The Art of Theatrical Make-up

Chapter 29: UNCLE TOM

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About This Book

This work explores the techniques and principles of theatrical make-up, drawing from the author's extensive experience in the performing arts. It reflects on the evolution of the author's own photographic studies, which document various characters portrayed on stage. The text combines insights from psychology, physiognomy, and character portrayal, offering a unique perspective on the art of make-up in theater. It also addresses the requests from fellow actors for guidance in their make-up applications, indicating a broader interest in the subject within the acting community. The author's observations of renowned figures in theater further enrich the content, providing practical advice and artistic insights.

UNCLE TOM

This kind-hearted negro, the idol of children, devout and forbearing, has ever made a profound appeal to me.

The make-up is in many respects similar to that of Othello. In fact exactly the same instructions may be followed for shaping the nose.

The wig, beard and moustache, eyebrows and the colour of the face, give it of course an entirely different character.

The ground is of brown, with a little 13 added to give it warmth. Great care should be taken to get this colour well to the edges of the eyes or you will look more like the minstrel type of negro than that variety which was found on the plantations of Kentucky.

The hands and arms, neck and ears, should all be carefully made up.