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The cairn

Chapter 211: Cromwell.
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About This Book

A compact miscellany of short essays, anecdotes, prayers, poems, and biographical sketches that collects reflections on grief, maternal love, benevolence, virtue, taste, and historical episodes. The pieces alternate personal memories, moral aphorisms, humorous and touching anecdotes, and brief portraits of public figures, often framed as letters, epitaphs, or short narratives. Recurring themes include the effects of sorrow and joy, domestic affection, charity, the vicissitudes of fortune, and the consolations of faith and art. The tone moves between intimate recollection and light moralizing, presenting varied, self-contained vignettes meant to instruct, console, and amuse.

Cromwell.

Cromwell was formed to delude the minds of men. His hypocrisy, a thing far removed from what is ordinarily known by that name, was fervent, and excited sympathy, and created awe in the beholders. The bluntness of his manner, and the occasional familiarity of his deportment, even to the entire emptying himself of all extrinsic and accidental greatness, won the favour of those with whom he had intercourse. There was something deep in his conceptions, that none of his assistants could fathom. He was moderate in his temper, and forbearing in his actions; never allowing himself in violence more frequently, or to a greater extent, than was necessary to his purposes. Add to which the firmness and courage of his spirit, and the greatness of his abilities, whether to procure intelligence, or to overawe the insidiousness and crooked hostility of foreign courts: and we shall own that he was most singularly fitted for the station he filled.”[8]

[8] This character of Oliver Cromwell was drawn by William Godwin, author of the Life of Milton’s Nephews, E. and J. Philips.