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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography cover

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography

Chapter 144: FOOTNOTES:
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About This Book

A compact collection of essays blending literary criticism, theatrical memoir, and cultural reflection. The author examines poetic tradition and symbolism, offers close readings of earlier poets such as Edmund Spenser, critiques contemporary drama and playwrights including Lady Gregory and J. M. Synge, and reflects on the artist’s social role as prophet, priest, and king. Short pieces probe saints, asceticism, the religious foundations of symbolic art, and the bodily energies that give drama its force. Personal anecdotes about performances, convents, and provincial audiences illuminate broader arguments about reconnecting imaginative life with ordinary people, and the volume closes with brief critical notes and a bibliography.

FOOTNOTES:

[A] Poems of Spenser: Selected and with an Introduction by W. B. Yeats. (T. C. and E. C. Jack, Edinburgh, N.D.)

[B] Rose Kavanagh, the poet, wrote to her religious adviser from, I think, Leitrim, where she lived, and asked him to get her the works of Mazzini. He replied, ‘You must mean Manzone.’

[C] I have heard him say more than once, ‘I will not say our people know good from bad, but I will say that they don’t hate the good when it is pointed out to them as a great many people do in England.’

[D] A small political organizer told me once that he and a certain friend got together somewhere in Tipperary a great meeting of farmers for O’Leary on his coming out of prison, and O’Leary had said at it: ‘The landlords gave us some few leaders, and I like them for that, and the artisans have given us great numbers of good patriots, and so I like them best: but you I do not like at all, for you have never given us any one.’ I have known but one that had his moral courage, and that was a woman with beauty, to give her courage and self-possession.

[E] This version, though Dr. Hyde went some way with it, has never been published. I do not know why.—W.B.Y., March, 1908.

[F] Reprinted from The Wanderings of Oisin, 1889.

[G] Reprinted from The Countess Cathleen, 1892.

[H] Written for the first production of The King’s Threshold in Dublin, but not used, as, owing to the smallness of the company, nobody could be spared to speak it.—W.B.Y., 1904.

[I] Reprinted from The Shadowy Waters, 1900.

[J] Reprinted from In the Seven Woods, 1903.

[K] ‘The Green Sheaf,’ No. IV., published as a supplement a reproduction of a pastel by Mr. Yeats, The Lake at Coole.

[L] The Pot of Broth, contained in this volume, originally appeared in The Gael, (an American Monthly Magazine, printed in New York, partly in Irish and partly in English,) September, 1903.


Transcriber’s Notes:

Obvious punctuation errors repaired.

Page 23, “he” changed to “be” (may be greater)

Page 35, “maybe” changed to “may be” (it may be, generations)

Page 236, “p.” changed to “pp.” (Ghosts, pp. 128-129)

Page 247, “esssay” changed to “essay” (essay originally appeared)