Chapter 2. The Painful Fall of a Great Reputation
Basil Grant and I were talking one day in what is perhaps the most perfect place for talking on earth—the top of a tolerably deserted tramcar. To talk on the top of a hill is superb, but to talk on the top of a flying hill is a fairy tale.
The vast blank space of North London was flying by; the very pace gave us a sense of its immensity and its meanness. It was, as it were, a base infinitude, a squalid eternity, and we felt the real horror of the poor parts of London, the horror that is so totally missed and misrepresented by the sensational novelists who depict it as being a matter of narrow streets, filthy houses, criminals and maniacs, and dens of vice. In a narrow street, in a den of vice, you do not expect civilization, you do not expect order. But the horror of this was the fact that there was civilization, that there was order, but that civilisation only showed its morbidity, and order only its monotony. No one would say, in going through a criminal slum, “I see no statues. I notice no cathedrals.” But here there were public buildings; only they were mostly lunatic asylums. Here there were statues; only they were mostly statues of railway engineers and philanthropists—two dingy classes of men united by their common contempt for the people. Here there were churches; only they were the churches of dim and erratic sects, Agapemonites or Irvingites. Here, above all, there were broad roads and vast crossings and tramway lines and hospitals and all the real marks of civilization. But though one never knew, in one sense, what one would see next, there was one thing we knew we should not see—anything really great, central, of the first class, anything that humanity had adored. And with revulsion indescribable our emotions returned, I think, to those really close and crooked entries, to those really mean streets, to those genuine slums which lie round the Thames and the City, in which nevertheless a real possibility remains that at any chance corner the great cross of the great cathedral of Wren may strike down the street like a thunderbolt.
“But you must always remember also,” said Grant to me, in his heavy abstracted way, when I had urged this view, “that the very vileness of the life of these ordered plebeian places bears witness to the victory of the human soul. I agree with you. I agree that they have to live in something worse than barbarism. They have to live in a fourth-rate civilization. But yet I am practically certain that the majority of people here are good people. And being good is an adventure far more violent and daring than sailing round the world. Besides—”
“Go on,” I said.
No answer came.
“Go on,” I said, looking up.
The big blue eyes of Basil Grant were standing out of his head and he was paying no attention to me. He was staring over the side of the tram.
“What is the matter?” I asked, peering over also.
“It is very odd,” said Grant at last, grimly, “that I should have been caught out like this at the very moment of my optimism. I said all these people were good, and there is the wickedest man in England.”
“Where?” I asked, leaning over further, “where?”
“Oh, I was right enough,” he went on, in that strange continuous and sleepy tone which always angered his hearers at acute moments, “I was right enough when I said all these people were good. They are heroes; they are saints. Now and then they may perhaps steal a spoon or two; they may beat a wife or two with the poker. But they are saints all the same; they are angels; they are robed in white; they are clad with wings and haloes—at any rate compared to that man.”
“Which man?” I cried again, and then my eye caught the figure at which Basil's bull's eyes were glaring.
He was a slim, smooth person, passing very quickly among the quickly passing crowd, but though there was nothing about him sufficient to attract a startled notice, there was quite enough to demand a curious consideration when once that notice was attracted. He wore a black top-hat, but there was enough in it of those strange curves whereby the decadent artist of the eighties tried to turn the top-hat into something as rhythmic as an Etruscan vase. His hair, which was largely grey, was curled with the instinct of one who appreciated the gradual beauty of grey and silver. The rest of his face was oval and, I thought, rather Oriental; he had two black tufts of moustache.
“What has he done?” I asked.
“I am not sure of the details,” said Grant, “but his besetting sin is a desire to intrigue to the disadvantage of others. Probably he has adopted some imposture or other to effect his plan.”
“What plan?” I asked. “If you know all about him, why don't you tell me why he is the wickedest man in England? What is his name?”
Basil Grant stared at me for some moments.
“I think you've made a mistake in my meaning,” he said. “I don't know his name. I never saw him before in my life.”
“Never saw him before!” I cried, with a kind of anger; “then what in heaven's name do you mean by saying that he is the wickedest man in England?”
“I meant what I said,” said Basil Grant calmly. “The moment I saw that man, I saw all these people stricken with a sudden and splendid innocence. I saw that while all ordinary poor men in the streets were being themselves, he was not being himself. I saw that all the men in these slums, cadgers, pickpockets, hooligans, are all, in the deepest sense, trying to be good. And I saw that that man was trying to be evil.”
“But if you never saw him before—” I began.
“In God's name, look at his face,” cried out Basil in a voice that startled the driver. “Look at the eyebrows. They mean that infernal pride which made Satan so proud that he sneered even at heaven when he was one of the first angels in it. Look at his moustaches, they are so grown as to insult humanity. In the name of the sacred heavens look at his hair. In the name of God and the stars, look at his hat.”
I stirred uncomfortably.
“But, after all,” I said, “this is very fanciful—perfectly absurd. Look at the mere facts. You have never seen the man before, you—”
“Oh, the mere facts,” he cried out in a kind of despair. “The mere facts! Do you really admit—are you still so sunk in superstitions, so clinging to dim and prehistoric altars, that you believe in facts? Do you not trust an immediate impression?”
“Well, an immediate impression may be,” I said, “a little less practical than facts.”
“Bosh,” he said. “On what else is the whole world run but immediate impressions? What is more practical? My friend, the philosophy of this world may be founded on facts, its business is run on spiritual impressions and atmospheres. Why do you refuse or accept a clerk? Do you measure his skull? Do you read up his physiological state in a handbook? Do you go upon facts at all? Not a scrap. You accept a clerk who may save your business—you refuse a clerk that may rob your till, entirely upon those immediate mystical impressions under the pressure of which I pronounce, with a perfect sense of certainty and sincerity, that that man walking in that street beside us is a humbug and a villain of some kind.”
“You always put things well,” I said, “but, of course, such things cannot immediately be put to the test.”
Basil sprang up straight and swayed with the swaying car.
“Let us get off and follow him,” he said. “I bet you five pounds it will turn out as I say.”
And with a scuttle, a jump, and a run, we were off the car.
The man with the curved silver hair and the curved Eastern face walked along for some time, his long splendid frock-coat flying behind him. Then he swung sharply out of the great glaring road and disappeared down an ill-lit alley. We swung silently after him.
“This is an odd turning for a man of that kind to take,” I said.
“A man of what kind?” asked my friend.
“Well,” I said, “a man with that kind of expression and those boots. I thought it rather odd, to tell the truth, that he should be in this part of the world at all.”
“Ah, yes,” said Basil, and said no more.
We tramped on, looking steadily in front of us. The elegant figure, like the figure of a black swan, was silhouetted suddenly against the glare of intermittent gaslight and then swallowed again in night. The intervals between the lights were long, and a fog was thickening the whole city. Our pace, therefore, had become swift and mechanical between the lamp-posts; but Basil came to a standstill suddenly like a reined horse; I stopped also. We had almost run into the man. A great part of the solid darkness in front of us was the darkness of his body.
At first I thought he had turned to face us. But though we were hardly a yard off he did not realize that we were there. He tapped four times on a very low and dirty door in the dark, crabbed street. A gleam of gas cut the darkness as it opened slowly. We listened intently, but the interview was short and simple and inexplicable as an interview could be. Our exquisite friend handed in what looked like a paper or a card and said:
“At once. Take a cab.”
A heavy, deep voice from inside said:
“Right you are.”
And with a click we were in the blackness again, and striding after the striding stranger through a labyrinth of London lanes, the lights just helping us. It was only five o'clock, but winter and the fog had made it like midnight.
“This is really an extraordinary walk for the patent-leather boots,” I repeated.
“I don't know,” said Basil humbly. “It leads to Berkeley Square.”
As I tramped on I strained my eyes through the dusky atmosphere and tried to make out the direction described. For some ten minutes I wondered and doubted; at the end of that I saw that my friend was right. We were coming to the great dreary spaces of fashionable London—more dreary, one must admit, even than the dreary plebeian spaces.
“This is very extraordinary!” said Basil Grant, as we turned into Berkeley Square.
“What is extraordinary?” I asked. “I thought you said it was quite natural.”
“I do not wonder,” answered Basil, “at his walking through nasty streets; I do not wonder at his going to Berkeley Square. But I do wonder at his going to the house of a very good man.”
“What very good man?” I asked with exasperation.
“The operation of time is a singular one,” he said with his imperturbable irrelevancy. “It is not a true statement of the case to say that I have forgotten my career when I was a judge and a public man. I remember it all vividly, but it is like remembering some novel. But fifteen years ago I knew this square as well as Lord Rosebery does, and a confounded long sight better than that man who is going up the steps of old Beaumont's house.”
“Who is old Beaumont?” I asked irritably.
“A perfectly good fellow. Lord Beaumont of Foxwood—don't you know his name? He is a man of transparent sincerity, a nobleman who does more work than a navvy, a socialist, an anarchist, I don't know what; anyhow, he's a philosopher and philanthropist. I admit he has the slight disadvantage of being, beyond all question, off his head. He has that real disadvantage which has arisen out of the modern worship of progress and novelty; and he thinks anything odd and new must be an advance. If you went to him and proposed to eat your grandmother, he would agree with you, so long as you put it on hygienic and public grounds, as a cheap alternative to cremation. So long as you progress fast enough it seems a matter of indifference to him whether you are progressing to the stars or the devil. So his house is filled with an endless succession of literary and political fashions; men who wear long hair because it is romantic; men who wear short hair because it is medical; men who walk on their feet only to exercise their hands; and men who walk on their hands for fear of tiring their feet. But though the inhabitants of his salons are generally fools, like himself, they are almost always, like himself, good men. I am really surprised to see a criminal enter there.”
“My good fellow,” I said firmly, striking my foot on the pavement, “the truth of this affair is very simple. To use your own eloquent language, you have the 'slight disadvantage' of being off your head. You see a total stranger in a public street; you choose to start certain theories about his eyebrows. You then treat him as a burglar because he enters an honest man's door. The thing is too monstrous. Admit that it is, Basil, and come home with me. Though these people are still having tea, yet with the distance we have to go, we shall be late for dinner.”
Basil's eyes were shining in the twilight like lamps.
“I thought,” he said, “that I had outlived vanity.”
“What do you want now?” I cried.
“I want,” he cried out, “what a girl wants when she wears her new frock; I want what a boy wants when he goes in for a clanging match with a monitor—I want to show somebody what a fine fellow I am. I am as right about that man as I am about your having a hat on your head. You say it cannot be tested. I say it can. I will take you to see my old friend Beaumont. He is a delightful man to know.”
“Do you really mean—?” I began.
“I will apologize,” he said calmly, “for our not being dressed for a call,” and walking across the vast misty square, he walked up the dark stone steps and rang at the bell.
A severe servant in black and white opened the door to us: on receiving my friend's name his manner passed in a flash from astonishment to respect. We were ushered into the house very quickly, but not so quickly but that our host, a white-haired man with a fiery face, came out quickly to meet us.
“My dear fellow,” he cried, shaking Basil's hand again and again, “I have not seen you for years. Have you been—er—” he said, rather wildly, “have you been in the country?”
“Not for all that time,” answered Basil, smiling. “I have long given up my official position, my dear Philip, and have been living in a deliberate retirement. I hope I do not come at an inopportune moment.”
“An inopportune moment,” cried the ardent gentleman. “You come at the most opportune moment I could imagine. Do you know who is here?”
“I do not,” answered Grant, with gravity. Even as he spoke a roar of laughter came from the inner room.
“Basil,” said Lord Beaumont solemnly, “I have Wimpole here.”
“And who is Wimpole?”
“Basil,” cried the other, “you must have been in the country. You must have been in the antipodes. You must have been in the moon. Who is Wimpole? Who was Shakespeare?”
“As to who Shakespeare was,” answered my friend placidly, “my views go no further than thinking that he was not Bacon. More probably he was Mary Queen of Scots. But as to who Wimpole is—” and his speech also was cloven with a roar of laughter from within.
“Wimpole!” cried Lord Beaumont, in a sort of ecstasy. “Haven't you heard of the great modern wit? My dear fellow, he has turned conversation, I do not say into an art—for that, perhaps, it always was but into a great art, like the statuary of Michael Angelo—an art of masterpieces. His repartees, my good friend, startle one like a man shot dead. They are final; they are—”
Again there came the hilarious roar from the room, and almost with the very noise of it, a big, panting apoplectic old gentleman came out of the inner house into the hall where we were standing.
“Now, my dear chap,” began Lord Beaumont hastily.
“I tell you, Beaumont, I won't stand it,” exploded the large old gentleman. “I won't be made game of by a twopenny literary adventurer like that. I won't be made a guy. I won't—”
“Come, come,” said Beaumont feverishly. “Let me introduce you. This is Mr Justice Grant—that is, Mr Grant. Basil, I am sure you have heard of Sir Walter Cholmondeliegh.”
“Who has not?” asked Grant, and bowed to the worthy old baronet, eyeing him with some curiosity. He was hot and heavy in his momentary anger, but even that could not conceal the noble though opulent outline of his face and body, the florid white hair, the Roman nose, the body stalwart though corpulent, the chin aristocratic though double. He was a magnificent courtly gentleman; so much of a gentleman that he could show an unquestionable weakness of anger without altogether losing dignity; so much of a gentleman that even his faux pas were well-bred.
“I am distressed beyond expression, Beaumont,” he said gruffly, “to fail in respect to these gentlemen, and even more especially to fail in it in your house. But it is not you or they that are in any way concerned, but that flashy half-caste jackanapes—”
At this moment a young man with a twist of red moustache and a sombre air came out of the inner room. He also did not seem to be greatly enjoying the intellectual banquet within.
“I think you remember my friend and secretary, Mr Drummond,” said Lord Beaumont, turning to Grant, “even if you only remember him as a schoolboy.”
“Perfectly,” said the other. Mr Drummond shook hands pleasantly and respectfully, but the cloud was still on his brow. Turning to Sir Walter Cholmondeliegh, he said:
“I was sent by Lady Beaumont to express her hope that you were not going yet, Sir Walter. She says she has scarcely seen anything of you.”
The old gentleman, still red in the face, had a temporary internal struggle; then his good manners triumphed, and with a gesture of obeisance and a vague utterance of, “If Lady Beaumont... a lady, of course,” he followed the young man back into the salon. He had scarcely been deposited there half a minute before another peal of laughter told that he had (in all probability) been scored off again.
“Of course, I can excuse dear old Cholmondeliegh,” said Beaumont, as he helped us off with our coats. “He has not the modern mind.”
“What is the modern mind?” asked Grant.
“Oh, it's enlightened, you know, and progressive—and faces the facts of life seriously.” At this moment another roar of laughter came from within.
“I only ask,” said Basil, “because of the last two friends of yours who had the modern mind; one thought it wrong to eat fishes and the other thought it right to eat men. I beg your pardon—this way, if I remember right.”
“Do you know,” said Lord Beaumont, with a sort of feverish entertainment, as he trotted after us towards the interior, “I can never quite make out which side you are on. Sometimes you seem so liberal and sometimes so reactionary. Are you a modern, Basil?”
“No,” said Basil, loudly and cheerfully, as he entered the crowded drawing-room.
This caused a slight diversion, and some eyes were turned away from our slim friend with the Oriental face for the first time that afternoon. Two people, however, still looked at him. One was the daughter of the house, Muriel Beaumont, who gazed at him with great violet eyes and with the intense and awful thirst of the female upper class for verbal amusement and stimulus. The other was Sir Walter Cholmondeliegh, who looked at him with a still and sullen but unmistakable desire to throw him out of the window.
He sat there, coiled rather than seated on the easy chair; everything from the curves of his smooth limbs to the coils of his silvered hair suggesting the circles of a serpent more than the straight limbs of a man—the unmistakable, splendid serpentine gentleman we had seen walking in North London, his eyes shining with repeated victory.
“What I can't understand, Mr Wimpole,” said Muriel Beaumont eagerly, “is how you contrive to treat all this so easily. You say things quite philosophical and yet so wildly funny. If I thought of such things, I'm sure I should laugh outright when the thought first came.”
“I agree with Miss Beaumont,” said Sir Walter, suddenly exploding with indignation. “If I had thought of anything so futile, I should find it difficult to keep my countenance.”
“Difficult to keep your countenance,” cried Mr Wimpole, with an air of alarm; “oh, do keep your countenance! Keep it in the British Museum.”
Every one laughed uproariously, as they always do at an already admitted readiness, and Sir Walter, turning suddenly purple, shouted out:
“Do you know who you are talking to, with your confounded tomfooleries?”
“I never talk tomfooleries,” said the other, “without first knowing my audience.”
Grant walked across the room and tapped the red-moustached secretary on the shoulder. That gentleman was leaning against the wall regarding the whole scene with a great deal of gloom; but, I fancied, with very particular gloom when his eyes fell on the young lady of the house rapturously listening to Wimpole.
“May I have a word with you outside, Drummond?” asked Grant. “It is about business. Lady Beaumont will excuse us.”
I followed my friend, at his own request, greatly wondering, to this strange external interview. We passed abruptly into a kind of side room out of the hall.
“Drummond,” said Basil sharply, “there are a great many good people, and a great many sane people here this afternoon. Unfortunately, by a kind of coincidence, all the good people are mad, and all the sane people are wicked. You are the only person I know of here who is honest and has also some common sense. What do you make of Wimpole?”
Mr Secretary Drummond had a pale face and red hair; but at this his face became suddenly as red as his moustache.
“I am not a fair judge of him,” he said.
“Why not?” asked Grant.
“Because I hate him like hell,” said the other, after a long pause and violently.
Neither Grant nor I needed to ask the reason; his glances towards Miss Beaumont and the stranger were sufficiently illuminating. Grant said quietly:
“But before—before you came to hate him, what did you really think of him?”
“I am in a terrible difficulty,” said the young man, and his voice told us, like a clear bell, that he was an honest man. “If I spoke about him as I feel about him now, I could not trust myself. And I should like to be able to say that when I first saw him I thought he was charming. But again, the fact is I didn't. I hate him, that is my private affair. But I also disapprove of him—really I do believe I disapprove of him quite apart from my private feelings. When first he came, I admit he was much quieter, but I did not like, so to speak, the moral swell of him. Then that jolly old Sir Walter Cholmondeliegh got introduced to us, and this fellow, with his cheap-jack wit, began to score off the old man in the way he does now. Then I felt that he must be a bad lot; it must be bad to fight the old and the kindly. And he fights the poor old chap savagely, unceasingly, as if he hated old age and kindliness. Take, if you want it, the evidence of a prejudiced witness. I admit that I hate the man because a certain person admires him. But I believe that apart from that I should hate the man because old Sir Walter hates him.”
This speech affected me with a genuine sense of esteem and pity for the young man; that is, of pity for him because of his obviously hopeless worship of Miss Beaumont, and of esteem for him because of the direct realistic account of the history of Wimpole which he had given. Still, I was sorry that he seemed so steadily set against the man, and could not help referring it to an instinct of his personal relations, however nobly disguised from himself.
In the middle of these meditations, Grant whispered in my ear what was perhaps the most startling of all interruptions.
“In the name of God, let's get away.”
I have never known exactly in how odd a way this odd old man affected me. I only know that for some reason or other he so affected me that I was, within a few minutes, in the street outside.
“This,” he said, “is a beastly but amusing affair.”
“What is?” I asked, baldly enough.
“This affair. Listen to me, my old friend. Lord and Lady Beaumont have just invited you and me to a grand dinner-party this very night, at which Mr Wimpole will be in all his glory. Well, there is nothing very extraordinary about that. The extraordinary thing is that we are not going.”
“Well, really,” I said, “it is already six o'clock and I doubt if we could get home and dress. I see nothing extraordinary in the fact that we are not going.”
“Don't you?” said Grant. “I'll bet you'll see something extraordinary in what we're doing instead.”
I looked at him blankly.
“Doing instead?” I asked. “What are we doing instead?”
“Why,” said he, “we are waiting for one or two hours outside this house on a winter evening. You must forgive me; it is all my vanity. It is only to show you that I am right. Can you, with the assistance of this cigar, wait until both Sir Walter Cholmondeliegh and the mystic Wimpole have left this house?”
“Certainly,” I said. “But I do not know which is likely to leave first. Have you any notion?”
“No,” he said. “Sir Walter may leave first in a glow of rage. Or again, Mr Wimpole may leave first, feeling that his last epigram is a thing to be flung behind him like a firework. And Sir Walter may remain some time to analyse Mr Wimpole's character. But they will both have to leave within reasonable time, for they will both have to get dressed and come back to dinner here tonight.”
As he spoke the shrill double whistle from the porch of the great house drew a dark cab to the dark portal. And then a thing happened that we really had not expected. Mr Wimpole and Sir Walter Cholmondeliegh came out at the same moment.
They paused for a second or two opposite each other in a natural doubt; then a certain geniality, fundamental perhaps in both of them, made Sir Walter smile and say: “The night is foggy. Pray take my cab.”
Before I could count twenty the cab had gone rattling up the street with both of them. And before I could count twenty-three Grant had hissed in my ear:
“Run after the cab; run as if you were running from a mad dog—run.”
We pelted on steadily, keeping the cab in sight, through dark mazy streets. God only, I thought, knows why we are running at all, but we are running hard. Fortunately we did not run far. The cab pulled up at the fork of two streets and Sir Walter paid the cabman, who drove away rejoicing, having just come in contact with the more generous among the rich. Then the two men talked together as men do talk together after giving and receiving great insults, the talk which leads either to forgiveness or a duel—at least so it seemed as we watched it from ten yards off. Then the two men shook hands heartily, and one went down one fork of the road and one down another.
Basil, with one of his rare gestures, flung his arms forward.
“Run after that scoundrel,” he cried; “let us catch him now.”
We dashed across the open space and reached the juncture of two paths.
“Stop!” I shouted wildly to Grant. “That's the wrong turning.”
He ran on.
“Idiot!” I howled. “Sir Walter's gone down there. Wimpole has slipped us. He's half a mile down the other road. You're wrong... Are you deaf? You're wrong!”
“I don't think I am,” he panted, and ran on.
“But I saw him!” I cried. “Look in front of you. Is that Wimpole? It's the old man... What are you doing? What are we to do?”
“Keep running,” said Grant.
Running soon brought us up to the broad back of the pompous old baronet, whose white whiskers shone silver in the fitful lamplight. My brain was utterly bewildered. I grasped nothing.
“Charlie,” said Basil hoarsely, “can you believe in my common sense for four minutes?”
“Of course,” I said, panting.
“Then help me to catch that man in front and hold him down. Do it at once when I say 'Now'. Now!”
We sprang on Sir Walter Cholmondeliegh, and rolled that portly old gentleman on his back. He fought with a commendable valour, but we got him tight. I had not the remotest notion why. He had a splendid and full-blooded vigour; when he could not box he kicked, and we bound him; when he could not kick he shouted, and we gagged him. Then, by Basil's arrangement, we dragged him into a small court by the street side and waited. As I say, I had no notion why.
“I am sorry to incommode you,” said Basil calmly out of the darkness; “but I have made an appointment here.”
“An appointment!” I said blankly.
“Yes,” he said, glancing calmly at the apoplectic old aristocrat gagged on the ground, whose eyes were starting impotently from his head. “I have made an appointment here with a thoroughly nice young fellow. An old friend. Jasper Drummond his name is—you may have met him this afternoon at the Beaumonts. He can scarcely come though till the Beaumonts' dinner is over.”
For I do not know how many hours we stood there calmly in the darkness. By the time those hours were over I had thoroughly made up my mind that the same thing had happened which had happened long ago on the bench of a British Court of Justice. Basil Grant had gone mad. I could imagine no other explanation of the facts, with the portly, purple-faced old country gentleman flung there strangled on the floor like a bundle of wood.
After about four hours a lean figure in evening dress rushed into the court. A glimpse of gaslight showed the red moustache and white face of Jasper Drummond.
“Mr Grant,” he said blankly, “the thing is incredible. You were right; but what did you mean? All through this dinner-party, where dukes and duchesses and editors of Quarterlies had come especially to hear him, that extraordinary Wimpole kept perfectly silent. He didn't say a funny thing. He didn't say anything at all. What does it mean?”
Grant pointed to the portly old gentleman on the ground.
“That is what it means,” he said.
Drummond, on observing a fat gentleman lying so calmly about the place, jumped back, as from a mouse.
“What?” he said weakly, “... what?”
Basil bent suddenly down and tore a paper out of Sir Walter's breastpocket, a paper which the baronet, even in his hampered state, seemed to make some effort to retain.
It was a large loose piece of white wrapping paper, which Mr Jasper Drummond read with a vacant eye and undisguised astonishment. As far as he could make out, it consisted of a series of questions and answers, or at least of remarks and replies, arranged in the manner of a catechism. The greater part of the document had been torn and obliterated in the struggle, but the termination remained. It ran as follows:
C. Says... Keep countenance.
W. Keep... British Museum.
C. Know whom talk... absurdities.
W. Never talk absurdities without...
“What is it?” cried Drummond, flinging the paper down in a sort of final fury.
“What is it?” replied Grant, his voice rising into a kind of splendid chant. “What is it? It is a great new profession. A great new trade. A trifle immoral, I admit, but still great, like piracy.”
“A new profession!” said the young man with the red moustache vaguely; “a new trade!”
“A new trade,” repeated Grant, with a strange exultation, “a new profession! What a pity it is immoral.”
“But what the deuce is it?” cried Drummond and I in a breath of blasphemy.
“It is,” said Grant calmly, “the great new trade of the Organizer of Repartee. This fat old gentleman lying on the ground strikes you, as I have no doubt, as very stupid and very rich. Let me clear his character. He is, like ourselves, very clever and very poor. He is also not really at all fat; all that is stuffing. He is not particularly old, and his name is not Cholmondeliegh. He is a swindler, and a swindler of a perfectly delightful and novel kind. He hires himself out at dinner-parties to lead up to other people's repartees. According to a preconcerted scheme (which you may find on that piece of paper), he says the stupid things he has arranged for himself, and his client says the clever things arranged for him. In short, he allows himself to be scored off for a guinea a night.”
“And this fellow Wimpole—” began Drummond with indignation.
“This fellow Wimpole,” said Basil Grant, smiling, “will not be an intellectual rival in the future. He had some fine things, elegance and silvered hair, and so on. But the intellect is with our friend on the floor.”
“That fellow,” cried Drummond furiously, “that fellow ought to be in gaol.”
“Not at all,” said Basil indulgently; “he ought to be in the Club of Queer Trades.”
Chapter 3. The Awful Reason of the Vicar's Visit
The revolt of Matter against Man (which I believe to exist) has now been reduced to a singular condition. It is the small things rather than the large things which make war against us and, I may add, beat us. The bones of the last mammoth have long ago decayed, a mighty wreck; the tempests no longer devour our navies, nor the mountains with hearts of fire heap hell over our cities. But we are engaged in a bitter and eternal war with small things; chiefly with microbes and with collar studs. The stud with which I was engaged (on fierce and equal terms) as I made the above reflections, was one which I was trying to introduce into my shirt collar when a loud knock came at the door.
My first thought was as to whether Basil Grant had called to fetch me. He and I were to turn up at the same dinner-party (for which I was in the act of dressing), and it might be that he had taken it into his head to come my way, though we had arranged to go separately. It was a small and confidential affair at the table of a good but unconventional political lady, an old friend of his. She had asked us both to meet a third guest, a Captain Fraser, who had made something of a name and was an authority on chimpanzees. As Basil was an old friend of the hostess and I had never seen her, I felt that it was quite possible that he (with his usual social sagacity) might have decided to take me along in order to break the ice. The theory, like all my theories, was complete; but as a fact it was not Basil.
I was handed a visiting card inscribed: “Rev. Ellis Shorter”, and underneath was written in pencil, but in a hand in which even hurry could not conceal a depressing and gentlemanly excellence, “Asking the favour of a few moments' conversation on a most urgent matter.”
I had already subdued the stud, thereby proclaiming that the image of God has supremacy over all matters (a valuable truth), and throwing on my dress-coat and waistcoat, hurried into the drawing-room. He rose at my entrance, flapping like a seal; I can use no other description. He flapped a plaid shawl over his right arm; he flapped a pair of pathetic black gloves; he flapped his clothes; I may say, without exaggeration, that he flapped his eyelids, as he rose. He was a bald-browed, white-haired, white-whiskered old clergyman, of a flappy and floppy type. He said:
“I am so sorry. I am so very sorry. I am so extremely sorry. I come—I can only say—I can only say in my defence, that I come—upon an important matter. Pray forgive me.”
I told him I forgave perfectly and waited.
“What I have to say,” he said brokenly, “is so dreadful—it is so dreadful—I have lived a quiet life.”
I was burning to get away, for it was already doubtful if I should be in time for dinner. But there was something about the old man's honest air of bitterness that seemed to open to me the possibilities of life larger and more tragic than my own.
I said gently: “Pray go on.”
Nevertheless the old gentleman, being a gentleman as well as old, noticed my secret impatience and seemed still more unmanned.
“I'm so sorry,” he said meekly; “I wouldn't have come—but for—your friend Major Brown recommended me to come here.”
“Major Brown!” I said, with some interest.
“Yes,” said the Reverend Mr Shorter, feverishly flapping his plaid shawl about. “He told me you helped him in a great difficulty—and my difficulty! Oh, my dear sir, it's a matter of life and death.”
I rose abruptly, in an acute perplexity. “Will it take long, Mr Shorter?” I asked. “I have to go out to dinner almost at once.”
He rose also, trembling from head to foot, and yet somehow, with all his moral palsy, he rose to the dignity of his age and his office.
“I have no right, Mr Swinburne—I have no right at all,” he said. “If you have to go out to dinner, you have of course—a perfect right—of course a perfect right. But when you come back—a man will be dead.”
And he sat down, quaking like a jelly.
The triviality of the dinner had been in those two minutes dwarfed and drowned in my mind. I did not want to go and see a political widow, and a captain who collected apes; I wanted to hear what had brought this dear, doddering old vicar into relation with immediate perils.
“Will you have a cigar?” I said.
“No, thank you,” he said, with indescribable embarrassment, as if not smoking cigars was a social disgrace.
“A glass of wine?” I said.
“No, thank you, no, thank you; not just now,” he repeated with that hysterical eagerness with which people who do not drink at all often try to convey that on any other night of the week they would sit up all night drinking rum-punch. “Not just now, thank you.”
“Nothing else I can get for you?” I said, feeling genuinely sorry for the well-mannered old donkey. “A cup of tea?”
I saw a struggle in his eye and I conquered. When the cup of tea came he drank it like a dipsomaniac gulping brandy. Then he fell back and said:
“I have had such a time, Mr Swinburne. I am not used to these excitements. As Vicar of Chuntsey, in Essex”—he threw this in with an indescribable airiness of vanity—“I have never known such things happen.”
“What things happen?” I asked.
He straightened himself with sudden dignity.
“As Vicar of Chuntsey, in Essex,” he said, “I have never been forcibly dressed up as an old woman and made to take part in a crime in the character of an old woman. Never once. My experience may be small. It may be insufficient. But it has never occurred to me before.”
“I have never heard of it,” I said, “as among the duties of a clergyman. But I am not well up in church matters. Excuse me if perhaps I failed to follow you correctly. Dressed up—as what?”
“As an old woman,” said the vicar solemnly, “as an old woman.”
I thought in my heart that it required no great transformation to make an old woman of him, but the thing was evidently more tragic than comic, and I said respectfully:
“May I ask how it occurred?”
“I will begin at the beginning,” said Mr Shorter, “and I will tell my story with the utmost possible precision. At seventeen minutes past eleven this morning I left the vicarage to keep certain appointments and pay certain visits in the village. My first visit was to Mr Jervis, the treasurer of our League of Christian Amusements, with whom I concluded some business touching the claim made by Parkes the gardener in the matter of the rolling of our tennis lawn. I then visited Mrs Arnett, a very earnest churchwoman, but permanently bedridden. She is the author of several small works of devotion, and of a book of verse, entitled (unless my memory misleads me) Eglantine.”
He uttered all this not only with deliberation, but with something that can only be called, by a contradictory phrase, eager deliberation. He had, I think, a vague memory in his head of the detectives in the detective stories, who always sternly require that nothing should be kept back.
“I then proceeded,” he went on, with the same maddening conscientiousness of manner, “to Mr Carr (not Mr James Carr, of course; Mr Robert Carr) who is temporarily assisting our organist, and having consulted with him (on the subject of a choir boy who is accused, I cannot as yet say whether justly or not, of cutting holes in the organ pipes), I finally dropped in upon a Dorcas meeting at the house of Miss Brett. The Dorcas meetings are usually held at the vicarage, but my wife being unwell, Miss Brett, a newcomer in our village, but very active in church work, had very kindly consented to hold them. The Dorcas society is entirely under my wife's management as a rule, and except for Miss Brett, who, as I say, is very active, I scarcely know any members of it. I had, however, promised to drop in on them, and I did so.
“When I arrived there were only four other maiden ladies with Miss Brett, but they were sewing very busily. It is very difficult, of course, for any person, however strongly impressed with the necessity in these matters of full and exact exposition of the facts, to remember and repeat the actual details of a conversation, particularly a conversation which (though inspired with a most worthy and admirable zeal for good work) was one which did not greatly impress the hearer's mind at the time and was in fact—er—mostly about socks. I can, however, remember distinctly that one of the spinster ladies (she was a thin person with a woollen shawl, who appeared to feel the cold, and I am almost sure she was introduced to me as Miss James) remarked that the weather was very changeable. Miss Brett then offered me a cup of tea, which I accepted, I cannot recall in what words. Miss Brett is a short and stout lady with white hair. The only other figure in the group that caught my attention was a Miss Mowbray, a small and neat lady of aristocratic manners, silver hair, and a high voice and colour. She was the most emphatic member of the party; and her views on the subject of pinafores, though expressed with a natural deference to myself, were in themselves strong and advanced. Beside her (although all five ladies were dressed simply in black) it could not be denied that the others looked in some way what you men of the world would call dowdy.
“After about ten minutes' conversation I rose to go, and as I did so I heard something which—I cannot describe it—something which seemed to—but I really cannot describe it.”
“What did you hear?” I asked, with some impatience.
“I heard,” said the vicar solemnly, “I heard Miss Mowbray (the lady with the silver hair) say to Miss James (the lady with the woollen shawl), the following extraordinary words. I committed them to memory on the spot, and as soon as circumstances set me free to do so, I noted them down on a piece of paper. I believe I have it here.” He fumbled in his breast-pocket, bringing out mild things, note-books, circulars and programmes of village concerts. “I heard Miss Mowbray say to Miss James, the following words: 'Now's your time, Bill.'”
He gazed at me for a few moments after making this announcement, gravely and unflinchingly, as if conscious that here he was unshaken about his facts. Then he resumed, turning his bald head more towards the fire.
“This appeared to me remarkable. I could not by any means understand it. It seemed to me first of all peculiar that one maiden lady should address another maiden lady as 'Bill'. My experience, as I have said, may be incomplete; maiden ladies may have among themselves and in exclusively spinster circles wilder customs than I am aware of. But it seemed to me odd, and I could almost have sworn (if you will not misunderstand the phrase), I should have been strongly impelled to maintain at the time that the words, 'Now's your time, Bill', were by no means pronounced with that upper-class intonation which, as I have already said, had up to now characterized Miss Mowbray's conversation. In fact, the words, 'Now's your time, Bill', would have been, I fancy, unsuitable if pronounced with that upper-class intonation.
“I was surprised, I repeat, then, at the remark. But I was still more surprised when, looking round me in bewilderment, my hat and umbrella in hand, I saw the lean lady with the woollen shawl leaning upright against the door out of which I was just about to make my exit. She was still knitting, and I supposed that this erect posture against the door was only an eccentricity of spinsterhood and an oblivion of my intended departure.
“I said genially, 'I am so sorry to disturb you, Miss James, but I must really be going. I have—er—' I stopped here, for the words she had uttered in reply, though singularly brief and in tone extremely business-like, were such as to render that arrest of my remarks, I think, natural and excusable. I have these words also noted down. I have not the least idea of their meaning; so I have only been able to render them phonetically. But she said,” and Mr Shorter peered short-sightedly at his papers, “she said: 'Chuck it, fat 'ead,' and she added something that sounded like 'It's a kop', or (possibly) 'a kopt'. And then the last cord, either of my sanity or the sanity of the universe, snapped suddenly. My esteemed friend and helper, Miss Brett, standing by the mantelpiece, said: 'Put 'is old 'ead in a bag, Sam, and tie 'im up before you start jawin'. You'll be kopt yourselves some o' these days with this way of doin' things, har lar theater.'
“My head went round and round. Was it really true, as I had suddenly fancied a moment before, that unmarried ladies had some dreadful riotous society of their own from which all others were excluded? I remembered dimly in my classical days (I was a scholar in a small way once, but now, alas! rusty), I remembered the mysteries of the Bona Dea and their strange female freemasonry. I remembered the witches' Sabbaths. I was just, in my absurd lightheadedness, trying to remember a line of verse about Diana's nymphs, when Miss Mowbray threw her arm round me from behind. The moment it held me I knew it was not a woman's arm.
“Miss Brett—or what I had called Miss Brett—was standing in front of me with a big revolver in her hand and a broad grin on her face. Miss James was still leaning against the door, but had fallen into an attitude so totally new, and so totally unfeminine, that it gave one a shock. She was kicking her heels, with her hands in her pockets and her cap on one side. She was a man. I mean he was a wo—no, that is I saw that instead of being a woman she—he, I mean—that is, it was a man.”
Mr Shorter became indescribably flurried and flapping in endeavouring to arrange these genders and his plaid shawl at the same time. He resumed with a higher fever of nervousness:
“As for Miss Mowbray, she—he, held me in a ring of iron. He had her arm—that is she had his arm—round her neck—my neck I mean—and I could not cry out. Miss Brett—that is, Mr Brett, at least Mr something who was not Miss Brett—had the revolver pointed at me. The other two ladies—or er—gentlemen, were rummaging in some bag in the background. It was all clear at last: they were criminals dressed up as women, to kidnap me! To kidnap the Vicar of Chuntsey, in Essex. But why? Was it to be Nonconformists?
“The brute leaning against the door called out carelessly, ''Urry up, 'Arry. Show the old bloke what the game is, and let's get off.'
“'Curse 'is eyes,' said Miss Brett—I mean the man with the revolver—'why should we show 'im the game?'
“'If you take my advice you bloomin' well will,' said the man at the door, whom they called Bill. 'A man wot knows wot 'e's doin' is worth ten wot don't, even if 'e's a potty old parson.'
“'Bill's right enough,' said the coarse voice of the man who held me (it had been Miss Mowbray's). 'Bring out the picture, 'Arry.'
“The man with the revolver walked across the room to where the other two women—I mean men—were turning over baggage, and asked them for something which they gave him. He came back with it across the room and held it out in front of me. And compared to the surprise of that display, all the previous surprises of this awful day shrank suddenly.
“It was a portrait of myself. That such a picture should be in the hands of these scoundrels might in any case have caused a mild surprise; but no more. It was no mild surprise that I felt. The likeness was an extremely good one, worked up with all the accessories of the conventional photographic studio. I was leaning my head on my hand and was relieved against a painted landscape of woodland. It was obvious that it was no snapshot; it was clear that I had sat for this photograph. And the truth was that I had never sat for such a photograph. It was a photograph that I had never had taken.
“I stared at it again and again. It seemed to me to be touched up a good deal; it was glazed as well as framed, and the glass blurred some of the details. But there unmistakably was my face, my eyes, my nose and mouth, my head and hand, posed for a professional photographer. And I had never posed so for any photographer.
“'Be'old the bloomin' miracle,' said the man with the revolver, with ill-timed facetiousness. 'Parson, prepare to meet your God.' And with this he slid the glass out of the frame. As the glass moved, I saw that part of the picture was painted on it in Chinese white, notably a pair of white whiskers and a clerical collar. And underneath was a portrait of an old lady in a quiet black dress, leaning her head on her hand against the woodland landscape. The old lady was as like me as one pin is like another. It had required only the whiskers and the collar to make it me in every hair.
“'Entertainin', ain't it?' said the man described as 'Arry, as he shot the glass back again. 'Remarkable resemblance, parson. Gratifyin' to the lady. Gratifyin' to you. And hi may hadd, particlery gratifyin' to us, as bein' the probable source of a very tolerable haul. You know Colonel Hawker, the man who's come to live in these parts, don't you?'
“I nodded.
“'Well,' said the man 'Arry, pointing to the picture, 'that's 'is mother. 'Oo ran to catch 'im when 'e fell? She did,' and he flung his fingers in a general gesture towards the photograph of the old lady who was exactly like me.
“'Tell the old gent wot 'e's got to do and be done with it,' broke out Bill from the door. 'Look 'ere, Reverend Shorter, we ain't goin' to do you no 'arm. We'll give you a sov. for your trouble if you like. And as for the old woman's clothes—why, you'll look lovely in 'em.'
“'You ain't much of a 'and at a description, Bill,' said the man behind me. 'Mr Shorter, it's like this. We've got to see this man Hawker tonight. Maybe 'e'll kiss us all and 'ave up the champagne when 'e sees us. Maybe on the other 'and—'e won't. Maybe 'e'll be dead when we goes away. Maybe not. But we've got to see 'im. Now as you know, 'e shuts 'isself up and never opens the door to a soul; only you don't know why and we does. The only one as can ever get at 'im is 'is mother. Well, it's a confounded funny coincidence,' he said, accenting the penultimate, 'it's a very unusual piece of good luck, but you're 'is mother.'
“'When first I saw 'er picture,' said the man Bill, shaking his head in a ruminant manner, 'when I first saw it I said—old Shorter. Those were my exact words—old Shorter.'
“'What do you mean, you wild creatures?' I gasped. 'What am I to do?'
“'That's easy said, your 'oldness,' said the man with the revolver, good-humouredly; 'you've got to put on those clothes,' and he pointed to a poke-bonnet and a heap of female clothes in the corner of the room.
“I will not dwell, Mr Swinburne, upon the details of what followed. I had no choice. I could not fight five men, to say nothing of a loaded pistol. In five minutes, sir, the Vicar of Chuntsey was dressed as an old woman—as somebody else's mother, if you please—and was dragged out of the house to take part in a crime.
“It was already late in the afternoon, and the nights of winter were closing in fast. On a dark road, in a blowing wind, we set out towards the lonely house of Colonel Hawker, perhaps the queerest cortege that ever straggled up that or any other road. To every human eye, in every external, we were six very respectable old ladies of small means, in black dresses and refined but antiquated bonnets; and we were really five criminals and a clergyman.
“I will cut a long story short. My brain was whirling like a windmill as I walked, trying to think of some manner of escape. To cry out, so long as we were far from houses, would be suicidal, for it would be easy for the ruffians to knife me or to gag me and fling me into a ditch. On the other hand, to attempt to stop strangers and explain the situation was impossible, because of the frantic folly of the situation itself. Long before I had persuaded the chance postman or carrier of so absurd a story, my companions would certainly have got off themselves, and in all probability would have carried me off, as a friend of theirs who had the misfortune to be mad or drunk. The last thought, however, was an inspiration; though a very terrible one. Had it come to this, that the Vicar of Chuntsey must pretend to be mad or drunk? It had come to this.
“I walked along with the rest up the deserted road, imitating and keeping pace, as far as I could, with their rapid and yet lady-like step, until at length I saw a lamp-post and a policeman standing under it. I had made up my mind. Until we reached them we were all equally demure and silent and swift. When we reached them I suddenly flung myself against the railings and roared out: 'Hooray! Hooray! Hooray! Rule Britannia! Get your 'air cut. Hoop-la! Boo!' It was a condition of no little novelty for a man in my position.
“The constable instantly flashed his lantern on me, or the draggled, drunken old woman that was my travesty. 'Now then, mum,' he began gruffly.
“'Come along quiet, or I'll eat your heart,' cried Sam in my ear hoarsely. 'Stop, or I'll flay you.' It was frightful to hear the words and see the neatly shawled old spinster who whispered them.
“I yelled, and yelled—I was in for it now. I screamed comic refrains that vulgar young men had sung, to my regret, at our village concerts; I rolled to and fro like a ninepin about to fall.
“'If you can't get your friend on quiet, ladies,' said the policeman, 'I shall have to take 'er up. Drunk and disorderly she is right enough.'
“I redoubled my efforts. I had not been brought up to this sort of thing; but I believe I eclipsed myself. Words that I did not know I had ever heard of seemed to come pouring out of my open mouth.
“'When we get you past,' whispered Bill, 'you'll howl louder; you'll howl louder when we're burning your feet off.'
“I screamed in my terror those awful songs of joy. In all the nightmares that men have ever dreamed, there has never been anything so blighting and horrible as the faces of those five men, looking out of their poke-bonnets; the figures of district visitors with the faces of devils. I cannot think there is anything so heart-breaking in hell.
“For a sickening instant I thought that the bustle of my companions and the perfect respectability of all our dresses would overcome the policeman and induce him to let us pass. He wavered, so far as one can describe anything so solid as a policeman as wavering. I lurched suddenly forward and ran my head into his chest, calling out (if I remember correctly), 'Oh, crikey, blimey, Bill.' It was at that moment that I remembered most dearly that I was the Vicar of Chuntsey, in Essex.
“My desperate coup saved me. The policeman had me hard by the back of the neck.
“'You come along with me,' he began, but Bill cut in with his perfect imitation of a lady's finnicking voice.
“'Oh, pray, constable, don't make a disturbance with our poor friend. We will get her quietly home. She does drink too much, but she is quite a lady—only eccentric.'
“'She butted me in the stomach,' said the policeman briefly.
“'Eccentricities of genius,' said Sam earnestly.
“'Pray let me take her home,' reiterated Bill, in the resumed character of Miss James, 'she wants looking after.' 'She does,' said the policeman, 'but I'll look after her.'
“'That's no good,' cried Bill feverishly. 'She wants her friends. She wants a particular medicine we've got.'
“'Yes,' assented Miss Mowbray, with excitement, 'no other medicine any good, constable. Complaint quite unique.'
“'I'm all righ'. Cutchy, cutchy, coo!' remarked, to his eternal shame, the Vicar of Chuntsey.
“'Look here, ladies,' said the constable sternly, 'I don't like the eccentricity of your friend, and I don't like 'er songs, or 'er 'ead in my stomach. And now I come to think of it, I don't like the looks of you, I've seen many as quiet dressed as you as was wrong 'uns. Who are you?'
“'We've not our cards with us,' said Miss Mowbray, with indescribable dignity. 'Nor do we see why we should be insulted by any Jack-in-office who chooses to be rude to ladies, when he is paid to protect them. If you choose to take advantage of the weakness of our unfortunate friend, no doubt you are legally entitled to take her. But if you fancy you have any legal right to bully us, you will find yourself in the wrong box.'
“The truth and dignity of this staggered the policeman for a moment. Under cover of their advantage my five persecutors turned for an instant on me faces like faces of the damned and then swished off into the darkness. When the constable first turned his lantern and his suspicions on to them, I had seen the telegraphic look flash from face to face saying that only retreat was possible now.
“By this time I was sinking slowly to the pavement, in a state of acute reflection. So long as the ruffians were with me, I dared not quit the role of drunkard. For if I had begun to talk reasonably and explain the real case, the officer would merely have thought that I was slightly recovered and would have put me in charge of my friends. Now, however, if I liked I might safely undeceive him.
“But I confess I did not like. The chances of life are many, and it may doubtless sometimes lie in the narrow path of duty for a clergyman of the Church of England to pretend to be a drunken old woman; but such necessities are, I imagine, sufficiently rare to appear to many improbable. Suppose the story got about that I had pretended to be drunk. Suppose people did not all think it was pretence!
“I lurched up, the policeman half-lifting me. I went along weakly and quietly for about a hundred yards. The officer evidently thought that I was too sleepy and feeble to effect an escape, and so held me lightly and easily enough. Past one turning, two turnings, three turnings, four turnings, he trailed me with him, a limp and slow and reluctant figure. At the fourth turning, I suddenly broke from his hand and tore down the street like a maddened stag. He was unprepared, he was heavy, and it was dark. I ran and ran and ran, and in five minutes' running, found I was gaining. In half an hour I was out in the fields under the holy and blessed stars, where I tore off my accursed shawl and bonnet and buried them in clean earth.”
The old gentleman had finished his story and leant back in his chair. Both the matter and the manner of his narration had, as time went on, impressed me favourably. He was an old duffer and pedant, but behind these things he was a country-bred man and gentleman, and had showed courage and a sporting instinct in the hour of desperation. He had told his story with many quaint formalities of diction, but also with a very convincing realism.
“And now—” I began.
“And now,” said Shorter, leaning forward again with something like servile energy, “and now, Mr Swinburne, what about that unhappy man Hawker. I cannot tell what those men meant, or how far what they said was real. But surely there is danger. I cannot go to the police, for reasons that you perceive. Among other things, they wouldn't believe me. What is to be done?”
I took out my watch. It was already half past twelve.
“My friend Basil Grant,” I said, “is the best man we can go to. He and I were to have gone to the same dinner tonight; but he will just have come back by now. Have you any objection to taking a cab?”
“Not at all,” he replied, rising politely, and gathering up his absurd plaid shawl.
A rattle in a hansom brought us underneath the sombre pile of workmen's flats in Lambeth which Grant inhabited; a climb up a wearisome wooden staircase brought us to his garret. When I entered that wooden and scrappy interior, the white gleam of Basil's shirt-front and the lustre of his fur coat flung on the wooden settle, struck me as a contrast. He was drinking a glass of wine before retiring. I was right; he had come back from the dinner-party.
He listened to the repetition of the story of the Rev. Ellis Shorter with the genuine simplicity and respect which he never failed to exhibit in dealing with any human being. When it was over he said simply:
“Do you know a man named Captain Fraser?”
I was so startled at this totally irrelevant reference to the worthy collector of chimpanzees with whom I ought to have dined that evening, that I glanced sharply at Grant. The result was that I did not look at Mr Shorter. I only heard him answer, in his most nervous tone, “No.”
Basil, however, seemed to find something very curious about his answer or his demeanour generally, for he kept his big blue eyes fixed on the old clergyman, and though the eyes were quite quiet they stood out more and more from his head.
“You are quite sure, Mr Shorter,” he repeated, “that you don't know Captain Fraser?”
“Quite,” answered the vicar, and I was certainly puzzled to find him returning so much to the timidity, not to say the demoralization, of his tone when he first entered my presence.
Basil sprang smartly to his feet.
“Then our course is clear,” he said. “You have not even begun your investigation, my dear Mr Shorter; the first thing for us to do is to go together to see Captain Fraser.”