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The Comic Latin Grammar: A new and facetious introduction to the Latin tongue

Chapter 103: Transcriber’s Notes
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About This Book

A playful, satirical primer on Latin grammar that teaches parts of speech, syntax, and prosody through witty explanations, caricatures, mock-prefaces, and humorous examples. The text blends genuine grammatical instruction, including pronunciation marked by macrons and breves and notes on vowel and consonant sounds, with parody, jokes, lists, and etched illustrations to make learning more palatable. Some difficult or technical topics are deliberately skirted in favor of light‑hearted exercises and aphorisms, while occasional asides gently lampoon contemporary teaching practices.

 

CHARLES TILT’S
LIST OF NEW AND POPULAR
Books,
FOR PRESENTS, THE DRAWING-ROOM TABLE, &c.

 

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LAY
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ILLUSTRATIONS OF LORD BYRON’S WORKS.

One Hundred and Twenty-six Plates in the highest style of art.

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THE AUTHORS OF ENGLAND,

OR, BIOGRAPHICAL NOTICES OF MODERN LITERARY CHARACTERS.
By HENRY F. CHORLEY.

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NEW AND INTERESTING WORKS.

 

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2. BOSWELL’S LIFE OF JOHNSON.

3. HERVEY’S MEDITATIONS.

4. GOLDSMITH’S MISCELLANEOUS WORKS.

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CHANNING’S ESSAYS. 2 vols.
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COTTIN’S ELIZABETH, OR THE EXILES OF SIBERIA.
* COWPER’S POEMS. 2 vols.
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* GEMS OF WIT AND HUMOUR.
* GEMS FROM AMERICAN POETS.
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⁂ The Work may also be had in Numbers, each containing Four Sheets of Plates, 2s. 6d. plain; 3s. 6d. coloured. —Nine Numbers have appeared.


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Transcriber’s Notes

The Eton Grammar began in the first half of the 16th century as the Brevissima Institutio, later Rudimenta Grammatices, by William Lily, Lilly or Lilye (d. 1522). A 1758 revision acquired the name Eton Latin Grammar. The headers Propria quae maribus and As in Præsenti are from this book, as is the line “Cum multis aliis quæ nunc perscribere longum est”.

īngens, great, Ājax, the name of a hero (p. 152)
Both syllables in “Ajax” are long. Here, the “j” is to be pronounced as a “double letter” (technically an affricate) as in English.

alterĭus has always a short i and alīus a long i (p. 153)
The “i” in “alterius” is conventionally shortened in poetry to accommodate the metre.