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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography cover

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography

Chapter 3: THE MUSICIAN AND THE ORATOR
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About This Book

A compact collection of essays blending literary criticism, theatrical memoir, and cultural reflection. The author examines poetic tradition and symbolism, offers close readings of earlier poets such as Edmund Spenser, critiques contemporary drama and playwrights including Lady Gregory and J. M. Synge, and reflects on the artist’s social role as prophet, priest, and king. Short pieces probe saints, asceticism, the religious foundations of symbolic art, and the bodily energies that give drama its force. Personal anecdotes about performances, convents, and provincial audiences illuminate broader arguments about reconnecting imaginative life with ordinary people, and the volume closes with brief critical notes and a bibliography.

THE MUSICIAN AND THE ORATOR

Walter Pater says music is the type of all the Arts, but somebody else, I forget now who, that oratory is their type. You will side with the one or the other according to the nature of your energy, and I in my present mood am all for the man who, with an average audience before him, uses all means of persuasion—stories, laughter, tears, and but so much music as he can discover on the wings of words. I would even avoid the conversation of the lovers of music, who would draw us into the impersonal land of sound and colour, and would have no one write with a sonata in his memory. We may even speak a little evil of musicians, having admitted that they will see before we do that melodious crown. We may remind them that the housemaid does not respect the piano-tuner as she does the plumber, and of the enmity that they have aroused among all poets. Music is the most impersonal of things and words the most personal, and that is why musicians do not like words. They masticate them for a long time, being afraid they would not be able to digest them, and when the words are so broken and softened and mixed with spittle that they are not words any longer, they swallow them.