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The Art of Bookbinding: A practical treatise, with plates and diagrams cover

The Art of Bookbinding: A practical treatise, with plates and diagrams

Chapter 17: CHAPTER XII. BACKING.
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About This Book

A practical manual that teaches the processes and techniques of bookbinding for amateurs and tradespeople, emphasizing hands-on procedures and common workshop practices. It describes step-by-step operations from folding and collating sheets through forwarding, sewing, beating, rolling, trimming, and finishing, with guidance on handling misfolded or damaged sections. The text explains tools, materials, and workshop machinery while offering precautions, measurements, and size conventions. Numerous engraved plates and diagrams illustrate binding styles, machine parts, and decorative treatments to support the instructions.

CHAPTER X. GLUEING UP.

The book must now be glued up; that is, glue must be applied to the back to hold the sections together, and make the back firm during the rounding and backing. Knock the book perfectly true at its back and head, and put it into the lying press between two pieces of old mill-board; expose the back and let it project from the boards a little, the object being to hold the book firm and to keep the slips close to the sides, so that no glue shall get on them; then with glue, not too thick, but hot, glue the back, rubbing it in with the brush, and take the overplus off again with the brush. In some shops, a handful of shavings is used to rub the glue in, and to take the refuse away, but I consider this to be a bad plan, as a great quantity of glue is wasted.

The Germans rub the glue into the back with the back of a hammer, and take away the overplus with the brush; this is certainly better than using shavings. The back must not be allowed to get too dry before it is rounded, or it will have to be damped with a sponge, to give to the glue the elasticity required, but it should not be wet, this being worse than letting it get too dry. The book should be left for about an hour, or till it no longer feels tacky to the touch, but still retains its flexibility. A flexible bound book should first be rounded, a backing board being used to bring the sheets round instead of a hammer, then the back glued, and a piece of tape tied round the book to prevent its going back flat. |46|

But all books are not glued up in the press; some workmen knock up a number of books, and, allowing them to project a little over their press, glue the lot up at once; others again, by holding the book in the left hand and drawing the brush up and down the back. These last methods are, however, only practised in cloth shops, where books are bound or cased at very low prices. The proper way, as I have explained, is to put the book in the lying press. The book is then laid on its side to dry, and if more than one, they should be laid alternately back and foredge, with the back projecting about half an inch, and allowed to dry spontaneously, and on no account to be dried by the heat of a fire. All artificial heat in drying in any process of bookbinding is injurious to the work.

CHAPTER XI. ROUNDING.

The word “rounding” applies to the back of the book, and is preliminary to backing. In rounding the back, the book is to be laid on the press before the workman with the foredge towards him; the book is then to be held with the left hand by placing the thumb on the foredge and fingers on the top of the book pointing towards the back, so that by drawing the fingers towards the thumb, or by pressing fingers and thumb together, the back is drawn towards the workman at an angle. In this position the back is struck with the face of the hammer, beginning in the centre, still drawing the back over with the left hand. The book is then to be turned over, and the other side treated in the same way, and continually |47| changed or turned from one side to the other until it has its proper form, which should be a part of a circle. When sufficiently rounded, it should be examined to see if one side be perfectly level with the other, by holding the book up and glancing down its back, and gently tapping the places where uneven, until it is perfectly true or uniform. The thicker the book the more difficult it will be found to round it; and some papers will be found more obstinate than others, so that great care must be exercised both in rounding and backing, as the foredge when cut will have exactly the same form as the back. Nothing can be more annoying than to see books lop-sided, pig-backed, and with sundry other ailments, inherent to cheap bookbinding. |48|

Rounding Machine.

The back when properly rounded should be about a third of a circle, according to the present mode, but in olden times they were made almost flat. They were not rounded as now done, but the swelling caused by the thread used made quite enough rounding when put in the press for backing.

Flat back books have a certain charm about them, the more so if in other respects they are properly forwarded. The theory is altogether averse to practical binding. I have always been given to understand that we round our books in order to counteract the tendency of a book to sink in and assume a convex back. Any old well-used book bound with a flat back will show at once this defect.

Messrs. Hopkinson and Cope, of Farringdon Road, London, manufacture a rounding machine. They claim that this machine will round 600 books per hour, and that any desired “round” may be given to the book with great uniformity.

CHAPTER XII. BACKING.

The boards required for backing, called backing boards, should always be the same length as the book. They are made somewhat thicker than cutting boards, and have their tops planed at an angle, so that the sheets may fall well over.

Backing Hammer.

Hold the book in the left hand, lay a board on one side, a little away from the back, taking the edge of the top sheet as a guide, the distance to be a trifle more than the thickness of the boards intended to be used. Then |49| turn over the book, with the backing board, holding the board to the book by the thumb, so that it does not shift, and lay the other board at exactly the same distance on the other side. The whole is now to be held tightly by the left hand and lowered into the press. The boards may possibly have shifted a little during the process, and any correction may now be made whilst the press holds the book before screwing up tight, such as a slight tap with the hammer to one end of a board that may not be quite straight. Should the boards however be not quite true, it will be better to take the whole out and readjust them, rather than lose time in trying to rectify the irregularity by any other method. If the rounding is not quite true it will be seen at once, and the learner must not be disheartened if he has to take his book out of the press two or three times to correct any slight imperfection.

Before Backing. After Backing.

The book and boards having been lowered flush with the cheeks of the press, screw it up as tightly as possible with the iron hand-pin. The back of the book must now be gently struck with the back of the hammer, holding it slanting and beating the sheets well over towards the backing boards. Commence from the centre of the back and do |50| not hit too hard, or the dent made by the hammer will show after the book has been covered. The back is to be finished with the face of the hammer, the sheets being brought well over on the boards so that a good and solid groove may be made. Each side must be treated in the same way, and have the same amount of weight and beating. The back must have a gradual hammering, and the sheets, when knocked one way, must not be knocked back again. The hammer should be swung with a circular motion, always away from the centre of the back. The book, when opened after backing, should be entirely without wrinkles; their presence being a sign that the workman did not know his business, or that it was carelessly done. Backing and cutting constitute the chief work in forwarding, and if these two are not done properly the book cannot be square and solid—two great essentials in bookbinding.

Backing flexible work will be found a little more difficult, as the slips are tighter; but otherwise the process is exactly the same, only care must be taken not to hammer the cord too much, and to bring over the sections very gently, in order not to break the sewing thread.

Two-edged Backing Boards.

The backing boards may be replaned from time to time, as they become used, but boards may be had having a double face of steel to them; these may be used from either side. The edges of the steel must not be sharp, or they will cut the paper when backing. The ordinary boards may also have a face of steel screwed to them, but I prefer to use the wood—one can get a firmer back without fear of cutting the sheets.

There are several backing machines by different makers but they are all of similar plan. The book being first rounded is put between the cheeks, and the roller at the |51| top presses the sheets over. I am sorry to say that a great number of sheets get cut by this process, especially when a careless man has charge of the machine.

CHAPTER XIII. MILL-BOARDS.

There is no occasion to wait for the book to be advanced as far as the backing before the workman sees to his boards; but he should take advantage of the period of drying to prepare them, to look out the proper thickness of the board, and to line them with paper either on one side or on both.

There are now so many kinds of mill-boards made that a few words about them may not be out of place. The best boards are made of old rope, and cost about £30 per ton. The various mills make each a different quality, the prices ranging down to £14 per ton; about this price the straw boards may be said to commence, they going as low as £7, and even less.

A new board has lately appeared called leather board; it is exceedingly hard and durable. I made several experiments with this board, but up to the present have not succeeded in getting it to lay flat on the book.

Boards are made to the various sizes in sheets varying from pott (171 ⁄ 4 × 141 ⁄ 4 inches) to double elephant (40 × 28 inches). The thickness is known as 6d., 7d., 8d.; 8x, or eightpenny one cross; 8xx, eightpenny two cross; X for tenpenny. Here is a list in full of all the boards likely to be used:—|52|