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The cairn

Chapter 111: Statues.
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About This Book

A compact miscellany of short essays, anecdotes, prayers, poems, and biographical sketches that collects reflections on grief, maternal love, benevolence, virtue, taste, and historical episodes. The pieces alternate personal memories, moral aphorisms, humorous and touching anecdotes, and brief portraits of public figures, often framed as letters, epitaphs, or short narratives. Recurring themes include the effects of sorrow and joy, domestic affection, charity, the vicissitudes of fortune, and the consolations of faith and art. The tone moves between intimate recollection and light moralizing, presenting varied, self-contained vignettes meant to instruct, console, and amuse.

Statues.

The origin of the introduction of statues instead of columns, in architecture, is thus related. “Carya, a city of Peloponnesus, sided with the Persians against the Grecian States. When the country was freed from the invaders, the arms of the Greeks were turned against the Caryans. Upon the capture of the city, the males were put to the sword, and the women led away captives. The architects of the age, in order to perpetuate the ignominy of this people, introduced statues of their women instead of columns in the porticos of their buildings; the ornaments and drapery were faithfully copied from the attire of the women, the mode of which they were never permitted to change.