The Project Gutenberg eBook of The Charm of Ireland
Title: The Charm of Ireland
Author: Burton Egbert Stevenson
Release date: March 8, 2011 [eBook #35529]
Language: English
Credits: E-text prepared by Suzanne Shell, Emmy, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)
E-text prepared by Suzanne Shell, Emmy,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive/Canadian Libraries
(http://www.archive.org/details/toronto)
| Note: | Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/charmofireland00stevuoft |
THE CHARM OF IRELAND
The
Charm of Ireland
the Boule Cabinet," etc.
With many Illustrations from
Photographs by the Author
New York
Dodd, Mead and Company
1914
By DODD, MEAD & COMPANY
J. I. B.
THIS BOOK
CONTENTS
| CHAPTER | PAGE | |
| I | Dublin's Saturday Night | 1 |
| II | Lights and Shadows of an Ancient Capital | 9 |
| III | The Art of Ancient Erin | 26 |
| IV | On the Trail of the Shamrock | 42 |
| V | The Country of St. Kevin | 59 |
| VI | Drogheda the Dreary | 85 |
| VII | Holy Cross and Cashel of the Kings | 97 |
| VIII | Adventures at Blarney | 113 |
| IX | Cushla Ma Chree | 128 |
| X | The Shrine of St. Fin Barre | 139 |
| XI | A Trip Through Wonderland | 153 |
| XII | The "Grand Tour" | 177 |
| XIII | Round about Killarney | 192 |
| XIV | O'Connell, Journeyman Tailor | 203 |
| XV | The Ruins at Adare | 224 |
| XVI | "Where the River Shannon Flows" | 242 |
| XVII | Lissoy and Clonmacnoise | 265 |
| XVIII | Galway of the Tribes | 292 |
| XIX | Iar Connaught | 314 |
| XX | Joyce's Country | 339 |
| XXI | The Real Irish Problem | 358 |
| XXII | The Trials of a Conductor | 375 |
| XXIII | The Leacht-Con-Mic-Ruis | 398 |
| XXIV | The Winding Banks of Erne | 415 |
| XXV | The Maiden City | 438 |
| XXVI | The Grainan of Aileach | 458 |
| XXVII | The Bridge of the Giants | 472 |
| XXVIII | The Glens of Antrim | 485 |
| XXIX | Belfast | 503 |
| XXX | The Grave of St. Patrick | 519 |
| XXXI | The Valley of the Boyne | 534 |
| XXXII | The End of the Pilgrimage | 559 |
| Index | 567 | |
ILLUSTRATIONS
| Two Tiny Connaught Toilers | Frontispiece |
| FACING PAGE | |
| Dublin Castle | 10 |
| O'Connell, alias Sackville, Street, Dublin | 10 |
| Ruins of St. Mary's Abbey Howth | 22 |
| The Evolution of the Jaunting Car | 28 |
| The Cross of Cong | 40 |
| The Shrine of St. Patrick's Bell | 40 |
| Glendalough and the Ruins of St. Kevin's Churches | 66 |
| The Road to St. Kevin's Seat | 74 |
| The First of St. Kevin's Churches | 74 |
| The Round Tower, Clondalkin | 88 |
| St. Lawrence's Gate, Drogheda | 88 |
| Holy Cross Abbey, from the Cloisters | 100 |
| The Mighty Ruins on the Rock of Cashel | 100 |
| Cashel of the Kings | 104 |
| Blarney Castle | 116 |
| A Cottage at Inchigeelagh | 144 |
| The Shrine of St. Fin Barre | 144 |
| The Bay of Glengarriff | 164 |
| The Upper Lake, Killarney, from the Kenmare Road | 164 |
| Old Weir Bridge, Killarney | 188 |
| The Meeting of the Waters | 188 |
| Ross Castle, Killarney | 188 |
| Muckross Abbey, Killarney | 194 |
| The Cloister at Muckross Abbey | 194 |
| The Choir of the Abbey at Adare | 232 |
| The Castle of the Geraldines, Adare | 232 |
| The Shannon, near World's End | 248 |
| St. Senan's Well | 248 |
| The Bridge at Killaloe | 258 |
| The Oratory at Killaloe | 258 |
| Entrance to St. Molua's Oratory | 262 |
| A Fisherman's Home | 262 |
| The Choir of the Abbey at Athenry | 270 |
| A Cottage at Athenry | 270 |
| The Goldsmith Rectory at Lissoy | 276 |
| The "Three Jolly Pigeons" | 276 |
| On the Road to Clonmacnoise | 288 |
| St. Kieran's Cathair, Clonmacnoise | 288 |
| The Market at Galway | 296 |
| "Ould Saftie" | 296 |
| The Claddagh, Galway | 300 |
| A Claddagh Home | 300 |
| A Galway Vista | 302 |
| The Memorial of a Spartan Father | 302 |
| The Connemara Marble Quarry | 322 |
| A Connemara Home | 322 |
| In "Joyce's Country" | 344 |
| On the Shore of Lough Mask | 344 |
| The Cloister at Cong Abbey | 348 |
| The Monks' Fishing-house, Cong Abbey | 348 |
| The Turf-Cutters | 356 |
| A Girl of "Joyce's Country" | 356 |
| Cromlechs at Carrowmore | 392 |
| Sligo Abbey from the Cloister | 400 |
| The Leacht-Con-Mic-Ruis | 400 |
| A Ruin on the Shore of Lough Gill | 402 |
| The Last Fragment of an Ancient Stronghold | 402 |
| A Cashel near Dromahair | 408 |
| St. Patrick's Holy Well | 408 |
| The Coast at Bundoran | 416 |
| The Home of "Colleen Bawn" | 416 |
| Birthplace of William Allingham | 430 |
| Castle Donegal | 430 |
| The Walls of Derry | 466 |
| The Grainan of Aileach | 466 |
| The "Giant's Head," near Portrush | 480 |
| The Ruins of Dunluce Castle | 480 |
| The Giant's Causeway | 482 |
| The Cliffs beyond the Causeway | 482 |
| The Grave of Ossian | 496 |
| An Antrim Landscape | 496 |
| A Humble Home in Antrim | 498 |
| The Old Jail at Cushendall | 498 |
| The City Hall, Belfast | 516 |
| High Street, Belfast | 516 |
| The Grave of Patrick, Brigid and Columba | 522 |
| The Old Cross at Downpatrick | 522 |
| The Great Rath at Downpatrick | 526 |
| The Inner and Outer Circles | 526 |
| The Central Mound | 526 |
| The Eye Well at Struell | 528 |
| The Well of Sins at Struell | 528 |
| The Birthplace of John Boyle O'Reilly | 540 |
| Entrance to Dowth Tumulus | 540 |
| Entrance to Newgrange | 546 |
| The Ruins of Mellifont | 546 |
| The Round Tower, Monasterboice | 554 |
| The High Cross, Monasterboice | 554 |
| Muiredach's Cross, Monasterboice | 556 |
THE CHARM OF IRELAND
CHAPTER I
The boat showed many evidences that the Irish Sea can be savage when it chooses. Everything movable about the decks was carefully lashed down; there were railings and knotted ropes everywhere to cling to; and in the saloon the table-racks were set ready at hand, as though they had just been used, and might be needed again at any moment. But, on this Saturday evening in late May, the sea was in a pleasant, even a jovial, mood, with just enough swell to send a thin shower of spray across the deck from time to time, and lend exhilaration to the rush of the fleet little turbine.
There were many boats in sight—small ones, for the most part, rolling and pitching apparently much worse than we; and then the gathering darkness obscured them one by one, and presently all that was left of them were the bobbing white lights at their mastheads. A biting chill crept into the air, and Betty finally sought refuge from it in the saloon, while I made my way back to the smoking-room, hoping for a friendly pipe with some one.
I was attracted at once by a rosy-faced old priest, sitting at one of the corner tables. He was smoking a black, well-seasoned briar, and he bade me a cheery good-evening as I dropped into the seat beside him.
"You would be from America," he said, watching me as I filled up.
"Yes," I answered. "From Ohio."
"Ah, I know Ohio well," and he looked at me with new interest, "though for many years I have been in Illinois."
"But you were born in Ireland?"
"I was so; near Tuam. I am going back now for a visit."
"Have you been away long?"
"More than thirty years," he said, and took a few reflective puffs.
"No doubt you will find many changes," I ventured.
But he shook his head. "I am thinking I shall find Tuam much as I left it," he said. "There are not many changes in Ireland, even in thirty years. 'Tis not like America. I am afraid I shall have to give up smoking while I am there," he added, with a little sigh.
"Give up smoking?" I echoed. "But why?"
"They do not like their priests to smoke in Ireland."
I was astonished. I had no suspicion that Irish priests were criticised for little things like that. In fact, I had somewhere received the impression that they were above criticism of every kind—dictators, in short, no act of whose was questioned. My companion laughed when I told him this.
"That is not so at all," he said. "Every priest, of course, has authority in spiritual matters; but if he has any authority outside of that, it is because his people trust him. And before they'll trust him, he must deserve it. There is no people in the world so critical, so suspicious, or so sharp-sighted as the Irish. Take this matter of smoking, now. All Irishmen smoke, and yet there is a feeling that it is not the right thing for a priest. For myself, I see no harm in it. My pipe is a fine companion in the long evenings, when I am often lonely. But of course I can't do anything that would be making the people think less of me," and he knocked his pipe out tenderly and put it sadly in his pocket, refusing my proffered pouch.
"You will have to take a few whiffs up the chimney occasionally," I suggested.
His faded blue eyes lit up with laughter.
"Ah, I have done that same before this," he said, with a little chuckle. "That would be while I was a student at Maynooth, and a wild lot we were. There was a hole high up in the wall where the stove-pipe used to go, and we boys would draw a table under it, and stand on the table, and smoke up the chimney, turn and turn about," and he went on to tell me of those far-off days at Maynooth, which is the great Catholic college of Ireland, and of his first visit to America, and his first sight of Niagara Falls, and of how he had finally decided to enter the priesthood after long uncertainty; and then presently some one came to the door and said the lights of the Irish coast could be seen ahead, and we went out to look at them.
Far away, a little to the right, a strong level shaft of light told of a lighthouse. It was the famous Bailey light, at the foot of the Hill of Howth, so one of the deckhands said; and then, still farther off, another light began to wink and wink, and then a third that swept its level beam across the sea, stared one full in the eye for an instant, and then swept on; and then more lights and more—the green and red ones marking the entrance to the harbour; and finally the lights of Kingstown itself stretched away to the left like a string of golden beads. And then we were in the harbour; and then we were beside the pier; and then Betty and I and the "chocolate-drop"—as we had named the brown English wrap-up which had done such yeoman service in Holland that we had vowed never to travel without it,—went down the gang-plank, and were in Ireland!
There is always a certain excitement, a certain exhilaration, in setting foot for the first time in any country; but when that country is Ireland, the Island of the Saints, the home of heroic legend and history more heroic still, the land with a frenzy for freedom yet never free—well, it was with a mist of happiness before our eyes that we crossed the pier and sought seats in the boat-train.
It is only five or six miles from Kingstown to Dublin, so that at the end of a very few minutes our train stopped in the Westland Row station, where a fevered mob of porters and hotel runners was in waiting; and then, after most of the passengers and luggage had been disgorged, and a guard had come around and collected twopence from me for some obscure reason I did not attempt to fathom, went on again, along a viaduct above gleaming streets murmurous with people, and across the shining Liffey, to the station at Amiens Street, which was our destination.
Our hotel, I knew, was only two or three blocks away, and the prospect of traversing on foot the crowded streets which we had glimpsed from the train was not to be resisted; so I told the guard we wanted a man to carry our bags, and he promptly yelled at a ragamuffin, who was drifting past along the platform.
"Here!" he called. "Take the bags for the gintleman. Look sharrup, now!"
But there was no need to tell him to look sharp, for he sprang toward me eagerly, his face alight with joy at the prospect of earning a few pennies—maybe sixpence—perhaps even a shilling!
"Where is it you'd be wantin' to go, sir?" he asked, and touched his cap.
I named the hotel.
"It's in Sackville Street," I added. "That's not far, is it?"
"'Tis just a step, sir," he protested, and picked up the bags and was off, we after him.
It was long past eleven o'clock, but when we got down to the street, we found it thronged with a crowd for which the sidewalks were much too narrow, and which eddied back and forth and in and out of the shops like waves of the sea. We looked into their faces as we went along, and saw that they were good-humoured faces, unmistakably Irish; their voices were soft and the rise and fall of the talk was very sweet and gentle; but most of them were very shabby, and many of them undeniably dirty, and some had celebrated Saturday evening by taking a glass too much. They were not drunk—and I may as well say here that I did not see what I would call a drunken man all the time I was in Ireland—but they were happy and uplifted, and required rather more room to walk than they would need on Monday morning.
Our porter, meanwhile, was ploughing through the crowd ahead of us like a ship through the sea, swinging a bag in either hand, quite regardless of the shins of the passers-by, and we were hard put to it to keep him in sight. It was farther than I had thought, but presently I saw a tall column looming ahead which I recognised as the Nelson Pillar, and I assured Betty that we were nearly there, for I knew that our hotel was almost opposite the Pillar. Our porter, however, crossed a broad street, which I was sure must be Sackville Street, without pausing, and continued at top speed straight ahead. We followed him for some moments; but the street grew steadily darker and more deserted, and finally I sprinted ahead and stopped him.
"Look here," I said. "We don't want to keep on walking all night. How much farther is the hotel?"
He set down the bags and mopped his dripping face with his sleeve.
"I'm not quite sure, sir," he said, looking about him.
"I don't believe it is up this way at all," I protested. "It's back there on Sackville Street."
"It is, sir," he agreed cheerfully, and picked up the bags again and started back.
"That is Sackville Street, isn't it?" I asked.
"Sure, I don't know, sir."
"Don't know?" I echoed, and stared at him. "Don't you know where the hotel is?"
"You see, sir, I'm a stranger in Dublin, like yourself," he explained.
"Well, why on earth didn't you say so?" I demanded.
He didn't answer; but of course I realised instantly why he hadn't said so. If he had, he wouldn't have got the job. That was what he was afraid of. In fact, he was afraid, even yet, that I would take the bags away from him and get some one else to carry them. I didn't do that, but I took command of the expedition.
"Come along," I said. "You follow me."
"Thank you, sir," he said, his face lighting up again, and fell in behind us.
As we retraced our steps, I tried to figure out how he had expected to find the hotel by plunging straight ahead without asking the way of any one, and for how long, if I had not stopped him, he would have kept on walking. Perhaps he had expected to keep going round and round until some good fairy led him to our destination.
At the corner of Sackville Street, I saw a policeman's helmet looming high above the crowd, and I went to him and asked the way, while our porter waited in the background. Perhaps he was afraid of policemen, or perhaps it was just the instinctive Irish dislike of them. This particular one bent a benignant face down upon us from his altitude of something over six feet, and in a moment set us right. The hotel was only a few steps away. The door was locked, and I had to ring, and while we were waiting, our porter looked about him with a bewildered face.
"What name was it you gave this street, sir?" he asked, at last.
"Sackville Street," I answered, and pointed for confirmation to the sign at the corner, very plain under the electric light.
From the vacant look he gave it I knew he couldn't read; but he scratched his head perplexedly.
"A friend of mine told me 'twas O'Connell Street," he said finally, and I paid him and dismissed him without realising that I had been brought face to face with the age-long conflict between English officialism and Irish patriotism.
Ten minutes later, I opened the window of our room and found myself looking out at Lord Nelson, leaning sentimentally on his sword on top of his pillar—posing as he so often did when he found himself in the limelight. Far below, the street still hummed with life, although it was near midnight. The pavements were crowded, side-cars whirled hither and thither, some of the shops had not yet closed. Dublin certainly seemed a gay town.
CHAPTER II
These appalling alleys are always in the background of my thoughts of Dublin; and yet it is not them I see when I close my eyes and evoke my memory of that ancient town. The picture which comes before me then is of the wide O'Connell Bridge, with the great monument of the Liberator guarding one end of it, and the curving street beyond, sweeping past the tall portico of the old Parliament House, past the time-stained buildings of Trinity College, and so on along busy Grafton Street to St. Stephen's Green. This is the most beautiful and characteristic of Dublin's vistas; and one visualises it instinctively when one thinks of Dublin, just as one visualises the boulevards and the Avenue de l'Opera when one thinks of Paris, or the Dam and the Kalverstraat when one thinks of Amsterdam, or the Strand and Piccadilly when one thinks of London.
It was in this direction that our feet turned, that bright Sunday morning, when we sallied forth for the first time to see the town, and we were impressed almost at once by two things: the unusual height of Dublin policemen and the eccentric attitudes of Dublin statues. There are few finer bodies of men in the world than the Royal Irish Constabulary. They are as spruce and erect as grenadiers; throughout the length and breadth of Ireland, I never saw a fat one. They are recruited all over the island, and the tallest ones must be selected for the Dublin service. At any rate, they tower a full head above the average citizen of that town, and, in consequence, there is always one or more of them in sight.
As for the statues, they sadly lack repose. The O'Connell Monument is a riot of action, though the Liberator himself is comparatively cool and self-possessed. Just beyond the bridge, Smith O'Brien poses with leg advanced and head flung back and arms proudly folded in the traditional attitude of haughty defiance; opposite him, Henry Grattan stands with hand outstretched midway of an eloquent period; and, as you explore the streets, you will see other patriots in bronze or marble doing everything but what they should be doing: standing quietly and making the best of a bad job. For to stand atop a shaft of stone and endure the public gaze eternally is a bad job, even for a statue. But a good statue conceals its feeling of absurdity and ennui under a dignified exterior. Most Dublin ones do not. They are visibly irked and impatient.
I mentioned this interesting fact, one evening, to a Dublin woman of my acquaintance, and she laughed.
"'Tis true they are impatient," she agreed. "But perhaps they will quiet down once the government stops calling O'Connell Street by a wrong name."
"Where is O'Connell Street?" I asked, for I had failed to notice it.
"Your hotel faces it; but the government names it after a viceroy whom nobody has thought of for a hundred years."
It was then I understood the confusion of the man who had carried our bags up from the station; for to every good Irishman Sackville Street is always O'Connell Street, in honour of the patriot whose monument adorns it. That it is still known officially as Sackville Street is probably due to the inertia of a government always suspicious of change, rather than to any desire to honour a forgotten viceroy, or hesitation to add another leaf to O'Connell's crown of laurel. O'Connell himself, in some critical quarters, is not quite the idol he once was; but Irishmen agree that the wide and beautiful street which is the centre of Dublin should be named after him, and his monument, at one end of it, is still the natural rallying-place for the populace, whose orators love to illustrate their periods by pointing to the figure of Erin breaking her fetters at its base.
At the other end of the street is a very noble memorial of another patriot—Charles Stewart Parnell. Parnell's fame burns brighter and clearer with the passing years, and this memorial, so simple, so dignified, and yet so full of meaning, is one which no American can contemplate without a thrill of pride, for it is the work of Augustus Saint-Gaudens—a consummate artist, American to the marrow, though Dublin-born, of a French father and an Irish mother.
Midway of this great thoroughfare, rises the Nelson Pillar—a fluted column springing a hundred and fifty feet into the air, dominating the whole town. I do not understand why Nelson should have been so signally honoured in the Irish capital, for there was nothing Irish about him, either in birth or temperament. Perhaps that is the reason. Stranger things have happened in Ireland. And indeed it is no stranger than the whim which set another statue to face the old Parliament House—a gilded atrocity representing William of Orange, garbed as a Roman emperor in laurel-wreath and toga, bestriding a sway-backed horse!
The Home Rule Parliament will no doubt promptly change the street signs along the broad thoroughfare which forms the heart of Dublin; but meanwhile everybody agrees in calling the bridge O'Connell's monument faces by his name. A very handsome bridge it is, and there is a beautiful view from it, both up and down the river. Dublin is like Paris, in that it is built on both sides of a river, and the view from this point reminds one somewhat of the view along the Seine. There are many bridges, and many domed buildings, many boats moored to the quays—and many patient fishermen waiting for a bite!
A short distance beyond the bridge is the great granite structure with curving façade and rain-blackened columns, a queer but impressive jumble of all the Greek orders, which now houses the Bank of Ireland. Time was when it housed the Irish Parliament, and that time may come again; meanwhile it stands as a monument to the classical taste of the eighteenth century and its fondness for allegorical sculpture—Erin supported by Fidelity and Commerce, and Fortitude supported by Justice and Liberty! Those seem to me to be mixed allegories, but never mind.
Those later days of the eighteenth century were the days of Dublin's glory, for then she was really, as well as sentimentally, the capital of Ireland. Her most beautiful public buildings date from that period, and all her fine spacious dwelling-houses. After the Union, nobody built wide spacious dwellings, but only narrow mean ones, to suit the new spirit; and the new spirit was so incapable of living in the lovely old houses that it turned them into tenements, and put a family in every room, without any sense of crowding! I sometimes fear that the old spirit is gone for good, and that not even independence can bring it back to Dublin.
It was the Irish House of Commons which, in 1752, provided the funds for the new home of Trinity College, just across the street—a great pile of time-worn buildings, also in the classic style, and rather dull; but it is worth while to go in through the great gateway for a look at the outer and inner quadrangles.
Beyond the college stretches Grafton Street, the principal shopping-street of Dublin, and at its head is St. Stephen's Green, a pretty park, with some beautiful eighteenth century houses looking down upon it. This was the centre of the fashionable residence district in the old days, and the walk along the north side was the "Beaux Walk." Such of the residences as remain are mostly given over to public purposes, and the square itself is redolently British; for there is a statue of George II in the centre, and one of Lord Eglinton not far away, and a triumphal arch commemorating the war in South Africa. But, if you look closely, you may find the inconspicuous bust of James Clarence Mangan, who coughed his life out in the Dublin slums while Tom Moore—who was also born here—was posing before fine London ladies; and Mangan had this reward, that he remained sincere and honest and warmly Irish to the last, a true bard of Erin, and one whose memory she does well to cherish. How feeble Tom Moore's tinklings sound beside the white passion of "Dark Rosaleen!"