and she resolved to give him back his independence by allowing one of those unspoken divorces which make the happiness of many a marriage.
Before bidding farewell to conjugal life, Madame Claes made some attempt to read her husband’s heart, and found it closed. Little by little, she saw him become indifferent to all that he had formerly loved; he neglected his tulips, he cared no longer for his children. There could be no doubt that he was given over to some passion that was not of the heart, but which, to a woman’s mind, is not less withering. His love was dormant, not lost: this might be a consolation, but the misfortune remained the same.
The continuance of such a state of things is explained by one word,—hope, the secret of all conjugal situations. It so happened that whenever the poor woman reached a depth of despair which gave her courage to question her husband, she met with a few brief moments of happiness when she was able to feel that if Balthazar was indeed in the clutch of some devilish power, he was permitted, sometimes at least, to return to himself. At such moments, when her heaven brightened, she was too eager to enjoy its happiness to trouble him with importunate questions: later, when she endeavored to speak to him, he would suddenly escape, leave her abruptly, or drop into the gulf of meditation from which no word of hers could drag him.
Before long the reaction of the moral upon the physical condition began its ravages,—at first imperceptibly, except to the eyes of a loving woman following the secret thought of a husband through all its manifestations. Often she could scarcely restrain her tears when she saw him, after dinner, sink into an armchair by the corner of the fireplace, and remain there, gloomy and abstracted. She noted with terror the slow changes which deteriorated that face, once, to her eyes, sublime through love: the life of the soul was retreating from it; the structure remained, but the spirit was gone. Sometimes the eyes were glassy, and seemed as if they had turned their gaze and were looking inward. When the children had gone to bed, and the silence and solitude oppressed her, Pepita would say, “My friend, are you ill?” and Balthazar would make no answer; or if he answered, he would come to himself with a quiver, like a man snatched suddenly from sleep, and utter a “No” so harsh and grating that it fell like a stone on the palpitating heart of his wife.
Though she tried to hide this strange state of things from her friends, Madame Claes was obliged sometimes to allude to it. The social world of Douai, in accordance with the custom of provincial towns, had made Balthazar’s aberrations a topic of conversation, and many persons were aware of certain details that were still unknown to Madame Claes. Disregarding the reticence which politeness demanded, a few friends expressed to her so much anxiety on the subject that she found herself compelled to defend her husband’s peculiarities.
“Monsieur Claes,” she said, “has undertaken a work which wholly absorbs him; its success will eventually redound not only to the honor of the family but to that of his country.”
This mysterious explanation was too flattering to the ambition of a town whose local patriotism and desire for glory exceed those of other places, not to be readily accepted, and it produced on all minds a reaction in favor of Balthazar.
The supposition of his wife was, to a certain extent, well-founded. Several artificers of various trades had long been at work in the garret of the front house, where Balthazar went early every morning. After remaining, at first, for several hours, an absence to which his wife and household grew gradually accustomed, he ended by being there all day. But—unexpected shock!—Madame Claes learned through the humiliating medium of some women friends, who showed surprise at her ignorance, that her husband constantly imported instruments of physical science, valuable materials, books, machinery, etc., from Paris, and was on the highroad to ruin in search of the Philosopher’s Stone. She ought, so her kind friends added, to think of her children, and her own future; it was criminal not to use her influence to draw Monsieur Claes from the fatal path on which he had entered.
Though Madame Claes, with the tone and manner of a great lady, silenced these absurd speeches, she was inwardly terrified in spite of her apparent confidence, and she resolved to break through her present system of silence and resignation. She brought about one of those little scenes in which husband and wife are on an equal footing; less timid at such a moment, she dared to ask Balthazar the reason for his change, the motive of his constant seclusion. The Flemish husband frowned, and replied:—
“My dear, you could not understand it.”
Soon after, however, Josephine insisted on being told the secret, gently complaining that she was not allowed to share all the thoughts of one whose life she shared.
“Very well, since it interests you so much,” said Balthazar, taking his wife upon his knee and caressing her black hair, “I will tell you that I have returned to the study of chemistry, and I am the happiest man on earth.”
CHAPTER IV
Two years after the winter when Monsieur Claes returned to chemistry, the aspect of his house was changed. Whether it were that society was affronted by his perpetual absent-mindedness and chose to think itself in the way, or that Madame Claes’s secret anxieties made her less agreeable than before, certain it is that she no longer saw any but her intimate friends. Balthazar went nowhere, shut himself up in his laboratory all day, sometimes stayed there all night, and only appeared in the bosom of his family at dinner-time.
After the second year he no longer passed the summer at his country-house, and his wife was unwilling to live there alone. Sometimes he went to walk and did not return till the following day, leaving Madame Claes a prey to mortal anxiety during the night. After causing a fruitless search for him through the town, whose gates, like those of other fortified places, were closed at night, it was impossible to send into the country, and the unhappy woman could only wait and suffer till morning. Balthazar, who had forgotten the hour at which the gates closed, would come tranquilly home next day, quite unmindful of the tortures his absence had inflicted on his family; and the happiness of getting him back proved as dangerous an excitement of feeling to his wife as her fears of the preceding night. She kept silence and dared not question him, for when she did so on the occasion of his first absence, he answered with an air of surprise:—
“Well, what of it? Can I not take a walk?”
Passions never deceive. Madame Claes’s anxieties corroborated the rumors she had taken so much pains to deny. The experience of her youth had taught her to understand the polite pity of the world. Resolved not to undergo it a second time, she withdrew more and more into the privacy of her own house, now deserted by society and even by her nearest friends.
Among these many causes of distress, the negligence and disorder of Balthazar’s dress, so degrading to a man of his station, was not the least bitter to a woman accustomed to the exquisite nicety of Flemish life. At first Josephine endeavored, in concert with Balthazar’s valet, Lemulquinier, to repair the daily devastation of his clothing, but even that she was soon forced to give up. The very day when Balthazar, unaware of the substitution, put on new clothes in place of those that were stained, torn, or full of holes, he made rags of them.
The poor wife, whose perfect happiness had lasted fifteen years, during which time her jealousy had never once been roused, was apparently and suddenly nothing in the heart where she had lately reigned. Spanish by race, the feelings of a Spanish woman rose within her when she discovered her rival in a Science that allured her husband from her: torments of jealousy preyed upon her heart and renewed her love. What could she do against Science? Should she combat that tyrannous, unyielding, growing power? Could she kill an invisible rival? Could a woman, limited by nature, contend with an Idea whose delights are infinite, whose attractions are ever new? How make head against the fascination of ideas that spring the fresher and the lovelier out of difficulty, and entice a man so far from this world that he forgets even his dearest loves?
At last one day, in spite of Balthazar’s strict orders, Madame Claes resolved to follow him, to shut herself up in the garret where his life was spent, and struggle hand to hand against her rival by sharing her husband’s labors during the long hours he gave to that terrible mistress. She determined to slip secretly into the mysterious laboratory of seduction, and obtain the right to be there always. Lemulquinier alone had that right, and she meant to share it with him; but to prevent his witnessing the contention with her husband which she feared at the outset, she waited for an opportunity when the valet should be out of the way. For a while she studied the goings and comings of the man with angry impatience; did he not know that which was denied to her—all that her husband hid from her, all that she dared not inquire into? Even a servant was preferred to a wife!
The day came; she approached the place, trembling, yet almost happy. For the first time in her life she encountered Balthazar’s anger. She had hardly opened the door before he sprang upon her, seized her, threw her roughly on the staircase, so that she narrowly escaped rolling to the bottom.
“God be praised! you are still alive!” he cried, raising her.
A glass vessel had broken into fragments over Madame Claes, who saw her husband standing by her, pale, terrified, and almost livid.
“My dear, I forbade you to come here,” he said, sitting down on the stairs, as though prostrated. “The saints have saved your life! By what chance was it that my eyes were on the door when you opened it? We have just escaped death.”
“Then I might have been happy!” she exclaimed.
“My experiment has failed,” continued Balthazar. “You alone could I forgive for that terrible disappointment. I was about to decompose nitrogen. Go back to your own affairs.”
Balthazar re-entered the laboratory and closed the door.
“Decompose nitrogen!” said the poor woman as she re-entered her chamber, and burst into tears.
The phrase was unintelligible to her. Men, trained by education to have a general conception of everything, have no idea how distressing it is for a woman to be unable to comprehend the thought of the man she loves. More forbearing than we, these divine creatures do not let us know when the language of their souls is not understood by us; they shrink from letting us feel the superiority of their feelings, and hide their pain as gladly as they silence their wishes: but, having higher ambitions in love than men, they desire to wed not only the heart of a husband, but his mind.
To Madame Claes the sense of knowing nothing of a science which absorbed her husband filled her with a vexation as keen as the beauty of a rival might have caused. The struggle of woman against woman gives to her who loves the most the advantage of loving best; but a mortification like this only proved Madame Claes’s powerlessness and humiliated the feelings by which she lived. She was ignorant; and she had reached a point where her ignorance parted her from her husband. Worse than all, last and keenest torture, he was risking his life, he was often in danger—near her, yet far away, and she might not share, nor even know, his peril. Her position became, like hell, a moral prison from which there was no issue, in which there was no hope. Madame Claes resolved to know at least the outward attractions of this fatal science, and she began secretly to study chemistry in the books. From this time the family became, as it were, cloistered.
Such were the successive changes brought by this dire misfortune upon the family of Claes, before it reached the species of atrophy in which we find it at the moment when this history begins.
The situation grew daily more complicated. Like all passionate women, Madame Claes was disinterested. Those who truly love know that considerations of money count for little in matters of feeling and are reluctantly associated with them. Nevertheless, Josephine did not hear without distress that her husband had borrowed three hundred thousand francs upon his property. The apparent authenticity of the transaction, the rumors and conjectures spread through the town, forced Madame Claes, naturally much alarmed, to question her husband’s notary and, disregarding her pride, to reveal to him her secret anxieties or let him guess them, and even ask her the humiliating question,—
“How is it that Monsieur Claes has not told you of this?”
Happily, the notary was almost a relation,—in this wise: The grandfather of Monsieur Claes had married a Pierquin of Antwerp, of the same family as the Pierquins of Douai. Since the marriage the latter, though strangers to the Claes, claimed them as cousins. Monsieur Pierquin, a young man twenty-six years of age, who had just succeeded to his father’s practice, was the only person who now had access to the House of Claes.
Madame Balthazar had lived for several months in such complete solitude that the notary was obliged not only to confirm the rumor of the disasters, but to give her further particulars, which were now well known throughout the town. He told her that it was probably that her husband owed considerable sums of money to the house which furnished him with chemicals. That house, after making inquiries as to the fortune and credit of Monsieur Claes, accepted all his orders and sent the supplies without hesitation, notwithstanding the heavy sums of money which became due. Madame Claes requested Pierquin to obtain the bill for all the chemicals that had been furnished to her husband.
Two months later, Messieurs Protez and Chiffreville, manufacturers of chemical products, sent in a schedule of accounts rendered, which amounted to over one hundred thousand francs. Madame Claes and Pierquin studied the document with an ever-increasing surprise. Though some articles, entered in commercial and scientific terms, were unintelligible to them, they were frightened to see entries of precious metals and diamonds of all kinds, though in small quantities. The large sum total of the debt was explained by the multiplicity of the articles, by the precautions needed in transporting some of them, more especially valuable machinery, by the exorbitant price of certain rare chemicals, and finally by the cost of instruments made to order after the designs of Monsieur Claes himself.
The notary had made inquiries, in his client’s interest, as to Messieurs Protez and Chiffreville, and found that their known integrity was sufficient guarantee as to the honesty of their operations with Monsieur Claes, to whom, moreover, they frequently sent information of results obtained by chemists in Paris, for the purpose of sparing him expense. Madame Claes begged the notary to keep the nature of these purchases from the knowledge of the people of Douai, lest they should declare the whole thing a mania; but Pierquin replied that he had already delayed to the very last moment the notarial deeds which the importance of the sum borrowed necessitated, in order not to lessen the respect in which Monsieur Claes was held. He then revealed the full extent of the evil, telling her plainly that if she could not find means to prevent her husband from thus madly making way with his property, in six months the patrimonial fortune of the Claes would be mortgaged to its full value. As for himself, he said, the remonstrances he had already made to his cousin, with all the consideration due to a man so justly respected, had been wholly unavailing. Balthazar had replied, once for all, that he was working for the fame and the fortune of his family.
Thus, to the tortures of the heart which Madame Claes had borne for two years—one following the other with cumulative suffering—was now added a dreadful and ceaseless fear which made the future terrifying. Women have presentiments whose accuracy is often marvellous. Why do they fear so much more than they hope in matters that concern the interests of this life? Why is their faith given only to religious ideas of a future existence? Why do they so ably foresee the catastrophes of fortune and the crises of fate? Perhaps the sentiment which unites them to the men they love gives them a sense by which they weigh force, measure faculties, understand tastes, passions, vices, virtues. The perpetual study of these causes in the midst of which they live gives them, no doubt, the fatal power of foreseeing effects in all possible relations of earthly life. What they see of the present enables them to judge of the future with an intuitive ability explained by the perfection of their nervous system, which allows them to seize the lightest indications of thought and feeling. Their whole being vibrates in communion with great moral convulsions. Either they feel, or they see.
Now, although separated from her husband for over two years, Madame Claes foresaw the loss of their property. She fully understood the deliberate ardor, the well-considered, inalterable steadfastness of Balthazar; if it were indeed true that he was seeking to make gold, he was capable of throwing his last crust into the crucible with absolute indifference. But what was he really seeking? Up to this time maternal feeling and conjugal love had been so mingled in the heart of this woman that the children, equally beloved by husband and wife, had never come between them. Suddenly she found herself at times more mother than wife, though hitherto she had been more wife than mother. However ready she had been to sacrifice her fortune and even her children to the man who had chosen her, loved her, adored her, and to whom she was still the only woman in the world, the remorse she felt for the weakness of her maternal love threw her into terrible alternations of feeling. As a wife, she suffered in heart; as a mother, through her children; as a Christian, for all.
She kept silence, and hid the cruel struggle in her soul. Her husband, sole arbiter of the family fate, was the master by whose will it must be guided; he was responsible to God only. Besides, could she reproach him for the use he now made of his fortune, after the disinterestedness he had shown to her for many happy years? Was she to judge his purposes? And yet her conscience, in keeping with the spirit of the law, told her that parents were the depositaries and guardians of property, and possessed no right to alienate the material welfare of the children. To escape replying to such stern questions she preferred to shut her eyes, like one who refuses to see the abyss into whose depths he knows he is about to fall.
For more than six months her husband had given her no money for the household expenses. She sold secretly, in Paris, the handsome diamond ornaments her brother had given her on her marriage, and placed the family on a footing of the strictest economy. She sent away the governess of her children, and even the nurse of little Jean. Formerly the luxury of carriages and horses was unknown among the burgher families, so simple were they in their habits, so proud in their feelings; no provision for that modern innovation had therefore been made at the House of Claes, and Balthazar was obliged to have his stable and coach-house in a building opposite to his own house: his present occupations allowed him no time to superintend that portion of his establishment, which belongs exclusively to men. Madame Claes suppressed the whole expense of equipages and servants, which her present isolation from the world rendered unnecessary, and she did so without pretending to conceal the retrenchment under any pretext. So far, facts had contradicted her assertions, and silence for the future was more becoming: indeed the change in the family mode of living called for no explanation in a country where, as in Flanders, any one who lives up to his income is considered a madman.
And yet, as her eldest daughter, Marguerite, approached her sixteenth birthday, Madame Claes longed to procure for her a good marriage, and to place her in society in a manner suitable to a daughter of the Molinas, the Van Ostron-Temnincks, and the Casa-Reals. A few days before the one on which this story opens, the money derived from the sale of the diamonds had been exhausted. On the very day, at three o’clock in the afternoon, as Madame Claes was taking her children to vespers, she met Pierquin, who was on his way to see her, and who turned and accompanied her to the church, talking in a low voice of her situation.
“My dear cousin,” he said, “unless I fail in the friendship which binds me to your family, I cannot conceal from you the peril of your position, nor refrain from begging you to speak to your husband. Who but you can hold him back from the gulf into which he is plunging? The rents from the mortgaged estates are not enough to pay the interest on the sums he has borrowed. If he cuts the wood on them he destroys your last chance of safety in the future. My cousin Balthazar owes at this moment thirty thousand francs to the house of Protez and Chiffreville. How can you pay them? What will you live on? If Claes persists in sending for reagents, retorts, voltaic batteries, and other such playthings, what will become of you? Your whole property, except the house and furniture, has been dissipated in gas and carbon; yesterday he talked of mortgaging the house, and in answer to a remark of mine, he cried out, ‘The devil!’ It was the first sign of reason I have known him show for three years.”
Madame Claes pressed the notary’s arm, and said in a tone of suffering, “Keep it secret.”
Overwhelmed by these plain words of startling clearness, the poor woman, pious as she was, could not pray; she sat still on her chair between her children, with her prayer-book open, but not turning its leaves; her mind was sunk in meditations as absorbing as those of her husband. The Spanish sense of honor, the Flemish integrity, resounded in her soul with a peal louder than any organ. The ruin of her children was accomplished! Between them and their father’s honor she must no longer hesitate. The necessity of a coming struggle with her husband terrified her; in her eyes he was so great, so majestic, that the mere prospect of his anger made her tremble as at a vision of the divine wrath. She must now depart from the submission she had sacredly practised as a wife. The interests of her children compelled her to oppose, in his most cherished tastes, the man she idolized. Must she not daily force him back to common matters from the higher realms of Science; drag him forcibly from a smiling future and plunge him into a materialism hideous to artists and great men? To her, Balthazar Claes was a Titan of science, a man big with glory; he could only have forgotten her for the riches of a mighty hope. Then too, was he not profoundly wise? she had heard him talk with such good sense on every subject that he must be sincere when he declared he worked for the glory and prosperity of his family. His love for his wife and family was not only vast, it was infinite. That feeling could not be extinct; it was magnified, and reproduced in another form.
Noble, generous, timid as she was, she prepared herself to ring into the ears of this noble man the word and the sound of money, to show him the sores of poverty, and force him to hear cries of distress when he was listening only for the melodious voice of Fame. Perhaps his love for her would lessen! If she had had no children, she would bravely and joyously have welcomed the new destiny her husband was making for her. Women who are brought up in opulence are quick to feel the emptiness of material enjoyments; and when their hearts, more wearied than withered, have once learned the happiness of a constant interchange of real feelings, they feel no shrinking from reduced outward circumstances, provided they are still acceptable to the man who has loved them. Their wishes, their pleasures, are subordinated to the caprices of that other life outside of their own; to them the only dreadful future is to lose him.
At this moment, therefore, her children came between Pepita and her true life, just as Science had come between herself and Balthazar. And thus, when she reached home after vespers, and threw herself into the deep armchair before the window of the parlor, she sent away her children, directing them to keep perfectly quiet, and despatched a message to her husband, through Lemulquinier, saying that she wished to see him. But although the old valet did his best to make his master leave the laboratory, Balthazar scarcely heeded him. Madame Claes thus gained time for reflection. She sat thinking, paying no attention to the hour nor the light. The thought of owing thirty thousand francs that could not be paid renewed her past anguish and joined it to that of the present and the future. This influx of painful interests, ideas, and feelings overcame her, and she wept.
As Balthazar entered at last through the panelled door, the expression of his face seemed to her more dreadful, more absorbed, more distracted than she had yet seen it. When he made her no answer she was magnetized for a moment by the fixity of that blank look emptied of all expression, by the consuming ideas that issued as if distilled from that bald brow. Under the shock of this impression she wished to die. But when she heard the callous voice, uttering a scientific wish at the moment when her heart was breaking, her courage came back to her; she resolved to struggle with that awful power which had torn a lover from her arms, a father from her children, a fortune from their home, happiness from all. And yet she could not repress a trepidation which made her quiver; in all her life no such solemn scene as this had taken place. This dreadful moment—did it not virtually contain her future, and gather within it all the past?
Weak and timid persons, or those whose excessive sensibility magnifies the smallest difficulties of life, men who tremble involuntarily before the masters of their fate, can now, one and all, conceive the rush of thoughts that crowded into the brain of this woman, and the feelings under the weight of which her heart was crushed as her husband slowly crossed the room towards the garden-door. Most women know that agony of inward deliberation in which Madame Claes was writhing. Even one whose heart has been tried by nothing worse than the declaration to a husband of some extravagance, or a debt to a dress-maker, will understand how its pulses swell and quicken when the matter is one of life itself.
A beautiful or graceful woman might have thrown herself at her husband’s feet, might have called to her aid the attitudes of grief; but to Madame Claes the sense of physical defects only added to her fears. When she saw Balthazar about to leave the room, her impulse was to spring towards him; then a cruel thought restrained her—she should stand before him! would she not seem ridiculous in the eyes of a man no longer under the glamour of love—who might see true? She resolved to avoid all dangerous chances at so solemn a moment, and remained seated, saying in a clear voice,
“Balthazar.”
He turned mechanically and coughed; then, paying no attention to his wife, he walked to one of the little square boxes that are placed at intervals along the wainscoting of every room in Holland and Belgium, and spat in it. This man, who took no thought of other persons, never forgot the inveterate habit of using those boxes. To poor Josephine, unable to find a reason for this singularity, the constant care which her husband took of the furniture caused her at all times an unspeakable pang, but at this moment the pain was so violent that it put her beside herself and made her exclaim in a tone of impatience, which expressed her wounded feelings,—
“Monsieur, I am speaking to you!”
“What does that mean?” answered Balthazar, turning quickly, and casting a look of reviving intelligence upon his wife, which fell upon her like a thunderbolt.
“Forgive me, my friend,” she said, turning pale. She tried to rise and put out her hand to him, but her strength gave way and she fell back. “I am dying!” she cried in a voice choked by sobs.
At the sight Balthazar had, like all abstracted persons, a vivid reaction of mind; and he divined, so to speak, the secret cause of this attack. Taking Madame Claes at once in his arms, he opened the door upon the little antechamber, and ran so rapidly up the ancient wooden staircase that his wife’s dress having caught on the jaws of one of the griffins that supported the balustrade, a whole breadth was torn off with a loud noise. He kicked in the door of the vestibule between their chambers, but the door of Josephine’s bedroom was locked.
He gently placed her on a chair, saying to himself, “My God! the key, where is the key?”
“Thank you, dear friend,” said Madame Claes, opening her eyes. “This is the first time for a long, long while that I have been so near your heart.”
“Good God!” cried Claes, “the key!—here come the servants.”
Josephine signed to him to take a key that hung from a ribbon at her waist. After opening the door, Balthazar laid his wife on a sofa, and left the room to stop the frightened servants from coming up by giving them orders to serve the dinner; then he went back to Madame Claes.
“What is it, my dear life?” he said, sitting down beside her, and taking her hand and kissing it.
“Nothing—now,” she answered. “I suffer no longer. Only, I would I had the power of God to pour all the gold of the world at thy feet.”
“Why gold?” he asked. He took her in his arms, pressed her to him and kissed her once more upon the forehead. “Do you not give me the greatest of all riches in loving me as you do love me, my dear and precious wife?”
“Oh! my Balthazar, will you not drive away the anguish of our lives as your voice now drives out the misery of my heart? At last, at last, I see that you are still the same.”
“What anguish do you speak of, dear?”
“My friend, we are ruined.”
“Ruined!” he repeated. Then, with a smile, he stroked her hand, holding it within his own, and said in his tender voice, so long unheard: “To-morrow, dear love, our wealth may perhaps be limitless. Yesterday, in searching for a far more important secret, I think I found the means of crystallizing carbon, the substance of the diamond. Oh, my dear wife! in a few days’ time you will forgive me all my forgetfulness—I am forgetful sometimes, am I not? Was I not harsh to you just now? Be indulgent for a man who never ceases to think of you, whose toils are full of you—of us.”
“Enough, enough!” she said, “let us talk of it all to-night, dear friend. I suffered from too much grief, and now I suffer from too much joy.”
“To-night,” he resumed; “yes, willingly: we will talk of it. If I fall into meditation, remind me of this promise. To-night I desire to leave my work, my researches, and return to family joys, to the delights of the heart—Pepita, I need them, I thirst for them!”
“You will tell me what it is you seek, Balthazar?”
“Poor child, you cannot understand it.”
“You think so? Ah! my friend, listen; for nearly four months I have studied chemistry that I might talk of it with you. I have read Fourcroy, Lavoisier, Chaptal, Nollet, Rouelle, Berthollet, Gay-Lussac, Spallanzani, Leuwenhoek, Galvani, Volta,—in fact, all the books about the science you worship. You can tell me your secrets, I shall understand you.”
“Oh! you are indeed an angel,” cried Balthazar, falling at her feet, and shedding tears of tender feeling that made her quiver. “Yes, we will understand each other in all things.”
“Ah!” she cried, “I would throw myself into those hellish fires which heat your furnaces to hear these words from your lips and to see you thus.” Then, hearing her daughter’s step in the anteroom, she sprang quickly forward. “What is it, Marguerite?” she said to her eldest daughter.
“My dear mother, Monsieur Pierquin has just come. If he stays to dinner we need some table-linen; you forgot to give it out this morning.”
Madame Claes drew from her pocket a bunch of small keys and gave them to the young girl, pointing to the mahogany closets which lined the ante-chamber as she said:
“My daughter, take a set of the Graindorge linen; it is on your right.”
“Since my dear Balthazar comes back to me, let the return be complete,” she said, re-entering her chamber with a soft and arch expression on her face. “My friend, go into your own room; do me the kindness to dress for dinner, Pierquin will be with us. Come, take off this ragged clothing; see those stains! Is it muratic or sulphuric acid which left these yellow edges to the holes? Make yourself young again,—I will send you Mulquinier as soon as I have changed my dress.”
Balthazar attempted to pass through the door of communication, forgetting that it was locked on his side. He went out through the anteroom.
“Marguerite, put the linen on a chair, and come and help me dress; I don’t want Martha,” said Madame Claes, calling her daughter.
Balthazar had caught Marguerite and turned her towards him with a joyous action, exclaiming: “Good-evening, my child; how pretty you are in your muslin gown and that pink sash!” Then he kissed her forehead and pressed her hand.
“Mamma, papa has kissed me!” cried Marguerite, running into her mother’s room. “He seems so joyous, so happy!”
“My child, your father is a great man; for three years he has toiled for the fame and fortune of his family: he thinks he has attained the object of his search. This day is a festival for us all.”
“My dear mamma,” replied Marguerite, “we shall not be alone in our joy, for the servants have been so grieved to see him unlike himself. Oh! put on another sash, this is faded.”
“So be it; but make haste, I want to speak to Pierquin. Where is he?”
“In the parlor, playing with Jean.”
“Where are Gabriel and Felicie?”
“I hear them in the garden.”
“Run down quickly and see that they do not pick the tulips; your father has not seen them in flower this year, and he may take a fancy to look at them after dinner. Tell Mulquinier to go up and assist your father in dressing.”