BIRDS OF PASSAGE.
. . come i gru van cantando lor lai, Facendo in aer di se lunga riga. — DANTE
FLIGHT THE FIRST
BIRDS OF PASSAGE
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
Of the shadowy elms
A tide-like darkness overwhelms
The fields that round us lie.
And everywhere
A warm, soft vapor fills the air,
And distant sounds seem near,
Of the star-lit night,
Swift birds of passage wing their flight
Through the dewy atmosphere.
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea.
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
Of the poet's songs,
Murmurs of pleasures, and pains, and wrongs,
The sound of winged words.
Of souls, that high
On toiling, beating pinions, fly,
Seeking a warmer clime,
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme.
PROMETHEUS
OR THE POET'S FORETHOUGHT
On Olympus' shining bastions
His audacious foot he planted,
Myths are told and songs are chanted,
Full of promptings and suggestions.
Of that flight through heavenly portals,
The old classic superstition
Of the theft and the transmission
Of the fire of the Immortals!
Born of heavenward aspiration,
Then the fire with mortals sharing,
Then the vulture,—the despairing
Cry of pain on crags Caucasian.
Of the Poet, Prophet, Seer;
Only those are crowned and sainted
Who with grief have been acquainted,
Making nations nobler, freer.
In their triumph and their yearning,
In their passionate pulsations,
In their words among the nations,
The Promethean fire is burning.
All this toil for human culture?
Through the cloud-rack, dark and trailing,
Must they see above them sailing
O'er life's barren crags the vulture?
By defeat and exile maddened;
Thus were Milton and Cervantes,
Nature's priests and Corybantes,
By affliction touched and saddened.
That around their memories cluster,
And, on all their steps attendant,
Make their darkened lives resplendent
With such gleams of inward lustre!
Through the dreary darkness chanted;
Thoughts in attitudes imperious,
Voices soft, and deep, and serious,
Words that whispered, songs that haunted!
All the quivering, palpitating
Chords of life in utmost tension,
With the fervor of invention,
With the rapture of creating!
In such hours of exultation
Even the faintest heart, unquailing,
Might behold the vulture sailing
Round the cloudy crags Caucasian!
Strength for such sublime endeavor,
Thus to scale the walls of heaven,
And to leaven with fiery leaven
All the hearts of men for ever;
Honor and believe the presage,
Hold aloft their torches lighted,
Gleaming through the realms benighted,
As they onward bear the message!
EPIMETHEUS
OR THE POET'S AFTERTHOUGHT
What I saw as in a vision,
When to marches hymeneal
In the land of the Ideal
Moved my thought o'er Fields Elysian?
Seemed like sunshine gleaming round me?
These the wild, bewildering fancies,
That with dithyrambic dances
As with magic circles bound me?
Pallid cheeks, and haggard bosoms!
Spectral gleam their snow-white dresses,
And from loose dishevelled tresses
Fall the hyacinthine blossoms!
Filled my heart with secret rapture!
Children of my golden leisures!
Must even your delights and pleasures
Fade and perish with the capture?
When they came to me unbidden;
Voices single, and in chorus,
Like the wild birds singing o'er us
In the dark of branches hidden.
Must each noble aspiration
Come at last to this conclusion,
Jarring discord, wild confusion,
Lassitude, renunciation?
From the sun's serene dominions,
Not through brighter realms nor vaster,
In swift ruin and disaster,
Icarus fell with shattered pinions!
Why did mighty Jove create thee
Coy as Thetis, fair as Flora,
Beautiful as young Aurora,
If to win thee is to hate thee?
Of unrest and long resistance
Is but passionate appealing,
A prophetic whisper stealing
O'er the chords of our existence.
Thou, beloved, never leavest;
In life's discord, strife, and clamor,
Still he feels thy spell of glamour;
Him of Hope thou ne'er bereavest.
Struggling souls by thee are strengthened,
Clouds of fear asunder rifted,
Truth from falsehood cleansed and sifted,
Lives, like days in summer, lengthened!
O my Sibyl, my deceiver!
For thou makest each mystery clearer,
And the unattained seems nearer,
When thou fillest my heart with fever!
Though the fields around us wither,
There are ampler realms and spaces,
Where no foot has left its traces:
Let us turn and wander thither!
THE LADDER OF ST. AUGUSTINE
That of our vices we can frame
A ladder, if we will but tread
Beneath our feet each deed of shame!
That with the hour begin and end,
Our pleasures and our discontents,
Are rounds by which we may ascend.
That makes another's virtues less;
The revel of the ruddy wine,
And all occasions of excess;
The strife for triumph more than truth;
The hardening of the heart, that brings
Irreverence for the dreams of youth;
That have their root in thoughts of ill;
Whatever hinders or impedes
The action of the nobler will;—
Beneath our feet, if we would gain
In the bright fields of fair renown
The right of eminent domain.
But we have feet to scale and climb
By slow degrees, by more and more,
The cloudy summits of our time.
That wedge-like cleave the desert airs,
When nearer seen, and better known,
Are but gigantic flights of stairs.
Their solid bastions to the skies,
Are crossed by pathways, that appear
As we to higher levels rise.
Were not attained by sudden flight,
But they, while their companions slept,
Were toiling upward in the night.
With shoulders bent and downcast eyes,
We may discern—unseen before—
A path to higher destinies.
As wholly wasted, wholly vain,
If, rising on its wrecks, at last
To something nobler we attain.
THE PHANTOM SHIP
Of the old colonial time,
May be found in prose the legend
That is here set down in rhyme.
And the keen and frosty airs,
That filled her sails at parting,
Were heavy with good men's prayers.
Thus prayed the old divine—
"To bury our friends in the ocean,
Take them, for they are thine!"
And under his breath said he,
"This ship is so crank and walty
I fear our grave she will be!"
When the winter months were gone,
Brought no tidings of this vessel
Nor of Master Lamberton.
That the Lord would let them hear
What in his greater wisdom
He had done with friends so dear.
It was in the month of June,
An hour before the sunset
Of a windy afternoon,
A ship was seen below,
And they knew it was Lamberton, Master,
Who sailed so long ago.
Right against the wind that blew,
Until the eye could distinguish
The faces of the crew.
Hanging tangled in the shrouds,
And her sails were loosened and lifted,
And blown away like clouds.
Fell slowly, one by one,
And the hulk dilated and vanished,
As a sea-mist in the sun!
Each said unto his friend,
That this was the mould of their vessel,
And thus her tragic end.
Gave thanks to God in prayer,
That, to quiet their troubled spirits,
He had sent this Ship of Air.
THE WARDEN OF THE CINQUE PORTS
The day was just begun,
And through the window-panes, on floor and panel,
Streamed the red autumn sun.
And the white sails of ships;
And, from the frowning rampart, the black cannon
Hailed it with feverish lips.
Were all alert that day,
To see the French war-steamers speeding over,
When the fog cleared away.
Their cannon, through the night,
Holding their breath, had watched, in grim defiance,
The sea-coast opposite.
On every citadel;
Each answering each, with morning salutations,
That all was well.
Replied the distant forts,
As if to summon from his sleep the Warden
And Lord of the Cinque Ports.
No drum-beat from the wall,
No morning gun from the black fort's embrasure,
Awaken with its call!
The long line of the coast,
Shall the gaunt figure of the old Field Marshal
Be seen upon his post!
In sombre harness mailed,
Dreaded of man, and surnamed the Destroyer,
The rampart wall has scaled.
The dark and silent room,
And as he entered, darker grew, and deeper,
The silence and the gloom.
But smote the Warden hoar;
Ah! what a blow! that made all England tremble
And groan from shore to shore.
The sun rose bright o'erhead;
Nothing in Nature's aspect intimated
That a great man was dead.
HAUNTED HOUSES
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapors dense
A vital breath of more ethereal air.
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.
Of earthly wants and aspirations high,
Come from the influence of an unseen star,
An undiscovered planet in our sky.
Throws o'er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,—
A bridge of light, connecting it with this,
O'er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.
IN THE CHURCHYARD AT CAMBRIDGE
Dust is in her beautiful eyes,
No more she breathes, nor feels, nor stirs;
At her feet and at her head
Lies a slave to attend the dead,
But their dust is white as hers.
So much in love with the vanity
And foolish pomp of this world of ours?
Or was it Christian charity,
And lowliness and humility,
The richest and rarest of all dowers?
No color shoots into those cheeks,
Either of anger or of pride,
At the rude question we have asked;
Nor will the mystery be unmasked
By those who are sleeping at her side.
On the terrible pages of that Book
To find her failings, faults, and errors?
Ah, you will then have other cares,
In your own short-comings and despairs,
In your own secret sins and terrors!
THE EMPEROR'S BIRD'S-NEST
With his swarthy, grave commanders,
I forget in what campaign,
Long besieged, in mud and rain,
Some old frontier town of Flanders.
In great boots of Spanish leather,
Striding with a measured tramp,
These Hidalgos, dull and damp,
Cursed the Frenchmen, cursed the weather.
Over upland and through hollow,
Giving their impatience vent,
Perched upon the Emperor's tent,
In her nest, they spied a swallow.
Built of clay and hair of horses,
Mane, or tail, or dragoon's crest,
Found on hedge-rows east and west,
After skirmish of the forces.
As he twirled his gray mustachio,
"Sure this swallow overhead
Thinks the Emperor's tent a shed,
And the Emperor but a Macho!"
Coupled with those words of malice,
Half in anger, half in shame,
Forth the great campaigner came
Slowly from his canvas palace.
Said he solemnly, "nor hurt her!"
Adding then, by way of jest,
"Golondrina is my guest,
'Tis the wife of some deserter!"
Through the camp was spread the rumor,
And the soldiers, as they quaffed
Flemish beer at dinner, laughed
At the Emperor's pleasant humor.
Sat the swallow still and brooded,
Till the constant cannonade
Through the walls a breach had made,
And the siege was thus concluded.
Struck its tents as if disbanding,
Only not the Emperor's tent,
For he ordered, ere he went,
Very curtly, "Leave it standing!"
Loosely flapping, torn and tattered,
Till the brood was fledged and flown,
Singing o'er those walls of stone
Which the cannon-shot had shattered.
THE TWO ANGELS
Passed o'er our village as the morning broke;
The dawn was on their faces, and beneath,
The sombre houses hearsed with plumes of smoke.
Alike their features and their robes of white;
But one was crowned with amaranth, as with flame,
And one with asphodels, like flakes of light.
Then said I, with deep fear and doubt oppressed,
"Beat not so loud, my heart, lest thou betray
The place where thy beloved are at rest!"
Descending, at my door began to knock,
And my soul sank within me, as in wells
The waters sink before an earthquake's shock.
The terror and the tremor and the pain,
That oft before had filled or haunted me,
And now returned with threefold strength again.
And listened, for I thought I heard God's voice;
And, knowing whatsoe'er he sent was best,
Dared neither to lament nor to rejoice.
"My errand is not Death, but Life," he said;
And ere I answered, passing out of sight,
On his celestial embassy he sped.
The angel with the amaranthine wreath,
Pausing, descended, and with voice divine,
Whispered a word that had a sound like Death.
A shadow on those features fair and thin;
And softly, from that hushed and darkened room,
Two angels issued, where but one went in.
The mists collect, the rain falls thick and loud,
Till, with a smile of light on sea and land,
Lo! he looks back from the departing cloud.
Without his leave they pass no threshold o'er;
Who, then, would wish or dare, believing this,
Against his messengers to shut the door?
DAYLIGHT AND MOONLIGHT
In broad daylight, and at noon, Yesterday I saw the moon Sailing high, but faint and white, As a school-boy's paper kite.
In broad daylight, yesterday, I read a Poet's mystic lay; And it seemed to me at most As a phantom, or a ghost.
But at length the feverish day Like a passion died away, And the night, serene and still, Fell on village, vale, and hill.
Then the moon, in all her pride, Like a spirit glorified, Filled and overflowed the night With revelations of her light.
And the Poet's song again Passed like music through my brain; Night interpreted to me All its grace and mystery.
THE JEWISH CEMETERY AT NEWPORT
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!
Wave their broad curtains in the south-wind's breath,
While underneath such leafy tents they keep
The long, mysterious Exodus of Death.
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
And broken by Moses at the mountain's base.
Of foreign accent, and of different climes;
Alvares and Rivera interchange
With Abraham and Jacob of old times.
The mourners said, "and Death is rest and peace";
Then added, in the certainty of faith,
"And giveth Life that never more shall cease."
No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
In the grand dialect the Prophets spake.
And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
Still keeps their graves and their remembrance green.
What persecution, merciless and blind,
Drove o'er the sea—that desert desolate—
These Ishmaels and Hagars of mankind?
Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
The life of anguish and the death of fire.
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
And slaked its thirst with marah of their tears.
That rang from town to town, from street to street;
At every gate the accursed Mordecai
Was mocked and jeered, and spurned by Christian feet.
Walked with them through the world where'er they went;
Trampled and beaten were they as the sand,
And yet unshaken as the continent.
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
They saw reflected in the coming time.
The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
Till life became a Legend of the Dead.
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.
OLIVER BASSELIN
Still is seen an ancient mill,
With its gables quaint and queer,
And beneath the window-sill,
On the stone,
These words alone:
"Oliver Basselin lived here."
Ruined stands the old Chateau;
Nothing but the donjon-keep
Left for shelter or for show.
Its vacant eyes
Stare at the skies,
Stare at the valley green and deep.
Looked, but ah! it looks no more,
From the neighboring hillside down
On the rushing and the roar
Of the stream
Whose sunny gleam
Cheers the little Norman town.
To the water's dash and din,
Careless, humble, and unknown,
Sang the poet Basselin
Songs that fill
That ancient mill
With a splendor of its own.
Broke the pleasant dream he dreamed;
Only made to be his nest,
All the lovely valley seemed;
No desire
Of soaring higher
Stirred or fluttered in his breast.
Were not songs of that high art,
Which, as winds do in the pine,
Find an answer in each heart;
But the mirth
Of this green earth
Laughed and revelled in his line.
Opening on the narrow street,
Came the loud, convivial din,
Singing and applause of feet,
The laughing lays
That in those days
Sang the poet Basselin.
Knights, who fought at Agincourt,
Watched and waited, spur on heel;
But the poet sang for sport
Songs that rang
Another clang,
Songs that lowlier hearts could feel.
Sat the monks in lonely cells,
Paced the cloisters, knelt to pray,
And the poet heard their bells;
But his rhymes
Found other chimes,
Nearer to the earth than they.
Gone are all the knights and squires,
Gone the abbot stern and cold,
And the brotherhood of friars;
Not a name
Remains to fame,
From those mouldering days of old!
Of the landscape makes a part;
Like the river, swift and clear,
Flows his song through many a heart;
Haunting still
That ancient mill,
In the Valley of the Vire.
VICTOR GALBRAITH
At daybreak the bugles began to play,
Victor Galbraith!
In the mist of the morning damp and gray,
These were the words they seemed to say:
"Come forth to thy death,
Victor Galbraith!"
Firm was his step, erect his head;
Victor Galbraith,
He who so well the bugle played,
Could not mistake the words it said:
"Come forth to thy death,
Victor Galbraith!"
He looked at the files of musketry,
Victor Galbraith!
And he said, with a steady voice and eye,
"Take good aim; I am ready to die!"
Thus challenges death
Victor Galbraith.
Six leaden balls on their errand sped;
Victor Galbraith
Falls to the ground, but he is not dead;
His name was not stamped on those balls of lead,
And they only scath
Victor Galbraith.
But he rises out of the dust again,
Victor Galbraith!
The water he drinks has a bloody stain;
"O kill me, and put me out of my pain!"
In his agony prayeth
Victor Galbraith.
And the bugler has died a death of shame,
Victor Galbraith!
His soul has gone back to whence it came,
And no one answers to the name,
When the Sergeant saith,
"Victor Galbraith!"
By night a bugle is heard to play,
Victor Galbraith!
Through the mist of the valley damp and gray
The sentinels hear the sound, and say,
"That is the wraith
Of Victor Galbraith!"
MY LOST YOUTH
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hersperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
How it thundered o'er the tide!
And the dead captains, as they lay
In their graves, o'erlooking the tranquil bay,
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
The shadows of Deering's Woods;
And the friendships old and the early loves
Come back with a sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
Across the schoolboy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
THE ROPEWALK
With its windows all a-row,
Like the port-holes of a hulk,
Human spiders spin and spin,
Backward down their threads so thin
Dropping, each a hempen bulk.
Squares of sunshine on the floor
Light the long and dusky lane;
And the whirring of a wheel,
Dull and drowsy, makes me feel
All its spokes are in my brain.
Downward go and reascend,
Gleam the long threads in the sun;
While within this brain of mine
Cobwebs brighter and more fine
By the busy wheel are spun.
Like white doves upon the wing,
First before my vision pass;
Laughing, as their gentle hands
Closely clasp the twisted strands,
At their shadow on the grass.
With its smell of tan and planks,
And a girl poised high in air
On a cord, in spangled dress,
With a faded loveliness,
And a weary look of care.
And a woman with bare arms
Drawing water from a well;
As the bucket mounts apace,
With it mounts her own fair face,
As at some magician's spell.
Ringing loud the noontide hour,
While the rope coils round and round
Like a serpent at his feet,
And again, in swift retreat,
Nearly lifts him from the ground.
Faces fixed, and stern, and hard,
Laughter and indecent mirth;
Ah! it is the gallows-tree!
Breath of Christian charity,
Blow, and sweep it from the earth!
Gleaming in a sky of light,
And an eager, upward look;
Steeds pursued through lane and field;
Fowlers with their snares concealed;
And an angler by a brook.
Wrecks that float o'er unknown seas,
Anchors dragged through faithless sand;
Sea-fog drifting overhead,
And, with lessening line and lead,
Sailors feeling for the land.
These, and many left untold,
In that building long and low;
While the wheel goes round and round,
With a drowsy, dreamy sound,
And the spinners backward go.
THE GOLDEN MILE-STONE
Spread themselves abroad, like reefs of coral,
Rising silent
In the Red Sea of the Winter sunset.
Like the Afreet in the Arabian story,
Smoky columns
Tower aloft into the air of amber.
Here and there the lamps of evening glimmer,
Social watch-fires
Answering one another through the darkness.
And like Ariel in the cloven pine-tree
For its freedom
Groans and sighs the air imprisoned in them.
Seeing ruined cities in the ashes,
Asking sadly
Of the Past what it can ne'er restore them.
Building castles fair, with stately stairways,
Asking blindly
Of the Future what it cannot give them.
In whose scenes appear two actors only,
Wife and husband,
And above them God the sole spectator.
Wives and children, with fair, thoughtful faces,
Waiting, watching
For a well-known footstep in the passage.
Is the central point, from which he measures
Every distance
Through the gateways of the world around him.
Hears the talking flame, the answering night-wind,
As he heard them
When he sat with those who were, but are not.
Nor the march of the encroaching city,
Drives an exile
From the hearth of his ancestral homestead.
Fill our rooms with paintings and with sculptures,
But we cannot
Buy with gold the old associations!
CATAWBA WINE
Is a Song of the Vine,
To be sung by the glowing embers
Of wayside inns,
When the rain begins
To darken the drear Novembers.
It is not a song
Of the Scuppernong,
From warm Carolinian valleys,
Nor the Isabel
And the Muscadel
That bask in our garden alleys.
Nor the red Mustang,
Whose clusters hang
O'er the waves of the Colorado,
And the fiery flood
Of whose purple blood
Has a dash of Spanish bravado.
For richest and best
Is the wine of the West,
That grows by the Beautiful River;
Whose sweet perfume
Fills all the room
With a benison on the giver.
And as hollow trees
Are the haunts of bees,
For ever going and coming;
So this crystal hive
Is all alive
With a swarming and buzzing and humming.
Very good in its way
Is the Verzenay,
Or the Sillery soft and creamy;
But Catawba wine
Has a taste more divine,
More dulcet, delicious, and dreamy.
There grows no vine
By the haunted Rhine,
By Danube or Guadalquivir,
Nor on island or cape,
That bears such a grape
As grows by the Beautiful River.
Drugged is their juice
For foreign use,
When shipped o'er the reeling Atlantic,
To rack our brains
With the fever pains,
That have driven the Old World frantic.
To the sewers and sinks
With all such drinks,
And after them tumble the mixer;
For a poison malign
Is such Borgia wine,
Or at best but a Devil's Elixir.
While pure as a spring
Is the wine I sing,
And to praise it, one needs but name it;
For Catawba wine
Has need of no sign,
No tavern-bush to proclaim it.
And this Song of the Vine,
This greeting of mine,
The winds and the birds shall deliver
To the Queen of the West,
In her garlands dressed,
On the banks of the Beautiful River.
SANTA FILOMENA
Whene'er is spoken a noble thought,
Our hearts, in glad surprise,
To higher levels rise.
Into our inmost being rolls,
And lifts us unawares
Out of all meaner cares.
Thus help us in our daily needs,
And by their overflow
Raise us from what is low!
Of the great army of the dead,
The trenches cold and damp,
The starved and frozen camp,—
In dreary hospitals of pain,
The cheerless corridors,
The cold and stony floors.
A lady with a lamp I see
Pass through the glimmering gloom,
And flit from room to room.
The speechless sufferer turns to kiss
Her shadow, as it falls
Upon the darkening walls.
Opened and then closed suddenly,
The vision came and went,
The light shone and was spent.
Hereafter of her speech and song,
That light its rays shall cast
From portals of the past.
In the great history of the land,
A noble type of good,
Heroic womanhood.
The palm, the lily, and the spear,
The symbols that of yore
Saint Filomena bore.
THE DISCOVERER OF THE NORTH CAPE
A LEAF FROM KING ALFRED'S OROSIUS
Who dwelt in Helgoland,
To King Alfred, the Lover of Truth,
Brought a snow-white walrus-tooth,
Which he held in his brown right hand.
Like a boy's his eye appeared;
His hair was yellow as hay,
But threads of a silvery gray
Gleamed in his tawny beard.
His cheek had the color of oak;
With a kind of laugh in his speech,
Like the sea-tide on a beach,
As unto the King he spoke.
Had a book upon his knees,
And wrote down the wondrous tale
Of him who was first to sail
Into the Arctic seas.
No man lives north of me;
To the east are wild mountain-chains;
And beyond them meres and plains;
To the westward all is sea.
From the harbor of Skeringes-hale,
If you only sailed by day,
With a fair wind all the way,
More than a month would you sail.
With sheep and swine beside;
I have tribute from the Finns,
Whalebone and reindeer-skins,
And ropes of walrus-hide.
But my heart was ill at ease,
For the old seafaring men
Came to me now and then,
With their sagas of the seas;—
And the stormy Hebrides,
And the undiscovered deep;—
I could not eat nor sleep
For thinking of those seas.
How far I fain would know;
So at last I sallied forth,
And three days sailed due north,
As far as the whale-ships go.
To the right the desolate shore,
But I did not slacken sail
For the walrus or the whale,
Till after three days more.
Till they became as one,
And southward through the haze
I saw the sullen blaze
Of the red midnight sun.
Upon the water's edge,
The huge and haggard shape
Of that unknown North Cape,
Whose form is like a wedge.
The tempest howled and wailed,
And the sea-fog, like a ghost,
Haunted that dreary coast,
But onward still I sailed.
Four days without a night:
Round in a fiery ring
Went the great sun, O King,
With red and lurid light."
Ceased writing for a while;
And raised his eyes from his book,
With a strange and puzzled look,
And an incredulous smile.
He neither paused nor stirred,
Till the King listened, and then
Once more took up his pen,
And wrote down every word.
"Bent southward suddenly,
And I followed the curving shore
And ever southward bore
Into a nameless sea.
The narwhale, and the seal;
Ha! 't was a noble game!
And like the lightning's flame
Flew our harpoons of steel.
Norsemen of Helgoland;
In two days and no more
We killed of them threescore,
And dragged them to the strand!"
Suddenly closed his book,
And lifted his blue eyes,
With doubt and strange surmise
Depicted in their look.
Stared at him wild and weird,
Then smiled, till his shining teeth
Gleamed white from underneath
His tawny, quivering beard.
In witness of the truth,
Raising his noble head,
He stretched his brown hand, and said,
"Behold this walrus-tooth!"
DAYBREAK
A wind came up out of the sea, And said, "O mists, make room for me."
It hailed the ships, and cried, "Sail on, Ye mariners, the night is gone."
And hurried landward far away, Crying, "Awake! it is the day."
It said unto the forest, "Shout! Hang all your leafy banners out!"
It touched the wood-bird's folded wing, And said, "O bird, awake and sing."
And o'er the farms, "O chanticleer, Your clarion blow; the day is near."
It whispered to the fields of corn, "Bow down, and hail the coming morn."
It shouted through the belfry-tower, "Awake, O bell! proclaim the hour."
It crossed the churchyard with a sigh, And said, "Not yet! in quiet lie."
THE FIFTIETH BIRTHDAY OF AGASSIZ
MAY 28, 1857
In the pleasant month of May,
In the beautiful Pays de Vaud,
A child in its cradle lay.
The child upon her knee,
Saying: "Here is a story-book
Thy Father has written for thee."
"Into regions yet untrod;
And read what is still unread
In the manuscripts of God."
With Nature, the dear old nurse,
Who sang to him night and day
The rhymes of the universe.
Or his heart began to fail,
She would sing a more wonderful song,
Or tell a more marvellous tale.
And will not let him go,
Though at times his heart beats wild
For the beautiful Pays de Vaud;
The Ranz des Vaches of old,
And the rush of mountain streams
From glaciers clear and cold;
For his voice I listen and yearn;
It is growing late and dark,
And my boy does not return!"
CHILDREN
For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.
That look towards the sun,
Where thoughts are singing swallows
And the brooks of morning run.
In your thoughts the brooklet's flow,
But in mine is the wind of Autumn
And the first fall of the snow.
If the children were no more?
We should dread the desert behind us
Worse than the dark before.
With light and air for food,
Ere their sweet and tender juices
Have been hardened into wood,—
Through them it feels the glow
Of a brighter and sunnier climate
Than reaches the trunks below.
And whisper in my ear
What the birds and the winds are singing
In your sunny atmosphere.
And the wisdom of our books,
When compared with your caresses,
And the gladness of your looks?
That ever were sung or said;
For ye are living poems,
And all the rest are dead.
SANDALPHON
In the Legends the Rabbins have told
Of the limitless realms of the air,—
Have you read it,—the marvellous story
Of Sandalphon, the Angel of Glory,
Sandalphon, the Angel of Prayer?
Of the City Celestial he waits,
With his feet on the ladder of light,
That, crowded with angels unnumbered,
By Jacob was seen, as he slumbered
Alone in the desert at night?
Chant only one hymn, and expire
With the song's irresistible stress;
Expire in their rapture and wonder,
As harp-strings are broken asunder
By music they throb to express.
Unmoved by the rush of the song,
With eyes unimpassioned and slow,
Among the dead angels, the deathless
Sandalphon stands listening breathless
To sounds that ascend from below;—
From the souls that entreat and implore
In the fervor and passion of prayer;
From the hearts that are broken with losses,
And weary with dragging the crosses
Too heavy for mortals to bear.
And they change into flowers in his hands,
Into garlands of purple and red;
And beneath the great arch of the portal,
Through the streets of the City Immortal
Is wafted the fragrance they shed.
A fable, a phantom, a show,
Of the ancient Rabbinical lore;
Yet the old mediaeval tradition,
The beautiful, strange superstition,
But haunts me and holds me the more.
And the welkin above is all white,
All throbbing and panting with stars,
Among them majestic is standing
Sandalphon the angel, expanding
His pinions in nebulous bars.
Of the hunger and thirst of the heart,
The frenzy and fire of the brain,
That grasps at the fruitage forbidden,
The golden pomegranates of Eden,
To quiet its fever and pain.
FLIGHT THE SECOND
THE CHILDREN'S HOUR
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!
ENCELADUS
It is slumber, it is not death;
For he struggles at times to arise,
And above him the lurid skies
Are hot with his fiery breath.
The earth is heaped on his head;
But the groans of his wild unrest,
Though smothered and half suppressed,
Are heard, and he is not dead.
Are watching with eager eyes;
They talk together and say,
"To-morrow, perhaps to-day,
Euceladus will arise!"
Oppressors in their strength,
Stand aghast and white with fear
At the ominous sounds they hear,
And tremble, and mutter, "At length!"
With the harvest of despair!
Where the burning cinders, blown
From the lips of the overthrown
Enceladus, fill the air.
Over vineyard and field and town,
Whenever he starts and lifts
His head through the blackened rifts
Of the crags that keep him down.
'T is the glare of his awful eyes!
And the storm-wind shouts through the pines
Of Alps and of Apennines,
"Enceladus, arise!"
THE CUMBERLAND
On board of the cumberland, sloop-of-war;
And at times from the fortress across the bay
The alarum of drums swept past,
Or a bugle blast
From the camp on the shore.
A little feather of snow-white smoke,
And we knew that the iron ship of our foes
Was steadily steering its course
To try the force
Of our ribs of oak.
Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
And leaps the terrible death,
With fiery breath,
From each open port.
Defiance back in a full broadside!
As hail rebounds from a roof of slate,
Rebounds our heavier hail
From each iron scale
Of the monster's hide.
In his arrogant old plantation strain.
"Never!" our gallant Morris replies;
"It is better to sink than to yield!"
And the whole air pealed
With the cheers of our men.
She crushed our ribs in her iron grasp!
Down went the Cumberland all a wrack,
With a sudden shudder of death,
And the cannon's breath
For her dying gasp.
Still floated our flag at the mainmast head.
Lord, how beautiful was Thy day!
Every waft of the air
Was a whisper of prayer,
Or a dirge for the dead.
Ye are at peace in the troubled stream;
Ho! brave land! with hearts like these,
Thy flag, that is rent in twain,
Shall be one again,
And without a seam!
SNOW-FLAKES
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
A DAY OF SUNSHINE
O gift of God! O perfect day: Whereon shall no man work, but play; Whereon it is enough for me, Not to be doing, but to be!
Through every fibre of my brain, Through every nerve, through every vein, I feel the electric thrill, the touch Of life, that seems almost too much.
I hear the wind among the trees Playing celestial symphonies; I see the branches downward bent, Like keys of some great instrument.
And over me unrolls on high The splendid scenery of the sky, Where though a sapphire sea the sun Sails like a golden galleon,
Towards yonder cloud-land in the West, Towards yonder Islands of the Blest, Whose steep sierra far uplifts Its craggy summits white with drifts.
Blow, winds! and waft through all the rooms The snow-flakes of the cherry-blooms! Blow, winds! and bend within my reach The fiery blossoms of the peach!
O Life and Love! O happy throng Of thoughts, whose only speech is song! O heart of man! canst thou not be Blithe as the air is, and as free?
SOMETHING LEFT UNDONE
Something still remains undone,
Something uncompleted still
Waits the rising of the sun.
At the threshold, near the gates,
With its menace or its prayer,
Like a mendicant it waits;
Waits, and will not be gainsaid;
By the cares of yesterday
Each to-day is heavier made;
Greater than our strength can bear,
Heavy as the weight of dreams,
Pressing on us everywhere.
Like the dwarfs of times gone by,
Who, as Northern legends say,
On their shoulders held the sky.
WEARINESS
Must wander on through hopes and fears,
Must ache and bleed beneath your load;
I, nearer to the wayside inn
Where toil shall cease and rest begin,
Am weary, thinking of your road!
Have still to serve or rule so long,
Have still so long to give or ask;
I, who so much with book and pen
Have toiled among my fellow-men,
Am weary, thinking of your task.
With such impatient, feverish heat,
Such limitless and strong desires;
Mine that so long has glowed and burned,
With passions into ashes turned
Now covers and conceals its fires.
And crystalline as rays of light
Direct from heaven, their source divine;
Refracted through the mist of years,
How red my setting sun appears,
How lurid looks this soul of mine!