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The Charm of Ireland

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This work presents a vivid exploration of Ireland, capturing its landscapes, culture, and history through a series of essays and observations. The author travels through various regions, including Dublin, Killarney, and Galway, detailing the charm of each locale while reflecting on the rich traditions and folklore of the Irish people. The narrative encompasses visits to historical sites, discussions of local customs, and encounters with residents, all illustrated with photographs. Themes of nostalgia, cultural identity, and the beauty of the Irish countryside are woven throughout, offering readers a comprehensive and engaging portrait of the Emerald Isle.

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Title: The Charm of Ireland

Author: Burton Egbert Stevenson

Release date: March 8, 2011 [eBook #35529]

Language: English

Credits: E-text prepared by Suzanne Shell, Emmy, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)

*** START OF THE PROJECT GUTENBERG EBOOK THE CHARM OF IRELAND ***

 

E-text prepared by Suzanne Shell, Emmy,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive/Canadian Libraries
(http://www.archive.org/details/toronto)

 

Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/charmofireland00stevuoft

 

Transcriber's Note: Images are linked to larger versions so that better detail can be seen. Click on the image to view the larger versions.

 


 


THE CHARM OF IRELAND


TWO TINY CONNAUGHT TOILERS
See page 356

The
Charm of Ireland

By
Burton E. Stevenson
Author of "The Spell of Holland," "The Mystery of
the Boule Cabinet
," etc.

With many Illustrations from
Photographs by the Author








New York
Dodd, Mead and Company
1914


TO

J. I. B.

THIS BOOK

CONTENTS

CHAPTERPAGE
Dublin's Saturday Night1
II Lights and Shadows of an Ancient Capital9
III The Art of Ancient Erin26
IV On the Trail of the Shamrock42
The Country of St. Kevin59
VI Drogheda the Dreary85
VII Holy Cross and Cashel of the Kings97
VIII Adventures at Blarney113
IX Cushla Ma Chree128
The Shrine of St. Fin Barre139
XI A Trip Through Wonderland153
XII The "Grand Tour"177
XIII Round about Killarney192
XIV O'Connell, Journeyman Tailor203
XV The Ruins at Adare224
XVI"Where the River Shannon Flows"242
XVII Lissoy and Clonmacnoise265
XVIII Galway of the Tribes292
XIX Iar Connaught314
XX Joyce's Country339
XXI The Real Irish Problem358
XXII The Trials of a Conductor375
XXIII The Leacht-Con-Mic-Ruis398
XXIV The Winding Banks of Erne415
XXV The Maiden City438
XXVI The Grainan of Aileach458
XXVII The Bridge of the Giants472
XXVIII The Glens of Antrim485
XXIX Belfast503
XXX The Grave of St. Patrick519
XXXI The Valley of the Boyne534
XXXII The End of the Pilgrimage559
  Index567

ILLUSTRATIONS

Two Tiny Connaught ToilersFrontispiece
 FACING
PAGE
Dublin Castle10
O'Connell, alias Sackville, Street, Dublin10
Ruins of St. Mary's Abbey Howth22
The Evolution of the Jaunting Car28
The Cross of Cong40
The Shrine of St. Patrick's Bell40
Glendalough and the Ruins of St. Kevin's Churches66
The Road to St. Kevin's Seat74
The First of St. Kevin's Churches74
The Round Tower, Clondalkin88
St. Lawrence's Gate, Drogheda88
Holy Cross Abbey, from the Cloisters100
The Mighty Ruins on the Rock of Cashel100
Cashel of the Kings104
Blarney Castle116
A Cottage at Inchigeelagh144
The Shrine of St. Fin Barre144
The Bay of Glengarriff164
The Upper Lake, Killarney, from the Kenmare Road164
Old Weir Bridge, Killarney188
The Meeting of the Waters188
Ross Castle, Killarney188
Muckross Abbey, Killarney194
The Cloister at Muckross Abbey194
The Choir of the Abbey at Adare232
The Castle of the Geraldines, Adare232
The Shannon, near World's End248
St. Senan's Well248
The Bridge at Killaloe258
The Oratory at Killaloe258
Entrance to St. Molua's Oratory262
A Fisherman's Home262
The Choir of the Abbey at Athenry270
A Cottage at Athenry270
The Goldsmith Rectory at Lissoy276
The "Three Jolly Pigeons"276
On the Road to Clonmacnoise288
St. Kieran's Cathair, Clonmacnoise288
The Market at Galway296
"Ould Saftie"296
The Claddagh, Galway300
A Claddagh Home300
A Galway Vista302
The Memorial of a Spartan Father302
The Connemara Marble Quarry322
A Connemara Home322
In "Joyce's Country"344
On the Shore of Lough Mask344
The Cloister at Cong Abbey348
The Monks' Fishing-house, Cong Abbey348
The Turf-Cutters356
A Girl of "Joyce's Country"356
Cromlechs at Carrowmore392
Sligo Abbey from the Cloister400
The Leacht-Con-Mic-Ruis400
A Ruin on the Shore of Lough Gill402
The Last Fragment of an Ancient Stronghold402
A Cashel near Dromahair408
St. Patrick's Holy Well408
The Coast at Bundoran416
The Home of "Colleen Bawn"416
Birthplace of William Allingham430
Castle Donegal430
The Walls of Derry466
The Grainan of Aileach466
The "Giant's Head," near Portrush480
The Ruins of Dunluce Castle480
The Giant's Causeway482
The Cliffs beyond the Causeway482
The Grave of Ossian496
An Antrim Landscape496
A Humble Home in Antrim498
The Old Jail at Cushendall498
The City Hall, Belfast516
High Street, Belfast516
The Grave of Patrick, Brigid and Columba522
The Old Cross at Downpatrick522
The Great Rath at Downpatrick526
The Inner and Outer Circles526
The Central Mound526
The Eye Well at Struell528
The Well of Sins at Struell528
The Birthplace of John Boyle O'Reilly540
Entrance to Dowth Tumulus540
Entrance to Newgrange546
The Ruins of Mellifont546
The Round Tower, Monasterboice554
The High Cross, Monasterboice554
Muiredach's Cross, Monasterboice556

THE CHARM OF IRELAND


CHAPTER I

DUBLIN'S SATURDAY NIGHT
Twilight was at hand when the little steamer, slender as a greyhound, cast loose from the pier at Holyhead, made its way cautiously out past the breakwater, and then, gathering speed, headed away across the Irish Sea, straight toward the setting sun.

The boat showed many evidences that the Irish Sea can be savage when it chooses. Everything movable about the decks was carefully lashed down; there were railings and knotted ropes everywhere to cling to; and in the saloon the table-racks were set ready at hand, as though they had just been used, and might be needed again at any moment. But, on this Saturday evening in late May, the sea was in a pleasant, even a jovial, mood, with just enough swell to send a thin shower of spray across the deck from time to time, and lend exhilaration to the rush of the fleet little turbine.

There were many boats in sight—small ones, for the most part, rolling and pitching apparently much worse than we; and then the gathering darkness obscured them one by one, and presently all that was left of them were the bobbing white lights at their mastheads. A biting chill crept into the air, and Betty finally sought refuge from it in the saloon, while I made my way back to the smoking-room, hoping for a friendly pipe with some one.

I was attracted at once by a rosy-faced old priest, sitting at one of the corner tables. He was smoking a black, well-seasoned briar, and he bade me a cheery good-evening as I dropped into the seat beside him.

"You would be from America," he said, watching me as I filled up.

"Yes," I answered. "From Ohio."

"Ah, I know Ohio well," and he looked at me with new interest, "though for many years I have been in Illinois."

"But you were born in Ireland?"

"I was so; near Tuam. I am going back now for a visit."

"Have you been away long?"

"More than thirty years," he said, and took a few reflective puffs.

"No doubt you will find many changes," I ventured.

But he shook his head. "I am thinking I shall find Tuam much as I left it," he said. "There are not many changes in Ireland, even in thirty years. 'Tis not like America. I am afraid I shall have to give up smoking while I am there," he added, with a little sigh.

"Give up smoking?" I echoed. "But why?"

"They do not like their priests to smoke in Ireland."

I was astonished. I had no suspicion that Irish priests were criticised for little things like that. In fact, I had somewhere received the impression that they were above criticism of every kind—dictators, in short, no act of whose was questioned. My companion laughed when I told him this.

"That is not so at all," he said. "Every priest, of course, has authority in spiritual matters; but if he has any authority outside of that, it is because his people trust him. And before they'll trust him, he must deserve it. There is no people in the world so critical, so suspicious, or so sharp-sighted as the Irish. Take this matter of smoking, now. All Irishmen smoke, and yet there is a feeling that it is not the right thing for a priest. For myself, I see no harm in it. My pipe is a fine companion in the long evenings, when I am often lonely. But of course I can't do anything that would be making the people think less of me," and he knocked his pipe out tenderly and put it sadly in his pocket, refusing my proffered pouch.

"You will have to take a few whiffs up the chimney occasionally," I suggested.

His faded blue eyes lit up with laughter.

"Ah, I have done that same before this," he said, with a little chuckle. "That would be while I was a student at Maynooth, and a wild lot we were. There was a hole high up in the wall where the stove-pipe used to go, and we boys would draw a table under it, and stand on the table, and smoke up the chimney, turn and turn about," and he went on to tell me of those far-off days at Maynooth, which is the great Catholic college of Ireland, and of his first visit to America, and his first sight of Niagara Falls, and of how he had finally decided to enter the priesthood after long uncertainty; and then presently some one came to the door and said the lights of the Irish coast could be seen ahead, and we went out to look at them.

Far away, a little to the right, a strong level shaft of light told of a lighthouse. It was the famous Bailey light, at the foot of the Hill of Howth, so one of the deckhands said; and then, still farther off, another light began to wink and wink, and then a third that swept its level beam across the sea, stared one full in the eye for an instant, and then swept on; and then more lights and more—the green and red ones marking the entrance to the harbour; and finally the lights of Kingstown itself stretched away to the left like a string of golden beads. And then we were in the harbour; and then we were beside the pier; and then Betty and I and the "chocolate-drop"—as we had named the brown English wrap-up which had done such yeoman service in Holland that we had vowed never to travel without it,—went down the gang-plank, and were in Ireland!

There is always a certain excitement, a certain exhilaration, in setting foot for the first time in any country; but when that country is Ireland, the Island of the Saints, the home of heroic legend and history more heroic still, the land with a frenzy for freedom yet never free—well, it was with a mist of happiness before our eyes that we crossed the pier and sought seats in the boat-train.

It is only five or six miles from Kingstown to Dublin, so that at the end of a very few minutes our train stopped in the Westland Row station, where a fevered mob of porters and hotel runners was in waiting; and then, after most of the passengers and luggage had been disgorged, and a guard had come around and collected twopence from me for some obscure reason I did not attempt to fathom, went on again, along a viaduct above gleaming streets murmurous with people, and across the shining Liffey, to the station at Amiens Street, which was our destination.

Our hotel, I knew, was only two or three blocks away, and the prospect of traversing on foot the crowded streets which we had glimpsed from the train was not to be resisted; so I told the guard we wanted a man to carry our bags, and he promptly yelled at a ragamuffin, who was drifting past along the platform.

"Here!" he called. "Take the bags for the gintleman. Look sharrup, now!"

But there was no need to tell him to look sharp, for he sprang toward me eagerly, his face alight with joy at the prospect of earning a few pennies—maybe sixpence—perhaps even a shilling!

"Where is it you'd be wantin' to go, sir?" he asked, and touched his cap.

I named the hotel.

"It's in Sackville Street," I added. "That's not far, is it?"

"'Tis just a step, sir," he protested, and picked up the bags and was off, we after him.

It was long past eleven o'clock, but when we got down to the street, we found it thronged with a crowd for which the sidewalks were much too narrow, and which eddied back and forth and in and out of the shops like waves of the sea. We looked into their faces as we went along, and saw that they were good-humoured faces, unmistakably Irish; their voices were soft and the rise and fall of the talk was very sweet and gentle; but most of them were very shabby, and many of them undeniably dirty, and some had celebrated Saturday evening by taking a glass too much. They were not drunk—and I may as well say here that I did not see what I would call a drunken man all the time I was in Ireland—but they were happy and uplifted, and required rather more room to walk than they would need on Monday morning.

Our porter, meanwhile, was ploughing through the crowd ahead of us like a ship through the sea, swinging a bag in either hand, quite regardless of the shins of the passers-by, and we were hard put to it to keep him in sight. It was farther than I had thought, but presently I saw a tall column looming ahead which I recognised as the Nelson Pillar, and I assured Betty that we were nearly there, for I knew that our hotel was almost opposite the Pillar. Our porter, however, crossed a broad street, which I was sure must be Sackville Street, without pausing, and continued at top speed straight ahead. We followed him for some moments; but the street grew steadily darker and more deserted, and finally I sprinted ahead and stopped him.

"Look here," I said. "We don't want to keep on walking all night. How much farther is the hotel?"

He set down the bags and mopped his dripping face with his sleeve.

"I'm not quite sure, sir," he said, looking about him.

"I don't believe it is up this way at all," I protested. "It's back there on Sackville Street."

"It is, sir," he agreed cheerfully, and picked up the bags again and started back.

"That is Sackville Street, isn't it?" I asked.

"Sure, I don't know, sir."

"Don't know?" I echoed, and stared at him. "Don't you know where the hotel is?"

"You see, sir, I'm a stranger in Dublin, like yourself," he explained.

"Well, why on earth didn't you say so?" I demanded.

He didn't answer; but of course I realised instantly why he hadn't said so. If he had, he wouldn't have got the job. That was what he was afraid of. In fact, he was afraid, even yet, that I would take the bags away from him and get some one else to carry them. I didn't do that, but I took command of the expedition.

"Come along," I said. "You follow me."

"Thank you, sir," he said, his face lighting up again, and fell in behind us.

As we retraced our steps, I tried to figure out how he had expected to find the hotel by plunging straight ahead without asking the way of any one, and for how long, if I had not stopped him, he would have kept on walking. Perhaps he had expected to keep going round and round until some good fairy led him to our destination.

At the corner of Sackville Street, I saw a policeman's helmet looming high above the crowd, and I went to him and asked the way, while our porter waited in the background. Perhaps he was afraid of policemen, or perhaps it was just the instinctive Irish dislike of them. This particular one bent a benignant face down upon us from his altitude of something over six feet, and in a moment set us right. The hotel was only a few steps away. The door was locked, and I had to ring, and while we were waiting, our porter looked about him with a bewildered face.

"What name was it you gave this street, sir?" he asked, at last.

"Sackville Street," I answered, and pointed for confirmation to the sign at the corner, very plain under the electric light.

From the vacant look he gave it I knew he couldn't read; but he scratched his head perplexedly.

"A friend of mine told me 'twas O'Connell Street," he said finally, and I paid him and dismissed him without realising that I had been brought face to face with the age-long conflict between English officialism and Irish patriotism.

Ten minutes later, I opened the window of our room and found myself looking out at Lord Nelson, leaning sentimentally on his sword on top of his pillar—posing as he so often did when he found himself in the limelight. Far below, the street still hummed with life, although it was near midnight. The pavements were crowded, side-cars whirled hither and thither, some of the shops had not yet closed. Dublin certainly seemed a gay town.


CHAPTER II

LIGHTS AND SHADOWS OF AN ANCIENT CAPITAL
I know Dublin somewhat better now, and I no longer think of it as a gay town—rather as a supremely tragic one. Turn the corner from any of the main thoroughfares, and you will soon find yourself in a foul alley of crowded tenements, in the midst of a misery and squalor that wring the heart. You will wonder to see women laughing together and children playing on the damp pavements. It is thin laughter and half-hearted play; and yet, even here, there is a certain air of carelessness and good-humour. It may be that these miserable people do not realise their misery. Cleanliness is perhaps as painful to a person reared in dirt as dirt is to a person reared in cleanliness; slum dwellers, I suppose, do not notice the slum odour; a few decades of slum life must inevitably destroy or, at least, deaden those niceties of smell and taste and feeling which play so large a part in the lives of the well-to-do. And it is fortunate that this is so. But one threads one's way along these squalid streets, shuddering at thought of the vice and disease that must be bred there, and mourning, not so much for their unfortunate inhabitants, as for the blindness and inefficiency of the social order which permits them to exist.

These appalling alleys are always in the background of my thoughts of Dublin; and yet it is not them I see when I close my eyes and evoke my memory of that ancient town. The picture which comes before me then is of the wide O'Connell Bridge, with the great monument of the Liberator guarding one end of it, and the curving street beyond, sweeping past the tall portico of the old Parliament House, past the time-stained buildings of Trinity College, and so on along busy Grafton Street to St. Stephen's Green. This is the most beautiful and characteristic of Dublin's vistas; and one visualises it instinctively when one thinks of Dublin, just as one visualises the boulevards and the Avenue de l'Opera when one thinks of Paris, or the Dam and the Kalverstraat when one thinks of Amsterdam, or the Strand and Piccadilly when one thinks of London.

© Underwood & Underwood, N. Y.                   
DUBLIN CASTLE

O'CONNELL, ALIAS SACKVILLE STREET, DUBLIN

It was in this direction that our feet turned, that bright Sunday morning, when we sallied forth for the first time to see the town, and we were impressed almost at once by two things: the unusual height of Dublin policemen and the eccentric attitudes of Dublin statues. There are few finer bodies of men in the world than the Royal Irish Constabulary. They are as spruce and erect as grenadiers; throughout the length and breadth of Ireland, I never saw a fat one. They are recruited all over the island, and the tallest ones must be selected for the Dublin service. At any rate, they tower a full head above the average citizen of that town, and, in consequence, there is always one or more of them in sight.

As for the statues, they sadly lack repose. The O'Connell Monument is a riot of action, though the Liberator himself is comparatively cool and self-possessed. Just beyond the bridge, Smith O'Brien poses with leg advanced and head flung back and arms proudly folded in the traditional attitude of haughty defiance; opposite him, Henry Grattan stands with hand outstretched midway of an eloquent period; and, as you explore the streets, you will see other patriots in bronze or marble doing everything but what they should be doing: standing quietly and making the best of a bad job. For to stand atop a shaft of stone and endure the public gaze eternally is a bad job, even for a statue. But a good statue conceals its feeling of absurdity and ennui under a dignified exterior. Most Dublin ones do not. They are visibly irked and impatient.

I mentioned this interesting fact, one evening, to a Dublin woman of my acquaintance, and she laughed.

"'Tis true they are impatient," she agreed. "But perhaps they will quiet down once the government stops calling O'Connell Street by a wrong name."

"Where is O'Connell Street?" I asked, for I had failed to notice it.

"Your hotel faces it; but the government names it after a viceroy whom nobody has thought of for a hundred years."

It was then I understood the confusion of the man who had carried our bags up from the station; for to every good Irishman Sackville Street is always O'Connell Street, in honour of the patriot whose monument adorns it. That it is still known officially as Sackville Street is probably due to the inertia of a government always suspicious of change, rather than to any desire to honour a forgotten viceroy, or hesitation to add another leaf to O'Connell's crown of laurel. O'Connell himself, in some critical quarters, is not quite the idol he once was; but Irishmen agree that the wide and beautiful street which is the centre of Dublin should be named after him, and his monument, at one end of it, is still the natural rallying-place for the populace, whose orators love to illustrate their periods by pointing to the figure of Erin breaking her fetters at its base.

At the other end of the street is a very noble memorial of another patriot—Charles Stewart Parnell. Parnell's fame burns brighter and clearer with the passing years, and this memorial, so simple, so dignified, and yet so full of meaning, is one which no American can contemplate without a thrill of pride, for it is the work of Augustus Saint-Gaudens—a consummate artist, American to the marrow, though Dublin-born, of a French father and an Irish mother.

Midway of this great thoroughfare, rises the Nelson Pillar—a fluted column springing a hundred and fifty feet into the air, dominating the whole town. I do not understand why Nelson should have been so signally honoured in the Irish capital, for there was nothing Irish about him, either in birth or temperament. Perhaps that is the reason. Stranger things have happened in Ireland. And indeed it is no stranger than the whim which set another statue to face the old Parliament House—a gilded atrocity representing William of Orange, garbed as a Roman emperor in laurel-wreath and toga, bestriding a sway-backed horse!

The Home Rule Parliament will no doubt promptly change the street signs along the broad thoroughfare which forms the heart of Dublin; but meanwhile everybody agrees in calling the bridge O'Connell's monument faces by his name. A very handsome bridge it is, and there is a beautiful view from it, both up and down the river. Dublin is like Paris, in that it is built on both sides of a river, and the view from this point reminds one somewhat of the view along the Seine. There are many bridges, and many domed buildings, many boats moored to the quays—and many patient fishermen waiting for a bite!

A short distance beyond the bridge is the great granite structure with curving façade and rain-blackened columns, a queer but impressive jumble of all the Greek orders, which now houses the Bank of Ireland. Time was when it housed the Irish Parliament, and that time may come again; meanwhile it stands as a monument to the classical taste of the eighteenth century and its fondness for allegorical sculpture—Erin supported by Fidelity and Commerce, and Fortitude supported by Justice and Liberty! Those seem to me to be mixed allegories, but never mind.

Those later days of the eighteenth century were the days of Dublin's glory, for then she was really, as well as sentimentally, the capital of Ireland. Her most beautiful public buildings date from that period, and all her fine spacious dwelling-houses. After the Union, nobody built wide spacious dwellings, but only narrow mean ones, to suit the new spirit; and the new spirit was so incapable of living in the lovely old houses that it turned them into tenements, and put a family in every room, without any sense of crowding! I sometimes fear that the old spirit is gone for good, and that not even independence can bring it back to Dublin.

It was the Irish House of Commons which, in 1752, provided the funds for the new home of Trinity College, just across the street—a great pile of time-worn buildings, also in the classic style, and rather dull; but it is worth while to go in through the great gateway for a look at the outer and inner quadrangles.

Beyond the college stretches Grafton Street, the principal shopping-street of Dublin, and at its head is St. Stephen's Green, a pretty park, with some beautiful eighteenth century houses looking down upon it. This was the centre of the fashionable residence district in the old days, and the walk along the north side was the "Beaux Walk." Such of the residences as remain are mostly given over to public purposes, and the square itself is redolently British; for there is a statue of George II in the centre, and one of Lord Eglinton not far away, and a triumphal arch commemorating the war in South Africa. But, if you look closely, you may find the inconspicuous bust of James Clarence Mangan, who coughed his life out in the Dublin slums while Tom Moore—who was also born here—was posing before fine London ladies; and Mangan had this reward, that he remained sincere and honest and warmly Irish to the last, a true bard of Erin, and one whose memory she does well to cherish. How feeble Tom Moore's tinklings sound beside the white passion of "Dark Rosaleen!"