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The Complete Poetical Works of Henry Wadsworth Longfellow

Chapter 57: SONG.
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About This Book

The collection gathers lyric poems, ballads, sonnets, translations, and extended narrative verse that range from intimate domestic meditations to sweeping storytelling. Recurring themes include nature, mortality, moral earnestness, memory, and the passage of time; shorter lyrics emphasize devotional calm and personal reflection while ballads and narrative pieces dramatize storms, historical episodes, and human struggle. The poet favors musical diction, clear imagery, and moral sentiment, alternating quiet introspection with rhythmic narrative and occasional translation and classical allusion throughout.

  Hyp.                Tell us, Padre Cura,
Who are these Gypsies in the neighborhood?

  Padre C.  Beltran Cruzado and his crew.

  Vict.               Kind Heaven,
I thank thee!  She is found! is found again!

  Hyp.  And have they with them a pale, beautiful girl,
Called Preciosa?

  Padre C.         Ay, a pretty girl.
The gentleman seems moved.

  Hyp.       Yes, moved with hunger,
He is half famished with this long day's journey.

  Padre C.  Then, pray you, come this way.  The supper waits.
                                 [Exeunt.
SCENE IV. — A post-house on the road to Segovia, not far from
the village of Guadarrama.  Enter CHISPA, cracking a whip, and
singing the cachucha.

  Chispa.  Halloo!  Don Fulano!  Let us have horses, and quickly.
Alas, poor Chispa! what a dog's life dost thou lead!  I thought,
when I left my old master Victorian, the student, to serve my
new master Don Carlos, the gentleman, that I, too, should lead the
life of a gentleman; should go to bed early, and get up late.
For when the abbot plays cards, what can you expect of the
friars?  But, in running away from the thunder, I have run into
the lightning. Here I am in hot chase after my master and his
Gypsy girl. And a good beginning of the week it is, as he said
who was hanged on Monday morning.

(Enter DON CARLOS)

  Don C.  Are not the horses ready yet?

  Chispa.  I should think not, for the hostler seems to be
asleep. Ho! within there!  Horses! horses! horses!  (He knocks at
the gate  with his whip, and enter MOSQUITO, putting on his
jacket.)

  Mosq.  Pray, have a little patience.  I'm not a musket.

  Chispa.  Health and pistareens!  I'm glad to see you come on
dancing, padre!  Pray, what's the news?

  Mosq.  You cannot have fresh horses; because there are none.

  Chispa.  Cachiporra! Throw that bone to another dog.  Do I look
like your aunt?

  Mosq.  No; she has a beard.

  Chispa.  Go to! go to!

  Mosq.  Are you from Madrid?

  Chispa.  Yes; and going to Estramadura.  Get us horses.

  Mosq.  What's the news at Court?

  Chispa.  Why, the latest news is, that I am going to set up a
coach, and I have already bought the whip.

(Strikes him round the legs.)

  Mosq.  Oh! oh! You hurt me!

  Don C.  Enough of this folly.  Let us have horses.  (Gives
money to MOSQUITO.)  It is almost dark; and we are in haste.  But
tell me, has a band of Gypsies passed this way of late?

  Mosq.  Yes; and they are still in the neighborhood.

  Don C.  And where?

  Mosq.  Across the fields yonder, in the woods near Guadarrama.
                             [Exit.

  Don C.  Now this is lucky.  We will visit the Gypsy camp.

  Chispa.  Are you not afraid of the evil eye?  Have you a stag's
horn with you?

  Don C.  Fear not.  We will pass the night at the village.

  Chispa.  And sleep like the Squires of Hernan Daza, nine under
one blanket.

  Don C.  I hope we may find the Preciosa among them.

  Chispa.  Among the Squires?

  Don C.  No; among the Gypsies, blockhead!

  Chispa.  I hope we may; for we are giving ourselves trouble
enough on her account.  Don't you think so?  However, there is no
catching trout without wetting one's trousers.  Yonder come the
horses.
                              [Exeunt.
SCENE V. — The Gypsy camp in the forest.  Night.  Gypsies
working at a forge.  Others playing cards by the firelight.
Gypsies (at the forge sing).
On the top of a mountain I stand,
With a crown of red gold in my hand,
Wild Moors come trooping over the lea
O how from their fury shall I flee, flee, flee?
O how from their fury shall I flee?

  First Gypsy (playing).  Down with your John-Dorados, my pigeon.
Down with your John-Dorados, and let us make an end.

Gypsies (at the forge sing).

    Loud sang the Spanish cavalier,
     And thus his ditty ran;
    God send the Gypsy lassie here,
     And not the Gypsy man.

  First Gypsy (playing).  There you are in your morocco!

  Second Gypsy.  One more game.  The Alcalde's doves against the
Padre Cura's new moon.

  First Gypsy.  Have at you, Chirelin.

Gypsies (at the forge sing).

  At midnight, when the moon began
    To show her silver flame,
  There came to him no Gypsy man,
    The Gypsy lassie came.

(Enter BELTRAN CRUZADO.)

  Cruz.  Come hither, Murcigalleros and Rastilleros; leave work,
leave play; listen to your orders for the night.  (Speaking to
the right.)  You will get you to the village, mark you, by the
stone cross.

  Gypsies.  Ay!

  Cruz. (to the left).  And you, by the pole with the hermit's
head upon it.

  Gypsies.  Ay!

  Cruz.  As soon as you see the planets are out, in with you, and
be busy with the ten commandments, under the sly, and Saint
Martin asleep.  D'ye hear?

  Gypsies.  Ay!

  Cruz.  Keep your lanterns open, and, if you see a goblin or a
papagayo, take to your trampers.  Vineyards and Dancing John is
the word.  Am I comprehended?

  Gypsies.  Ay! ay!

  Cruz.  Away, then!
(Exeunt severally.  CRUZADO walks up the stage, and disappears
among the trees.  Enter PRECIOSA.)

  Prec.  How strangely gleams through the gigantic trees
The red light of the forge!  Wild, beckoning shadows
Stalk through the forest, ever and anon
Rising and bending with the flickering flame,
Then flitting into darkness!  So within me
Strange hopes and fears do beckon to each other,
My brightest hopes giving dark fears a being
As the light does the shadow.  Woe is me
How still it is about me, and how lonely!

(BARTOLOME rushes in.)

  Bart.  Ho!  Preciosa!

  Prec.                 O Bartolome!
Thou here?

  Bart.    Lo! I am here.

  Prec.         Whence comest thou?

  Bart.  From the rough ridges of the wild Sierra,
From caverns in the rocks, from hunger, thirst,
And fever!  Like a wild wolf to the sheepfold.
Come I for thee, my lamb.

  Prec.               O touch me not!
The Count of Lara's blood is on thy hands!
The Count of Lara's curse is on thy soul!
Do not come near me!  Pray, begone from here
Thou art in danger!  They have set a price
Upon thy head!

  Bart.    Ay, and I've wandered long
Among the mountains; and for many days
Have seen no human face, save the rough swineherd's.
The wind and rain have been my sole companions.
I shouted to them from the rocks thy name,
And the loud echo sent it back to me,
Till I grew mad.  I could not stay from thee,
And I am here!  Betray me, if thou wilt.

  Prec.  Betray thee?  I betray thee?

  Bart.                      Preciosa!
I come for thee! for thee I thus brave death!
Fly with me o'er the borders of this realm!
Fly with me!

  Prec.  Speak of that no more.  I cannot.
I'm thine no longer.

  Bart.               O, recall the time
When we were children! how we played together,
How we grew up together; how we plighted
Our hearts unto each other, even in childhood!
Fulfil thy promise, for the hour has come.
I'm hunted from the kingdom, like a wolf!
Fulfil thy promise.

  Prec.  'T was my father's promise.
Not mine.  I never gave my heart to thee,
Nor promised thee my hand!

  Bart.        False tongue of woman!
And heart more false!

  Prec.           Nay, listen unto me.
I will speak frankly.  I have never loved thee;
I cannot love thee.  This is not my fault,
It is my destiny.  Thou art a man
Restless and violent.  What wouldst thou with me,
A feeble girl, who have not long to live,
Whose heart is broken?  Seek another wife,
Better than I, and fairer; and let not
Thy rash and headlong moods estrange her from thee.
Thou art unhappy in this hopeless passion,
I never sought thy love; never did aught
To make thee love me.  Yet I pity thee,
And most of all I pity thy wild heart,
That hurries thee to crimes and deeds of blood,
Beware, beware of that.

  Bart.               For thy dear sake
I will be gentle.  Thou shalt teach me patience.

  Prec.  Then take this farewell, and depart in peace.
Thou must not linger here.

  Bart.          Come, come with me.

  Prec.  Hark! I hear footsteps.

  Bart.         I entreat thee, come!

  Prec.  Away!  It is in vain.

  Bart.          Wilt thou not come?

  Prec.  Never!

  Bart.         Then woe, eternal woe, upon thee!
Thou shalt not be another's.  Thou shalt die.
                                [Exit.

  Prec.  All holy angels keep me in this hour!
Spirit of her who bore me, look upon me!
Mother of God, the glorified, protect me!
Christ and the saints, be merciful unto me!
Yet why should I fear death?  What is it to die?
To leave all disappointment, care, and sorrow,
To leave all falsehood, treachery, and unkindness,
All ignominy, suffering, and despair,
And be at rest forever!  O dull heart,
Be of good cheer!  When thou shalt cease to beat,
Then shalt thou cease to suffer and complain!

(Enter VICTORIAN and HYPOLITO behind.)

  Vict.  'T is she!  Behold, how beautiful she stands
Under the tent-like trees!

  Hyp.             A woodland nymph!

  Vict.  I pray thee, stand aside.  Leave me.

  Hyp.                         Be wary.
Do not betray thyself too soon.

  Vict. (disguising his voice).  Hist!  Gypsy!

  Prec. (aside, with emotion).
That voice! that voice from heaven!  O speak again!
Who is it calls?

  Vict.           A friend.

  Prec. (aside).   'T is he!  'T is he!
I thank thee, Heaven, that thou hast heard my prayer,
And sent me this protector!  Now be strong,
Be strong, my heart!  I must dissemble here.
False friend or true?

  Vict.  A true friend to the true;
Fear not; come hither.  So; can you tell fortunes?

  Prec.  Not in the dark.  Come nearer to the fire.
Give me your hand.  It is not crossed, I see.

  Vict. (putting a piece of gold into her hand).  There is the
cross.

  Prec.         Is 't silver?

  Vict.                 No, 't is gold.

  Prec.  There's a fair lady at the Court, who loves you,
And for yourself alone.

  Vict.             Fie! the old story!
Tell me a better fortune for my money;
Not this old woman's tale!

  Prec.            You are passionate;
And this same passionate humor in your blood
Has marred your fortune.  Yes; I see it now;
The line of life is crossed by many marks.
Shame! shame!  O you have wronged the maid who loved you!
How could you do it?

  Vict.         I never loved a maid;
For she I loved was then a maid no more.

  Prec.  How know you that?

  Vict.         A little bird in the air
Whispered the secret.

  Prec.  There, take back your gold!
Your hand is cold, like a deceiver's hand!
There is no blessing in its charity!
Make her your wife, for you have been abused;
And you shall mend your fortunes, mending hers.

  Vict. (aside).  How like an angel's speaks the tongue of woman,
When pleading in another's cause her own!
That is a pretty ring upon your finger.
Pray give it me. (Tries to take the ring.)

  Prec.        No; never from my hand
Shall that be taken!

  Vict.            Why, 't is but a ring.
I'll give it back to you; or, if I keep it,
Will give you gold to buy you twenty such.

  Prec.  Why would you have this ring?

  Vict.            A traveller's fancy,
A whim, and nothing more.  I would fain keep it
As a memento of the Gypsy camp
In Guadarrama, and the fortune-teller
Who sent me back to wed a widowed maid.
Pray, let me have the ring.

  Prec.            No, never! never!
I will not part with it, even when I die;
But bid my nurse fold my pale fingers thus,
That it may not fall from them.  'T is a token
Of a beloved friend, who is no more.

  Vict.                     How? dead?

  Prec.  Yes; dead to me; and worse than dead.
He is estranged!  And yet I keep this ring.
I will rise with it from my grave hereafter,
To prove to him that I was never false.

  Vict. (aside).  Be still, my swelling heart! one moment, still!
Why, 't is the folly of a love-sick girl.
Come, give it me, or I will say 't is mine,
And that you stole it.

  Prec.            O, you will not dare
To utter such a falsehood!

  Vict.                    I not dare?
Look in my face, and say if there is aught
I have not dared, I would not dare for thee!

(She rushes into his arms.)

  Prec.  'T is thou! 't is thou!  Yes; yes; my heart's elected!
My dearest-dear Victorian! my soul's heaven!
Where hast thou been so long?  Why didst thou leave me?

  Vict.  Ask me not now, my dearest Preciosa.
Let me forget we ever have been parted!

  Prec.  Hadst thou not come—

  Vict.  I pray thee, do not chide me!

  Prec.  I should have perished here among these Gypsies.

  Vict.  Forgive me, sweet! for what I made thee suffer.
Think'st thou this heart could feel a moment's joy,
Thou being absent?  O, believe it not!
Indeed, since that sad hour I have not slept,
For thinking of the wrong I did to thee
Dost thou forgive me?  Say, wilt thou forgive me?

  Prec.  I have forgiven thee.  Ere those words of anger
Were in the book of Heaven writ down against thee,
I had forgiven thee.

  Vict.            I'm the veriest fool
That walks the earth, to have believed thee false.
It was the Count of Lara—

  Prec.                 That bad man
Has worked me harm enough.  Hast thou not heard—

  Vict.  I have heard all.  And yet speak on, speak on!
Let me but hear thy voice, and I am happy;
For every tone, like some sweet incantation,
Calls up the buried past to plead for me.
Speak, my beloved, speak into my heart,
Whatever fills and agitates thine own.

(They walk aside.)

  Hyp.  All gentle quarrels in the pastoral poets,
All passionate love scenes in the best romances,
All chaste embraces on the public stage,
All soft adventures, which the liberal stars
Have winked at, as the natural course of things,
Have been surpassed here by my friend, the student,
And this sweet Gypsy lass, fair Preciosa!

  Prec.  Senor Hypolito!  I kiss your hand.
Pray, shall I tell your fortune?

  Hyp.                      Not to-night;
For, should you treat me as you did Victorian,
And send me back to marry maids forlorn,
My wedding day would last from now till Christmas.

  Chispa (within).  What ho! the Gypsies, ho!  Beltran Cruzado!
Halloo! halloo! halloo! halloo!

(Enters booted, with a whip and lantern.

  Vict.                   What now
Why such a fearful din?  Hast thou been robbed?

  Chispa.  Ay, robbed and murdered; and good evening to you,
My worthy masters.

  Vict.  Speak; what brings thee here?

  CHISPA (to PRECIOSA).
Good news from Court; good news!  Beltran Cruzado,
The Count of the Cales, is not your father,
But your true father has returned to Spain
Laden with wealth.  You are no more a Gypsy.

  Vict.  Strange as a Moorish tale!

  Chispa.              And we have all
Been drinking at the tavern to your health,
As wells drink in November, when it rains.

  Vict.  Where is the gentlemen?

  Chispa.          As the old song says,
       His body is in Segovia,
         His soul is in Madrid,

  Prec.  Is this a dream?  O, if it be a dream,
Let me sleep on, and do not wake me yet!
Repeat thy story!  Say I'm not deceived!
Say that I do not dream!  I am awake;
This is the Gypsy camp; this is Victorian,
And this his friend, Hypolito!  Speak! speak!
Let me not wake and find it all a dream!

  Vict.  It is a dream, sweet child! a waking dream,
A blissful certainty, a vision bright
Of that rare happiness, which even on earth
Heaven gives to those it loves.  Now art thou rich,
As thou wast ever beautiful and good;
And I am now the beggar.

  Prec. (giving him her hand).  I have still
A hand to give.

  Chispa (aside).  And I have two to take.
I've heard my grandmother say, that Heaven gives almonds
To those who have no teeth.  That's nuts to crack,
I've teeth to spare, but where shall I find almonds?

  Vict.  What more of this strange story?

  Chispa.            Nothing more.
Your friend, Don Carlos, is now at the village
Showing to Pedro Crespo, the Alcalde,
The proofs of what I tell you.  The old hag,
Who stole you in your childhood, has confessed;
And probably they'll hang her for the crime,
To make the celebration more complete.

  Vict.  No; let it be a day of general joy;
Fortune comes well to all, that comes not late.
Now let us join Don Carlos.

  Hyp.                      So farewell,
The student's wandering life!  Sweet serenades,
Sung under ladies' windows in the night,
And all that makes vacation beautiful!
To you, ye cloistered shades of Alcala,
To you, ye radiant visions of romance,
Written in books, but here surpassed by truth,
The Bachelor Hypolito returns,
And leaves the Gypsy with the Spanish Student.




SCENE VI. — A pass in the Guadarrama mountains. Early morning.

A muleteer crosses the stage, sitting sideways on his mule and lighting a paper cigar with flint and steel.

SONG.

If thou art sleeping, maiden,
  Awake and open thy door,
'T is the break of day, and we must away,
  O'er meadow, and mount, and moor.
Wait not to find thy slippers,
  But come with thy naked feet;
We shall have to pass through the dewy grass,
  And waters wide and fleet.

(Disappears down the pass. Enter a Monk. A shepherd appears on the rocks above.)

  Monk.  Ave Maria, gratia plena.  Ola! good man!

  Shep.  Ola!

  Monk.  Is this the road to Segovia?

  Shep.  It is, your reverence.

  Monk.  How far is it?

  Shep.  I do not know.

  Monk.  What is that yonder in the valley?

  Shep.  San Ildefonso.

  Monk.  A long way to breakfast.

  Shep.  Ay, marry.

  Monk.  Are there robbers in these mountains?

  Shep.  Yes, and worse than that.

  Monk.  What?

  Shep.  Wolves.

  Monk.  Santa Maria!  Come with me to San Ildefonso, and thou
shalt be well rewarded.

  Shep.  What wilt thou give me?

  Monk.  An Agnus Dei and my benediction.

(They disappear. A mounted Contrabandista passes, wrapped in his cloak, and a gun at his saddle-bow. He goes down the pass singing.)

SONG.

Worn with speed is my good steed, And I march me hurried, worried; Onward, caballito mio, With the white star in thy forehead! Onward, for here comes the Ronda, And I hear their rifles crack! Ay, jaleo! Ay, ay, jaleo! Ay, jaleo! They cross our track.

(Song dies away.  Enter PRECIOSA, on horseback, attended by
VICTORIAN, HYPOLITO, DON CARLOS, and CHISPA, on foot, and armed.)

  Vict.  This is the highest point.  Here let us rest.
See, Preciosa, see how all about us
Kneeling, like hooded friars, the misty mountains
Receive the benediction of the sun!
O glorious sight!

  Prec.           Most beautiful indeed!

  Hyp.  Most wonderful!

  Vict.        And in the vale below,
Where yonder steeples flash like lifted halberds,
San Ildefonso, from its noisy belfries,
Sends up a salutation to the morn,
As if an army smote their brazen shields,
And shouted victory!

  Prec.            And which way lies Segovia?

  Vict.    At a great distance yonder.
Dost thou not see it?

  Prec.           No.  I do not see it.

  Vict.  The merest flaw that dents the horizon's edge.
There, yonder!

  Hyp.       'T is a notable old town,
Boasting an ancient Roman aqueduct,
And an Alcazar, builded by the Moors,
Wherein, you may remember, poor Gil Blas
Was fed on Pan del Rey.  O, many a time
Out of its grated windows have I looked
Hundreds of feet plumb down to the Eresma,
That, like a serpent through the valley creeping,
Glides at its foot.

  Prec.               O yes!  I see it now,
Yet rather with my heart than with mine eyes,
So faint it is.  And all my thoughts sail thither,
Freighted with prayers and hopes, and forward urged
Against all stress of accident, as in
The Eastern Tale, against the wind and tide
Great ships were drawn to the Magnetic Mountains,
And there were wrecked, and perished in the sea!
(She weeps.)

  Vict.  O gentle spirit!  Thou didst bear unmoved
Blasts of adversity and frosts of fate!
But the first ray of sunshine that falls on thee
Melts thee to tears!  O, let thy weary heart
Lean upon mine! and it shall faint no more,
Nor thirst, nor hunger; but be comforted
And filled with my affection.

  Prec.                Stay no longer!
My father waits.  Methinks I see him there,
Now looking from the window, and now watching
Each sound of wheels or footfall in the street,
And saying, "Hark! she comes!"  O father! father!

(They descend the pass. CHISPA remains behind.)

  Chispa.  I have a father, too, but he is a dead one.  Alas and
alack-a-day.  Poor was I born, and poor do I remain.  I neither
win nor lose.  Thus I was, through the world, half the time on
foot, and the other half walking; and always as merry as a
thunder-storm in the night.  And so we plough along, as the fly
said to the ox.  Who knows what may happen?  Patience, and
shuffle the cards!  I am not yet so bald that you can see my
brains; and perhaps, after all, I shall some day go to Rome, and
come back Saint Peter.  Benedicite!
[Exit.
(A pause.  Then enter BARTOLOME wildly, as if in pursuit, with a
carbine in his hand.)

  Bart.  They passed this way!  I hear their horses' hoofs!
Yonder I see them!  Come, sweet caramillo,
This serenade shall be the Gypsy's last!

(Fires down the pass.)

Ha! ha! Well whistled, my sweet caramillo! Well whistled!—I have missed her!—O my God!

(The shot is returned. BARTOLOME falls).