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The Children's Book of Celebrated Pictures

Chapter 103: KING LEAR
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About This Book

A children's guide introduces celebrated paintings with concise, child-friendly descriptions that explain the subjects, symbolic details, and the stories behind each image. Entries pair reproduced illustrations with engaging background notes covering religious scenes, portraits, landscapes, historical and mythological subjects, and include brief accounts of artists' intentions and techniques. Occasional legends or anecdotal episodes illuminate how motifs arose, while captions and commentary encourage visual observation and appreciation. The collection aims to make art accessible to young readers by translating complex imagery into clear narrative explanations and inviting further curiosity about the people and traditions depicted.

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KING LEAR

Edwin Austin Abbey (1852-1911)

he story of "King Lear" is one of the most pitiful of Shakespeare's play. It is about the thanklessness of children to a father. Old King Lear had three daughters—Goneril, Regan, and Cordelia. He loved these daughters dearly and he believed that they loved him. As he grew old in life he thought he would divide his kingdom and property among them equally; then there would be no trouble about his wealth after he was dead. Of course he expected to make his home with them in turn as long as he lived. Naturally he went to Goneril, the eldest daughter, first. Very soon he found that he was not wanted. She had the money—her father's money—but why should she be troubled with her old father? He then went to Regan, his second child, but she too refused to make a home for him. The third daughter, Cordelia, loved her father dearly and wanted him to live with her that she might care for him in his old age. By a strange mishap the old father thought that Cordelia, his beloved child, was false to him. He wandered off on the heath in a fearful storm and at last found shelter in a hut where he thinks even his faithful dogs are against him. He cries out pitifully:

The little dogs and all,
Tray, Blanche and Sweetheart, see they bark at me.

Abbey has painted the scene when the old king is leaving heart-broken, for he thinks Cordelia, the child he loves best, is deserting him. Cordelia, knowing how false her sisters are, is saying:

I know you what you are;
And, like a sister, am most loath to call
Your faults as they are named. Love well our father.

Abbey's story of "The Holy Grail" in the Boston Library is one of America's great series of paintings for wall decoration.

Fig. 49. King Lear. Abbey. Courtesy of the Metropolitan Museum of Art, New York City.

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SUNSET IN THE WOODS

George Inness (1825-1894)

henever you can, I want you to find out what the painter says about his own pictures. We feel very glad that George Inness told us about "Sunset in the Woods." He said in 1891: "The material for my picture was taken from a sketch made near Hastings, on the Hudson, New York, twenty years ago. This picture was commenced seven years ago, but until last winter I had not obtained any idea equal to the impression received on the spot. The idea is to express an effect of light in the woods at sunset."

What a wonderful glow he has on those trees beyond the big rock away back in the picture. And see the light on the trunk of the big tree near us. I believe the light is gradually disappearing as we look. Somehow we feel the birds are twittering as they go to bed and the flowers are nodding their heads, they are so sleepy. Soon it will be dark and the owl will screech and the night insects will buzz. Come, we must go home or we cannot see our way!


INDEX

  • Abbey, Edwin Austin, 98, 99
  • Angelico, Fra Giovanni, 38, 39
  • Angelo, Michael, 23, 24, 86
  • Arthur, King, 82, 83
  • Bastien-Lepage, Jules, 22, 23
  • Botticelli, Sandro, 46, 47
  • Breton, Jules Adolphe, 58, 59
  • Cæsar (Tiberius), 70
  • Carpaccio, Vittore, 54, 55
  • Chardin, Jean Baptiste Simeon, 78, 79
  • Charles I, 16, 28, 42
  • Charles II, 41, 43
  • Charles V, 32
  • Charles VI, VII, 22
  • Corot, Jean Baptiste Camille, 8, 9, 74, 75
  • Correggio, Antonio, 6, 7, 60, 61
  • Constable, John, 4, 5
  • Disciples, The, 80, 81
  • Dolci, Carlo, 20
  • Farge, John La, 48, 49
  • Ferdinand III, 20
  • Fourment, Helena, 66, 67
  • Gainsborough, Thomas, 92, 93
  • Galahad, Sir, 82, 83
  • Giotto di Bondone, 76, 77
  • Gods and Goddesses,
    • Apollo, 10, 11, 36, 37, 68
    • Aurora, 9, 10
    • Atropos, (a fate), 24, 25
    • Calliope, (a muse), 36, 37
    • Clio (a muse), 36, 37
    • Clothes, (a fate), 24, 25
    • Diana, 36
    • Erato (a muse), 36, 37
    • Euterpe, (a muse), 36, 37
    • Fates, The, 24, 25, 48
    • Horæ, 10, 11
    • Hyperion, 10, 11
    • Lachesis (a fate), 24, 25
    • Melpomene (a muse), 36, 37
    • Memnon, 10
    • Memory, 36
    • Mercury, 36, 68
    • Muses, The, 36, 37, 68
    • Pegasus, 36
    • Polyhymnia (a muse), 36, 37
    • Selene, 10
    • Thalia (a muse), 36, 37
    • Urania (a muse), 36, 37
    • Zeus, 10, 36
  • Hals, Frans, 12, 13
  • Homer, Winslow, 18, 19
  • Hooch, Pieter de, 44, 45
  • Lear, King, 98, 99
  • Maes, Nicolaes, 52, 53
  • Magnificent, The, 46
  • Martin, Homer, 68, 69
  • Medici, Giovanni de' (Pope Leo X), 46
  • Medici, Giulio de (Pope Clement VII), 46
  • Medici, Lorenzo de', 46
  • Millet, Jean François, 62, 63
  • Murillo, Bartolome Esteban, 34, 35, 96, 97
  • Napoleon, 56
  • Philip IV, 72
  • Pintoricchio, Bernardino, 2, 3
  • Stuart, Gilbert, 84
  • Sarto, Andrea del, 86
  • Saints,
  • Van der Meer, Jan, 94, 95
  • Van Dyck, Anthony, 12, 16, 17, 28, 42, 43
  • Vecchio, Palma, il Jacopo, 14, 15
  • Velasquez, Diego Rodriguez de Silva y, 72, 73
  • Venice, 56, 57
  • Vinci, Leonardo da, 80, 81
  • Watts, George Frederick, 82, 83
  • Whistler, James Abbott McNeill, 88, 89
  • William III, 42
  • Wordsworth, 58
  • Zacharias, 2