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The Apaches of New York

Chapter 17: THE END.
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About This Book

A linked collection of street stories sketches the lives of criminals, policemen, politicians, and the neighborhoods they inhabit in New York, told in a reporting voice that blends first-hand police accounts and gang testimony. Episodes center on saloons, dance halls, tenements and backroom dealings, highlighting violence, theft, and the cultural code forbidding informers. Recurring motifs include corruption, the gap between moral and legal certainty, and the political protection that shields wrongdoers. Gritty local detail, dark humor, and short narrative sketches create an immersive portrait of urban underworld social dynamics.

Five minutes went by after the shooting; ten minutes!—no one was in a hurry. At last a policeman arrived. He might have come sooner, but the New Brighton was a citadel of politics. Would you have had him lose his shield?

The policeman felt his official way into the barroom:—empty as a drum, dark as the inside of a cow!

He struck a match. By its pale and little light he made out the dead Harrington on the floor. Not a living soul, not even Goldie Cora!

Goldie Cora?

Said that practical damsel, when the matter was put up to her by Big Kitty, who being sentimental called Goldie Cora a quitter for leaving her dead love lying in his blood, “What good could I do? If I'd stuck I'd have got pinched; an' then—me in th' Tombs—I'd have stood a swell chance, I don't chink, of bein' at Bill's funeral.”

THE END.