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The coming

Chapter 37: XXXVI
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About This Book

A parish vicar confronts a collapse of settled faith and purpose after the outbreak of war, struggling to reconcile his pulpit duties with doubts over providence and masculinity while watching three sons distinguish themselves in different theaters of conflict. The narrative follows his interior crises, his family—an ailing daughter and reverent household—and the tensions between pastoral routine and national turmoil. Through village scenes and sermons, the work examines changing notions of courage, duty, and spiritual authority, tracing how public events reshape private loyalties and provoke moral questioning in a small rural community.

XXXVI

“Well, well,” said Robert Pomfret. At that moment he was a very puzzled man.

“So now you know the worst,” said Brandon, looking at him eagerly. “And that’s why in my humble opinion the thing must stand just as it is. Moreover, you now know why I conceive it my bounden duty to give it to the world. And if it can’t be put up here I shall take it to New York.”

The mention of New York had a visible effect upon Pomfret. “Rather a coincidence,” he said. “Urban Meyer is over here. He’s lunching with me today at the Ritz. You’d better come and meet him.”

It was a grave confession of ignorance, but Brandon owned that the name of Urban Meyer conveyed nothing.

“He’s the biggest thing of his kind in existence. He controls four hundred theaters in the United States, and about the same number in Europe.”

“A sort of Haroun-al-Raschid,” laughed Brandon.

“I’ve already mentioned the play to him. And he’s reading it now. If you will come with me to the Ritz you may get further light on the matter. But if you’re wise you won’t be quite so frank with him as you’ve been with me. A little bird tells me that he’s interested. But he’s a regular Napoleon in business. Still you may like to hear what he has to say, and there’s just a chance that he may save you a journey to New York.”

“He may,” said Brandon, “but I’m not hopeful. His name bewrayeth him.”

“A hyphenated American,” said Pomfret, “but he began life as a little Frankfort Jew. A remarkable man with a still more remarkable career behind him. Exact study of the public taste has made him a millionaire. Still, we’re old friends and I’m bound to say I’ve always found him a very decent fellow. And if you care for human documents I think he will interest you.”

In a fraternal manner they passed the time till one o’clock. About noon a wintry sun came out and they took a gentle turn in the Green Park to get an appetite for luncheon. The shrewdly humorous man of affairs was so full of advice that he was like a kindly uncle. “Whatever you do, my son, don’t talk to Urban Meyer as you’ve talked to me,” was the burden of his homily. Even now the practical Pomfret had not quite overcome a feeling of sheer amazement. A fantastic illusion had declared itself in a brilliant mind, and no matter how cautiously he approached the subject he felt the oppression of its shadow. Continuing his sage advice, he finally led his freakish friend through the revolving doors of the Ritz on the very stroke of one o’clock.