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The archæology of Rome, Part 7

Chapter 3: LIST OF PLATES.
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About This Book

The author reports on late 19th-century excavations that revealed extensive substructures beneath the arena, showing earlier origins than commonly supposed and multiple construction phases from Scaurus and Nero to the Flavian emperors. The work describes underground features such as a movable boarded arena with corbels, animal cages with vertical lifts and trapdoors, canals and reservoirs for staged naval displays, and wide passages for scenery, and examines reused timber and stone, masonry of tufa, brick, and concrete, plus coins and graffiti as documentary evidence. It also traces repairs from earthquakes and argues the amphitheatre evolved over more than a century rather than being completed in ten years.

LIST OF PLATES.

I. Exterior—General View.
II. Views of Parts—Upper Gallery, and remains of Reservoir in first gallery.
III. General View in 1812.
IV. View in the Substructures in 1874.
V. View in the Interior in 1874.
VI. Interior—View at the South-east End.
VII. General View in the South-east Part, with the Cradle.
VIII. Plan of the Part Excavated.
IX. Arches in the Substructure, of the first and second century.
X. Canals for the Naval fights.
XI. Two Capitals, one from the upper gallery the other from the lower one.
XII. Restoration of one Compartment.
XIII. Section and Details of one Compartment.
XIV. Section of one Bay, and Plans of the Six Storeys.
XV. A. Probable Restoration of the Stagna, &c. B. Brick arches of Nero supporting a tufa wall and arch.
XVI. Probable Restoration of the Lifts and Pegmata, or cages, with the animals leaping out.
XVII. View in the Substructures, shewing the Consoles for placing the boards upon.
XVIII. View and Plan of one Division, shewing the great consoles inserted into the old tufa wall.
XIX. View in the Substructure, with the mouth of the Great Drain, and the iron grating and the grooves of the sluice-gate.
XX. Portion of the Superstructure in the principal gallery.
XXI. View in the Upper Part, with the aperture from which a travertine pier has been carried away.
XXII. The Graffiti: A. and B. Athletes; C. A hunt of wild beasts.
XXIII. A Graffito of the framework of the netting or gilt wire on the podium.
XXIV. Representations of the Colosseum on Coins.
XXV. Diagrams of the Coins.
XXVI. A Roman Galley on a Cradle.
XXVII. I. Amphitheatre at Capua. II. Amphitheatre at Pompeii, from a fresco of the first century.
XXVIII. Amphitheatre at Capua—Perspective View and Details.
XXIX. Amphitheatre at Capua—Details.
XXX. Amphitheatre at Capua—Plan of Substructures and Superstructures.
XXXI. Amphitheatre at Verona—A. Exterior. B. Interior.
XXXII. Amphitheatre at Pozzuoli—Arena.
XXXIII. Amphitheatre at Pozzuoli—Plan.
XXXIV. Amphitheatre at Pozzuoli—Views and Section.
XXXV. Amphitheatre at Pozzuoli—Views in the Interior, subterranean part.
XXXVI. Colosseum—Plan of the Great Drain.