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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography cover

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 8 (of 8) / Discoveries. Edmund Spenser. Poetry and Tradition; and Other Essays. Bibliography

Chapter 4: A GUITAR PLAYER
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About This Book

A compact collection of essays blending literary criticism, theatrical memoir, and cultural reflection. The author examines poetic tradition and symbolism, offers close readings of earlier poets such as Edmund Spenser, critiques contemporary drama and playwrights including Lady Gregory and J. M. Synge, and reflects on the artist’s social role as prophet, priest, and king. Short pieces probe saints, asceticism, the religious foundations of symbolic art, and the bodily energies that give drama its force. Personal anecdotes about performances, convents, and provincial audiences illuminate broader arguments about reconnecting imaginative life with ordinary people, and the volume closes with brief critical notes and a bibliography.

A GUITAR PLAYER

A girl has been playing on the guitar. She is pretty, and if I didn’t listen to her I could have watched her, and if I didn’t watch her I could have listened. Her voice, the movements of her body, the expression of her face, all said the same thing. A player of a different temper and body would have made all different, and might have been delightful in some other way. A movement not of music only but of life came to its perfection. I was delighted and I did not know why until I thought, ‘That is the way my people, the people I see in the mind’s eye, play music, and I like it because it is all personal, as personal as Villon’s poetry.’ The little instrument is quite light, and the player can move freely and express a joy that is not of the fingers and the mind only but of the whole being; and all the while her movements call up into the mind, so erect and natural she is, whatever is most beautiful in her daily life. Nearly all the old instruments were like that, even the organ was once a little instrument, and when it grew big our wise forefathers gave it to God in the cathedrals, where it befits him to be everything. But if you sit at the piano, it is the piano, the mechanism, that is the important thing, and nothing of you means anything but your fingers and your intellect.