About This Book
The author argues that cinema deserves recognition as a distinct visual art and proposes a practical framework for criticism and exhibition. He classifies photoplays by modes such as action, intimate, fairy, crowd, patriotic and religious, and reframes sculpture, painting, furniture and architecture as elements that can move within film. Chapters address photographic composition, staging, orchestration, censorship, and the responsibilities of museums, architects, and civic institutions to cultivate and present motion pictures as part of cultural life.
About the Author
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