Critique on David’s Picture of the Deluge.
“A modern painter, certainly possessing very great talent, has attempted a picture of the Deluge. He has crowded into it a great many horrors, all very horrible; but the principal group will be sufficient.
“It consists of a family vainly endeavouring to escape from the surrounding destruction by climbing a rock in the foreground. The agonies of such a moment might have been expressed most touchingly, had the artist chosen to keep within the bounds of moderation: but no, he must out-Herod Herod; and consequently, he has contrived to make one of the most dreadful situations the human mind can conceive actually ludicrous. The principal figure is that of a man, who, like pious Æneas, carries his father on his back, certainly not in the most elegant or picturesque attitude possible, while with one hand he pulls his wife up after him rather unceremoniously. The wife, for her part, suffers considerable inconvenience from a young gentleman behind, who, having a mortal aversion to being drowned, has got his mother fast hold by the hair, by means of which he almost pulls her head off her shoulders. The whole family are certainly not very comfortably situated, and in fact the old gentleman who is riding on his son’s shoulders is the only one at all at his ease, and he appears to have a very good seat, and not to care much about it. Yet I have heard this picture lauded to the skies, both in France and England.”
THE END.
Chiswick: Printed by Charles Whittingham. 1846.