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The cairn

Chapter 69: Anecdote of Torregiano.
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About This Book

A compact miscellany of short essays, anecdotes, prayers, poems, and biographical sketches that collects reflections on grief, maternal love, benevolence, virtue, taste, and historical episodes. The pieces alternate personal memories, moral aphorisms, humorous and touching anecdotes, and brief portraits of public figures, often framed as letters, epitaphs, or short narratives. Recurring themes include the effects of sorrow and joy, domestic affection, charity, the vicissitudes of fortune, and the consolations of faith and art. The tone moves between intimate recollection and light moralizing, presenting varied, self-contained vignettes meant to instruct, console, and amuse.

Anecdote of Torregiano.

Torregiano, a native of Florence, who came to Seville in 1520, was employed by the Duke of Arcos in making an exact copy of a statue in clay, which had been executed by himself, and which was greatly valued by all connoisseurs. When it was finished, the Duke paid him in maravedes, and the quantity was so great that two men were required to carry it to his lodging.

The artist rejoiced in this liberal payment, as he supposed it, but on opening the bags and ascertaining that they contained copper, and not silver, and that the value was trifling, he became furious, ran to the palace of the Duke, and before his face, broke the statue in pieces. The figure being an image of our Saviour, he was accused of heresy, and consigned to the Inquisition, and that tribunal sentenced him to a severe castigation, which the indignant artist escaped by starving himself to death in prison, previous to the time appointed for the execution of his sentence.