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The cairn

Chapter 122: Sedley.
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About This Book

A compact miscellany of short essays, anecdotes, prayers, poems, and biographical sketches that collects reflections on grief, maternal love, benevolence, virtue, taste, and historical episodes. The pieces alternate personal memories, moral aphorisms, humorous and touching anecdotes, and brief portraits of public figures, often framed as letters, epitaphs, or short narratives. Recurring themes include the effects of sorrow and joy, domestic affection, charity, the vicissitudes of fortune, and the consolations of faith and art. The tone moves between intimate recollection and light moralizing, presenting varied, self-contained vignettes meant to instruct, console, and amuse.

Sedley.

Sir Charles Sedley.

The painter’s art is done, the features hit,
Of Sedley’s face. No art can show his wit.

He appeared in public about the year 1667, and is to be considered as one of the first among the men of genius who adorned that age. Charles II. used to tell him, that nature had given him a patent to be Apollo’s viceroy. However, he knew as well how to conceal his own excellencies with modesty, as the rest of the world knew how to value them. It was at the acting of his play called Bellamira, that the roof of the play-house fell down. But it was singular, that very few were hurt except himself. His merry friend, Sir Fleetwood Shepherd, told him, “there was so much fire in his play, that it blew up the poet, house, and all.” He replied, “No! The play was so heavy, it broke down the house, and buried the poet in his own rubbish.”