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The Book Collector

Chapter 4: NOTES
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About This Book

An essayist offers a lively portrait of those who collect printed books, distinguishing bibliophiles—who prize texts and elegant bindings and whose taste once belonged to royalty and financiers—from bibliophobes who discard or neglect books. He traces the rise of print and changing collectors' motives, sketches social shifts that moved book love from the aristocracy to scholars and modest owners, and blends historical allusion with personal anecdote and wit. The piece reflects on the material and emotional value readers attach to books, laments the commercial erosion of collecting, and maps different collector types while urging awareness of a vanishing cultural habit.

NOTES

[1] Mathurin Cordier, ca. 1480–1564, French educator and austere author of numerous works for children of a moralizing nature. Calvin was among his pupils in Paris.

[2] Jan van Pauteren, ca. 1460–1524, Flemish writer whose latin grammar, however popular in its own day, was widely attacked in later times for its obscurity.

[3] Louis van der Aa, called Louis de Bruges, Seigneur de la Gruthuyse, ca. 1425–1492, a learned nobleman of Flanders who, commissioning some of the finest manuscripts which have come down to us, set an example for Charles the Bold of Burgundy.

[4] Anne of Austria, 1602–66, daughter of Philip III of Spain, wife of Louis XIII of France, a great book collector.

[5] Paul Girardot de Préfond, eighteenth-century French collector, whose fine books are now scattered in many libraries.

[6] François Maynard, 1582–1646, a French author, who, having vainly sought favor, loudly lamented his fate from the scene of his retirement in Toulouse.

[7] Urbain Chevreau, seventeenth-century French writer of some reputation in his own time, and a very discriminating bibliophile.

[8] Antoine-Marie-Henri Boulard, 1754–1825, avid collector who lived in Paris.

[9] The Bollandists are Belgian Jesuits who published the voluminous and weighty Acta Sanctorum legends of saints, arranged according to the days of the calendar.

[10] Paris, 1613 or 1623, an adaptation in verse from the Historia Ethiopica of Heliodorus.

[11] Two scenes of Cyrano used by Molière in the Fourberies de Scapin, Paris, 1671.

[12] Antoine-Aléxandre Barbier, 1765–1825, bibliophile, and author of a Dictionnaire des Anonymes.

[13] Antoine Bauzonnet, Paris bookbinder of the mid-nineteenth century.