"Poor Birotteau?" said the baroness.
"Oh, get rid of him at once," replied the old man, as he rose to take leave. "If some clever Radical lays hold of that empty head of his, he may cause you much trouble. After all, the court would certainly give a verdict in his favour, and Troubert must fear that. He may forgive you for beginning the struggle, but if they were defeated he would be implacable. I have said my say."
He snapped his snuff-box, put on his overshoes, and departed.
The next day after breakfast the baroness took the vicar aside and said to him, not without visible embarrassment:—
"My dear Monsieur Birotteau, you will think what I am about to ask of you very unjust and very inconsistent; but it is necessary, both for you and for us, that your lawsuit with Mademoiselle Gamard be withdrawn by resigning your claims, and also that you should leave my house."
As he heard these words the poor abbe turned pale.
"I am," she continued, "the innocent cause of your misfortunes, and, moreover, if it had not been for my nephew you would never have begun this lawsuit, which has now turned to your injury and to ours. But listen to me."
She told him succinctly the immense ramifications of the affair, and explained the serious nature of its consequences. Her own meditations during the night had told her something of the probable antecedents of Troubert's life; she was able, without misleading Birotteau, to show him the net so ably woven round him by revenge, and to make him see the power and great capacity of his enemy, whose hatred to Chapeloud, under whom he had been forced to crouch for a dozen years, now found vent in seizing Chapeloud's property and in persecuting Chapeloud in the person of his friend. The harmless Birotteau clasped his hands as if to pray, and wept with distress at the sight of human horrors that his own pure soul was incapable of suspecting. As frightened as though he had suddenly found himself at the edge of a precipice, he listened, with fixed, moist eyes in which there was no expression, to the revelations of his friend, who ended by saying: "I know the wrong I do in abandoning your cause; but, my dear abbe, family duties must be considered before those of friendship. Yield, as I do, to this storm, and I will prove to you my gratitude. I am not talking of your worldly interests, for those I take charge of. You shall be made free of all such anxieties for the rest of your life. By means of Monsieur de Bourbonne, who will know how to save appearances, I shall arrange matters so that you shall lack nothing. My friend, grant me the right to abandon you. I shall ever be your friend, though forced to conform to the axioms of the world. You must decide."
The poor, bewildered abbe cried aloud: "Chapeloud was right when he said that if Troubert could drag him by the feet out of his grave he would do it! He sleeps in Chapeloud's bed!"
"There is no use in lamenting," said Madame de Listomere, "and we have little time now left to us. How will you decide?"
Birotteau was too good and kind not to obey in a great crisis the unreflecting impulse of the moment. Besides, his life was already in the agony of what to him was death. He said, with a despairing look at his protectress which cut her to the heart, "I trust myself to you—I am but the stubble of the streets."
He used the Tourainean word "bourrier" which has no other meaning than a "bit of straw." But there are pretty little straws, yellow, polished, and shining, the delight of children, whereas the bourrier is straw discolored, muddy, sodden in the puddles, whirled by the tempest, crushed under feet of men.
"But, madame, I cannot let the Abbe Troubert keep Chapeloud's portrait. It was painted for me, it belongs to me; obtain that for me, and I will give up all the rest."
"Well," said Madame de Listomere. "I will go myself to Mademoiselle Gamard." The words were said in a tone which plainly showed the immense effort the Baronne de Listomere was making in lowering herself to flatter the pride of the old maid. "I will see what can be done," she said; "I hardly dare hope anything. Go and consult Monsieur de Bourbonne; ask him to put your renunciation into proper form, and bring me the paper. I will see the archbishop, and with his help we may be able to stop the matter here."
Birotteau left the house dismayed. Troubert assumed in his eyes the dimensions of an Egyptian pyramid. The hands of that man were in Paris, his elbows in the Cloister of Saint-Gatien.
"He!" said the victim to himself, "He to prevent the Baron de Listomere from becoming peer of France!—and, perhaps, 'by the help of the archbishop we may be able to stop the matter here'!"
In presence of such great interests Birotteau felt he was a mere worm; he judged himself harshly.
The news of Birotteau's removal from Madame de Listomere's house seemed all the more amazing because the reason of it was wholly impenetrable. Madame de Listomere said that her nephew was intending to marry and leave the navy, and she wanted the vicar's apartment to enlarge her own. Birotteau's relinquishment was still unknown. The advice of Monsieur de Bourbonne was followed. Whenever the two facts reached the ears of the vicar-general his self-love was certain to be gratified by the assurance they gave that even if the Listomere family did not capitulate they would at least remain neutral and tacitly recognize the occult power of the Congregation,—to reconize it was, in fact, to submit to it. But the lawsuit was still sub judice; his opponents yielded and threatened at the same time.
The Listomeres had thus taken precisely the same attitude as the vicar-general himself; they held themselves aloof, and yet were able to direct others. But just at this crisis an event occurred which complicated the plans laid by Monsieur de Bourbonne and the Listomeres to quiet the Gamard and Troubert party, and made them more difficult to carry out.
Mademoiselle Gamard took cold one evening in coming out of the cathedral; the next day she was confined to her bed, and soon after became dangerously ill. The whole town rang with pity and false commiseration: "Mademoiselle Gamard's sensitive nature has not been able to bear the scandal of this lawsuit. In spite of the justice of her cause she was likely to die of grief. Birotteau has killed his benefactress." Such were the speeches poured through the capillary tubes of the great female conclave, and taken up and repeated by the whole town of Tours.
Madame de Listomere went the day after Mademoiselle Gamard took cold to pay the promised visit, and she had the mortification of that act without obtaining any benefit from it, for the old maid was too ill to see her. She then asked politely to speak to the vicar-general.
Gratified, no doubt, to receive in Chapeloud's library, at the corner of the fireplace above which hung the two contested pictures, the woman who had hitheto ignored him, Troubert kept the baroness waiting a moment before he consented to admit her. No courtier and no diplomatist ever put into a discussion of their personal interests or into the management of some great national negotiation more shrewdness, dissimulation, and ability than the baroness and the priest displayed when they met face to face for the struggle.
Like the seconds or sponsors who in the Middle Age armed the champion, and strengthened his valor by useful counsel until he entered the lists, so the sly old fox had said to the baroness at the last moment: "Don't forget your cue. You are a mediator, and not an interested party. Troubert also is a mediator. Weigh your words; study the inflection of the man's voice. If he strokes his chin you have got him."
Some sketchers are fond of caricaturing the contrast often observable between "what is said" and "what is thought" by the speaker. To catch the full meaning of the duel of words which now took place between the priest and the lady, it is necessary to unveil the thoughts that each hid from the other under spoken sentences of apparent insignificance. Madame de Listomere began by expressing the regret she had felt at Birotteau's lawsuit; and then went on to speak of her desire to settle the matter to the satisfaction of both parties.
"The harm is done, madame," said the priest, in a grave voice. "The pious and excellent Mademoiselle Gamard is dying." ("I don't care a fig for the old thing," thought he, "but I mean to put her death on your shoulders and harass your conscience if you are such a fool as to listen to it.")
"On hearing of her illness," replied the baroness, "I entreated Monsieur Birotteau to relinquish his claims; I have brought the document, intending to give it to that excellent woman." ("I see what you mean, you wily scoundrel," thought she, "but we are safe now from your calumnies. If you take this document you'll cut your own fingers by admitting you are an accomplice.")
There was silence for a moment.
"Mademoiselle Gamard's temporal affairs do not concern me," said the priest at last, lowering the large lids over his eagle eyes to veil his emotions. ("Ho! ho!" thought he, "you can't compromise me. Thank God, those damned lawyers won't dare to plead any cause that could smirch me. What do these Listomeres expect to get by crouching in this way?")
"Monsieur," replied the baroness, "Monsieur Birotteau's affairs are no more mine than those of Mademoiselle Gamard are yours; but, unfortunately, religion is injured by such a quarrel, and I come to you as a mediator—just as I myself am seeking to make peace." ("We are not decieving each other, Monsieur Troubert," thought she. "Don't you feel the sarcasm of that answer?")
"Injury to religion, madame!" exclaimed the vicar-general. "Religion is too lofty for the actions of men to injure." ("My religion is I," thought he.) "God makes no mistake in His judgments, madame; I recognize no tribunal but His."
"Then, monsieur," she replied, "let us endeavor to bring the judgments of men into harmony with the judgments of God." ("Yes, indeed, your religion is you.")
The Abbe Troubert suddenly changed his tone.
"Your nephew has been to Paris, I believe." ("You found out about me there," thought he; "you know now that I can crush you, you who dared to slight me, and you have come to capitulate.")
"Yes, monsieur; thank you for the interest you take in him. He returns to-night; the minister, who is very considerate of us, sent for him; he does not want Monsieur de Listomere to leave the service." ("Jesuit, you can't crush us," thought she. "I understand your civility.")
A moment's silence.
"I did not think my nephew's conduct in this affair quite the thing," she added; "but naval men must be excused; they know nothing of law." ("Come, we had better make peace," thought she; "we sha'n't gain anything by battling in this way.")
A slight smile wandered over the priests face and was lost in its wrinkles.
"He has done us the service of getting a proper estimate on the value of those paintings," he said, looking up at the pictures. "They will be a noble ornament to the chapel of the Virgin." ("You shot a sarcasm at me," thought he, "and there's another in return; we are quits, madame.")
"If you intend to give them to Saint-Gatien, allow me to offer frames that will be more suitable and worthy of the place, and of the works themselves." ("I wish I could force you to betray that you have taken Birotteau's things for your own," thought she.)
"They do not belong to me," said the priest, on his guard.
"Here is the deed of relinquishment," said Madame de Listomere; "it ends all discussion, and makes them over to Mademoiselle Gamard." She laid the document on the table. ("See the confidence I place in you," thought she.) "It is worthy of you, monsieur," she added, "worthy of your noble character, to reconcile two Christians,—though at present I am not especially concerned for Monsieur Birotteau—"
"He is living in your house," said Troubert, interrupting her.
"No, monsieur, he is no longer there." ("That peerage and my nephew's promotion force me to do base things," thought she.)
The priest remained impassible, but his calm exterior was an indication of violent emotion. Monsieur Bourbonne alone had fathomed the secret of that apparent tranquillity. The priest had triumphed!
"Why did you take upon yourself to bring that relinquishment," he asked, with a feeling analogous to that which impels a woman to fish for compliments.
"I could not avoid a feeling of compassion. Birotteau, whose feeble nature must be well known to you, entreated me to see Madaemoiselle Gamard and to obtain as the price of his renunciation—"
The priest frowned.
"of rights upheld by distinguished lawyers, the portrait of—"
Troubert looked fixedly at Madame de Listomere.
"the portrait of Chapeloud," she said, continuing: "I leave you to judge of his claim." ("You will be certain to lose your case if we go to law, and you know it," thought she.)
The tone of her voice as she said the words "distinguished lawyers" showed the priest that she knew very well both the strength and weakness of the enemy. She made her talent so plain to this connoisseur emeritus in the course of a conversation which lasted a long time in the tone here given, that Troubert finally went down to Mademoiselle Gamard to obtain her answer to Birotteau's request for the portrait.
He soon returned.
"Madame," he said, "I bring you the words of a dying woman. 'The Abbe Chapeloud was so true a friend to me,' she said, 'that I cannot consent to part with his picture.' As for me," added Troubert, "if it were mine I would not yield it. My feelings to my late friend were so faithful that I should feel my right to his portrait was above that of others."
"Well, there's no need to quarrel over a bad picture." ("I care as little about it as you do," thought she.) "Keep it, and I will have a copy made of it. I take some credit to myself for having averted this deplorable lawsuit; and I have gained, personally, the pleasure of your acquaintance. I hear you have a great talent for whist. You will forgive a woman for curiosity," she said, smiling. "If you will come and play at my house sometimes you cannot doubt your welcome."
Troubert stroked his chin. ("Caught! Bourbonne was right!" thought she; "he has his quantum of vanity!")
It was true. The vicar-general was feeling the delightful sensation which Mirabeau was unable to subdue when in the days of his power he found gates opening to his carriage which were barred to him in earlier days.
"Madame," he replied, "my avocations prevent my going much into society; but for you, what will not a man do?" ("The old maid is going to die; I'll get a footing at the Listomere's, and serve them if they serve me," thought he. "It is better to have them for friends than enemies.")
Madame de Listomere went home, hoping that the archbishop would complete the work of peace so auspiciously begun. But Birotteau was fated to gain nothing by his relinquishment. Mademoiselle Gamard died the next day. No one felt surprised when her will was opened to find that she had left everything to the Abbe Troubert. Her fortune was appraised at three hundred thousand francs. The vicar-general sent to Madame de Listomere two notes of invitation for the services and for the funeral procession of his friend; one for herself and one for her nephew.
"We must go," she said.
"It can't be helped," said Monsieur de Bourbonne. "It is a test to which Troubert puts you. Baron, you must go to the cemetery," he added, turning to the lieutenant, who, unluckily for him, had not left Tours.
The services took place, and were performed with unusual ecclesiastical magnificence. Only one person wept, and that was Birotteau, who, kneeling in a side chapel and seen by none, believed himself guilty of the death and prayed sincerely for the soul of the deceased, bitterly deploring that he was not able to obtain her forgiveness before she died.
The Abbe Troubert followed the body of his friend to the grave; at the verge of which he delivered a discourse in which, thanks to his eloquence, the narrow life the old maid had lived was enlarged to monumental proportions. Those present took particular note of the following words in the peroration:—
"This life of days devoted to God and to His religion, a life adorned with noble actions silently performed, and with modest and hidden virtues, was crushed by a sorrow which we might call undeserved if we could forget, here at the verge of this grave, that our afflictions are sent by God. The numerous friends of this saintly woman, knowing the innocence and nobility of her soul, foresaw that she would issue safely from her trials in spite of the accusations which blasted her life. It may be that Providence has called her to the bosom of God to withdraw her from those trials. Happy they who can rest here below in the peace of their own hearts as Sophie now is resting in her robe of innocence among the blest."
"When he had ended his pompous discourse," said Monsieur de Bourbonne, after relating the incidents of the internment to Madame de Listomere when whist was over, the doors shut, and they were alone with the baron, "this Louis XI. in a cassock—imagine him if you can!—gave a last flourish to the sprinkler and aspersed the coffin with holy water." Monsieur de Bourbonne picked up the tongs and imitated the priest's gesture so satirically that the baron and his aunt could not help laughing. "Not until then," continued the old gentleman, "did he contradict himself. Up to that time his behavior had been perfect; but it was no doubt impossible for him to put the old maid, whom he despised so heartily and hated almost as much as he hated Chapeloud, out of sight forever without allowing his joy to appear in that last gesture."
The next day Mademoiselle Salomon came to breakfast with Madame de Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien."
Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike.
"Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel because he is kept within sight of the town where he can hardly ever come. Since his troubles he walks very feebly, yet he will have to walk three miles to see his old friends. He has taken to his bed, just now, with fever. The parsonage at Saint-Symphorien is very cold and damp, and the parish is too poor to repair it. The poor old man will be buried in a living tomb. Oh, it is an infamous plot!"
To end this history it will suffice to relate a few events in a simple way, and to give one last picture of its chief personages.
Five months later the vicar-general was made Bishop of Troyes; and Madame de Listomere was dead, leaving an annuity of fifteen hundred francs to the Abbe Birotteau. The day on which the dispositions in her will were made known Monseigneur Hyacinthe, Bishop of Troyes, was on the point of leaving Tours to reside in his diocese, but he delayed his departure on receiving the news. Furious at being foiled by a woman to whom he had lately given his countenance while she had been secretly holding the hand of a man whom he regarded as his enemy, Troubert again threatened the baron's future career, and put in jeopardy the peerage of his uncle. He made in the salon of the archbishop, and before an assembled party, one of those priestly speeches which are big with vengeance and soft with honied mildness. The Baron de Listomere went the next day to see this implacable enemy, who must have imposed sundry hard conditions on him, for the baron's subsequent conduct showed the most entire submission to the will of the terrible Jesuit.
The new bishop made over Mademoiselle Gamard's house by deed of gift to the Chapter of the cathedral; he gave Chapeloud's books and bookcases to the seminary; he presented the two disputed pictures to the Chapel of the Virgin; but he kept Chapeloud's portrait. No one knew how to explain this almost total renunciation of Mademoiselle Gamard's bequest. Monsieur de Bourbonne supposed that the bishop had secretly kept moneys that were invested, so as to support his rank with dignity in Paris, where of course he would take his seat on the Bishops' bench in the Upper Chamber. It was not until the night before Monseigneur Troubert's departure from Tours that the sly old fox unearthed the hidden reason of this strange action, the deathblow given by the most persistent vengeance to the feeblest of victims. Madame de Listomere's legacy to Birotteau was contested by the Baron de Listomere under a pretence of undue influence!
A few days after the case was brought the baron was promoted to the rank of captain. As a measure of ecclesiastical discipline, the curate of Saint-Symphorien was suspended. His superiors judged him guilty. The murderer of Sophie Gamard was also a swindler. If Monseigneur Troubert had kept Mademoiselle Gamard's property he would have found it difficult to make the ecclestiastical authorities censure Birotteau.
At the moment when Monseigneur Hyacinthe, Bishop of Troyes, drove along the quay Saint-Symphorien in a post-chaise on his way to Paris poor Birotteau had been placed in an armchair in the sun on a terrace above the road. The unhappy priest, smitten by the archbishop, was pale and haggard. Grief, stamped on every feature, distorted the face that was once so mildly gay. Illness had dimmed his eyes, formerly brightened by the pleasures of good living and devoid of serious ideas, with a veil which simulated thought. It was but the skeleton of the old Birotteau who had rolled only one year earlier so vacuous but so content along the Cloister. The bishop cast one look of pity and contempt upon his victim; then he consented to forget him, and went his way.
There is no doubt that Troubert would have been in other times a Hildebrand or an Alexander the Sixth. In these days the Church is no longer a political power, and does not absorb the whole strength of her solitaries. Celibacy, however, presents the inherent vice of concentating the faculties of man upon a single passion, egotism, which renders celibates either useless or mischievous. We live at a period when the defect of governments is to make Man for Society rather than Society for Man. There is a perpetual struggle going on between the Individual and the Social system which insists on using him, while he is endeavoring to use it to his own profit; whereas, in former days, man, really more free, was also more loyal to the public weal. The round in which men struggle in these days has been insensibly widened; the soul which can grasp it as a whole will ever be a magnificent exception; for, as a general thing, in morals as in physics, impulsion loses in intensity what it gains in extension. Society can not be based on exceptions. Man in the first instance was purely and simply, father; his heart beat warmly, concentrated in the one ray of Family. Later, he lived for a clan, or a small community; hence the great historical devotions of Greece and Rome. After that he was a man of caste or of a religion, to maintain the greatness of which he often proved himself sublime; but by that time the field of his interests became enlarged by many intellectual regions. In our day, his life is attached to that of a vast country; sooner or later his family will be, it is predicted, the entire universe.
Will this moral cosmopolitanism, the hope of Christian Rome, prove to be only a sublime error? It is so natural to believe in the realization of a noble vision, in the Brotherhood of Man. But, alas! the human machine does not have such divine proportions. Souls that are vast enough to grasp a range of feelings bestowed on great men only will never belong to either fathers of families or simple citizens. Some physiologists have thought that as the brain enlarges the heart narrows; but they are mistaken. The apparent egotism of men who bear a science, a nation, a code of laws in their bosom is the noblest of passions; it is, as one may say, the maternity of the masses; to give birth to new peoples, to produce new ideas they must unite within their mighty brains the breasts of woman and the force of God. The history of such men as Innocent the Third and Peter the Great, and all great leaders of their age and nation will show, if need be, in the highest spheres the same vast thought of which Troubert was made the representative in the quiet depths of the Cloister of Saint-Gatien.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Birotteau, Abbe Francois
The Lily of the Valley
Cesar Birotteau
Bourbonne, De
Madame Firmiani
Listomere, Baronne de
Cesar Birotteau
The Muse of the Department
Troubert, Abbe Hyacinthe
The Member for Arcis
Villenoix, Pauline Salomon de
Louis Lambert
A Seaside Tragedy
THE TWO BROTHERS
BY
HONORE DE BALZAC
Translated by
Katharine Prescott Wormeley
DEDICATION
To Monsieur Charles Nodier, member of the French Academy, etc.
Here, my dear Nodier, is a book filled with deeds that are screened from the action of the laws by the closed doors of domestic life; but as to which the finger of God, often called chance, supplies the place of human justice, and in which the moral is none the less striking and instructive because it is pointed by a scoffer.
To my mind, such deeds contain great lessons for the Family and for Maternity. We shall some day realize, perhaps too late, the effects produced by the diminution of paternal authority. That authority, which formerly ceased only at the death of the father, was the sole human tribunal before which domestic crimes could be arraigned; kings themselves, on special occasions, took part in executing its judgments. However good and tender a mother may be, she cannot fulfil the function of the patriarchal royalty any more than a woman can take the place of a king upon the throne. Perhaps I have never drawn a picture that shows more plainly how essential to European society is the indissoluble marriage bond, how fatal the results of feminine weakness, how great the dangers arising from selfish interests when indulged without restraint. May a society which is based solely on the power of wealth shudder as it sees the impotence of the law in dealing with the workings of a system which deifies success, and pardons every means of attaining it. May it return to the Catholic religion, for the purification of its masses through the inspiration of religious feeling, and by means of an education other than that of a lay university.
In the "Scenes from Military Life" so many fine natures, so many high and noble self-devotions will be set forth, that I may here be allowed to point out the depraving effect of the necessities of war upon certain minds who venture to act in domestic life as if upon the field of battle.
You have cast a sagacious glance over the events of our own time; its philosophy shines, in more than one bitter reflection, through your elegant pages; you have appreciated, more clearly than other men, the havoc wrought in the mind of our country by the existence of four distinct political systems. I cannot, therefore, place this history under the protection of a more competent authority. Your name may, perhaps, defend my work against the criticisms that are certain to follow it,—for where is the patient who keeps silence when the surgeon lifts the dressing from his wound?
To the pleasure of dedicating this Scene to you, is joined the pride I feel in thus making known your friendship for one who here subscribes himself
Your sincere admirer,
De Balzac
Paris, November, 1842.
THE TWO BROTHERS
CHAPTER I
In 1792 the townspeople of Issoudun enjoyed the services of a physician named Rouget, whom they held to be a man of consummate malignity. Were we to believe certain bold tongues, he made his wife extremely unhappy, although she was the most beautiful woman of the neighborhood. Perhaps, indeed, she was rather silly. But the prying of friends, the slander of enemies, and the gossip of acquaintances, had never succeeded in laying bare the interior of that household. Doctor Rouget was a man of whom we say in common parlance, "He is not pleasant to deal with." Consequently, during his lifetime, his townsmen kept silence about him and treated him civilly. His wife, a demoiselle Descoings, feeble in health during her girlhood (which was said to be a reason why the doctor married her), gave birth to a son, and also to a daughter who arrived, unexpectedly, ten years after her brother, and whose birth took the husband, doctor though he were, by surprise. This late-comer was named Agathe.
These little facts are so simple, so commonplace, that a writer seems scarcely justified in placing them in the fore-front of his history; yet if they are not known, a man of Doctor Rouget's stamp would be thought a monster, an unnatural father, when, in point of fact, he was only following out the evil tendencies which many people shelter under the terrible axiom that "men should have strength of character,"—a masculine phrase that has caused many a woman's misery.
The Descoings, father-in-law and mother-in-law of the doctor, were commission merchants in the wool-trade, and did a double business by selling for the producers and buying for the manufacturers of the golden fleeces of Berry; thus pocketing a commission on both sides. In this way they grew rich and miserly—the outcome of many such lives. Descoings the son, younger brother of Madame Rouget, did not like Issoudun. He went to seek his fortune in Paris, where he set up as a grocer in the rue Saint-Honore. That step led to his ruin. But nothing could have hindered it: a grocer is drawn to his business by an attracting force quite equal to the repelling force which drives artists away from it. We do not sufficiently study the social potentialities which make up the various vocations of life. It would be interesting to know what determines one man to be a stationer rather than a baker; since, in our day, sons are not compelled to follow the calling of their fathers, as they were among the Egyptians. In this instance, love decided the vocation of Descoings. He said to himself, "I, too, will be a grocer!" and in the same breath he said (also to himself) some other things regarding his employer,—a beautiful creature, with whom he had fallen desperately in love. Without other help than patience and the trifling sum of money his father and mother sent him, he married the widow of his predecessor, Monsieur Bixiou.
In 1792 Descoings was thought to be doing an excellent business. At that time, the old Descoings were still living. They had retired from the wool-trade, and were employing their capital in buying up the forfeited estates,—another golden fleece! Their son-in-law Doctor Rouget, who, about this time, felt pretty sure that he should soon have to mourn for the death of his wife, sent his daughter to Paris to the care of his brother-in-law, partly to let her see the capital, but still more to carry out an artful scheme of his own. Descoings had no children. Madame Descoings, twelve years older than her husband, was in good health, but as fat as a thrush after harvest; and the canny Rouget knew enough professionally to be certain that Monsieur and Madame Descoings, contrary to the moral of fairy tales, would live happy ever after without having any children. The pair might therefore become attached to Agathe.
That young girl, the handsomest maiden in Issoudun, did not resemble either father or mother. Her birth had caused a lasting breach between Doctor Rouget and his intimate friend Monsieur Lousteau, a former sub-delegate who had lately removed from the town. When a family expatriates itself, the natives of a place as attractive as Issoudun have a right to inquire into the reasons of so surprising a step. It was said by certain sharp tongues that Doctor Rouget, a vindictive man, had been heard to exclaim that Monsieur Lousteau should die by his hand. Uttered by a physician, this declaration had the force of a cannon-ball. When the National Assembly suppressed the sub-delegates, Lousteau and his family left Issoudun, and never returned there. After their departure Madame Rouget spent most of her time with the sister of the late sub-delegate, Madame Hochon, who was the godmother of her daughter, and the only person to whom she confided her griefs. The little that the good town of Issoudun ever really knew of the beautiful Madame Rouget was told by Madame Hochon,—though not until after the doctor's death.
The first words of Madame Rouget, when informed by her husband that he meant to send Agathe to Paris, were: "I shall never see my daughter again."
"And she was right," said the worthy Madame Hochon.
After this, the poor mother grew as yellow as a quince, and her appearance did not contradict the tongues of those who declared that Doctor Rouget was killing her by inches. The behavior of her booby of a son must have added to the misery of the poor woman so unjustly accused. Not restrained, possibly encouraged by his father, the young fellow, who was in every way stupid, paid her neither the attentions nor the respect which a son owes to a mother. Jean-Jacques Rouget was like his father, especially on the latter's worst side; and the doctor at his best was far from satisfactory, either morally or physically.
The arrival of the charming Agathe Rouget did not bring happiness to her uncle Descoings; for in the same week (or rather, we should say decade, for the Republic had then been proclaimed) he was imprisoned on a hint from Robespierre given to Fouquier-Tinville. Descoings, who was imprudent enough to think the famine fictitious, had the additional folly, under the impression that opinions were free, to express that opinion to several of his male and female customers as he served them in the grocery. The citoyenne Duplay, wife of a cabinet-maker with whom Robespierre lodged, and who looked after the affairs of that eminent citizen, patronized, unfortunately, the Descoings establishment. She considered the opinions of the grocer insulting to Maximilian the First. Already displeased with the manners of Descoings, this illustrious "tricoteuse" of the Jacobin club regarded the beauty of his wife as a kind of aristocracy. She infused a venom of her own into the grocer's remarks when she repeated them to her good and gentle master, and the poor man was speedily arrested on the well-worn charge of "accaparation."
No sooner was he put in prison, than his wife set to work to obtain his release. But the steps she took were so ill-judged that any one hearing her talk to the arbiters of his fate might have thought that she was in reality seeking to get rid of him. Madame Descoings knew Bridau, one of the secretaries of Roland, then minister of the interior,—the right-hand man of all the ministers who succeeded each other in that office. She put Bridau on the war-path to save her grocer. That incorruptible official—one of the virtuous dupes who are always admirably disinterested—was careful not to corrupt the men on whom the fate of the poor grocer depended; on the contrary, he endeavored to enlighten them. Enlighten people in those days! As well might he have begged them to bring back the Bourbons. The Girondist minister, who was then contending against Robespierre, said to his secretary, "Why do you meddle in the matter?" and all others to whom the worthy Bridau appealed made the same atrocious reply: "Why do you meddle?" Bridau then sagely advised Madame Descoings to keep quiet and await events. But instead of conciliating Robespierre's housekeeper, she fretted and fumed against that informer, and even complained to a member of the Convention, who, trembling for himself, replied hastily, "I will speak of it to Robespierre." The handsome petitioner put faith in this promise, which the other carefully forgot. A few loaves of sugar, or a bottle or two of good liqueur, given to the citoyenne Duplay would have saved Descoings.
This little mishap proves that in revolutionary times it is quite as dangerous to employ honest men as scoundrels; we should rely on ourselves alone. Descoings perished; but he had the glory of going to the scaffold with Andre Chenier. There, no doubt, grocery and poetry embraced for the first time in the flesh; although they have, and ever have had, intimate secret relations. The death of Descoings produced far more sensation than that of Andre Chenier. It has taken thirty years to prove to France that she lost more by the death of Chenier than by that of Descoings.
This act of Robespierre led to one good result: the terrified grocers let politics alone until 1830. Descoings's shop was not a hundred yards from Robespierre's lodging. His successor was scarcely more fortunate than himself. Cesar Birotteau, the celebrated perfumer of the "Queen of Roses," bought the premises; but, as if the scaffold had left some inexplicable contagion behind it, the inventor of the "Paste of Sultans" and the "Carminative Balm" came to his ruin in that very shop. The solution of the problem here suggested belongs to the realm of occult science.
During the visits which Roland's secretary paid to the unfortunate Madame Descoings, he was struck with the cold, calm, innocent beauty of Agathe Rouget. While consoling the widow, who, however, was too inconsolable to carry on the business of her second deceased husband, he married the charming girl, with the consent of her father, who hastened to give his approval to the match. Doctor Rouget, delighted to hear that matters were going beyond his expectations,—for his wife, on the death of her brother, had become sole heiress of the Descoings,—rushed to Paris, not so much to be present at the wedding as to see that the marriage contract was drawn to suit him. The ardent and disinterested love of citizen Bridau gave carte blanche to the perfidious doctor, who made the most of his son-in-law's blindness, as the following history will show.
Madame Rouget, or, to speak more correctly, the doctor, inherited all the property, landed and personal, of Monsieur and Madame Descoings the elder, who died within two years of each other; and soon after that, Rouget got the better, as we may say, of his wife, for she died at the beginning of the year 1799. So he had vineyards and he bought farms, he owned iron-works and he sold fleeces. His well-beloved son was stupidly incapable of doing anything; but the father destined him for the state in life of a land proprietor and allowed him to grow up in wealth and silliness, certain that the lad would know as much as the wisest if he simply let himself live and die. After 1799, the cipherers of Issoudun put, at the very least, thirty thousand francs' income to the doctor's credit. From the time of his wife's death he led a debauched life, though he regulated it, so to speak, and kept it within the closed doors of his own house. This man, endowed with "strength of character," died in 1805, and God only knows what the townspeople of Issoudun said about him then, and how many anecdotes they related of his horrible private life. Jean-Jacques Rouget, whom his father, recognizing his stupidity, had latterly treated with severity, remained a bachelor for certain reasons, the explanation of which will form an important part of this history. His celibacy was partly his father's fault, as we shall see later.
Meantime, it is well to inquire into the results of the secret vengeance the doctor took on a daughter whom he did not recognize as his own, but who, you must understand at once, was legitimately his. Not a person in Issoudun had noticed one of those capricious facts that make the whole subject of generation a vast abyss in which science flounders. Agathe bore a strong likeness to the mother of Doctor Rouget. Just as gout is said to skip a generation and pass from grandfather to grandson, resemblances not uncommonly follow the same course.
In like manner, the eldest of Agathe's children, who physically resembled his mother, had the moral qualities of his grandfather, Doctor Rouget. We will leave the solution of this problem to the twentieth century, with a fine collection of microscopic animalculae; our descendants may perhaps write as much nonsense as the scientific schools of the nineteenth century have uttered on this mysterious and perplexing question.
Agathe Rouget attracted the admiration of everyone by a face destined, like that of Mary, the mother of our Lord, to continue ever virgin, even after marriage. Her portrait, still to be seen in the atelier of Bridau, shows a perfect oval and a clear whiteness of complexion, without the faintest tinge of color, in spite of her golden hair. More than one artist, looking at the pure brow, the discreet, composed mouth, the delicate nose, the small ears, the long lashes, and the dark-blue eyes filled with tenderness,—in short, at the whole countenance expressive of placidity,—has asked the great artist, "Is that a copy of a Raphael?" No man ever acted under a truer inspiration than the minister's secretary when he married this young girl. Agathe was an embodiment of the ideal housekeeper brought up in the provinces and never parted from her mother. Pious, though far from sanctimonious, she had no other education than that given to women by the Church. Judged, by ordinary standards, she was an accomplished wife, yet her ignorance of life paved the way for great misfortunes. The epitaph on the Roman matron, "She did needlework and kept the house," gives a faithful picture of her simple, pure, and tranquil existence.
Under the Consulate, Bridau attached himself fanatically to Napoleon, who placed him at the head of a department in the ministry of the interior in 1804, a year before the death of Doctor Rouget. With a salary of twelve thousand francs and very handsome emoluments, Bridau was quite indifferent to the scandalous settlement of the property at Issoudun, by which Agathe was deprived of her rightful inheritance. Six months before Doctor Rouget's death he had sold one-half of his property to his son, to whom the other half was bequeathed as a gift, and also in accordance with his rights as heir. An advance of fifty thousand francs on her inheritance, made to Agathe at the time of her marriage, represented her share of the property of her father and mother.
Bridau idolized the Emperor, and served him with the devotion of a Mohammedan for his prophet; striving to carry out the vast conceptions of the modern demi-god, who, finding the whole fabric of France destroyed, went to work to reconstruct everything. The new official never showed fatigue, never cried "Enough." Projects, reports, notes, studies, he accepted all, even the hardest labors, happy in the consciousness of aiding his Emperor. He loved him as a man, he adored him as a sovereign, and he would never allow the least criticism of his acts or his purposes.
From 1804 to 1808, the Bridaus lived in a handsome suite of rooms on the Quai Voltaire, a few steps from the ministry of the interior and close to the Tuileries. A cook and footman were the only servants of the household during this period of Madame Bridau's grandeur. Agathe, early afoot, went to market with her cook. While the latter did the rooms, she prepared the breakfast. Bridau never went to the ministry before eleven o'clock. As long as their union lasted, his wife took the same unwearying pleasure in preparing for him an exquisite breakfast, the only meal he really enjoyed. At all seasons and in all weathers, Agathe watched her husband from the window as he walked toward his office, and never drew in her head until she had seen him turn the corner of the rue du Bac. Then she cleared the breakfast-table herself, gave an eye to the arrangement of the rooms, dressed for the day, played with her children and took them to walk, or received the visits of friends; all the while waiting in spirit for Bridau's return. If her husband brought him important business that had to be attended to, she would station herself close to the writing-table in his study, silent as a statue, knitting while he wrote, sitting up as late as he did, and going to bed only a few moments before him. Occasionally, the pair went to some theatre, occupying one of the ministerial boxes. On those days, they dined at a restaurant, and the gay scenes of that establishment never ceased to give Madame Bridau the same lively pleasure they afford to provincials who are new to Paris. Agathe, who was obliged to accept the formal dinners sometimes given to the head of a department in a ministry, paid due attention to the luxurious requirements of the then mode of dress, but she took off the rich apparel with delight when she returned home, and resumed the simple garb of a provincial. One day in the week, Thursday, Bridau received his friends, and he also gave a grand ball, annually, on Shrove Tuesday.
These few words contain the whole history of their conjugal life, which had but three events; the births of two children, born three years apart, and the death of Bridau, who died in 1808, killed by overwork at the very moment when the Emperor was about to appoint him director-general, count, and councillor of state. At this period of his reign, Napoleon was particularly absorbed in the affairs of the interior; he overwhelmed Bridau with work, and finally wrecked the health of that dauntless bureaucrat. The Emperor, of whom Bridau had never asked a favor, made inquiries into his habits and fortune. Finding that this devoted servant literally had nothing but his situation, Napoleon recognized him as one of the incorruptible natures which raised the character of his government and gave moral weight to it, and he wished to surprise him by the gift of some distinguished reward. But the effort to complete a certain work, involving immense labor, before the departure of the Emperor for Spain caused the death of the devoted servant, who was seized with an inflammatory fever. When the Emperor, who remained in Paris for a few days after his return to prepare for the campaign of 1809, was told of Bridau's death he said: "There are men who can never be replaced." Struck by the spectacle of a devotion which could receive none of the brilliant recognitions that reward a soldier, the Emperor resolved to create an order to requite civil services, just as he had already created the Legion of honor to reward the military. The impression he received from the death of Bridau led him to plan the order of the Reunion. He had not time, however, to mature this aristocratic scheme, the recollection of which is now so completely effaced that many of my readers may ask what were its insignia: the order was worn with a blue ribbon. The Emperor called it the Reunion, under the idea of uniting the order of the Golden Fleece of Spain with the order of the Golden Fleece of Austria. "Providence," said a Prussian diplomatist, "took care to frustrate the profanation."
After Bridau's death the Emperor inquired into the circumstances of his widow. Her two sons each received a scholarship in the Imperial Lyceum, and the Emperor paid the whole costs of their education from his privy purse. He gave Madame Bridau a pension of four thousand francs, intending, no doubt, to advance the fortune of her sons in future years.
From the time of her marriage to the death of her husband, Agathe had held no communication with Issoudun. She lost her mother just as she was on the point of giving birth to her youngest son, and when her father, who, as she well knew, loved her little, died, the coronation of the Emperor was at hand, and that event gave Bridau so much additional work that she was unwilling to leave him. Her brother, Jean-Jacques Rouget, had not written to her since she left Issoudun. Though grieved by the tacit repudiation of her family, Agathe had come to think seldom of those who never thought of her. Once a year she received a letter from her godmother, Madame Hochon, to whom she replied with commonplaces, paying no heed to the advice which that pious and excellent woman gave to her, disguised in cautious words.
Some time before the death of Doctor Rouget, Madame Hochon had written to her goddaughter warning her that she would get nothing from her father's estate unless she gave a power of attorney to Monsieur Hochon. Agathe was very reluctant to harass her brother. Whether it were that Bridau thought the spoliation of his wife in accordance with the laws and customs of Berry, or that, high-minded as he was, he shared the magnanimity of his wife, certain it is that he would not listen to Roguin, his notary, who advised him to take advantage of his ministerial position to contest the deeds by which the father had deprived the daughter of her legitimate inheritance. Husband and wife thus tacitly sanctioned what was done at Issoudun. Nevertheless, Roguin had forced Bridau to reflect upon the future interests of his wife which were thus compromised. He saw that if he died before her, Agathe would be left without property, and this led him to look into his own affairs. He found that between 1793 and 1805 his wife and he had been obliged to use nearly thirty thousand of the fifty thousand francs in cash which old Rouget had given to his daughter at the time of her marriage. He at once invested the remaining twenty thousand in the public funds, then quoted at forty, and from this source Agathe received about two thousand francs a year. As a widow, Madame Bridau could live suitably on an income of six thousand francs. With provincial good sense, she thought of changing her residence, dismissing the footman, and keeping no servant except a cook; but her intimate friend, Madame Descoings, who insisted on being considered her aunt, sold her own establishment and came to live with Agathe, turning the study of the late Bridau into her bedroom.
The two widows clubbed their revenues, and so were in possession of a joint income of twelve thousand francs a year. This seems a very simple and natural proceeding. But nothing in life is more deserving of attention than the things that are called natural; we are on our guard against the unnatural and extraordinary. For this reason, you will find men of experience—lawyers, judges, doctors, and priests —attaching immense importance to simple matters; and they are often thought over-scrupulous. But the serpent amid flowers is one of the finest myths that antiquity has bequeathed for the guidance of our lives. How often we hear fools, trying to excuse themselves in their own eyes or in the eyes of others, exclaiming, "It was all so natural that any one would have been taken in."
In 1809, Madame Descoings, who never told her age, was sixty-five. In her heyday she had been popularly called a beauty, and was now one of those rare women whom time respects. She owed to her excellent constitution the privilege of preserving her good looks, which, however, would not bear close examination. She was of medium height, plump, and fresh, with fine shoulders and a rather rosy complexion. Her blond hair, bordering on chestnut, showed, in spite of her husband's catastrophe, not a tinge of gray. She loved good cheer, and liked to concoct nice little made dishes; yet, fond as she was of eating, she also adored the theatre and cherished a vice which she wrapped in impenetrable mystery—she bought into lotteries. Can that be the abyss of which mythology warns us under the fable of the Danaides and their cask? Madame Descoings, like other women who are lucky enough to keep young for many years, spend rather too much upon her dress; but aside from these trifling defects she was the pleasantest of women to live with. Of every one's opinion, never opposing anybody, her kindly and communicative gayety gave pleasure to all. She had, moreover, a Parisian quality which charmed the retired clerks and elderly merchants of her circle,—she could take and give a jest. If she did not marry a third time it was no doubt the fault of the times. During the wars of the Empire, marrying men found rich and handsome girls too easily to trouble themselves about women of sixty.
Madame Descoings, always anxious to cheer Madame Bridau, often took the latter to the theatre, or to drive; prepared excellent little dinners for her delectation, and even tried to marry her to her own son by her first husband, Bixiou. Alas! to do this, she was forced to reveal a terrible secret, carefully kept by her, by her late husband, and by her notary. The young and beautiful Madame Descoings, who passed for thirty-six years old, had a son who was thirty-five, named Bixiou, already a widower, a major in the Twenty-Fourth Infantry, who subsequently perished at Lutzen, leaving behind him an only son. Madame Descoings, who only saw her grandson secretly, gave out that he was the son of the first wife of her first husband. The revelation was partly a prudential act; for this grandson was being educated with Madame Bridau's sons at the Imperial Lyceum, where he had a half-scholarship. The lad, who was clever and shrewd at school, soon after made himself a great reputation as draughtsman and designer, and also as a wit.
Agathe, who lived only for her children, declined to re-marry, as much from good sense as from fidelity to her husband. But it is easier for a woman to be a good wife than to be a good mother. A widow has two tasks before her, whose duties clash: she is a mother, and yet she must exercise parental authority. Few women are firm enough to understand and practise this double duty. Thus it happened that Agathe, notwithstanding her many virtues, was the innocent cause of great unhappiness. In the first place, through her lack of intelligence and the blind confidence to which such noble natures are prone, Agathe fell a victim to Madame Descoings, who brought a terrible misfortune on the family. That worthy soul was nursing up a combination of three numbers called a "trey" in a lottery, and lotteries give no credit to their customers. As manager of the joint household, she was able to pay up her stakes with the money intended for their current expenses, and she went deeper and deeper into debt, with the hope of ultimately enriching her grandson Bixiou, her dear Agathe, and the little Bridaus. When the debts amounted to ten thousand francs, she increased her stakes, trusting that her favorite trey, which had not turned up in nine years, would come at last, and fill to overflowing the abysmal deficit.
From that moment the debt rolled up rapidly. When it reached twenty thousand francs, Madame Descoings lost her head, still failing to win the trey. She tried to mortgage her own property to pay her niece, but Roguin, who was her notary, showed her the impossibility of carrying out that honorable intention. The late Doctor Rouget had laid hold of the property of the brother-in-law after the grocer's execution, and had, as it were, disinherited Madame Descoings by securing to her a life-interest on the property of his own son, Jean-Jacques Rouget. No money-lender would think of advancing twenty thousand francs to a woman sixty-six years of age, on an annuity of about four thousand, at a period when ten per cent could easily be got for an investment. So one morning Madame Descoings fell at the feet of her niece, and with sobs confessed the state of things. Madame Bridau did not reproach her; she sent away the footman and cook, sold all but the bare necessities of her furniture, sold also three-fourths of her government funds, paid off the debts, and bade farewell to her appartement.
CHAPTER II
One of the worst corners in all Paris is undoubtedly that part of the rue Mazarin which lies between the rue Guenegard and its junction with the rue de Seine, behind the palace of the Institute. The high gray walls of the college and of the library which Cardinal Mazarin presented to the city of Paris, and which the French Academy was in after days to inhabit, cast chill shadows over this angle of the street, where the sun seldom shines, and the north wind blows. The poor ruined widow came to live on the third floor of a house standing at this damp, dark, cold corner. Opposite, rose the Institute buildings, in which were the dens of ferocious animals known to the bourgeoisie under the name of artists,—under that of tyro, or rapin, in the studios. Into these dens they enter rapins, but they may come forth prix de Rome. The transformation does not take place without extraordinary uproar and disturbance at the time of year when the examinations are going on, and the competitors are shut up in their cells. To win a prize, they were obliged, within a given time, to make, if a sculptor, a clay model; if a painter, a picture such as may be seen at the Ecole des Beaux-Arts; if a musician, a cantata; if an architect, the plans for a public building. At the time when we are penning the words, this menagerie has already been removed from these cold and cheerless buildings, and taken to the elegant Palais des Beaux-Arts, which stands near by.
From the windows of Madame Bridau's new abode, a glance could penetrate the depths of those melancholy barred cages. To the north, the view was shut in by the dome of the Institute; looking up the street, the only distraction to the eye was a file of hackney-coaches, which stood at the upper end of the rue Mazarin. After a while, the widow put boxes of earth in front of her windows, and cultivated those aerial gardens that police regulations forbid, though their vegetable products purify the atmosphere. The house, which backed up against another fronting on the rue de Seine, was necessarily shallow, and the staircase wound round upon itself. The third floor was the last. Three windows to three rooms, namely, a dining-room, a small salon, and a chamber on one side of the landing; on the other, a little kitchen, and two single rooms; above, an immense garret without partitions. Madame Bridau chose this lodging for three reasons: economy, for it cost only four hundred francs a year, so that she took a lease of it for nine years; proximity to her sons' school, the Imperial Lyceum being at a short distance; thirdly, because it was in the quarter to which she was used.
The inside of the appartement was in keeping with the general look of the house. The dining-room, hung with a yellow paper covered with little green flowers, and floored with tiles that were not glazed, contained nothing that was not strictly necessary,—namely, a table, two sideboards, and six chairs, brought from the other appartement. The salon was adorned with an Aubusson carpet given to Bridau when the ministry of the interior was refurnished. To the furniture of this room the widow added one of those commonplace mahogany sofas with the Egyptian heads that Jacob Desmalter manufactured by the gross in 1806, covering them with a silken green stuff bearing a design of white geometric circles. Above this piece of furniture hung a portrait of Bridau, done in pastel by the hand of an amateur, which at once attracted the eye. Though art might have something to say against it, no one could fail to recognize the firmness of the noble and obscure citizen upon that brow. The serenity of the eyes, gentle, yet proud, was well given; the sagacious mind, to which the prudent lips bore testimony, the frank smile, the atmosphere of the man of whom the Emperor had said, "Justum et tenacem," had all been caught, if not with talent, at least with fidelity. Studying that face, an observer could see that the man had done his duty. His countenance bore signs of the incorruptibility which we attribute to several men who served the Republic. On the opposite wall, over a card-table, flashed a picture of the Emperor in brilliant colors, done by Vernet; Napoleon was riding rapidly, attended by his escort.
Agathe had bestowed upon herself two large birdcages; one filled with canaries, the other with Java sparrows. She had given herself up to this juvenile fancy since the loss of her husband, irreparable to her, as, in fact, it was to many others. By the end of three months, her widowed chamber had become what it was destined to remain until the appointed day when she left it forever,—a litter of confusion which words are powerless to describe. Cats were domiciled on the sofa. The canaries, occasionally let loose, left their commas on the furniture. The poor dear woman scattered little heaps of millet and bits of chickweed about the room, and put tidbits for the cats in broken saucers. Garments lay everywhere. The room breathed of the provinces and of constancy. Everything that once belonged to Bridau was scrupulously preserved. Even the implements in his desk received the care which the widow of a paladin might have bestowed upon her husband's armor. One slight detail here will serve to bring the tender devotion of this woman before the reader's mind. She had wrapped up a pen and sealed the package, on which she wrote these words, "Last pen used by my dear husband." The cup from which he drank his last draught was on the fireplace; caps and false hair were tossed, at a later period, over the glass globes which covered these precious relics. After Bridau's death not a trace of coquetry, not even a woman's ordinary care of her person, was left in the young widow of thirty-five. Parted from the only man she had ever known, esteemed, and loved, from one who had never caused her the slightest unhappiness, she was no longer conscious of her womanhood; all things were as nothing to her; she no longer even thought of her dress. Nothing was ever more simply done or more complete than this laying down of conjugal happiness and personal charm. Some human beings obtain through love the power of transferring their self—their I—to the being of another; and when death takes that other, no life of their own is possible for them.
Agathe, who now lived only for her children, was infinitely sad at the thought of the privations this financial ruin would bring upon them. From the time of her removal to the rue Mazarin a shade of melancholy came upon her face, which made it very touching. She hoped a little in the Emperor; but the Emperor at that time could do no more than he was already doing; he was giving three hundred francs a year to each child from his privy purse, besides the scholarships.
As for the brilliant Descoings, she occupied an appartement on the second floor similar to that of her niece above her. She had made Madame Bridau an assignment of three thousand francs out of her annuity. Roguin, the notary, attended to this in Madame Bridau's interest; but it would take seven years of such slow repayment to make good the loss. The Descoings, thus reduced to an income of twelve hundred francs, lived with her niece in a small way. These excellent but timid creatures employed a woman-of-all-work for the morning hours only. Madame Descoings, who liked to cook, prepared the dinner. In the evenings a few old friends, persons employed at the ministry who owed their places to Bridau, came for a game of cards with the two widows. Madame Descoings still cherished her trey, which she declared was obstinate about turning up. She expected, by one grand stroke, to repay the enforced loan she had made upon her niece. She was fonder of the little Bridaus than she was of her grandson Bixiou,—partly from a sense of the wrong she had done them, partly because she felt the kindness of her niece, who, under her worst deprivations, never uttered a word of reproach. So Philippe and Joseph were cossetted, and the old gambler in the Imperial Lottery of France (like others who have a vice or a weakness to atone for) cooked them nice little dinners with plenty of sweets. Later on, Philippe and Joseph could extract from her pocket, with the utmost facility, small sums of money, which the younger used for pencils, paper, charcoal and prints, the elder to buy tennis-shoes, marbles, twine, and pocket-knives. Madame Descoings's passion forced her to be content with fifty francs a month for her domestic expenses, so as to gamble with the rest.
On the other hand, Madame Bridau, motherly love, kept her expenses down to the same sum. By way of penance for her former over-confidence, she heroically cut off her own little enjoyments. As with other timid souls of limited intelligence, one shock to her feelings rousing her distrust led her to exaggerate a defect in her character until it assumed the consistency of a virtue. The Emperor, she said to herself, might forget them; he might die in battle; her pension, at any rate, ceased with her life. She shuddered at the risk her children ran of being left alone in the world without means. Quite incapable of understanding Roguin when he explained to her that in seven years Madame Descoings's assignment would replace the money she had sold out of the Funds, she persisted in trusting neither the notary nor her aunt, nor even the government; she believed in nothing but herself and the privations she was practising. By laying aside three thousand francs every year from her pension, she would have thirty thousand francs at the end of ten years; which would give fifteen hundred a year to her children. At thirty-six, she might expect to live twenty years longer; and if she kept to the same system of economy she might leave to each child enough for the bare necessaries of life.
Thus the two widows passed from hollow opulence to voluntary poverty, —one under the pressure of a vice, the other through the promptings of the purest virtue. None of these petty details are useless in teaching the lesson which ought to be learned from this present history, drawn as it is from the most commonplace interests of life, but whose bearings are, it may be, only the more widespread. The view from the windows into the student dens; the tumult of the rapins below; the necessity of looking up at the sky to escape the miserable sights of the damp angle of the street; the presence of that portrait, full of soul and grandeur despite the workmanship of an amateur painter; the sight of the rich colors, now old and harmonious, in that calm and placid home; the preference of the mother for her eldest child; her opposition to the tastes of the younger; in short, the whole body of facts and circumstances which make the preamble of this history are perhaps the generating causes to which we owe Joseph Bridau, one of the greatest painters of the modern French school of art.
Philippe, the elder of the two sons, was strikingly like his mother. Though a blond lad, with blue eyes, he had the daring look which is readily taken for intrepidity and courage. Old Claparon, who entered the ministry of the interior at the same time as Bridau, and was one of the faithful friends who played whist every night with the two widows, used to say of Philippe two or three times a month, giving him a tap on the cheek, "Here's a young rascal who'll stand to his guns!" The boy, thus stimulated, naturally and out of bravado, assumed a resolute manner. That turn once given to his character, he became very adroit at all bodily exercises; his fights at the Lyceum taught him the endurance and contempt for pain which lays the foundation of military valor. He also acquired, very naturally, a distaste for study; public education being unable to solve the difficult problem of developing "pari passu" the body and the mind.
Agathe believed that the purely physical resemblance which Philippe bore to her carried with it a moral likeness; and she confidently expected him to show at a future day her own delicacy of feeling, heightened by the vigor of manhood. Philippe was fifteen years old when his mother moved into the melancholy appartement in the rue Mazarin; and the winning ways of a lad of that age went far to confirm the maternal beliefs. Joseph, three years younger, was like his father, but only on the defective side. In the first place, his thick black hair was always in disorder, no matter what pains were taken with it; while Philippe's, notwithstanding his vivacity, was invariably neat. Then, by some mysterious fatality, Joseph could not keep his clothes clean; dress him in new clothes, and he immediately made them look like old ones. The elder, on the other hand, took care of his things out of mere vanity. Unconsciously, the mother acquired a habit of scolding Joseph and holding up his brother as an example to him. Agathe did not treat the two children alike; when she went to fetch them from school, the thought in her mind as to Joseph always was, "What sort of state shall I find him in?" These trifles drove her heart into the gulf of maternal preference.
No one among the very ordinary persons who made the society of the two widows—neither old Du Bruel nor old Claparon, nor Desroches the father, nor even the Abbe Loraux, Agathe's confessor—noticed Joseph's faculty for observation. Absorbed in the line of his own tastes, the future colorist paid no attention to anything that concerned himself. During his childhood this disposition was so like torpor that his father grew uneasy about him. The remarkable size of the head and the width of the brow roused a fear that the child might be liable to water on the brain. His distressful face, whose originality was thought ugliness by those who had no eye for the moral value of a countenance, wore rather a sullen expression during his childhood. The features, which developed later in life, were pinched, and the close attention the child paid to what went on about him still further contracted them. Philippe flattered his mother's vanity, but Joseph won no compliments. Philippe sparkled with the clever sayings and lively answers that lead parents to believe their boys will turn out remarkable men; Joseph was taciturn, and a dreamer. The mother hoped great things of Philippe, and expected nothing of Joseph.
Joseph's predilection for art was developed by a very commonplace incident. During the Easter holidays of 1812, as he was coming home from a walk in the Tuileries with his brother and Madame Descoings, he saw a pupil drawing a caricature of some professor on the wall of the Institute, and stopped short with admiration at the charcoal sketch, which was full of satire. The next day the child stood at the window watching the pupils as they entered the building by the door on the rue Mazarin; then he ran downstairs and slipped furtively into the long courtyard of the Institute, full of statues, busts, half-finished marbles, plasters, and baked clays; at all of which he gazed feverishly, for his instinct was awakened, and his vocation stirred within him. He entered a room on the ground-floor, the door of which was half open; and there he saw a dozen young men drawing from a statue, who at once began to make fun of him.
"Hi! little one," cried the first to see him, taking the crumbs of his bread and scattering them at the child.
"Whose child is he?"
"Goodness, how ugly!"
For a quarter of an hour Joseph stood still and bore the brunt of much teasing in the atelier of the great sculptor, Chaudet. But after laughing at him for a time, the pupils were struck with his persistency and with the expression of his face. They asked him what he wanted. Joseph answered that he wished to know how to draw; thereupon they all encouraged him. Won by such friendliness, the child told them he was Madame Bridau's son.
"Oh! if you are Madame Bridau's son," they cried, from all parts of the room, "you will certainly be a great man. Long live the son of Madame Bridau! Is your mother pretty? If you are a sample of her, she must be stylish!"
"Ha! you want to be an artist?" said the eldest pupil, coming up to Joseph, "but don't you know that that requires pluck; you'll have to bear all sorts of trials,—yes, trials,—enough to break your legs and arms and soul and body. All the fellows you see here have gone through regular ordeals. That one, for instance, he went seven days without eating! Let me see, now, if you can be an artist."
He took one of the child's arms and stretched it straight up in the air; then he placed the other arm as if Joseph were in the act of delivering a blow with his fist.